Manuscript fragment on parchment of a breviary containing Feria II throughout the year, lauds
Description:
In Latin., Script: written in a formal gothic bookhand (littera textualis formata)., and Decoration: the 2-line initial "S" at the beginning of the hymn is in olive-green, green, and red with white filigree and is filled with purple, blue, and red foliage decorated with white filigree; the initial is on a gold ground outlined in black and is surrounded by green, blue, and orange foliage that extends into the margin with gold balls; 1-line initials alternate blue and red; rubrics written in red in the same script as the text; punctuated with the punctus, punctus elevatus, and punctus flexus; hyphenation is in the same ink as the text.
Manuscript fragment on parchment of a breviary containing: The Passion of St. Ursula and St. Ursula (21 October).
Description:
In Latin., Script: written in gothic script (littera textualis libraria with simple form of "a")., and Decoration: 1- and 2-line initials alternate red and blue; other initials are in brown highlighted with red; rubrics written in red in the same script as the text; there is no punctuation; hyphenation in the same ink as the text.
Manuscript on paper (with parchment conjugate leaves at beginning and end of quires; calendar on parchment) of a Carmelite breviary
Description:
In Latin., Script: Written primarily by a single scribe in an informal, but careful, gothic script. Numerous additions by contemporary and later writers., Plain initials and KL monograms, 6- to 1-line, in red. Rubrics throughout. Paragraph marks, underlining, and initial strokes in red. The verso of the final folio bears the partially erased image of a large decorative initial, in green, over which the later text was written., and Binding: Nineteenth century. Head and fore-edge gilt, with tawed, pink markers on the fore-edge. Bound by William Matthews, a leading American binder (second half of the 19th century) in a dark brown goatskin Jansenist binding (plain outside with gold-tooled doublures).
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Carmelites. and Catholic Church
Subject (Topic):
Liturgy, Breviaries, Manuscripts, Medieval, and Monastic and religious life
Manuscript on Paper of Breviary: Sanctorale and Common of the Saints from Erfurt, Southern Germany. Artt. 1, 2, 5, and 6 are the original texts in this volume
Description:
In Latin., Script: Written in Gothica Semihybrida Libraria. The original arts. 1, 2, and 5 are written in one hand. Art. 6 is in a different hand. The other texts are written by various hands in small script., Decoration: In the original parts, there are countless red rubrics, 1-line versals, red underlinings, red stroking of majuscules and red running headlines. Some articles open with a larger red plain initial. In art. 3 there is red underlining and red stroking of majuscules. Art. 4 is undecorated. In artt. 7-9 there is red stroking of majuscules and extensive parts of the text are in red underline., and Binding: Original quarter binding sewn on three double cords: white pigskin over wooden boards, now covered by fragments of a 14th century liturgical music manuscript on parchment, with text in Northern Gothica Textualis Formata and “Hufnagel” notation on 4-line black staves. Handwritten title on spine (18th century). Paper(?) flyleaves.
Manuscript, on parchment, incomplete, of a Carthusian psalter with the Canticles and the Creed, with musical notation
Description:
In Latin., Incomplete. Text ends with Psalm 77., Layout: single columns of 24 lines., Script: large gothic script., Decoration: smaller initial in alternate red and blue; 12 historiated initials; full illuminated border to one page with figures of Carthusian monks and an abbot., and Binding: contemporary pigskin over wooden boards; metal clasps, corner pieces and central bosses.
Subject (Geographic):
Connecticut, New Haven., and Germany
Subject (Name):
Catholic Church and Carthusians.
Subject (Topic):
Liturgy, Prayers and devotions, Manuscripts, Medieval, Manuscripts, Renaissance, and Psalters
Manuscript on parchment (thick, stiff) of 1) Record of those for whom memorial prayers were to be said during November, divided into 6 estaciones, with a total of 501 memoriae. The place where the prayer is to be said is often given; from those mentioned, the church in question can be identified as the Cathedral of Cordoba. Still at the Cathedral in 1625, when memoriae for Don Diego de Mardones were added. 2) Prayers for the Dead
Description:
In Latin and Spanish., Script: Written by a single scribe in rotunda, very well executed, with additions at end of estaciones in rotunda and humanistic script, by later hands., Initials, ff. 20r-21v (2-line), in alternating red with purple penwork and blue with red penwork. 1-line capitals sometimes have yellow wash. Rubrics in orange-tinted red, paragraph marks in blue. Added memoriae for Don Diego de Mardones have elaborate penwork cadeaux at the beginning., Offset impression of red lines (from pastedowns or flyleaves now lost?) appear on ff. 1r (running vertically) and 21v (horizontally); no loss of text., and Binding: Sixteenth century. Resewn on three small, vegetable fiber supports laced into wooden boards. The spine is square and lined with vellum between the supports. Covered in tan sheepskin blind-tooled with a floral roll border and arabesques in the center. A paper label on the upper cover: "Noviembre." Rebacked.
Subject (Geographic):
Connecticut, New Haven., and Córdoba (Spain)
Subject (Name):
Catholic Church
Subject (Topic):
Illumination of books and manuscripts, Medieval and Manuscripts, Medieval
Manuscript on parchment (trimmed) of a Book of Hours, use of Paris. Includes a Full calendar, Fifteen Joys of the Virgin, Seven Requests, and a sonnet, all in French
Description:
In Latin and French., Script: Written in Gothic bookhand., Sixteen miniatures from the workshops of the Lucon Master and the Master of the Duke of Bedford, in blue, pink, and gold arched frames, some with cusping. Each miniature with a lavish acanthus border incorporating arms on ff. 77r and 93r. Text pages with a 3/4 bar border, pink, blue and gold, with interlace knots at corners and terminals and delicate rinceaux, in two sizes on different folios. 3-line initials at text opening, two historiated: f. 77r and f. 93r; f. 51r with a blue and gold diapered ground; the remainder, blue with white highlights or in pink and blue acanthus filled with ivy, with blue and orange leaves, on gold, against pink, blue and/or gold grounds with white filigree; framed in gold, often with small ivy or acanthus serifs. 4- to 2-line initials in text and KL monograms, pink or blue with white highlights, filled with ivy, as above. 1-line initials blue, pink and gold with white filigree. Line endings, blue, pink and gold, three (ff. 57r, 102r, 102v) signed by Petrus Gilberti, known to have signed line-endings in at least four other manuscripts. Rubrics throughout., and Binding: 18th-19th centuries. Gilt edges. Red velvet with a silver fastening and a silver medallion, with unidentified male figure preaching, in center of upper board.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Books of hours, Devotional literature, French, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on parchment (poor quality: many ends, some stitched pieces; trimmed) of Suffrages and Prayers. Reputed to have been made for Marguerite de Valois, duchess of Savoy (1523-74), though there is no evidence of this within the manuscript
Description:
In Latin and French., Script: Written in batarde by several persons., Forty-six miniatures of very poor quality, the majority 10- to 8-lines, rectangular and full width of folio, framed in brown ink; four others (ff. 42v, 53r, 73v, and 104v) 5- to 4-lines, square, in gold frames edged in blue. 4- to 3-lines initials, ff. 1r-7v only, silver or gold on magenta or blue irregular grounds, with gold or silver filigree. 2- and 1-lines initials in red. Line-fillers in red and brown floral patterns. Rubrics throughout., and Binding: 16th-17th centuries. Resewn on four very small vegetable fiber cords. The spine of the cover shows that the earlier supports were nearly flat and double and that there were two half-bands near head and tail. Red edges. Covered in yellow/brown calf, blind-tooled with a central panel filled with strap work inside floral borders. A rectangle of leather near the center is painted red and "Margveritte de Savoye" is tooled near the head of the lower board. The cover has been made into a case or hollow-backed binding.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Devotional literature, French, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on paper and parchment, heavily illuminated (trimmed), of Devotions to the Blessed Virgin Mary. Written in Cologne/Lower Rhine (Ripuarian language area) for Augustinian use
Description:
In German and Latin., Watermarks: similar to Briquet Armoiries 1656., Script: Text written in varying bookhands, most with batarde influence; more formal scripts for some rubrics and portions of text on parchment., Two historiated initials, 12- and 10-line, on parchment bifolios, the letters gold and blue with brown and red penwork, the figures crudely drawn in pen and colored brown, blue and green, against bright red grounds with white highlights; brown and red calligraphic flourishes with red, green, blue and yellow dots extending along upper and side edges of written space. 12-, 10-, and 9-line initials (ff. 13r, 96r, 115r, 179r, 222r, 258r, 322v) gold (or red for ff. 258r, 322v) and blue, filled with brown floral penwork designs with calligraphic flourishes and dots, as above. Floral borders for each 12- through 9-line initial (except ff. 15r and 258r), red, blue, and green flowers with gold dot centers, connected by brown ink stems, arranged in rows or spirals; ff. 13r and 84v with a vase and bird in the margins. Two 9-line initials, ff. 274r and 298r, on parchment bifolios, in a markedly different style, green and blue respectively, with yellow and white highlights, against gold grounds, filled on f. 274r with a large flower, blue and red, on f. 298r with short sections of curling pink and green acanthus. Borders large blue or red flowers with gold dots and centers or short sections of blue and red acanthus on spiraling brown stems with small green teardrop leaves. Numerous 7- through 2-line initials, red and/or blue, with brown penwork and flourishes, as above. I-initials, up to 13-line, red or blue throughout. Some capital W's in text in blue or red. 2-line KL monograms, alternating red and blue. Some portions of the text, including proper names, underlined in red. Notes for rubricator in gutter, perpendicular to text., and Binding: Sixteenth century. Original sewing on four supports attached to wooden boards. Covered in dark brown calf with corner turn-in tongues. Blind-tooled with concentric borders, an X, roses and small flowers in the central panel, roses and rampant lions in the outer borders. Two clasp-and-catch fastenings, the catch on the upper board. Rebacked and the endbands probably added. Straps replaced. Covers lined with fragments of unidentified scientific text, in Latin (15th century).
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Mary, Blessed Virgin, Saint, Augustinians., and Catholic Church
Subject (Topic):
Devotion to., Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Script: written by multiple hands in Northern Gothica Textualis Formata., Binding: undecorated sheepskin over pasteboard. Rebacked in the eighteenth century. Spine with four raised bands, gold-tooled with a floweret. Remnants of a gold-tooled title label., and In Latin.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Carthusians. and Catholic Church
Subject (Topic):
Liturgy, Manuscripts, Medieval, and Monasticism and religious orders