"Portrait of Catherine of Braganza, three-quarter length, holding gloves before a curtain."--British Museum online catalogue
Alternative Title:
Carolo IIo. D. G. Mag. Brit. Fr. et Hib. Regi &c. Hanc Sereniss Reginae Catharinae Effigiem humillime consecrat, G. Faithorne
Description:
Title devised by cataloger., Artist and date of publication from the British Museum online catalogue, registration no.: P,5.38., Sheet trimmed within plate mark., "Cum Privilegio Reg."--Bottom of plate, below dedication., Probably engraved after the painting (NPG 2563) that was later acquired by Horace Walpole and hung in the Great North Bedchamber at Strawberry Hill., Mounted on page 209 of Richard Bull's copiously extra-illustrated copy of: Walpole, H. A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 13., and For further information, consult library staff.
Publisher:
publisher not identified
Subject (Name):
Catherine, of Braganza, Queen, consort of Charles II, King of England, 1638-1705, and Strawberry Hill (Twickenham, London, England)
Three-quarter length seated portrait of Charles James Fox (1749-1806), Parliamentarian, statesman, and leader of the Whig party
Description:
Title devised by cataloger., Signed on mount, lower center: D.B., Lady Diana Beauclerk, English artist, 1734-1808., and For further information, consult library staff.
Burlington, Dorothy Boyle, Countess of, 1699-1758, artist
Published / Created:
[not after 1758]
Call Number:
Folio 49 3588 v.1 (Oversize)
Collection Title:
Volume 1, page 19. Collection of prints engraved by various persons of quality.
Image Count:
1
Resource Type:
still image
Description:
Title devised by cataloger, based on questionable identification of the sitter by curator., Statement of responsibility written in pencil above image. Additional statement written in ink on mounting sheet, in Horace Walpole's hand: Drawn by Lady Dorothy Saville, Countess of Burlington. H.W., Date of production based on artist's death date., and Mounted on page 19 in volume 1 of Horace Walpole's collection of amateur works entitled: A collection of prints engraved by various persons of quality.
A portrait in three quarter view with subject seated at an ornate table with marble top partially covered with a fringed cloth supported by a gilt classicizing child at the corner. The setting includes a heavy drapery on the left and a colonnade on the right through which a distance landscape is visible. She wears a lace cap with a pink ribbon and a blue waist jacket over a white chemise. She holds a small bouquet of flowers on her lap
Description:
Dorothy Clement was born in County Durham in 1715, the daughter of Hammond Clement (1692-1733) and Priscilla Clement (-1739); when she arrived in London she became a milliner’s assistant. Due to her status, she was never able to marry Sir Edward Walpole (1706-1784) but with him had a son, Edward Jr. (1737-1771), and three daughters: Laura (1734-1813), who became the wife of Frederick Keppel, Bishop of Exeter; Maria (1736-1807) who married first James Waldegrave, Earl Waldegrave, and after his death, William Hanover, Duke of Gloucester; and Charlotte (1738-1789) who wed Lionel Tollemache, Earl of Dysart. Dorothy Clement died on January 17, 1739, and was buried at St James Garlickhythe Church graveyard in the City of London., Title from 2005 Christie's appraisal., Identifying inscription and dated 1726 on the reverse., and From Christie's 2002 appraisal: English School, 18th century.
Title, printmaker, and imprint from British Museum catalogue., Sheet trimmed to plate mark on bottom and left., and Thirteen lines of text below the image: Dr. Bastwick, for writing a booke against popish bishops ...
Standing three-quarter portrait of General Henry Seymour Conway shown in three-quarter view. Conway wears a military breast plate and sword under his red coat indicating his military and political activities. He holds an indecipherable letter in his left hand. His right hand rests on the table on which lies a manuscript copy of the Free Porta Bill that open West Indian trade to Boston merchants and a copy of the bill for the repeal of the Stamp Act. A globe displays the western hemisphere representing Conway’s imperial activities in North America
Description:
Title from 2005 Christie's appraisal. and This painting is a copy after a lost original by portrait likely by Sir Joshua Reynolds or Thomas Gainsborough.
A half-length portrait of George Cholmondeley wearing a dark blue coat and red waistcoat with a white cravat. A ribbon at his next reads in part: ... “amore iocisque.” On his coat is the insignia of the order of the garter
Description:
Title from 2005 Christie's appraisal. and Attributed to Joseph Highmore in the Christie's appraisal.
Subject (Name):
Cholmondeley, George Cholmondeley, Earl of, 1703-1770,
Portrait of George Griffith after Robert White, half length in an oval, long hair, wearing bands and gown, holding a book; curtain in the background to left, bookshelf to right, with inscribed motto 'Most gladly would I Learne & gladly Teach'.
Description:
Title devised by cataloger., Date from unverified data from local record., Copy of 17th century engraving by Robert White. Cf. Catalogue of engraved British portraits, v. 2, p. 390., and For further information, consult library staff.
LWL Ptg. 105 Framed, on view in Administration Area
Image Count:
2
Resource Type:
still image
Abstract:
A bust-length portrait in a trompe l’oeil oval frame. The frame is inscribed G.M. 1739 on either side of a trompe l’oeil coat of arms. Montagu wears a blue velvet jacket with a white cravat. Draped over his proper right shoulder, is an ermine-lined red mantle worn by members of the House of Lords
Description:
Title from 2005 Christie's appraisal., Attributed to Jean-Baptiste Van Loo by Christie's in the 2005 appraisal., and Inscribed and dated: G.M. 1732.
Subject (Name):
Montagu, George Brudenell Montagu, Duke of, 1712-1790,