On the street in front of a tavern under a sign with a picture of a crown, the Chief Justice leans on hitching post as he vomits the words "Sec. of State". The other men play at the game "Bob-Cherry", the cherries, hanging from the sign. Behind them in the distance is St. James's Palace
Description:
Title from item., Publisher identified from address., and Watermark: Britannia on the right side, countermark on the left.
Publisher:
Sold at the Print Shop in May's Buildings, Covent Garden
Subject (Name):
Carteret, John, Earl Granville, 1690-1763, Cotton, John Hynde, Sir, 1686-1752, Bath, William Pulteney, Earl of, 1684-1764, Winchilsea, Daniel Finch, Earl of, 1689-1769, Willes, John, Sir, 1685-1761, Chesterfield, Philip Dormer Stanhope, Earl of, 1694-1773, Newcastle, Thomas Pelham-Holles, Duke of, 1693-1768, Pelham, Henry, 1695?-1754, and Pitt, William, Earl of Chatham, 1708-1778
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A dancing-master, playing his small fiddle or kit, dances, facing a stout 'cit' who dances between wife and daughter, holding their hands; another grown-up daughter dances opposite them beside the dancing-master. The 'cit's' leg is extended stiffly. The first daughter says: "Law Pa that's just as when you was drilling for the Whitechaple Volunteers-- only look how Ma and I & sister Clementina does it??--" Pa: "I say Mounseer Caper! don't I come it prime? Ecod I shall cut a Figor!!" The man answers: "Vere vell Sar, Ver Vell you vil danse a merveille vere soon!" On the left a tiny child imitates her father's step, supported by a little sister, while three rather older children dance in a ring. A plainly dressed maiden aunt sits in an armchair (right). A handsomely furnished drawing-room is suggested. The curtains are drawn, candles burn on the chimney piece. On the wall is a bust portrait of an austere-looking man."--British Museum online catalogue, descriptioin of an earlier state
Alternative Title:
Bobbin about to the fiddle. A family rehearsal of quadrille dancing, or, Polishing for a trip to Margate, Familly rehersal of quadrille dancing, and Polishing for a trip to Margate
Description:
Title etched below image., Attributed to Williams in description of earlier state in the British Museum catalogue., Later state; former plate number "390" has been replaced with a new plate number, and imprint statement has been completely burnished from plate., Publication information inferred from earlier state with the imprint: London, Pubd. May 1817 by T. Tegg, 111 Cheapside. Cf. No. 12932 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Plate numbered "194" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Also issued separately., Sheet trimmed within plate mark., 1 print : etching on wove paper, hand-colored ; plate mark 24.9 x 35.2 cm, on sheet 25.6 x 41.8 cm., and Leaf 48 in volume 3.
Publisher:
Thomas Tegg
Subject (Topic):
Children, Couples, Dance, Families, Musicians, and Parlors
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A dancing-master, playing his small fiddle or kit, dances, facing a stout 'cit' who dances between wife and daughter, holding their hands; another grown-up daughter dances opposite them beside the dancing-master. The 'cit's' leg is extended stiffly. The first daughter says: "Law Pa that's just as when you was drilling for the Whitechaple Volunteers-- only look how Ma and I & sister Clementina does it??--" Pa: "I say Mounseer Caper! don't I come it prime? Ecod I shall cut a Figor!!" The man answers: "Vere vell Sar, Ver Vell you vil danse a merveille vere soon!" On the left a tiny child imitates her father's step, supported by a little sister, while three rather older children dance in a ring. A plainly dressed maiden aunt sits in an armchair (right). A handsomely furnished drawing-room is suggested. The curtains are drawn, candles burn on the chimney piece. On the wall is a bust portrait of an austere-looking man."--British Museum online catalogue, descriptioin of an earlier state
Alternative Title:
Bobbin about to the fiddle. A family rehearsal of quadrille dancing, or, Polishing for a trip to Margate, Familly rehersal of quadrille dancing, and Polishing for a trip to Margate
Description:
Title etched below image., Attributed to Williams in description of earlier state in the British Museum catalogue., Later state; former plate number "390" has been replaced with a new plate number, and imprint statement has been completely burnished from plate., Publication information inferred from earlier state with the imprint: London, Pubd. May 1817 by T. Tegg, 111 Cheapside. Cf. No. 12932 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Plate numbered "194" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Also issued separately., and Sheet trimmed within plate mark.
Publisher:
Thomas Tegg
Subject (Topic):
Children, Couples, Dance, Families, Musicians, and Parlors
A stout man reclines on a chaise-longue, a bolster pillow supporting his knees as a small cup meets his lips. Above this, a small tube descends from a bowl labeled 'Barcelonie'. On the wall are two wheels and the mechanism that pours and decants the wine and cracks the nuts
Alternative Title:
Body fanner, nut-cracker and wine helper, for the heats of summer
Description:
Title from text below image., Series title etched above image., Later edition attributes these plates to Robert Seymour: Living made easy : dedicated to the Utilitarian Society : twelve humorous subjects / designed by R. Seymour. New-York : Published by E.S. Mesier, 28 Wall Street, 1832., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: J. Whatman Turkey Mill 1829.
Publisher:
Pubd. by T. McLean, 26 Haymarket and Printed by J. Netherclift
Subject (Topic):
Automation, Couches, Eating & drinking, Machinery, Nuts, and Wine
Title from item., Date inferred from printmaker's street address; Garnett Terry occupied various numbers on Paternoster Row from 1770 to 1796. See British Museum online catalogue., Sheet trimmed within plate mark at top and bottom., Text within banners surrounding central image, clockwise from upper right: Toupees; Wholesale & Retail; Cushion's; Braids; Perfumery; Wigs., and For further information, consult library staff.
Title etched below image., Publication date based on date assigned to a similar print entitled "The bolero", of which this print may be a close copy. Cf. No. 13141 the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
"Another and probably later version of BMSat 5606; the two men have labels coming from their mouths containing words, and are more correctly drawn. The house on the right. is a more important building and its door has a plate inscribed "Lieut: Genl Bombardi. . N° 40". Grey Cooper stands at a different angle, showing more than his profile, his forefinger is laid against his cheek. He is saying "Then - My Led and I - his Ledship introduced the Affair you and I know of". Sir R. Hamilton (Bombardinian) answers "Hum-Aye-Mum". The same quotation from Churchill is engraved under the title. An inscription etched in the lower right. corner has been obliterated, the last words seem to resemble "J. Sayers."."--British Museum online catalogue
Description:
Title etched below image., Printmaker, publisher, and publication date from British Museum catalogue., One line of verse below title: "Important blanks in Natures mighty roll." Churchill., Traces of text burnished from plate in lower right corner of the image., Sheet trimmed to plate mark., Temporary local subject terms: Robert Hamilton, 4th Bt., d. 1786 (Bombardinian) -- Mythology: Temple of Fame on Parnassus -- Military uniforms: Lt. General, 40th Regiment of Foot -- Scandals: Sir Robert Hamilton, 1779 -- Dogs -- Cradles -- Orders: Order of the Thistle -- Literature: quotation from Charles Churchill, 1731-1764 -- Fame, with wreath and trumpet -- Bundles: childbed linens -- Documents -- Altars., and 1 print on laid paper: etching ; plate mark 34 x 25.8 cm., on sheet 39 x 27 cm.
"Another and probably later version of BMSat 5606; the two men have labels coming from their mouths containing words, and are more correctly drawn. The house on the right. is a more important building and its door has a plate inscribed "Lieut: Genl Bombardi. . N° 40". Grey Cooper stands at a different angle, showing more than his profile, his forefinger is laid against his cheek. He is saying "Then - My Led and I - his Ledship introduced the Affair you and I know of". Sir R. Hamilton (Bombardinian) answers "Hum-Aye-Mum". The same quotation from Churchill is engraved under the title. An inscription etched in the lower right. corner has been obliterated, the last words seem to resemble "J. Sayers."."--British Museum online catalogue
Description:
Title etched below image., Printmaker, publisher, and publication date from British Museum catalogue., One line of verse below title: "Important blanks in Natures mighty roll." Churchill., Traces of text burnished from plate in lower right corner of the image., Sheet trimmed to plate mark., Temporary local subject terms: Robert Hamilton, 4th Bt., d. 1786 (Bombardinian) -- Mythology: Temple of Fame on Parnassus -- Military uniforms: Lt. General, 40th Regiment of Foot -- Scandals: Sir Robert Hamilton, 1779 -- Dogs -- Cradles -- Orders: Order of the Thistle -- Literature: quotation from Charles Churchill, 1731-1764 -- Fame, with wreath and trumpet -- Bundles: childbed linens -- Documents -- Altars., Matted to 48 x 39 cm., and Watermark: J Whatman.
"A dandy (left), opera-hat in hand, bends towards a lady to inspect her necklace through his glass. He has the short waist, high collar, and conspicuous watch-ribbon of the dandies, with long tight pantaloons to the ankle (cf. No. 13029). She wears a short white ball-dress, and holds up a closed fan, a shawl over her left arm. She stands at the foot of a staircase on which are flowering plants in ornamental pots. Below the title: '"Pon honor Lady Caroline, You appear a "divinity! -by Jove those Jewels are of the premiere "qualité, did Love furnish them? "On my truth Sir William You are a gay Man.'"--British Museum online catalogue
Description:
Title from caption below image., Printmaker and date from British Museum catalogue., "One of prints (coloured) by, after, or attributed to G. Cruikshank [many were closely copied and unless original and copy can be compared they are difficult to distinguish; some attributed by Reid or Cohn to Cruikshank are in the manner of the supposed copyist; some are probably by I. R. Cruikshank], from a set issued c. 1817 to c. 1819 ... She resembles Lady Caroline Lamb, the most conspicuous Lady Caroline of the day. There was a jeweller named Love."--British Museum curator's comment., Attributed to Captain Hehl in British Museum catalogue., and Sheet trimmed within plate mark.