Album wrapped in tissu de Provence; contains photographs of Murphy family at Hôtel Cap d'Antibes and Villa America, Saint-Cloud (France); Chateau-d'Oex (Switzerland); Madeira (Portugal); Baden-Baden (Germany); Beverly Hills (California); attending Antonia
Description:
Photographs of Hemingway, Hadley, and Bumby removed by Murphy family.
Subject (Name):
Dos Passos, John, 1896-1970, Fitzgerald, F. Scott (Francis Scott), 1896-1940, Murphy, Gerald, 1888-1964, Murphy, Sara, Picasso, Pablo, 1881-1973, Seldes, Gilbert, 1893-1970, and Woolley, Monty, 1
Informal carte-de-visite photographs probably created by James L. Cotter documenting Inuit people and dwellings probably in the vicinity of the eastern coast of Hudson Bay or Belcher Islands, Canada, ca. 1867-1870. Images documenting the traditional costume of the Inuits include an informal portrait of a girl, in addition to group portraits of three women and two men and another group portrait of over sixty children, women, and men. Images documenting Inuit dwellings include a group of men and women in front of three igloos and sitting on top of a sled, two igloos without people, and a structure similar to a tipi with a wooden door.
Description:
James L. Cotter worked in various capacities from clerk to chief factor for the Hudson's Bay Company, 1857-1888., Manuscript inscriptions and signatures on the rectos and verso of the photographic prints., and The mount on one photographic print bears a mark for R. Smith, Port Hope and Peterborough, Ontario.
Subject (Geographic):
Hudson Bay
Subject (Name):
Cotter, James L.,--1839-1889 and Smith, R.,--photographer
Subject (Topic):
Indian architecture--Hudson Bay--Pictorial works, Indians of North America--Pictorial works, Inuit--Canada--Pictorial works, and Inuit--Clothing--Pictorial works
Animation-recherche-confrontation (Museum) Gaudibert, Pierre Moch, Michel
Published / Created:
[1968?]
Call Number:
2010 +480 2
Container / Volume:
Folder 14
Image Count:
13
Abstract:
Accompanied by exhibition poster (70 x 45 cm, folded to 18 x 23 cm); "Grille d'analyse d'un produit industriel sous le rapport de l'usage qui en est fait de sa fabrication et ses caracteristiques commerciales" (5 leaves) and 97 photographs of the exhibition (from 13 x 18 cm to 18 x 24 cm). No. 14 of 14 folders in box 2 of the Utopie/Aérolande Collection.
Alternative Title:
Structures gonflables and Utopie.
Description:
"Exposition réalisée par 'Utopie'"--T.p. verso., At head of title: Utopie: revue de sociologie de l'urbain., Catalog of an exhibition held March 1968., Essai sur technique et société / Isabelle Auricoste & Hubert Tonka -- Considérations inactuelles sur le gonflable / Claude et Léon Gaignebet -- Particularité des structures gonflables / Jean Aubert -- Structures gonflables : nomenclature des objets exposés., Includes bibliographical references (p. 101-103)., and Présentation (p. 5-[6]) signed: Pierre Gaudibert, Conservateur adjoint.
Publisher:
Animation recherche confrontation, Musée d'art moderne de la ville de Paris,
Subject (Topic):
Air-supported structures--Exhibitions, Art, French--20th century--Exhibitions, and Minimal art--France--Paris--Exhibitions
Events documented include horseback trips to the White River, a powwow with traditional Lakota costume and dancing, mourners at a cemetery, Lakota women on horseback, and games of football and basketball. Images documenting agricultural events include threshing wheat and castrating calves., Informal portraits include individuals, couples, and groups. Specific student groups including a group of young women from Holy Rosary Mission school, the St. Francis Mission marching band, the St. Francis Mission football team, a dance troupe of girls, and a student theatrical group at the St. Francis Mission in costume and wearing blackface makeup. Informal portraits also depict Lakota people wearing modern and traditional costumes, in addition to Anglo American people wearing traditional Lakota costumes. The only identified individual is Peter Scherer, who directed the St. Francis Mission marching band in 1930-1931., Other images include exterior views of the missions, homes, farms, and oil wells, while interiors views exist of a gymnasium and dining halls at the missions., Photograph album of images created by Eugene Buechel of Oglala Lakota and Sicangu Lakota people and environs in southern South Dakota, ca. 1928-1931., and The Jesuit priest, Eugene Buechel (1874-1954) served as a superior at the mission schools of Holy Rosary Mission (1908-1916), Pine Ridge Indian Reservation, and St. Francis Mission (1916-1923), Rosebud Indian Reservation, afterwards working to document Lakota language and culture in the region until his death.
Description:
Manuscript captions in German on the verso of several photographs, which are available on photocopies provided with the album. and Photographs in album 8.7 x 14.8 cm. and smaller.
Subject (Geographic):
Pine Ridge Indian Reservation (S.D.)--Pictorial works and Rosebud Indian Reservation (S.D.)--Pictorial works
Subject (Name):
Buechel, Eugene, Catholic Church--Missions--South Dakota, Jesuits--Missions--Pine Ridge Indian Reservation (S.D.), Jesuits--Missions--Rosebud Indian Reservation (S.D.), and Scherer, Peter,--band director
Subject (Topic):
Brulé Indians--Pictorial works, Cemeteries--South Dakota--Pictorial works, Dakota Indians--Pictorial works, Indians of North America--Pictorial works, Indians of North America--Rites and ceremonies--Pictorial works, Mission schools, Oglala Indians--Pictorial works, and Teton Indians--Pictorial works
Schwemberger, George Charles, 1867-1931 Schwemberger, Simeon
Published / Created:
c1905-c1906.
Call Number:
WA Photos 28
Image Count:
53
Abstract:
Photographs of Navajo medicine and sweat lodge ceremonies, including views of the construction of the lodges, preparations for the ceremonies, sandpaintings, and participants. There are also photographs of family groups, the ruins in Canyon de Chelly, sheep and goat herds, and of foot and horse racing.
Description:
George Schwemberger joined the Franciscan order as a lay brother, adopting the name Simeon and moving to the mission at St. Michael's, Arizona in 1901. In late 1907 he left St. Michael's to open a photo gallery in Gallup, New Mexico. and Individual photographs are 11.6 x 16.6 cm., with copyright statement inscribed. Letterpress or manuscript captions accompany each photograph, 32 of which form a numbered series with descriptive captions.
Publisher:
Simeon Schwemberger,
Subject (Geographic):
Chelly, Canyon de (Ariz.)--Pictorial works
Subject (Topic):
Indians of North America--Pictorial works, Indians of North America--Rites and ceremonies, Navajo Indians--Pictorial works, Navajo Indians--Rites and ceremonies, and Sweatbaths--Pictorial works.--aat
Album of photographs of a rodeo with primarily American Indian participants, probably in the American southwest, ca. 1930. The images of action include men riding horses, steers, and bulls, in addition to roping and bulldogging steers. Other images show a man thrown from a horse and another depicts an injured man being attended to on the ground. Remaining images include American Indian women, possibly in connection with a rodeo queen contest, a wagon pulled by mules, and groups of people encamped, probably around the rodeo arena.
Description:
Individual photographs measure 11.2 x 16.5 cm.
Subject (Geographic):
Southwest, New--Pictorial works
Subject (Topic):
Beauty contests--United States--Pictorial works, Cowboys--Pictorial works, Indian cowboys--Pictorial works, Indians of North America--Pictorial works, and Rodeos--Pictorial works
Argentum Photographic Services Fiske, Frank Bennett, 1883-1952 North Dakota Heritage Foundation Stemmens, Red. Frank Fiske and western photography Vyzralek, Frank. Frank Bennett Fiske
Published / Created:
1983
Call Number:
WA Photos Folio 50
Container / Volume:
Box 1
Image Count:
32
Abstract:
Accompanying leaflets consist of essays, "Frank Bennett Fiske," by Frank Vyzralek, and "Frank Fiske and Western Photography," by Rod Stemmens., Exterior portraits of Lakota men consist of an image of White Bull posed standing in a meadow holding a calumet, and an image of a man posed standing, wearing a feather headdress, and holding a bow, beaded quiver, and lance. An exterior view shows two council tipis decorated with depictions of horses., Group portraits of Lakota men include two Lakota men identified as wranglers, and an image of two Lakota men holding the outstretched wings of a dead golden eagle, with a man holding a rifle identified as Herbert Keeps Eagle. An additional studio portrait of nine unidentified men consists of three Lakota men and six white men in clerical dress, identified as priests at the mission., Lakota men portrayed include Black Bear, Gray Hawk, Iron Star, Kicks Iron, Kicks the Iron, One Bull, Rain in the Face, Red Fish, Red Fox, Sharp Horn Bull, White Bear, and Yellow Hawk. Studio portraits of Joe No Heart show him wearing traditional regalia in one and wearing contemporary clothing and a police badge in another. An additional studio portrait depicts Fiske as a child, holding a rifle, dressed in a fringed buckskin jacket and pants., Portraits originally created by Frank Bennett Fiske, primarily of Lakota (Teton) Indians, ca. 1895-1930. Most of the images were created at his photographic studio at Fort Yates, North Dakota, and most of the Lakota people in the images lived on the Standing Rock Agency. The photographic prints in these portfolios were printed from original and copy negatives by Argentum Photographic Services, Seattle, Washington, under the auspices of the North Dakota Heritage Society from original photographs in the Frank Fiske Photograph Collection of the State Historical Society of North Dakota,1983., Studio portraits of Lakota families include Paul Brave, his wife and their daughter; Red Fish and his daughters; and a family consisting of a man and two women with one of the women holding a coyote pup., and Studio portraits of Lakota girls and women include Mrs. Chasing Bear, Mrs. Jack Treetop, a girl from the Dunn family, and Mrs. Twin and her daughter.
Description:
In 2 boxes; box 1 digitized in its entirety. and Titles on cards mounted on cases: Portfolio I, Portfolio II. The Portfolio I card includes a reproduction of the image of Kicks Iron. The Portfolio I card includes a reproduction of the image of an unidentified man posed standing.
Publisher:
North Dakota Heritage Society,
Subject (Geographic):
Fort Yates (N.D.)--Pictorial works
Subject (Name):
Dunn family--Portraits, Fiske, Frank Bennett,--1883-1952, Fiske, Frank Bennett,--1883-1952--Portraits, Gray Hawk--Portraits, Iron Star--Portraits, Joe No Heart--Portraits, Kicks Iron--Portraits, Kicks the Iron--Portraits, and Loon--Portraits
Subject (Topic):
Coyote--Pictorial works, Golden eagle--Pictorial works, Indian women--Pictorial works, Indians of North America--North Dakota--Pictorial works, Indians of North America--North Dakota--Portraits, Teton Indians--Pictorial works, Teton Indians--Portraits, and Tipis--Pictorial works
Cooper, Frank, photographer Gramsby, Walter S James, Anny W Lawe, Charles Little, James, photographer Richmond, John L Thompson & Son Photographers
Published / Created:
ca. 1850-ca. 1890.
Call Number:
WA Photos 379
Image Count:
1
Abstract:
Five unmatted tintypes depict different Missisauga children. and Tintypes and carte-de-visite photographs primarily depicting Missisauga Indian individuals of the Ojibway Nation in the vicinity of Alderville, Ontario, ca. 1850-1890.
Subject (Geographic):
Alderville (Ont.)--Pictorial works
Subject (Topic):
Indians of North America--Pictorial works, Indians of North America--Portraits, Missisauga Indians--Pictorial works, Missisauga Indians--Portraits, Ojibwa Indians--Pictorial works, and Ojibwa Indians--Portraits