Inscriptions: Title at top of sheet, scale drawn in below image., Artist's name inscribed by Horace Walpole, recto lower left corner: Rt Adam Archt 1768., Formerly shelved as part of the SH Views collection., and With an ownership stamp in red ink: A.C.
Elevation of a Cottage for the Honorable Horace Walpole, near Strawberry Hill
Description:
Title at top of sheet, scale drawn in below image., Artist's name inscribed by Horace Walpole, recto lower left corner: Robt Adam Architect 1766., Formerly shelved as part of the SH Views collection., and Text from the 1842 Catalogue of the classic contents of Strawberry Hill collected by Horace Walpole: (London Sale, Lot 1248): Ditto [drawings] Views of Strawberry Hill and of the Villa of Lady Diana Beauclerc at Twickenham, by J. Barrow, 1789, and 4 designs for a Cottage, etc. at Strawberry Hill, by Robert Adams, architect, 1767, etc."
Inscription on verso, in ink: "Entrance of the villa at Strawberry Hill. E.E. 1781.", Signed and dated lower right corner of image: "E.E. 1781"., Numbered in pencil on verso: "No. J"., Note in pencil in unknown hand: "The print of this in the Description, 1784 has slight differences: pot with shrub missing, includes more at right, + top. This is surely Edward's original watercolor for the famous print however.", Formerly shelved as part of the SH Views collection., Edward Edwards (1738-1806), English artist, associate and teacher of perspective in the Royal Academy, London., and Not in Manuscript Catalogue of 1763.
Inscriptions: Title at top of sheet, scale drawn in below image., Artist's name inscribed by Horace Walpole, recto lower left corner: Robt Adam archt.1768., and Formerly shelved as part of the SH Views collection.
A view of Newstead Abbey as seen from the front beyond the surrounding stone wall. Two boys, one leaning on the wall the other sitting on it, watch as a coach pulls around the circular drive, in the center of which stands a fountain
Description:
Title and artist from ms. note on verso in Horace Walpole's hand., Inscribed by artist in lower right corner of image: "J.C. Barrow.", Ms. note in pencil, in an unidentified hand, on mount below image: "In the summer of 1798, B. [i.e. Byron] took possession of Newstead Abbey. Drawing was bought at the sale of Horace Walpole's collection, Strawberry Hill, in the year 1842.", Probably part of the collection sold at the StrawberryHill sale, viii, 154, dispersed as described in A.T. Hazen's Catalogue of Horace Walpole's library, no. 3678., and Formerly shelved as part of the SH Views collection.
Subject (Geographic):
England and Nottinghamshire.
Subject (Name):
Byron, George Gordon Byron, Baron, 1788-1824 and Newstead Abbey.
Subject (Topic):
Homes and haunts, Abbeys, Dwellings, and Historic buildings
Title isncribed at top of sheet, scale drawn in design., Artist's name inscribed by Horace Walpole, recto lower left corner: Rt Adam Archt 1768., Formerly shelved as part of the SH Views collection., and For further information, consult library staff.
Title at top of sheet, scale drawn in design., Artist's name inscribed by Horace Walpole, recto lower left corner: Robt Adam Architect 1766.", Formerly shelved as part of the SH Views collection., and For further information, consult library staff.
Inscription in ink on verso, unknown hand: "Strawberry Hill Middx.", Signature in ink on wash-lined mount: "E.E.", Wash-lined mount framed with gold ink., Formerly shelved as part of the SH Views collection., Edward Edwards (1738-1806), English artist, associate and teacher of perspective in the Royal Academy, London., and This drawing is possibly one of a collection dispersed at the Strawberry Hill Sale, 1842, day viii, lot 154. Chewton Collection of Lord Waldegrave, to W.S. Lewis, 1948.
Title written in unknown hand at bottom right of image., Label pasted below image on mount: "Drawn by S. Owen. Engraved by W.B. Cooke. Strawberry Hill. Seat of the Honble. Mrs. Damer." Label probably from a much later engraving published by Cooke., Formerly shelved as part of the SH Views collection., Samuel Owen (1768/9-1857), marine painter. He supplied a series of eighty-four drawings which were engraved by William Bernard Cooke for his work The Thames (1811), and seven others for the Picturesque Tour on the River Thames, published by Owen himself and William Westall in 1828., and Not in Manuscript Catalogue of 1763.