Portrait of Queen Caroline seated on a red armchair wearing a black dress with frilled collar and a black feather hat
Description:
Title written in ink below image., 'P. Contencin’ is possibly Peter Contencin, 1760-1829, born in Islington and married to Elizabeth Leekey, 1760-1805., and Paper watermarked 'Weatherley & Lane 1818'.
Subject (Geographic):
Great Britian.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821,
An album of amateur drawings, with scenes in Kent, East Sussex, Hertfordshire and Surrey. The artist, only identified with the initials 'S.G.L.', provides titles and dates for the majority of the drawings. The first group (thirteen in all) dated 1828 are views in Kent, Sussex, and Hertfordshire, including Leeds Castle, Hythe, Sandgate, Rye, Pevensey Castle, Tunbridge Wells, St. Albans, and Hatfield. The second, larger group of drawings are scenes in and round the village of Bletchingley (sometimes Bletchingly) in Surrey, depicting village life -- for example, the 'Church Yard', 'Parsonage', 'Farm Yard', landscapes with farm houses, country lanes, bridges, and people fishing, andc. -- and include both people and animals. Other views of places in the vicinity are scenes in Nutfield, London Road, Bletchingley from London Road, Rabbit Heath, et cetera All the drawings in or around Bletchingley (thirty-nine in total) are dated between August 14th and October 14th 1829. Several of the drawings are on blue paper and are highlighted with white chalk, conveying a nocturnal quality to the scene. A final group of ten undated, untitled drawings also depict rural scenes, presumably in southeastern England
Alternative Title:
Bletchingley S.G.L. 1828-1829
Description:
In English., Title from contemporary manuscript note on front cover., Album bound in three-quarter leather with marbled-paper boards, with the title written in black ink on front board: Bletchingly S.G.L. 1828 1829. Also with a dark-green morocco spine label gilt-stamped: S.G.L. Bletchingley 1828-29. On front pastedown: a label manuscript note "Laura" scored through and then "Alice" written above., and For further information, consult library staff.
Subject (Geographic):
Bletchingley (England), East Sussex (England), Kent (England), Hertfordshire (England), Surrey (England), England, Surrey., and England.
Subject (Topic):
Country lif, Bridges, Castles & palaces, Fishing, City & town life, and Villages
A group of amateur watercolor drawings that illustrate various scenes from Clara Reeve's Gothic novel The old English baron. The drawings are inserted throughout the printed text of the fourth edition, bound in near the scenes that are depicted. Although untitled, the drawings have been assigned titles that derive from the text
Description:
Collection title devised by cataloger., Each drawing is signed 'C. Boyle' and most are dated with the month, day, and year of production. The artist is probably Charlotte Boyle-Walsingham (1769-1831), who married Lord Henry Fitzgerald in 1791; she legally changed her name to Charlotte FitzGerald-de Ros in 1806, after successfully petitioning to end the abeyance to the Barony of de Ros and becoming 20th Baroness de Ros of Helmsley., Bound in a copy of: Reeve, C. The old English baron: a Gothic story. London : Printed for Charles Dilly, in the Poultry, MDCCLXXXIX [1789]., Lacking the two published plates., Bound in vellum with gilt edges and tooling and with pink silk endpapers., Extra-illustrated with eight watercolor drawings on vellum, produced by Charlotte Boye in 1789 (these drawings are cataloged separately)., Autograph (Fitz-Gerald?) scratched out on page iii., and In red case.
Four watercolors depicting scenes from accounts published in periodicals of the early 1820s, including The Mirror of Literature, Amusement and Instruction (volume I, 1822-23), John Long's Voyages and Travels of an Indian Interpreter and Trader (1791). The Mirror (November 1822) and Knapp and Baldwin's Newgate Calendar (1824)., The first drawing, 'Sultan Mahamoud punishing a Ravisher', from Knapp and Baldwin's Newgate Calendar, 1824, shows the Sultan kneeling surrounded by four women and another man with a dagger in his handl, The second drawing 'Janvier About to Kill the Indian Who had Relieved His Hunger' illustrates the tale of Charles Janvier who with two other servants had been sent by their master, Mr. Fulton, to catch supplies of meat and fish. Saved from hunger by a passing native Canadian, Janvier kills and eats the stranger, a fate he later inflicts on one of his fellow servants, The third sketch, 'A Miser Distracted', is perhaps a depiction of Aesop's fable 'The Miser and his Gold', in which a miser concentrates all his wealth into one lump of gold which he buries before it is stolen from him. Here he is shown kneeling on the ground, arms extended in a gesture of surprise as a couple in the distance run towards a town in the distance, the man clasping a bag, and The fourth and final drawing shows a scene from 'Rescue of the Emperor Basilius Maredo', as he is snagged by a stag whilst hunting; he is saved by the sword of a servant who is subsequently sentenced to death for drawing his sword in the presence of the Emperor
Description:
In English., Title devised by cataloger, based on dealer's description., Artist is unidentified., Drawings on rectos of four leaves of wove paper which are sewn into a wrapper made from an18th-century sugar paper printed advertisement for William Henry Hall's New encylopaedia., and For further information, consult library staff.