Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[13 February 1773]
Call Number:
Bunbury 773.02.13.01+
Image Count:
1
Resource Type:
still image
Abstract:
"Satire on an English post courier (as opposed to a French courier, see British Museum Satires No. 4737): a man on horseback, blowing a horn, with an enormous sack at his back; he rides along a country road towards the right where a gibbet stands with two hanging bodies."--British Museum online catalogue, description of a later state
Description:
Title from text below image., Initial letters of artist's name in signature form a monogram., Early state. For later states with altered imprint statements, see Lewis Walpole Library call no. Bunbury 774.05.03.01+ and no. 4736 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., Likely companion print to: Courier francois., and Temporary local subject terms: Couriers -- Post-horns.
Publisher:
Publish'd as the act directs, 13th Feby. 1773, by J. Bretherton, No. 134, New Bond Street
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[3 May 1774]
Call Number:
Bunbury 774.05.03.01+ Impression 1
Image Count:
1
Resource Type:
still image
Description:
Title from text below image., Initial letters of artist's name in signature form a monogram., For variant states with different imprint statements, see Lewis Walpole Library call no. Bunbury 773.02.13.01+ and no. 4736 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., Likely companion print to: Courier francois., and Temporary local subject terms: Couriers -- Post-horns.
Publisher:
Publish'd as the act directs, 3d May 1774, by J. Bretherton, No. 134, New Bond Street
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[3 May 1774]
Call Number:
Bunbury 774.05.03.01+ Impression 2
Image Count:
1
Resource Type:
still image
Description:
Title from text below image., Initial letters of artist's name in signature form a monogram., For variant states with different imprint statements, see Lewis Walpole Library call no. Bunbury 773.02.13.01+ and no. 4736 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., Likely companion print to: Courier francois., Temporary local subject terms: Couriers -- Post-horns., and 1 print on laid paper : soft-ground etching, hand-colored ; plate mark 30.3 x 43 cm, on sheet 36 x 55 cm.
Publisher:
Publish'd as the act directs, 3d May 1774, by J. Bretherton, No. 134, New Bond Street
Title engraved in English, French, and Italian below image., Tempest also possibly the printmaker. See Hindley, C. History of the cries of London, ancient and modern., 'ML' in M. Lauron forms a monogram., Imprint from title page., No. 21 bound in: The cryes of the city of London. London : Printed & sold by Henry Overton at the White Horse without Newgate, 1733., and Numbered on verso in contemporary hand.
Publisher:
Printed & sold by Henry Overton at the White Horse without Newgate
A couple dance together under a lush tree with large fruit hanging from its branches. They are accompanied by two men playing instruments, a drum and tambourine as one woman claps along to the music. Others, including a small girl, stand and converse
Alternative Title:
Negroes dance in the Island of St. Dominica
Description:
Titles engraved below image, in French and English., Approximate date of publication from dealer's description. A slightly later date in the 1780s is suggested by the active dates and street address information listed for the publisher Depeuille in the British Museum online catalogue., Sheet trimmed within plate mark., and Dedication engraved beneath titles: ... is humbly dedicated to the Honble. Charles O'Hara, Brigadier General of His Majesty's Army in America ... by his most obedt. & dutiful servt., A. Brunias.
Publisher:
Chez Depeuille, rue St. Denis, la boutique attenant St. Jacques l'Hopital, et au Palais Royal au Pavillon près le bassin
Subject (Geographic):
Haiti.
Subject (Topic):
Black people, Dance, Indigenous peoples, and Musical instruments
"A Dutch soldier (left) and his wife (right), joining hands, dance round a tree of Liberty to music supplied by a foppish French soldier on the extreme left who beats a drum and blows a trumpet, and by a stout Dutchman on the extreme right who plays bagpipes inscribed 'Vader-lands Liefde' (Love of Country). The 'tree' is a pole surmounted by a milk-churn inscribed 'Vryheid \ Gellykheid \ Broederscha[p]', [This inscription (Liberty, Equality, Fraternity) occurs on Dutch prints after the French invasion, e.g. Van Stolk, No. 5299; Muller, No. 5385.] above which is a cap of Liberty shaped like a fool's cap, and a tricolour flag inscribed 'Hollandia Regenerate[a]'. On the churn sits a parroquet, 'trying to imitate the patriotic accents of his French brothers'. A monkey climbs up the pole as in BMSat 8831. Texts, 'Acts', vii. 41, and 'Job', xviii. 16."--British Museum online catalogue
Description:
Title etched above image., Artist identified as Hess and printmaker questionably identified as Gillray in the British Museum catalogue., Place and date of publication from British Museum catalogue., Possibly published by Hannah Humphrey. See British Museum catalogue., One of twenty plates published as a bound set entitled: Hollandia regenerata., Plate numbered "1" in upper left corner., With: Letterpress explanation in French that includes appropriate texts from the Bible in Dutch and in English., Temporary local subject terms: Military uniforms: Dutch uniforms -- Dutchmen -- Holland: civil discord -- Tree of Liberty -- Cap of Liberty -- Emblems: dove as emblem of peace -- Monkeys -- Kitchen utensils: milk churns -- Musical instruments: drum -- Bagpipes -- Musical instruments: trumpets, and Letterpress explanation lacking.
"The Convention, a creature with the body of a stout woman and with seven monstrous and demoniac heads, sits full-face in an accoucheur's chair. A little demon on the ground holds up a pitchfork. A French surgeon, smiling (right), with shirt-sleeves rolled up, holds a clumsy pair of forceps; a Dutch accoucheur, fat and senile, peers into a folio volume: 'Sectio Caes: et Sectio Synchondroseos'. '. . . L'accoucheur Français, homme experimenté, prévoit ses terribles convulsions, et s'est déja muni du forceps. Son collegue Hollandais, dont les craintes vont encore plus loin, repete la théorie de l'incision Caesarienne. Il faudrait effectivement un Caesar, pour couper court à tout proces.' Text, 'Isaiah', xiv. 29. Her fruit shall be a fiery flying serpent."--British Museum online catalogue
Description:
Title etched below image., Artist identified as Hess and printmaker questionably identified as Gillray in the British Museum catalogue., Place and date of publication from British Museum catalogue., Possibly published by Hannah Humphrey. See British Museum catalogue., One of twenty plates published as a bound set entitled: Hollandia regenerata., Plate numbered "19" in upper left corner., With: Letterpress explanation in French that includes appropriate texts from the Bible in Dutch and in English., Temporary local subject terms: Holland: civil discord -- Conventions -- Surgeons -- Medical instruments: forceps -- Physicians: Dutch accoucheurs -- Monsters., and Letterpress explanation lacking.
Title from item., Title translation in British Museum catalogue: Eclipse of the Southern Sun puts many a place in darkness, as occasioned by the unpolitic Moon., Publication date from book in which this plate was published., Three columns of verse in French titled "L'actieux souflet et le genie d'Erasme ...", below the verse in Dutch: 1. La Fraude est arrivée la premiere en Hollande ..., Plate 29 from: Het groote tafereel der dwaasheid ... , v. 1., Watermark., and Mounted to 44 x 35 cm.