Orator Henley christening a child, after an oil sketch by Hogarth; the cleric stands holding the infant over a large, empty baptismal font, with the mother beside him to left. To his right stand a man who holds his hat and a stout woman, while in front a child, wearing a plumed hat and standing on tiptoe, reaches into the font, tipping the shallow bowl and spilling the water
Description:
Title engraved below image. and See Paulson, R. Hogarth's graphic works (2nd ed.) for note about a related work by Sympson, p. 310.
Publisher:
Samuel Ireland
Subject (Name):
Henley, John, 1692-1756
Subject (Topic):
Baptisms, Children, Clergy, Fonts, Infants, and Women
Orator Henley christening a child, after an oil sketch by Hogarth; the cleric stands holding the infant over a large, empty baptismal font, with the mother beside him to left. To his right stand a man who holds his hat and a stout woman, while in front a child, wearing a plumed hat and standing on tiptoe, reaches into the font, tipping the shallow bowl and spilling the water
Description:
Title engraved below image., Also signed below image: Hogarth pinxt ; S. Ireland fecit 1785., Dedication etched below title: To Francis Grose Esq. F.A.S. an encourager & promoter of the arts, this etching from his favorite Hogarth is inscribed by his obliged friend & servant, Saml. Ireland., Sheet trimmed within plate mark., For related work by Sympson see: Paulson, R. Hogarth's graphic works (2nd ed.), p. 310., and See no. 2837 for original painting in reverse in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3.
Publisher:
Publish'd March 1st 1786, by W. Dickenson, No. 158 New Bond St.
Subject (Name):
Henley, John, 1692-1756
Subject (Topic):
Baptisms, Children, Clergy, Fonts, Infants, and Women
Orator Henley christening a child, after an oil sketch by Hogarth; the cleric stands holding the infant over a large, empty baptismal font, with the mother beside him to left. To his right stand a man who holds his hat and a stout woman, while in front a child, wearing a plumed hat and standing on tiptoe, reaches into the font, tipping the shallow bowl and spilling the water
Description:
Title etched below image., Reissue; printmaker Jane Ireland's full name etched in lower right, replacing her initials "J.I." on earlier state., and See Paulson, R. Hogarth's graphic works (2nd ed.) for note about a related work by Sympson, page 310.
Publisher:
Samuel Ireland?
Subject (Name):
Henley, John, 1692-1756
Subject (Topic):
Baptisms, Children, Clergy, Fonts, Infants, and Women
Title from item., Plate numbered '43' in upper right corner., Fifteen lines of verse in rebus below image: No soon[er] came [I] un[to] [sticks] / [but] quite convinc'd of [all] our tricks ..., The following words within the quoted verse are represented by a rebus: 'er' in sooner by an ear, I by an eye, 'to' in unto by a toe, sticks by a bunch of sticks, but by a butt, all by an awl., Plate from: A political and satyrical history of the years 1756 and 1757. In a series of ... prints. London: Printed for E. Morris, [1757]., and Mounted to 17 x 23 cm.
Publisher:
Publish'd according to act Novr. 4th, 1756, by Edwards & Darly facing Hungerford, Strand
"Satire on the Rev John Henley, in a chapel, preaching in a pulpit at left, above which a dog in Scots plaid holds a sign lettered 'Politicks & Divinity'; the clerk holds a club, as do other members of the congregation, who are variously animatedly arguing and exclaiming, one reading a newspaper; at right a pew lettered 'pews for ye Doctors Friends &c / Butcher Frenchman / Scot and Tory. / Join to rob Britain of its Glory.', in it several people wearing Scots plaid; above the pew, a coat of arms supported by a fox and wolf with the crest of an ass's head, with mottos 'Bray' and 'No Faith No King No Law', below it two inscriptions, 'Repaired and Beautifyd by O-t- H-y' [Orator Henley] and 'Subjects to night / ye. Battle of Dettengen & ye. Bishops'; at top centre, a placard: 'It is written my house shall be called ye. house of prayer but ye have made it a den of thieves'; a forgery purporting to be by or after Hogarth."--British Museum catalogue., Title etched above image., Publisher and date from Paulson., Sheet trimmed to plate mark., Ms. note in pencil in Steevens's hand at top of page: Seven forgeries -- all published by Samuel Ireland; in pencil in Steevens's hand beneath print: £6.0.0., Extensive ms. note on separate sheet to right, in ink in Steevens's hand., and On page 233 in volume 3.
"A three quarter length portrait of Dr. Messenger Monsey walking towards the spectator; his right arm rests on the shoulder of a Chelsea pensioner; both men walk with sticks. Monsey wears a hat and wig, the pensioner holds his hat in his right hand. The background is the north front of Chelsea Hospital showing its pediment and eastern portion. This is very freely sketched, as are two pensioners with crutches by the doorway. Beneath the title is etched: 'Epitaph on the late Dr Monsey, supposed to have been written by himself. Here lie my old limbs - my vexation now ends, For I've liv'd much too long for myself & my Friends As to church-yards & grounds which the Parsons call holy, Tis a rank piece of priestcraft, & founded on folly; In short, I despise them; and as for my Soul, Which may mount the last day with my bones from this hole I think that it really hath nothing to fear From the God of mankind, whom I truly revere. What the next world may be, little troubles my pate If not better than this, I beseech thee, Oh! Fate, When the bodies of millions fly up in a riot, To let the old carcase of Monsey lie quiet. Peter Pindar.'"--British Museum online catalogue
Alternative Title:
Peep into the last century and Epitaph on the late Dr. Monsey, supposed to be written by himself
Description:
Title etched above image., Printmaker from British Museum catalogue., Temporary local subject terms: Chelsea Hospital: exterior, north front -- Dr. Messenger Monsey's epitaph -- Chelsea pensioners' uniforms -- Clock on pediment of Chelsea Hospital., Temporary local Medical Library subject terms: Dissection -- Veteran's hospitals., and 1 print : etching, hand-colored ; plate mark 313 x 274 mm, on sheet 425 x 296 mm.
Publisher:
Pubd. Jany. 19th, 1789, by H. Humphrey, New Bond St.
Subject (Geographic):
Great Britain.
Subject (Name):
Monsey, Messenger, 1693-1788 and Royal Hospital (Chelsea, London, England),
Subject (Topic):
Hospitals, Clocks & watches, Physicians, Crutches, and Veterans
"A three quarter length portrait of Dr. Messenger Monsey walking towards the spectator; his right arm rests on the shoulder of a Chelsea pensioner; both men walk with sticks. Monsey wears a hat and wig, the pensioner holds his hat in his right hand. The background is the north front of Chelsea Hospital showing its pediment and eastern portion. This is very freely sketched, as are two pensioners with crutches by the doorway. Beneath the title is etched: 'Epitaph on the late Dr Monsey, supposed to have been written by himself. Here lie my old limbs - my vexation now ends, For I've liv'd much too long for myself & my Friends As to church-yards & grounds which the Parsons call holy, Tis a rank piece of priestcraft, & founded on folly; In short, I despise them; and as for my Soul, Which may mount the last day with my bones from this hole I think that it really hath nothing to fear From the God of mankind, whom I truly revere. What the next world may be, little troubles my pate If not better than this, I beseech thee, Oh! Fate, When the bodies of millions fly up in a riot, To let the old carcase of Monsey lie quiet. Peter Pindar.'"--British Museum online catalogue
Alternative Title:
Peep into the last century and Epitaph on the late Dr. Monsey, supposed to be written by himself
Description:
Title etched above image., Printmaker from British Museum catalogue., Temporary local subject terms: Chelsea Hospital: exterior, north front -- Dr. Messenger Monsey's epitaph -- Chelsea pensioners' uniforms -- Clock on pediment of Chelsea Hospital., and Temporary local Medical Library subject terms: Dissection -- Veteran's hospitals.
Publisher:
Pubd. Jany. 19th, 1789, by H. Humphrey, New Bond St.
Subject (Geographic):
Great Britain.
Subject (Name):
Monsey, Messenger, 1693-1788 and Royal Hospital (Chelsea, London, England),
Subject (Topic):
Hospitals, Clocks & watches, Physicians, Crutches, and Veterans
"The King, dead drunk and much dishevelled, is carried to bed by three fat and tipsy peeresses, wearing coronets; the foremost, who supports his legs, probably Lady Conyngham (cf. British Museum Satires No. 13847), says: "I'm as great as the Queen." The other two, one flourishing a candle, the other a full glass, sing: "We'll drown her in the bowl the bowl" [cf. British Museum Satires No. 12181]. Behind them is a table with decanters and a melon; a bottle is in the King's chair; broken bottles lie on the floor. On the right is the bed; in a chamber-pot are papers: 'The Queens Affair' and 'State Papers'."--British Museum online catalogue
Description:
Title etched below image., Printmaker from the British Museum catalogue., Later state; publisher's street address "24 Little St. Martins Lane" has been scored through and partially burnished from plate but is still legible at end of imprint statement. For an earlier state with unmodified imprint, see no. 14017 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., and Mounted on page 28 of: George Humphrey shop album.
Publisher:
Pub. Dec. 12, 1820, by John Marshall Junr
Subject (Name):
George IV, King of Great Britain, 1762-1830, Conyngham, Elizabeth Conyngham, Marchioness, -1861, and Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821.
Title from caption below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., and Temporary local subject terms: Costume: male, female, 1820 -- Candles -- Bottles -- Furniture: chamber-pots.
Publisher:
Pub. Dec. 12, 1820 by John Marshall Junr. 24 Little St. Martins Lane
Subject (Name):
George IV, King of Great Britain, 1762-1830 and Conyngham, Elizabeth Conyngham, Marchioness, -1861