Depicts a well-dressed lady approaching a table where a striped chair is being held for her by a young black serving boy. At the table are seated a bald and bearded man, and on his left, seated on a sofa, a lady wearing an ermine trimmed robe. The table holds a silver urn and various dishes on a tray. On the walls are two paintings of what appear to be seduction scenes and a wall sconce with mirror
Alternative Title:
One of the tribe of Levi, going to breakfast with a young Christian
Description:
Title from item.
Publisher:
Printed for R. Sayer & J. Bennett ... No. 53 Fleet Street
Subject (Geographic):
England. and England
Subject (Topic):
Jews, Judaism, Relations, Christianity, Sofas, Furniture, Sconces, Paintings, Tableware, Black people, Servants, Interiors, and Clothing & dress
Seated at a table before a fireplace, a fat woman with a mountainous headress faces an ugly man as they play a game of push-pin. On the right is a sofa, while on the wall behind them 2 portraits (male on left and female on right) hang in oval frames, and a scene depicting a dancing bear and two dancing couples hangs above the fireplace
Description:
Title from item., Signed in plate: R.S. [i.e. Richard Sneer] artist and J.L. [i.e. John Lockington?] engraver., and Inlaid to 27 x 37 cm.
Subject (Geographic):
England
Subject (Topic):
Hairstyles, Couples, Games, Interiors, and Clothing & dress
"Gaetan Vestris (right) giving a dancing lesson to a gigantic goose with a human head and long pigtail queue. They face each other in profile. Vestris stands with his legs together, chest thrown out, his arms curved. "Regardez-moi" was his characteristic admonition. On a stool behind the goose is an open book inscribed "Electrical E. E. L."; on the ground at its feet is another inscribed "The Torpedo. Dedicated to Ld------C------. My Lord, I take the Liberty------ The greatness of whose Parts are known. . ." . This indicates that the goose is Lord Cholmondeley (1749-1827), "The Torpedo, a Poem to the Electrical Eel addressed to Mr John Hunter Surgeon" and "Dedicated to . . . Lord Cholmondeley," 4th ed. 1777, was a coarse and scurrilous poem, three lines of which are, "What tho' Lord Ch--lm--d--ly may conceal A most enormous length of Eel Admir'd for Size and bone:"In the wall which forms the background are two sash-windows and a door (left) round which a grinning youth, probably a servant, is looking. On the wall are half length portraits: three in ovals of elderly ladies in profile, one of a clergyman, full-face, wearing a biretta, his left hand on a book. There is also a picture of Fox, with a fox's head, seated opposite Cholmondeley; they are throwing dice. Fox appears satisfied, the other clenches his fist and exclaims in anger. A devil is climbing on the top of the frame and holds out a claw to grab the head of Fox. On the picture are the words "A Nick by God". Like Fox, see BMSat 5972, Cholmondeley held a faro bank at Brooks's. G.E.C., 'Complete Peerage'."-- British Museum online catalogue
Description:
Title from text at bottom of image., Printmaker and date of publication from British Museum catalogue., and Sheet trimmed within plate mark.
Publisher:
publisher not identified
Subject (Geographic):
England
Subject (Name):
Vestris, Gaëtan, 1729-1808, Cholmondeley, George James Cholmondeley, Marquess of, 1749-1827, and Fox, Charles James, 1749-1806
Copy in reverse of the first state of Plate 3 of Hogarth's 'The Rake's Progress' (Paulson 134): A room at the Rose Tavern, Drury Lane (after the painting at Sir John Soane's Museum); to left, Tom, surrounded by prostitutes and clearly drunk, sprawls on a chair with his foot on the table; one young woman embraces him and steals his watch, another spits a stream of gin across the table to the amusement of a young black woman standing in the background; one woman drinks from the punchbowl; another is removing her clothes in order to perform "postures"; to the right, a harpist and a door through which enters a man holding a large dish and a candle, and a pregnant ballad singer holding a sheet lettered "Black Joke"; on the walls hang a map of the world to which a young woman holds a candle and framed prints of Roman emperors, all (except that of Nero) damaged. A second version of the paintings is at the Atkins Museum (Kansas City, Missouri).
Alternative Title:
Rake's progress. Plate 3 and What wretched Fate succeeds his guilty Joys, ...
Description:
Title from text engraved above image., "Plate 3"--Lower right below design., Verses below image in three columns, four lines each: What wretched Fate succeeds his guilty joys, ..., The ornamental borders along the left and right edges are printed from a separate plate (images 25 x 2.8 cm, on plate mark 5.7 x 36.5 cm)., A reissue, with a new publication line and with ornamental borders added, of the third of eight prints in a series; all are copies of the first states of Hogarth's plates with new verses in the columns below the image; copies were made with Hogarth's consent in 1735. See Paulson, R. Hogarth's graphic works (3rd ed.), page 90., and Original publication line: Published with the consent of Mr. William Hogarth by Tho. Bakewell according to Act of Parliament July 1735.
Publisher:
Publish'd wth. [the] consent of Mrs. Hogarth, by Henry Parker, at No. 82 in Cornhill
The Bow Street magistrate and campaigner against gambling, Sampson Wright, is shown seated at a table being assailed by a man who has entered the door on the right. On the left another man (probably meant to be John Bond, Wright's clerk) expresses alarm, and on the right a dismayed youth wipes away a tear
Description:
Title etched below image., Printmaker and date of publication from British Museum catalogue., Sheet trimmed within plate mark., and Mounted to 44 x 29 cm.
Publisher:
Publish'd by Bonde at the Thieftakers Office, Bow Street
Subject (Geographic):
England and London
Subject (Name):
Wright, Sampson, Sir, -1793 and Bond, John, active 1782
Subject (Topic):
Threats, Judges, Gambling, Interiors, and Clothing & dress
A scene inside an apothecary’s shop, with a surprised looking apothecary standing behind the counter serving a shifty looking male customer wearing a Scottish bonnet cap and tartan trousers. Behind the counter is a labelled drug run (a set of drawers for storing medicinal ingredients) and labelled drug jars (for storing prepared medicines); on and in front of the counter are pestles and mortars. The shop has carboys and drug jars on display in the windows to the right. The apothecary holds a plaster iron in his hand and is in the process mixing a preparation. See: Royal Pharmaceutical Society Museum online, Attitudes to Health Collection, Reference 997.17.7.
Description:
Title etched below image., Sheet trimmed within plate mark., Two lines of dialogue etched below title: Please Dockthar to gee me a baubee's worth o' brimstane, its no for mysel but for anither gentleman thats outside., Not in the Catalogue of prints and drawings in the British Museum., and Temporary local Medical Library subject terms: Pharmacies, interior.
A well-dressed young couple are shown in an argument. The woman, seated on a couch, has just overturned her tea table. Cups and saucers litter the floor and the woman's small dog jumps up on her husband who turns away from the scene. A reduced version of George 4549
Description:
Title from item., Publication date burnished from plate., Numbered in plate: 262., and Date estimated from British Museum catalogue, v. 5, Appendix, "Key to the dates of the series of mezzotints issued by Carington Bowles." See Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Printed for Carington Bowles, No. 69 in St. Pauls Church Yard, London
Subject (Geographic):
England
Subject (Topic):
Marriage, Couples, Dogs, Interiors, Furniture, and Clothing & dress
"Satire; a country squire in a bedroom, sitting on the left and holding out strips of paper to two prostitutes who draw lots for him."--British Museum online catalogue
Alternative Title:
Sir Timothy Thicketts first reel to London and Beauties of Kings place
Description:
Title from item. and Sheet trimmed to plate mark.
Publisher:
Printed for R. Sayer & J. Bennett ... No. 53 Fleet Street as the Act directs
Subject (Geographic):
England
Subject (Topic):
Courtesans, Interiors, Beds, Clothing & dress, and Hats
Copy: an expensively furnished interior with an elderly lady wearing an enormous hooped petticoat in conversation with an extravagantly dressed gentleman; to left, a fashionable young lady pats a black page boy under the chin; in the foreground, a monkey wearing a coat and three-cornered hat reads a menu beginning "Pour Dinner/Cox Combs ..."; on the far wall, are pictures including one, labelled "Insects", showing the dancer Philippe Desnoyer, and another showing a statue of Venus with a hooped petticoat and stays
Description:
Title etched above image., The print, after a painting commissioned by Mary Edwards, was made without Hogarth's permission. It is not included in Paulson's catalogue., Copy of: No. 2563 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3., Ms. note in pencil in Steevens's hand: Copy., and On page 105 in volume 2.
Publisher:
publisher not identified
Subject (Topic):
Blacks, Clothing & dress, Dandies, British, Fire screens, Interiors, Monkeys, and Muffs
"An expensively furnished interior with an elderly lady wearing an enormous hooped petticoat in conversation with an extravagantly dressed gentleman; to left, a fashionable young lady pats a black page boy under the chin; in the foreground, a monkey wearing a coat and three-cornered hat reads a menu beginning "Pour Dinner/Cox Combs ..."; on the far wall, are pictures including one, labelled "Insects", showing the dancer Philippe Desnoyer, and another showing a statue of Venus with a hooped petticoat and stays"--British Museum online catalogue
Description:
Title etched above image., The print, after a painting commissioned by Mary Edwards, was made without Hogarth's permission. It is not included in Paulson's catalogue., Ms. note in Steevens's hand in pencil above print: See Nichols's book, 3d. edit. p. 259., and On page 105 in volume 2. Sheet trimmed to: 20.9 x 27.2 cm.
Publisher:
publisher not identified
Subject (Topic):
Blacks, Clothing & dress, Dandies, British, Fire screens, Interiors, Monkeys, and Muffs