BEIN AUSsheet2: From the Cary Collection of Playing Cards., Title devised by cataloger., Suit system: French., Sheet contains 12 cards, King-Jack., King: FRANZ // ENTNER; Jack: PROS- // NITZ., and Type: A.
A collection of original caricatures by Robert Dighton, published 1792-1812
Alternative Title:
Caricatures by Dighton
Description:
Title from spine., Etching, several leaves watermarked 'Edmeades & Pine' and dated 1808 and 1807; sheet size 31.0 x 25.5 cm., Bound in early 19th century black half morocco, gilt-decorated spine, titled in gilt 'Characatures by Dighton', recased with original spine laid down., With the bookplate of James Barratt, Lymm Hall, inside front cover., and For further information, consult library staff.
A group of portrait drawings depicting some of the correspondents included in a French edition of Madame du Deffand's letters. The drawings are inserted throughout the three volumes of the printed text, supplementing the engraved portraits and other plates that were issued with the work
Description:
Collection title devised by cataloger., Many of the drawings have the sitter's name written below, and most are signed "ABaudet Bauderval" (with the initial letters forming a monogram). The artist is tentaitvely identified as A. Baudet-Bauderval, a lithographer who was active in France in the mid-19th century; see name authority record in the online catalogue of the Bibliothèque nationale de France., Bound in a copy of: Du Deffand, M. Correspondance complète de Mme. du Deffand avec la duchesse de Choiseul ... Paris : M. Lévy frères, 1866., and Extra-illustrated: plates, portraits, drawings.
Subject (Name):
Voltaire, 1694-1778,, Walpole, Horace, 1717-1797,, Du Deffand, Marie de Vichy Chamrond, marquise, 1697-1780,, Lévis-Mirepoix, Anne-Marguerite-Gabrielle de Beauvau-Craon, duchesse de, 1707-1791,, Luxembourg, Madeleine-Angélique de Neufville-Villeroy, duchesse de, 1707-1787,, Guerchy, Claude-Louis-François Régnier, comte de, 1715-1767,, Gleichen, Charles Henri, baron de, 1733-1807,, Dufort de Duras, Henriette Julie de, comtesse d'Egmont, 1696-1779,, Noailles, Marie-Anne-Françoise de, comtesse de la Marck, 1719-1793,, Choiseul, Etienne-François, duc de, 1719-1785,, Barthélemy, J.-J. 1716-1795, (Jean-Jacques),, Choiseul, Louise Honorine Crozat, duchesse de, 1734-1801,, Vallière, Anne Julie Françoise de Crussol, duchesse de, 1713-1797,, Boufflers, Amélie de, 1751-1794,, Bauffremont, Charles-Roger de, 1713-1795,, Aiguillon, Louise Félicité de Brehan-Plélo, duchesse de, 1726-1796,, Sénac de Meilhan, Gabriel, 1736-1803,, Brionne, Louise de Rohan, comtesse de, 1734-1815,, Mirepoix, Gaston Charles Pierre de Lévis, duc de, 1699-1757,, Mazarin, Louise-Jeanne de Durfort de Duras, duchesse de, 1735-1781,, Conzié, Louis-François-Marc-Hilaire de, 1732-1804,, Maine, Anne Louise Bénédicte de Bourbon, duchesse du, 1676-1753,, and Grammont, Béatrix de Choiseul-Stainville, duchesse de, 1730-1794,
A collection of prints, mostly after designs by H.W. Bunbury and engraved by: Charles Bretherton, F. Bartolozzi, T. Trotter, M. Haughton, G. Shepheard, J. Baldrey, T. Watson, P.W. Tomkins, C. Knight, and J. Bretherton. Most prints were published by W. Dickinson; other publishers include: Watson and Dickinson, J. Jones, T.R. Smith. Other artists included: C. Bretherton, Angelica Kauffmann, and B. Scarron. Many of the prints are in multiple states, including proof before letters as well as multiple impressions, colored and uncolored
Description:
Title from spine., Bound in three quarter tan calf, marble boards, with spine title in gold: Bunbury album., and Typed list with titles and page numbers inserted; cross-referenced with Horace Walpole's two volume collection of Bunbury prints.
One of a collection of four similar images; the others in this series are: Miss Hargraves as Amy; Madame Vestris as Don Giovani; Miss Bartolozzi as the page in The marriage of Figaro. Formerly part of an album (now lost), each on the same size sheet but different colors and attributed to different artists. Annotations in red ink are by the same hand. Presumably these collages, constructed from the same fabrics, were made by friends and exchanged as gifts. In this image, a full-length image of Edmund Kean as Othello constructed from parts of a print or prints while his costume and hat and their trimming are cut from satin cloth with additional decorated paper trimming and small metal buttons. This image is the only one of the four mounted on a secondary sheet, this one ruled as if from a ledger
Description:
Title written at bottom of sheet., Statement of responsibility written at top of sheet; "the author" is unidentified., and Date of production from recipient's note on the verso of one of the collages and other internal evidence.
Subject (Name):
Kean, Edmund, 1787-1833, and Shakespeare, William, 1564-1616.
One of a collection of four similar images; the others in this series are: Mr. Kean as Othello; Madame Vestris as Don Giovani; Miss Bartolozzi as the page in The marriage of Figaro. Formerly part of an album (now lost), each on the same size sheet but different colors and attributed to different artists. Annotations in red ink are by the same hand. Presumably these collages, constructed from the same fabrics, were made by friends and exchanged as gifts. This collage shows full-length image of a woman, identified as Miss Hargraves. Her head and neck, arms, and feet have been cut from an unidentifed print or prints while her costume and its trimming are cut from satin cloth. On each side are small images also cut from prints: on the right a house with a second story wrap-around porch and on the right a covered structure ladened with refreshments and On the back of this collage are mounted three small engravings of women in fashionable dress; with notes in red ink "Presented by Sarah, Apl. 8 1830" written twice in the upper left and right and below also on the right and left "The author returns thanks". In the same hand the middle print has been annotated "Kemble" which is also engraved in the plate with the author and printmaker statements "R. Cruikshank delt. J. Rogers sc."
Description:
Title written below image; artist statement above image. and Date of production from recipient's note on the verso and other internal evidence.
Title from first line of letter press, above coat of arms., An admission ticket for the fifteenth day of the trial of Henry Dundas, 1st Viscount Melville; the impeachment trial took place in Westminster Hall in April-June 1806., Engraved arms of the Great Chamberlain printed in sepia at center, with title printed in letterpress above., and "Dundas" written in black ink below coat of arms on recto. The letterpress form on the verso has been annotated with the name of "Miss Dundas" on the line for "The daughter of a Peeress in her own right"; this name may refer to either Elizabeth (1766-1852) or Anne (1768-1852). One corner of ticket (5.5 x 5.5 cm) has been neatly cut away, a lacuna that is explained by a later pencil note asserting that the corner had been cut away at the door when presented. For further information, consult library staff.
Publisher:
publisher not identified
Subject (Geographic):
England. and England
Subject (Name):
Dundas, Henry, 1742-1811
Subject (Topic):
Impeachment, Trials (Impeachment), Women, and Legal status, laws, etc
Title devised by curator., Devised title and artist attribution based on Horace Walpole's notes on facing leaf: This book belonged to Mr. Pope, and the drawing is by him. Horace Walpole, 1766. It is a view of Twickenham Church from his own garden., Date of production based on artist's death date., and Drawn on front flyleaf in volume 1 of Alexander Pope's copy of: Homeri opera quae extant omnia. Amstelaedami : Ex officina Wetsteniana, MDCCVII [1707].
One of a collection of four similar images; the other three images are titled: Mr. Kean as Othello; Miss Hargraves as Amy; Miss Bartolozzi as the page in The marriage of Figaro. Formerly part of an album (now lost), each on the same size sheet but different colors and attributed to different artists. Annotations in red ink are by the same hand. Presumably these collages, made using the same farbics, were made by friends and exchanged as gifts. In this collage a full-length image of a woman, identified as Miss Vestris: her head and neck, arms, and boots have been cut from an unidentifed print or prints while her costume and hat and their trimming are cut from satin cloth with additional decorated paper trimming. On the verso written in red ink, two poems: "The Snow Drop by Henry Neele" and "I Saw Thee Weep, Byron" transcribed in two columns
Alternative Title:
Madame Vestris as Don Giovanni
Description:
Title written at bottom of sheet., Signed with initials in lower right corner; artist "H.A.S" is unidentified., Date of production from recipient's note on the verso of one of the collages and other internal evidence., and The poem on verso "The Snow Drop" in the Oriental Herald and Journal of General Literature, volume 16, page 502 and signed "W. B." Also published in May 1828 in the The Ariel: A literary and cricial gazette (Philadelphia), vol. 2. no.1.
Subject (Name):
Vestris, Lucia Elizabeth Bartolozzi, 1797-1856,, Mozart, Wolfgang Amadeus, 1756-1791., and Da Ponte, Lorenzo, 1749-1838.
Subject (Topic):
Characters, Actresses, British, and Operas & operettas
One of a collection of four similar images; the other three images are titled: Mr. Kean as Othello; Miss Hargraves as Amy; Madame Vestris as Don Giovani. Formerly part of an album (now lost), each on the same size sheet but different colors and collages attributed to different artists. Annotations in red ink are by the same hand. Presumably these collages, constructed using the same fabrics, were made by friends and exchanged as gifts. In this collage a full-length image of a woman, identified as Miss Bartolozzi, with her head and neck, hands, and boots cut from an unidentifed print or prints while her costume and hat and their trimming are cut from satin cloth with additional decorated paper trimming. On the verso in two columns written in red ink and ruled in red ink: On the left the title of a poem only "Lines on my garden". On the right: Song, "My own Blue Bell".
Description:
Title written below image., Artist statement written at top of sheet; "Master Butcher" is unidentified., and Date of production from recipient's note on the verso of one of the collages and other internal evidence.
Subject (Name):
Vestris, Lucia Elizabeth Bartolozzi, 1797-1856, and Da Ponte, Lorenzo, 1749-1838.
A collection of original art removed from an album: silhouettes, pressed flowers, a valentine, and drawing. The silhouettes include one of a woman in an academic gown and cap mounted on Art-Union of London ticket for entrance to an event at Theatre Royal, Lyceum on 25 April 1854; two views of the same man(?) identified as "James Evans" (on verso: Professor Rees) one with highlighting in gold. The pressed flowers are a small sheet with leaves or petals of a pink hue. The valentine is small drawing of bright flowers with a motto "Toujours unies par l'amitié" with a gold border. Also included is an amateur watercolor of a "Peasant boy" in a smock, standing on a grassy mound
Alternative Title:
Britannia
Description:
Title supplied by cataloger. and Artist and creation place and date from another item with the collection, which is cataloged separately, a comic map: England / Carnarvon College. March 30th 1872. J. Hughes.
A coffin is carried down the stairs of a gothic church by a procession of monks, lit by the light of the full moon and the flames of the torches that some of the monks carry. They walk toward an open crypt in the foreground. The light from the crypt illuminates the monument on the wall opposite (a knight in armor) as well as two monks kneeling at the opening of the crypt and a third monk holding a thurible. A man with a red cloak stands in the shadows on the left, looking down at the scene at the crypt. The image is intended to be backlit. The light sources in the image -- the moon, the glow shining out of the gothic crypt, and the torch-bearing friars -- are enhanced when the image is held up to a light
Description:
Title and approximate date of production from dealer's description., Unsigned; artist unidentified., Drawn in the style of the painter and etcher Franz Joseph Manskirch (1768-1840), who worked in London between 1793 and 1819., and On paper watermarked "J. Whatman Turkey Mill".
Subject (Topic):
Churches, Funeral processions, Incense, Monks, Moonlight, Pointed arches, and Torches
By the King's Royal Letters Patent and By the King's royal lettters patent
Description:
Title from text within image., With two small letterpress notices printed on green paper and pasted at the bottom of the image on the front and on the verso above the aperture that contains the lace samples., On reverse: Royal patent for Geo. Fred. Urling & Co. Thread Lace Manufacturers to the Royal Family and to her late Majesty. By special appointment. At top of image: Retail House for Urling's lace. Also two red wax seals below aperture., and On reverse: Royal patent for Geo. Fred. Urling & Co. Thread Lace Manufacturers to the Royal Family and to her late Majesty. By special appointment. Also carrying two red wax seals. For further information, consult library staff.
A collection of sixty-four prints (mostly engravings and etchings) showing views of London and its vicinity, including views of Chelsea with Ranelagh, Hampstead, Highgate from Upper Halloway, Old Bedham with the gardens in front, Whitehall with the gatehouse, Grosvenor Square, St. Mary's Church on the Strand with old Somerset House, The Royale Mews in Charing Cross, St. James's Square with the Round Pond, Covent Gardent, Royal Gardens of Somerset, Hampstead, and scarce views of Barnes and Richmond as well as views of Twickenham, and many other scenes in and around London in the later half of the 18th century
Subject (Geographic):
England, London., Thames River (England), Saint James's Park (London, England), Twickenham (London, England), and London (England)
Salter, T. F. (Thomas Frederick), active 1814-1826
Published / Created:
[between 1793 and 1843]
Call Number:
File 66 793 Sa176
Image Count:
2
Resource Type:
text and still image
Abstract:
Trade card of Thomas Frederick Salter, a milliner who ran several shops in London during the late eighteenth century and first half of the nineteenth century. The shopfront of his longest-standing premises at 47 Charing Cross is depicted at the bottom of the card, its windows full of hats in various styles, mostly men's hats. At the top of the card a depiction of the process of hat making, showing a team of men working on different elements of the manufacturing process
Alternative Title:
Hat making
Description:
Title from item., Above design in ruled border: Hat making., Date based on information in London merchant and post office directories., Sheet trimmed to plate mark., With advertisement printed in letterpress on verso: The cheapest hat-warehouse in the world. Thomas Frederick Salter, with gratitude, offers his best thanks for the great and continual increase in business which he has experienced for several years ..., and For further information, consult library staff.
Publisher:
T.F. Salter
Subject (Geographic):
England and London.
Subject (Topic):
Millinery, Stores & shops, Hat industry, Window displays, Workshops, and Hats
All engraved including title page on verso of first leaf., Date from publication based on known date of Thomas Hope's commission for the work by Henry Moses. Cf. Designs of modern costume, engraved for Thomas Hope of Deepdene. London : Costume Society, 1973., Plates signed: H. Moses del. et sc., and Bound in contemporary straight-grain red morocco, bordered in blind on covers, spine gilt in compartments; with a bold autograph on the recto of front free marbled end-paper: Edward Bell.For further information, consult library staff.
Publisher:
Pubd. by Henry Setchel & Son 23 King Strt. Covt. Garedn
An album of watercolors assembled by the gentleman farmer and amateur artist John Tomes showing views of his manor house Weston Sands House and the surrounding countryside. Tomes recorded his estate from many angles and in all seasons as well as picturesque spots in the neighbouring countryside, including several views of the River Avon which bordered his estate. Also included are a series of watercolors taken on a trip to the Isle of Wight. There is also a view of Windsor Castle (?) across the Thames and many watercolors of medieval ruins, abbeys, and castles. Tomes also copied a number of Turner prints from the ‘Liber Studiorum’ (published 1807-1819) and his ‘Picturesque views on the Southern Coast’ (published 1814-1826).
Alternative Title:
Sketches by John Tomes, Weston Sands
Description:
Title supplied by cataloger, based on dealer's description., All but two of the drawings are pasted on the rectos of the album leaves; some have pencil manuscript notes giving the location of the subject; some of the first watercolors mounted on the first pages of the album are dated '1818'., Bound in contemporary rust-colored hard grain half morocco and marbled sides, with gilt lettered morocco label 'Sketches by John Tomes - Weston Sands' to front cover, white moirés silk pastedown., and For further information, consult library staff.
Subject (Geographic):
Warwickshire (England) and Isle of Wight (England)
Subject (Name):
Turner, J. M. W. 1775-1851 (Joseph Mallord William), and Windsor Castle,
Subject (Topic):
Influence, Castles & palaces, Abbeys, Ruins, Estates, and Rivers
A collection of 63 drawings and technical designs, correctly measured, dissected, and geometrically drawn by J.W. Müntz presumably when he worked with Horace Walpole to renew the technique of antique encaustic painting
Alternative Title:
Drawings by Müntz
Description:
Title assigned by cataloger., Date from early dealer's description in French, mounted on inside front cover., Originally accompanied by a 196 p. manuscript description, now in the Victoria and Albert Library, London. A copy of the translation, incomplete and unverified, filed in the Object file., Bound in deep red morocco, with ornate gold tooling, rebacked., and For further information, consult library staff.
Interior view of the ruins of Holyrood Abbey, looking down the nave towards a wall with two arched windows. The building is mostly intact but without a roof; a broken column is seen in the center foreground. Figures with torches stand beneath the windows and additional figures are visible through an arched passageway on the right. The moon in the sky above is illuminated when the print is viewed in front of a strong light
Description:
Title, imprint, and series title printed on label affixed to mount, below image. and Date of publication inferred from activity dates of publishers Reeves & Sons and William Morgan. See British Museum online catalogue.
Publisher:
Published by Reeves and Sons, Cheapside; W. Morgan, 64, Hatton Garden; T. Fisher, 1, Hanway Street, Oxford Street; J. Reynolds, 174, Strand; and W. Wilson, Jun., 16, King William Street, City
Four drawings, each depicting a different character with their face in the form of a heart: a man drinking; a man with a pipe; a violinist; and an elegant lady and Eleven drawings, each depicting a different character with their face in the form of a heart: a man playing a flute; a dour-looking cleryman; a coachman; a vendor wearing a turban; a man in a tricorne hat; an obese man in an armchair with medicine on a side table; a man smoking a pipe. Also two cards wtih older woman clutching a blanket around her shoulders; a pretty young women with a highly decorated hat with feathers and her hands in a muff; and, a female ballad sheet vendor
Description:
In English., Title devised by cataloger., Each drawing is signed by the artist in lower left corner either initials or full name., One small pencil drawing of a coffee pot on the verso of the drawing of a dour-looking cleryman., Date based on a watermark on one of the sheets., and Elizabeth Dubuisson was a portrait painter whose work was displayed at the Royal Academy between 1805-40; she also drew "Character Sketches", a series of caricatures on the Mufflechop Family published by Pewtress and Ackermann approximately 1830. She produced additional drawings similar to these four, with ten being held by the Victoria and Albert Museum (accession no.: E.1091-1992).
A trade card advertising the services provided by the printseller and picture restorer Robert Hulton, whose shop was at on the corner of Pall Mall facing the Haymarket. A medley print with text in image on the left "Paintings, prints & Indian picktures [sic] carfully [sic] clean'd. mended and lined" and on the right "The following particulars made & sold very cheap by Rt. Hulton at the corner of Pallmall facing [the] Hay-markett, St. James's, London
Alternative Title:
Maps and prints sold and framed for parlors, staircases and closets at reasonable rates
Description:
Title from engraved text below image in two columns. Text continues in one column below: Carved and gilt frames, Ebony frames with gilt edges, black peartree frames with gilt edges for paintings & prints made after the newest faishions [sic]., Date from annotations on impression at the Lewis Walpole Library., and On verso is a manuscript bill from Robert Hulton to "Honble. Mr. Henson", dated October 1743. For further information, consult library staff.
A collection of five botanical drawings, one with two hummingbirds (Lampornis calosoma) and twenty botanical prints (some proof state) by James Sowerby
Description:
Title devised by cataloger. and Housed in two solander boxes, with drawings in Box 1 and prints no.1-9. Box 2 contains prints nos. 12-17 and two unnumbered prints.
BEIN GERsheet219: From the Cary Collection of Playing Cards., Title devised by cataloger., Uncut sheet of 12 court cards (K-J)., French suit system., and XP-6 pattern.
BEIN AUSsheet55: From the Cary Collection of Playing Cards., Title devised by cataloger., German suit system., Type: Original Design., Cards on sheet: 12, King-Jack., and Court cards: Kings hold sceptres; Queen holds jewelry box; Jack holds five cards and shield: 1000 / JACOB FRENKEL / k.k. ausschl. priv. Fabrikant // undurchsichtiger Spielkarten; Jack: Alservorstadt / Quergasse No. 300 // in Wien.
BEIN JAP22: From the Cary Collection of Playing Cards., Title devised by cataloger., Italo-Portuguese suit system., Composition of deck: 75 [Un, Sun, Sota, Rohai, Koshi, Uma; 9-1, with a fifth suit, Tomoe]., Single suit sign on Aces., and Japanese mythological personalities; un and sota are pictured against silver background; the others, against yellow background.
Hofman, Johann Norbert, 1784-1818, playing card maker
Published / Created:
[1825?]
Call Number:
AUSsheet59
Image Count:
2
Resource Type:
text and still image
Description:
BEIN AUSsheet59: From the Cary Collection of Playing Cards., Title devised by cataloger., Uncut sheet of 12 court cards (K-J)., French suit system., Court cards: King: I. NORBERT // HOFMAN; Queen holds bird, another // an umbrella; Jacks hold spears; J: IN WIEN., and Watermark: Klein Bst.
BEIN AUSsheet52: From the Cary Collection of Playing Cards., Title devised by cataloger., French suit system., Type: Original Design., Cards on sheet: 16: Aces, Kings-Jacks., Aces: Ace of Spades: MEDVEDGRAD / I SESTINE // JURJEVEC; Ace of Hearts: BISKUPOV / GRAD // NARODNI / DOM; Ace of Diamonds: OKIC // BOSILJEVO: Ace of Clubs: KALNIK // KRAPINA., and Court Cards: King of Spades: KNEZ LAZAR; King of Hearts: KRALJ DARZISLAV; King of Diamonds: CAR DUSAN; King of Clubs: KRALJ KRESIMIR; Jack of Diamonds: ISDATE PO JOSIPU BÄCKU // U ZAGREBU.
BEIN AUSsheet53: From the Cary Collection of Playing Cards., Title devised by cataloger., Uncut sheet of 12 court cards (K-J)., French suit system., and Original design: Kings hold sceptres; Jacks hold spears or halberds.
BEIN AUS200: Extra trump VI was altered to make the trump IV. From the Cary Collection of Playing Cards., Title from Keller., French suit system., Type: Tarock., Composition of deck: 54 [AH, AD; K, Q, C, J; 10-7S; 4-2H; 4-2D; 10-7C; trumps I-XXI, Fool]., Stamp on Ace of Hearts, black: G. Fischer / Prossnitz / 1823., King of Spades with sceptre; JC: Fabricirt / von / GOTTFRIED / FISCHER // Bürgerlicher / Karten - Mahler / in Prossnitz in / Mähren., Trumps: Double figure (I, Fool) or variable double figure (II-XXI) trumps; II: Katzbach / d. 26t. Aug. / 1813; III: Blücher / Den-ewicz / d. 6t Sept. 1813; V: Belle Alliance / 18 Juni 1815 / La Rothiere / 1 Febr. 1814; VI: Wartenburg / d. 3tn October 1813 // Wieder erkämpft [Brandenburg Gate]; VII: G. Görschen / c. 2 May 1813; VIII: Leipzig / v. 16. Bis 19. Octbr / 1813; IX: Rhein / Uebergang / d. 1t Jän 1814; X: PARIS / d. 7t Juli 1815; XI: Culm / d. 30tn Aug. 1813; XIII: Fried. Wilhelm / Herzog / von / Braunschweig / den 16tn July / 1815; XIV: G.F. / Tarock / Karten // Paris / d. 31t Merz / 1814; XVI: Für / Deutsch / Land; XVII: Es lebe Deutschland; XIX: Grosbeeren / d. 22. 23 Aug. / 1813 // Montmartre / 30t März / 1814; XX: Waterloo / d. 18t Juni / 1815; XXI: Eintracht siegte [heraldic devices of the Allies] // Friede; Fool: Excusee., and Black tax stamp on Ace of Hearts: B / 14K / Karten / 1823.