"George IV, dressed as Henry VIII and with cavalry boots decorated with rosettes, sits on the throne (right), shrinking angrily from oxen wearing civic gowns who bow, presenting petitions. All the horns of the oxen are tipped with tiny caps resembling caps of Liberty; a slightly larger pair protects the prongs of a fork held up on the extreme left above the massed heads of the beasts. On this a placard is speared: 'Petitions from every Part of the World--(Hole's and Corner's excepted) to Dismiss the Ministers-- signed by upwards of 999,999--Millions of the Brute Creation.' The petitions of the four beasts in the front row are headed: 'Petition of Lord Mayor & Citizens of London to Dismiss Ministers'; 'Petitions from every part of England & Wales to Dismiss Ministers &c &c &c'; '. . . ions from every Part of Scotland to Dismiss Ministers &c &c &c'; 'Petitions from every part of Ireland . . . [ut supra]'. Hooves rise from cattle behind holding more petitions: 'from Europe'; 'From Asia'; 'from Africa'; 'from America'; 'from every Honest Man'. The canopied throne is raised on a dais of three steps, the footstool is a cushion supported on a (carved) elephant; but the King's feet are drawn back. His right hand is on his hip; he holds an oddly shaped sceptre in the left hand. The back of the throne is framed by carved mannikins with shackled hands and feet; a large crown rests on the heads of the two uppermost. The back of the canopy has a pattern of writhing serpents. Ministers, much caricatured, stand on the right and left of the dais. In the foreground (right) and on the King's left, Wellington, with the apron and steel of a butcher (as in British Museum Satires No. 13288), with gauntlet gloves and with a star on his tunic, holds a blood-stained battle-axe. Sidmouth, as Court-fool, sits in profile to the left on an apothecary's mortar, wearing a double-peaked fool's cap and a star, and holding a bladder which is his clyster-pipe. Behind is Eldon, scowling savagely and holding the mace and the Purse of the Great Seal. A bishop holding a crosier stands on either side of the throne, behind the Ministers. A staff supports an emblematical cask which a naked Bacchus bestrides. On the King's right is Liverpool, holding a tall staff to which a green bag is tied (see British Museum Satires No. 13735). Next him is Castlereagh, blandly sinister, holding a scourge, and with a bunch of keys hanging from his belt; he stares at the petitioners. A tiny Vansittart is beside him, in his Chancellor of the Exchequer's gown, with an 'X' on his breast above a chequered pattern, hung diamond-wise. Immensely fat and absurd beefeaters stand along the back of the room under quasi-Gothic windows of stained glass. All hold tridents and turn their eyes towards the petitioners, grinning grotesquely. Each window is centred by an escutcheon on which a decanter is the chief object. The upper part of each is filled by a design of three large peacock's feathers (see British Museum Satires No. 13299). The Gothic roof, caricaturing that at Carlton House (cf. British Museum Satires No. 11727), is filled with tracery in the form of antlers."--British Museum online catalogue
Description:
Title etched above image., Text below image: Historical fact, King Henry VIII, being petitioned to dismiss his ministers & council, by the citizens of London & many boroughs, to releive [sic] his oppressed subjects, made the citizens this sagacious reply: "We, with all our cabinet, think it strange that ye, who be but brutes, & inexpert folk, shd. tell us who be & who be not fit for our council." Vide La Belle Assemblée for October 1820, p. 151., and Mounted on page 33 of: George Humphrey shop album.
Publisher:
Pubd. by G. Humphrey, Feby. 14, 1821, 27 St. James's Street
Subject (Geographic):
England.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Eldon, John Scott, Earl of, 1751-1838, Wellington, Arthur Wellesley, Duke of, 1769-1852, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Vansittart, Nicholas, 1766-1851, Henry VIII, King of England, 1491-1547., and Dionysus (Greek deity)
Subject (Topic):
Politicians, Boots, Thrones, Oxen, Bowing, Petitions, Liberty cap, Pitchforks, Podiums, Crowns, Scepters, Butchers, Fools & jesters, Mortars & pestles, Medical equipment & supplies, Ceremonial maces, Bishops, Bags, Whips, Honor guards, and Windows
"The King is on the throne (right), with five advisers seated at a round table at the base of the dais; all are thrown into confusion by the arrival of a top-booted messenger (left) who rushes into the room, hair on end, yelling, "The Queen's Arrived!!!" The terrified King screams: "The Devil!!!!" His wig stands on end and his crown falls off; a bottle of 'Curacoa' is upset. The Ministers are engaged on 'Plans for Divorce', a paper so inscribed is on the table; all register terror. The Archbishop of Canterbury says "The Lord have mercy on our vicked Souls," the pious Liverpool says "Amen." All are broadly burlesqued, with goggling eyes and large heads in the manner of Woodward's 'Long Heads' or 'Lilliputians' (cf. British Museum satires nos. 10604, 10889). See British Museum Satires No. 13730, &c."--British Museum online catalogue, description from probable copy of this print
Description:
Title etched below image., Attribution to Robert Cruikshank based on expertise of Andrew Edmunds., Sheet trimmed within plate mark., "Plate 2"--Upper left corner., For an Irish copy of nearly identical composition, see no. 13728 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted on page 17 of: George Humphrey shop album.
Publisher:
Pubd. June 1820 by Benbow, corner of St. Clements Church Yd., Strand
Subject (Geographic):
Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, and Manners-Sutton, Charles, 1755-1828
Subject (Topic):
Divorce, Politicians, Bishops, Messengers, Tables, Crowns, Wigs, Bottles, and Fear
"George IV drives Lady Conyngham in a four-wheeled pony-chaise. He is chubbily obese, in loose trousers and braided jacket, wearing a cap poised on his naturalistic curls (cf. British Museum Satires no. 14637). He turns to the enormously corpulent lady. Both overweight the little chaise, and the very small ponies strain desperately. Behind and on the extreme left is the head of the horse ridden by an attendant. They have just passed a gate with a small octagonal lodge. The drive is bordered by a paling; in the background are stags."--British Museum online catalogue
Alternative Title:
Ponies posed
Description:
Title etched below image., Printmaker from the British Museum catalogue., and Watermark: J. Whatman 1824.
Publisher:
Pub. March 28, 1824, by S.W. Fores, 41 Picadilly [sic], London
Subject (Name):
George IV, King of Great Britain, 1762-1830 and Conyngham, Elizabeth Conyngham, Marchioness, -1861
"In the foreground John Bull, a drink-blotched 'cit', and George IV tug at a large pair of antlers. The King (right): "I tell you Bull I will wear them--I know they will become me--what am I allways to be disappointed." John wears a large white favour in his hat inscribed 'The Queen'; he says: "I'll be D--n'd if you do wear them yet, however much you may deserve them so it is useless contending G--e." At his feet is a large bludgeon: 'John Bull's Oke'. Behind them, a woman, apparently Mrs. Bull, strikes Majocchi, so that his nose gushes blood, saying: "You're one of the Villians from Cotton Garden" [see British Museum Satires No. 13824, &c.]. He falls backwards, saying: "Non mi Ricordo" [see British Museum Satires No. 13827]. In the middle distance behind John (left), stands a woman arm-in-arm with a sailor, who is next a soldier; she waves her handkerchief, saying; "The Queen for ever"; the other two wave their hats, shouting: "Go it John we'll stand by You." Behind the King (right) stand four witnesses: three villainous-looking fops and a woman; they are 'Inhabitants of Cotton Garden'."--British Museum online catalogue
Description:
Title etched below image., Date of publication from the British Museum catalogue., Sheet trimmed within plate mark., and Mounted on page 41 of: George Humphrey shop album.
Publisher:
Pubd. by J.L. Marks, 28 Fetter Lane, Fleet Street
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., George IV, King of Great Britain, 1762-1830, and Majocchi, Theodore, active 1820
Subject (Topic):
John Bull (Symbolic character), Adultery, Antlers, Pulling, Fighting, Witnesses, Sailors, and Soldiers
"The Prince and Britannia stand on each side of the Coronation Chair as in BMSat 7386. Its Gothic carvings are altered to satyrs' heads. On the back of the Chair is a small money-bag inscribed Virtue. The Prince and Britannia stand as before, but the foot which she places on the step inscribed 'The Voice of the People' is a cloven hoof. The next step, 'Publick Safety', is badly cracked; the other steps are blank. No words come from Britannia's mouth; the Prince says, "I woud do the best to please my People". Liberty and Justice are transformed into Sheridan and Fox. Sheridan, wearing ragged clothes, holds the cap of 'Liberty' on a broom; he puts one hand on the Prince's shoulder while he steals a handkerchief from his coat-pocket. Fox, in place of Justice's sword, holds a bludgeon in the head of which is an eye which drips blood (in the coloured version); he holds up an evenly-balanced pair of scales, formed of two dice-boxes. His eye-bandage is pushed up on his forehead and he says, "I have the Voice of the People in my Eye". 'Commerce' is transformed from a comely young woman into a drunken hag who holds up a glass of gin. The Mayor says, "We have not been taxed this twelvemonth". Pitt, instead of being the colleague of the Furies, attacks them: in his left hand he holds up a large conical extinguisher with which he is about to put out the torch of 'Rebellion'. He says, "I could soon extinguish these Puppet Shew Vapours if properly supported". The Fury holds up two torches, one of 'Rebellion', the other 'Puppet Shew'. He puts his left foot on the prostrate head of 'Envy', who is holding up a fire-brand. The third fury (Falsehood) has disappeared. The British Lion looks from behind Britannia's shield snarling ferociously in defence of Pitt."--British Museum online catalogue
Description:
Title etched below image., Attributed to Rowlandson by Grego., Temporary local subject terms: Lord William Gill, 1720-1798: Mayor of London -- Lord Mayors -- Chairs: Satyrs' heads on coronation chair -- Broom as staff of liberty -- Emblems: drunken hag / commerce -- Scales: dice boxes -- Huge candle snuffers -- British lion -- Furies -- Regency crisis., and Mounted to 31 x 47 cm.
Publisher:
Pub. Decr. 29, 1788, by S. Fores No. 3 Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, and Pitt, William, 1759-1806
Extensive dealer, disposing of articles of his own manufacture
Description:
Title from caption below image., Sheet trimmed within plate mark., Publication date based on unverified data from local card catalog record., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Crowns with cuckhold's horns -- Royal arms -- Furniture: sofa -- Auctioneer -- Costume: male, female, 1820 -- Coronets -- Cuckhold's horns., and Watermark: J. Whatman.
Publisher:
publisher not identified
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, and Conyngham, Elizabeth Conyngham, Marchioness, -1861
P- and his reduced household retiring for the summer season and Prince and his reduced household retiring for the summer season
Description:
Title from item., Sheet trimmed to plate mark on top edge., Attribution by British Museum catalogue., Temporary local subject terms: Cradle -- Warming pan -- Gridiron -- Wine raisan -- Hangercoach -- Food -- Coach and horses -- Bellows., and C Patch watermark in center of sheet.
Publisher:
Pub'd as the act directs, for the proprietor, by J. Carter, Oxford Street
Subject (Name):
George IV, King of Great Britain, 1762-1830, Fitzherbert, Maria Anne, 1756-1837, Weltje, Louis, 1745-1810, Hanger, George, 1751?-1824, and Fox, Charles James, 1749-1806
"The Prince of Wales, languid with repletion, leans back in an arm-chair, holding a fork to his mouth. His waistcoat is held together by a single button across his distended stomach. On his right a circular table covered with the remains of a meal, with decanters of 'Port' and 'Brandy', a castor of 'Chian'. Under the table, partly covered by the cloth, are empty wine-bottles. Behind the chair (right) a brimming chamber-pot stands on a table or commode on which are long bills: 'Poulterers Bill . . . unpaid, Butcher's Bill . . . unpaid, Baker's Bill . . . unpaid', and (on the ground) 'Doctors Bill'. In the foreground (right) lie a dice-box and dice with three books: 'Debts of Honor Unpaid', 'Newmarket List', and 'Faro Partnership Account Self Archer Hobart & Co.' On a shelf behind the Prince (right) is a triple stand of jelly-glasses, among which is a small pot: 'For the Piles', and a bottle: 'Drops for a Stinking Breath'. Beside it are a box of 'Leakes Pills', and a bottle of 'Velnos Vegetable Syrup' (see BMSat 7592). On the wall above is a candle-sconce with a burlesque coat of arms for the Prince: a plate with a crossed knife and fork, with his motto, coronet, and feathers; one candle is stuck in a wine-bottle, the other in a wine-glass. Above the Prince's head is a round picture in an elaborate frame inscribed 'L. Comoro, Ætat. 199 [sic]': a half length portrait of a man with a long beard drinking from a glass inscribed 'Aqua'. (Luigi Cornaro of Padua, 1467-1566, published 'Discorri della vita sobria . . .', a treatise on the means of living to extreme old age, describing the ascetic diet by which he had recovered health and vitality when in danger of death at the age of forty. Portrait by Tintoretto, Pitti Palace.) A carpet covers the floor. Through the window is seen the (unfinished) colonnade of Carlton House."--British Museum online catalogue
Description:
Title engraved below image., Companion print to: Temperance enjoying a frugal meal., Sheet trimmed to plate mark., Temporary local Medical Library subject terms: Gastronomy., and 1 print : stipple engraving with etching, hand-colored ; plate mark 36.2 x 29.1 cm.
Publisher:
Pubd. July 2d, 1792, by H. Humphrey, No. 18 Old Bond Street
"The Prince of Wales, languid with repletion, leans back in an arm-chair, holding a fork to his mouth. His waistcoat is held together by a single button across his distended stomach. On his right a circular table covered with the remains of a meal, with decanters of 'Port' and 'Brandy', a castor of 'Chian'. Under the table, partly covered by the cloth, are empty wine-bottles. Behind the chair (right) a brimming chamber-pot stands on a table or commode on which are long bills: 'Poulterers Bill . . . unpaid, Butcher's Bill . . . unpaid, Baker's Bill . . . unpaid', and (on the ground) 'Doctors Bill'. In the foreground (right) lie a dice-box and dice with three books: 'Debts of Honor Unpaid', 'Newmarket List', and 'Faro Partnership Account Self Archer Hobart & Co.' On a shelf behind the Prince (right) is a triple stand of jelly-glasses, among which is a small pot: 'For the Piles', and a bottle: 'Drops for a Stinking Breath'. Beside it are a box of 'Leakes Pills', and a bottle of 'Velnos Vegetable Syrup' (see BMSat 7592). On the wall above is a candle-sconce with a burlesque coat of arms for the Prince: a plate with a crossed knife and fork, with his motto, coronet, and feathers; one candle is stuck in a wine-bottle, the other in a wine-glass. Above the Prince's head is a round picture in an elaborate frame inscribed 'L. Comoro, Ætat. 199 [sic]': a half length portrait of a man with a long beard drinking from a glass inscribed 'Aqua'. (Luigi Cornaro of Padua, 1467-1566, published 'Discorri della vita sobria . . .', a treatise on the means of living to extreme old age, describing the ascetic diet by which he had recovered health and vitality when in danger of death at the age of forty. Portrait by Tintoretto, Pitti Palace.) A carpet covers the floor. Through the window is seen the (unfinished) colonnade of Carlton House."--British Museum online catalogue
Description:
Title engraved below image., Companion print to: Temperance enjoying a frugal meal., Sheet trimmed to plate mark., and Temporary local Medical Library subject terms: Gastronomy.
Publisher:
Pubd. July 2d, 1792, by H. Humphrey, No. 18 Old Bond Street
"George IV, crowned, and with orb and sceptre, sits on a coronation chair in Westminster Abbey (right). The Archbishop, well characterized, stands beside him, holding his mitre, his right hand on the chair. On the King's right hand stands Londonderry (Castlereagh) in Garter robes; other peers stand behind him. All watch the antics of Canning, dressed in parti-coloured clothes as a merry-andrew or buffoon. He kneels on the dais at the King's feet, arms flung wide; at his feet is a high-crowned hat with a peacock's feather; on the back of his tunic are the letters M P and P C. He declaims: The delight of the Nation at the Celebration of your Majesty's Coronation, the Exultation throughout the Creation exceeds all Imagination. the Expectation to which the Anticipation of this Consumation has given occasion is beyond Contemplation; we offer the Oblation of our Congratulation, without Hesitation or Trepidation; no Tribulation can effect a Cessation of the Sensation which pervades every Station; no Situation in whatever Deprivation will utter an Execration for the Association are in Preparation to effect an Extirpation of all Defamation. We hope the Expectation of a Decollation will produce Annihilation of all Deviation from strict Regulation; we submit to Subjugation without Hesitation, and we offer our Oration with gratefull Adoration upon this Jollification. The King composedly touches (or kicks) Canning's chin with his toe. Peeresses stand in a gallery across the north transept, holding their coronets. Above them is a second and more crowded gallery."--British Museum online catalogue
Alternative Title:
Adulation, or, A coronation oration by the George Pudding of the nation, Coronation oration by the Jack Pudding of the nation, and Coronation oration by the George Pudding of the nation
Description:
Title etched below image; the name "George" is scored through and replaced by "Jack" written above., Attributed to Charles Williams in the British Museum catalogue., and Sheet trimmed within plate mark.
Publisher:
Pubd. July 1821 by S.W. Fores, Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830, Castlereagh, Robert Stewart, Viscount, 1769-1822, and Canning, George, 1770-1827