The frontispiece to an enlarged version of Henry Fielding's The tragedy of tragedies ... London : Printed and sold by J. Roberts, 1731. Hogarth chose Act II, scene viii, a burlesque of the meeting of Octavia nd Cleopatra in Drydens' All for love. The Princess Huncamunca and the Amazon Glumdalca, rivals for the love of Thumb. Hogarth show Huncamunca with large breasts and heavy arms, thick neck, and cherubic countenance
Description:
Title and date from Paulson., Sheet trimmed to plate mark., Note in Steevens's hand above: Tom thumb / 171., and On page 52 in volume 1.
Hogarth shows Harpagon, the miser, at left, taking time out from the play's climactic scenc to snuff a candle (one is sufficient). Valère (putting on his hat) and Anselm (leaning on the table) are about to discover that they are son and father
Description:
Title, state, publisher, and date from Paulson., Second state with "Act 5. Scene 5" etched below image., Used as a frontispiece to: Select comedies of Mr. de Molière (London : John Watts, 1732)., Sheet trimmed to plate mark., and With ms. note in ink in Horace Walpole's hand(?) below image.
Hogarth shows Harpagon, the miser, at left, taking time out from the play's climactic scenc to snuff a candle (one is sufficient). Valère (putting on his hat) and Anselm (leaning on the table) are about to discover that they are son and father
Description:
Title, state, publisher, and date from Paulson., Third state: Act and scene references have been removed but traces remain., Used as a frontispiece to: Select comedies of Mr. de Molière (London : John Watts, 1732)., Sheet trimmed to plate mark., Ms. note in Steevens's hand above: L'Avare 171., and On page 52 in volume 1.
Hogarth shows Sganarelle coming up behind his wife, who is admiring a miniature portrati of a young man which she had innocently discovered on the ground. Sganarelle is making the cuckold's sign with his right hand over his head
Description:
Title, state, and date from Paulson., Third state: Scene number has been removed but traces remain., Sheet trimmed to plate mark with loss of last two character's in printmaker's name., Ms. note in Steevens's hand above: Cocu Imaginaire / 171., and On page 52 in volume 1.
Frontispiece to James Miller, 'The Humours of Oxford', 2nd edition (London, 1730); scene in a tavern; at centre Haughty, a Fellow of one of the Oxford colleges, sits drunkenly disputing with the Vice-Chancellor, who stands at right; on the other side of the table at left, standing, are Conundrum (another Fellow), also drinking, and a servant, behind Conundrum on the wall, a framed 'Oxford Alm[anac]'; in the doorway, holding a truncheon, the Vice-Chancellor's attendant
Description:
Title and date from Paulson., Date based on other work by Van der Gucht., Sheet trimmed to plate mark., Ms. note in Steevens's hand above: Modern Impression., and On page 52 in volume 1.
Frontispiece to James Miller, 'The Humours of Oxford', 2nd edition (London, 1730); scene in a tavern; at centre Haughty, a Fellow of one of the Oxford colleges, sits drunkenly disputing with the Vice-Chancellor, who stands at right; on the other side of the table at left, standing, are Conundrum (another Fellow), also drinking, and a servant, behind Conundrum on the wall, a framed 'Oxford Alm[anac]'; in the doorway, holding a truncheon, the Vice-Chancellor's attendant
Description:
Title and date from Paulson., Date based on other work by Van der Gucht., Sheet trimmed to plate mark., Ms. note in Steevens's hand above: Humours of Oxford / Old Impression / 169., and On page 52 in volume 1. Sheet trimmed: 17.8 x 11.1 cm.
The prisoner Gulliver is shown being presented to the Queen of Babilary
Alternative Title:
Gulliver presented to the Queen of Babilary
Description:
Title from Paulson., Caption title below image: Gulliver presented to the Queen of Babilary., Sheet trimmed to plate mark., Ms. note above print in Steevens's hand: Gulliver 171., and On page 52 in volume 1. Plate trimmed to: sheet 14.3 x 7.7 cm.
Judith holding a sword by the cutting edge is posed to cut off the head of Holofernes. The print appears opposite the title page of the printed version of William Hogarth's Judith : An Oratorio, or, Sacred drama ... the musick composed by Mr. William de Fesch, late Chapel-Master of the Cathedral Church at Antwerp. London : Printed in the year MDCCXXXIII
Alternative Title:
Per vulnera servor moret tuâ vivens
Description:
Title and date from Paulson., Engraved caption title below image: Per vulnera servor moret tuâ vivens. Virg. Aeneid., Sheet trimmed to plate mark., Ms, note in Steevens' hand in pencil above print: Judith. Another note next to print on right: See Mr Nichol's Book 3d edit. p. 419., and On page 55 in volume 1.