Head and shoulders of Isaac D'Israeli, in profile to the right, with features exaggerated. Notes by the artist scribbled above and below image.
Description:
Annotation (signature?) in lower right in pencil: Gillray delin., Date based on publication date of the print entitled "Scientific researches! New discoveries in pneumaticks! ...", which includes a similar but reversed depiction of D'Israeli in profile. Cf. No. 9923 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., From a collection in twelve volumes probably compiled by Francis Harvey and sold at auction, Sotheby, London, June 1900. Bequest of Hugh Dudley Auchincloss to Yale University Library, 1981. Bound by Riviere & Son in three-quarters red morocco with gold tooling and gold lettering on spine., James Gillray, English caricaturist, 1756-1815., and Title devised by curator.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Disraeli, Isaac,--1766-1848--Caricatures and cartoons., and Harvey, Francis--Ownership.
A man with raised arms stands over a fire. Notes by the artist throughout the image and on verso
Description:
Title devised by cataloger., Signed lower left in ink: James Gillray., Illegible jottings throughout the sketch with notes; sketch accompanied by a separate manuscript with details about the sketch., Preliminary sketch, possibly for his print End of the Irish farce of Catholic emancipation, published by H. Humphrey 17 May 1805., and James Gillray, English caricaturist, 1756-1815.
Volume 1, page 49. Original drawings of heads, antiquities, monuments, views, &c. by George Vertue
Image Count:
1
Resource Type:
still image
Description:
Title devised by curator., Date supplied by cataloger., With a description, written in ink, above and to the right of drawing: Painted on the wall in Hungerfords Chapple, Salisbury. This is painted on the wall within Hungerfords Chapple adjoyning to Salisbury Cathedral ..., Inscriptions from the painting are reproduced in ink below image, under the headings "over the gallant young mans head" and "writt over the figure of the sceleton"., and Mounted on page 49 in a volume of ca. 50 drawings that was assembled from works purchased by Horace Walpole at the Vertue sale of 1757. Now bound in red morocco, this volume has Walpole's manuscript title-page: Original drawings of heads, antiquities, monuments, views, &c. by George Vertue and others.
The journal describes an 1849 voyage to San Francisco by way of Cape Horn, working in the bay unloading ships, and the daily routine of gold mining. Windeler, with eight others, formed a company and their account books, containing entries for various other companies, are laid in his journal. There are 107 pencil sketches illustrating the journal, some of which might be attributed to Windeler's friend Carl Christendorff.
Description:
Windeler was a native of Hamburg, Germany who sailed from New York to California as a member of the crew of the ship Probus.
Album of ca. 40 pen and ink, wash, and one color drawing of scenes in Yorkshire, most dated (30 April 1799-9 June 1801) and "drawn on the spot", with the artist's identification of the locales, buildings, and ruins. The first is dated April 30th 1799 and is a view of Fountain's Abbey and followed by several sketches of ships and trees, a cottage, and two views of a bridge with a village in the distance. These sketches are followed by a series 24 non-sequentially numbered sketches, half of which are half-page oval designs. Six more drawings -- wash, pencil, or ink -- follow executed in 1801. The penultimate leaf contains a pencil drawing of The ruins of Wallop Church, dated Ap: 15th 1805 on the verso and a rough sketch of a scene on the verso. The final leaf is a wash drawing of a vista and is signed E. Johnson, JPearson, JPearson and is undated; another rough pencil drawing of trees and tower on the verso
Description:
Artist John Pearson of Ripon., Title devised by cataloger., Binding: Marble boards, leather spine., First recto leaf: a list of "Unbound sketches" not included in this album., On front flyleaf: Jn. Pearson, Ripon. With other faint pencil notes about subjects of drawings., "N.9" on back pastedown., and For further information, consult library staff.
Graham, Elizabeth Susanna Davenport, 1762 or 1763-1844, artist
Published / Created:
August & Septr. 1790.
Call Number:
75 G739 790
Image Count:
44
Abstract:
An album containing drawings of castles, ruins, abbeys, landscapes, roads, and bridges drawn by the artist while on tour in northern Wales in August and September 1790, the year before her marriage. Most of the drawings are titled with names of places visited and are listed on the front flyleaf. On the verso of the fifth drawing, sometime after 1826, the artist has written a short piece entitled "Recollections" in which she compares travelling in Wales in 1790 to the last trip she took in 1826
Description:
Elizabeth Susanna Davenport (1764-1844) was a writer known for her books written for children. She married lawyer Thomas Graham (1751-1814)., Binding: Marble boards, half-leather, with wax seal and stamped with the initiials ESD [i.e. Elizabeth Susanna Davenport]., In the artist's hand on front pastedown: "This is for THF" [i.e. her son Thomas Henry Graham]., and For further information, consult library staff.
An album of sketches largely comprised of images drawn by a traveller in central and southern France in the late 1820s and early 1830s. The images, executed in a variety of media and styles, are mostly skillfully drawn landscapes, elevations of buildings, and people in local costume, with captions in French (with some English), many of which show scenes in the Bagnères-de-Bigorre (September-October 1828) in southwestern France as well as scenes in Pau (1827), Saint-Étienne (1828), Peyrehorade (1828), Nimes (1828), Bayonne (June 1828), Toulouse (May 1829), Montpellier (June 1829), Bordeaux (August 1830), and Royan (1831). The picturesque views include: a shepherd on stilts ('berger des Landes'); a couple on a cacolet at Bayonne; a rear view of a farmer sitting on a wall; a view of a chateau near Toulouse silhouetted against the red night sky, and another of the Tour des Pins at Montpellier glowing in the dark. Several drawings demonstrate an interest in architecture and antiquities: there are detailed, very skilled architectural drawings of the Thermes de Marie Thérèse at Bagnères-de-Bigorre, and Latin inscriptions copied from Roman monuments. Landscape drawings include a tall chestnut tree at the convent of Notre-Dame de Médoux and Narcissa's tomb at Montpellier (with a quote from Young's Night Thoughts). The album also includes five British scenes by another artist: the Tower of Refuge, Isle of Man; Netley Castle in Hampshire England; Carisbrooke Castle, Isle of Wight; the ancient well at Wavertree and Prince Rupert's headquarters, Everton, both near Liverpool (these last two signed 'Alex Aikin').
Description:
In French and English, with some Latin., Title devised by cataloger., Artist unidentified, but is plausibly English; the sketch of Narcissa's tomb at Montpellier has a quote in English from Young's "Night Thoughts"., On different colored papers, with a table of contents, a few leaves previously removed; red glazed paper over pulp boards, green glazed endpapers., and For further information, consult library staff.
Subject (Geographic):
France, England, France., and England.
Subject (Topic):
Grand tours (Education), Buildings, structures, etc, Drawing, British, Monuments & memorials, and Castles & palaces
Five sketches depicting from upper left: two elder women in profile, "A infant Jew. Peter" (a Jupiter-like figure holding a thunderbolt) with an eagle emering from the clouds, a caricature of a man with a look of consernatin in profile, outline of six silhouettes in profile and two in front view, and an image of two figures, half-length, fighting
Description:
Title devised by cataloger. and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Page 121.8. Description of the villa of Horace Walpole ...
Image Count:
1
Resource Type:
still image
Description:
Title devised by curator., Unsigned; questionable attribution to John Chute from local card catalog record., Date based on death date of Horace Walpole, who assembled the extra-illustrated volume in which this drawing is mounted., Two drawings on separate sheets, mounted together one above the other., Annotations accompany the vignettes in the drawings, with "circular room 12 feet high" written in pencil across top of uppermost drawing. Also in the upper drawing, "eight stools" is written in ink next to a circular design, and the notes "fret work inside of roof" and "low head boards pierced ..." are written next to two small depictions of a chimneypiece. In the lower drawing, the notes "flat & square" and "balustrade 2 f. 1/2 high" are written next to a patterned design., Several additional sketches of architectural details, in pen and ink and pencil, are present on the verso of the sheet mounted at top., and Mounted on page 121.8 in Horace Walpole's extra-illustrated copy of: Walpole, H. A description of the villa of Horace Walpole ... Strawberry Hill : Printed by Thomas Kirgate, MDCCLXXIV [1774-1786]. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 22, copy 3.
Subject (Name):
Walpole, Horace, 1717-1797 and Strawberry Hill (Twickenham, London, England)