"Fox as Guy Vaux kneels on one knee beside a pile of three barrels which he is about to fire with a lighted paper inscribed 'Rights of Man', holding up a dark lantern in his left hand. Burke, dressed as a watchman, rushes towards him and seizes Fox's left wrist, turning the rays of the lantern on his face, while he springs the rattle in his outstretched right hand. His long staff rests on his shoulder and he wears a long coat with a triple collar, badged on the left sleeve with a crown. He says, ""Hold Miscreant - I arrest thee in the name of the British Constitution, which thou art undermining - I arrest thee in the name of human nature, which thou hast most cruelly outraged; - I arrest thee in the name of that Monarch whom thou dost wish to deprive of dignity, & of that people whom thou hast most basely deluded! - Nay, no fawning: - thy Tears & thy hypocrisy make no impression on the mind of truth & Loyalty: - therefore, Enemy of all good! yeild to that punishmt which has long waited those "crimes which are left as yet unwhipt of Justice"". Fox, who wears a slouch hat and a long cloak buttoned over his mouth, says, "O Lord! O Lord! that ever my aim should be discover'd when I had taken such pains to disguise myself - for Heavens sake, Watchman, what have I done that I should be apprehended? - what have I done only answer me that! - dare you accuse me only for what you think I intended to do ? - have I ever assassinated the King, or blown up the Lords ? - as to this Gunpowder here, I only intended to set fire to it merely to clear the Nation of Buggs: - for goodness sake do let me go: - or if I must suffer do let it be without holding up my own dark Lanthorn in my Face, for my Eyes are so weak with crying to think I should be charged with such Villainy, that I cannot bear the Light." Large tears fall from his eyes. The barrels are inscribed 'Gunpowder', one 'for the King', another 'for the House of Lords'. Behind, Sheridan escapes up a flight of steps, he follows another conspirator whose leg is visible on the extreme right. He says, I must be off while I can; as to my Friend there, why, if he does go to pot there's the more room for me! - I wish I could squeeze out a Tear or two as well as he, it might impose on the Mob, if they should stop me: - but I've come that humbug so often before, that my Eyes - Da-n my Eyes! there's not one drop left in them." ..."--British Museum online catalogue
Description:
Title from text in lower right corner of image., Printmaker from British Museum catalogue., Text below title: NB his associates were all taken afterwards & executed., Sheet trimmed leaving thread margins., Temporary local subject terms: Charles Fox as Guy Vaux -- Allusion to George II, King of Great Britain, 1738-1820 -- Plot against House of Lords -- Gunpowder Plot, 1604 -- Dark lantern -- Watchman's rattle -- Burke as watchman -- Watchman's staff -- Denounced coalition -- Quarrel: Fox and Burke, 1791 -- Puns: 'Vaux' for Fox -- Burke's spectacles., and Watermark: Turkey Mills J. Whatman.
Publisher:
Pubd. May 14th, 1791, by H. Humphrey, No. 18 Old Bond Street
Subject (Name):
Fox, Charles James, 1749-1806, Burke, Edmund, 1729-1797, and Sheridan, Richard Brinsley, 1751-1816
"The enormously fat Mrs. Hobart sits in profile to the left in a small armchair, her right foot on a stool, her leg exposed. She places round its grotesque girth a ribbon garter, the central part of which is stiffened by a spring. Perched on her hair is a small straw hat with a high silk crown from which a veil hangs down her back. On the wall behind her is a picture: 'Nina', a small thin man kneels before the stout and terrified Nina (who believes him to be the ghost of her lover)."--British Museum online catalogue
Alternative Title:
Van-Buchells garters
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed mostly within plate mark., and Temporary local subject terms: Allusion to Martin Van Butchell, 1735-1812 -- Literature: allusion to Berkeley's Nina, or, The Madness of Love -- Pictures amplifying subject: Nina -- Furniture: armchairs -- Foot stools -- Clothing: garters.
Publisher:
Pubd. Octr. 3d, 1791, by H. Humphrey, N. 18 Old Bond Street
"Lord Barrymore and his two brothers are represented as figurines on the shelf of a chimney-piece, along which the title is etched. Each stands on a circular pedestal inscribed: (left to right) 'A Hell-gate Blackguard', 'A Newgate Scrub', and 'A Cripplegate Monster', the three brothers being known as Newgate, Hellgate, and Cripplegate. In the centre Barrymore, as Scrub, is seated as in Act iii of Farquhar's play, when in conference with Archer: dressed in livery and wearing an apron, his hands on his knees (cf. British Museum Satires No. 6221). On the left Augustus Barry, stripped to the waist and wearing boxing-gloves with a high hat, stands in the attitude of a pugilist, which his extreme thinness makes ridiculous. On the right Henry Barry grins and capers, holding a toy whirligig. He wears the fashionable dress of the bloods of the moment: high hat, long tight breeches reaching almost to the ankle, short wrinkled top-boots with enormous spurs. His coat is slipping off his shoulders and fastened by one button (a caricature of the fashion); all have cropped hair, cf. British Museum Satires No. 8040, &c. Over Barrymore's head is the lower part of a bust-portrait of the Prince of Wales in an oval frame."--British Museum online catalogue
Description:
Title from text in image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., Eighteen lines of verse etched below image: To whip a top, to knuckle down at taw ..., Temporary local subject terms: Mantelpieces -- Pugilism -- Toys: whirligig -- Spurs -- Literature: allusion to George Farquhar's The Beaux Stratagem, iii, 3 -- Barrymore, Richard, 7th Earl, 'Newgate' -- Barrymore, Henry, 8th Earl, 'Cripplegate' -- Barry, Augustus, 'Hellgate' -- Prince of Wales's circle -- Pictures amplifying subject: Prince of Wales'e portrait., and Mounted to 36 x 36 cm.
Publisher:
Pubd. Novr. 1st, 1791, by H. Humphrey, N. 18 Old Bond Street
Subject (Geographic):
England
Subject (Name):
George IV, King of Great Britain, 1762-1830, Barrymore, Richard Barry, Earl of, 1769-1793, Barrymore, Henry Barry, Earl of, 1770-1823, and Barry, Augustus, 1773-1818
Subject (Topic):
Clothing & dress, Chimneypieces, Figurines, Pedestals, Boxers (Sports), and Toys
"A large chamber-pot, cracked, stands (left) supported by the legs of Mrs. Jordan. The Duke of Clarence has thrust his head and shoulders within a fissure in the 'Jordan', singing a chanty, "Yeo! Yee! Yeo!" He is in back view and wears striped sailor's trousers; his naval coat with its star hangs on the wall (right)."--British Museum online catalogue
Alternative Title:
Crack'd Jordan and Cracked Jordan
Description:
Title etched below image., Printmaker from British Museum catalogue., and 1 print : etching on wove paper ; plate mark 27.5 x 21.0 cm, on sheet 37 x 27.3 cm.
Publisher:
Pubd. Novr. 1st, 1791, by H. Humphrey, N. 18 Old Bond Street
Subject (Name):
William IV, King of Great Britain, 1765-1837 and Jordan, Dorothy, 1761-1816
"The interior of a bedroom, with Miss Gunning in bed (left), facing the spectator; a stout woman, her mother, holds her arm; both look round in alarm at a much-caricatured creature, Miss Minifie, who rushes towards them (right) from an open door, arms outstretched, gaping with staring eyeballs. Mrs. Gunning raises a leg in her surprise, breaking a bottle of 'Brandy' which with a glass had been concealed under her petticoats. Beneath the design is etched: 'What's the matter Auntee-Peg, what makes you put on such a long Face?"' In the upper and lower margins is the inscription: 'I was sitting by the Bedside of my smiling-injured-innocent-Lambkin, & holding one of the sweet tender hands of my amiable-gentle-dovelike-Cherub, when her Aunt came into the Room, with a face paler than Ashes, - "What is the matter, Auntee Peg" - says my dear-chaste-adorable-kind-benificent-enchanting-heart-feeling-benificent-paragon of Goodness \ She broke upon us the dishonorable-infamous-false-accusations, & the cruel most cruel messages that accompanied them, at that moment a Vow issued from my torn, my rent, my wounded, my agonizing, my suffering Heart, & my dear-divine-glorious-Arch angelic-Angel, said &c &c.'"--British Museum online catalogue
Alternative Title:
What's the matter Auntee-Peg, what makes you put on such a long face?"
Description:
Title etched at top of image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., Temporary local subject terms: Interiors: bedrooms -- Furniture: side tables -- Beds -- Glass: wine bottles -- Alcohol: brandy -- Allusion to the Gunning scandal -- Literature: burlesque of Mrs. Gunning's A Letter ... to the Duke of Argyll., and Watermark: fleur-de-lis on crowned shield with initials G R below.
Publisher:
Pub. March 25th, 1791, by H. Humphrey, No. 18 Old Bond Street
Subject (Name):
Gunning, Miss 1769-1823 (Elizabeth),, Gunning, Mrs. 1740?-1800 (Susannah),, and Minifie, Margaret
"An oval bust portrait (caricature) of the Duke of Clarence, looking to the right, staring and smiling. His hair is shaggy and uncurled. He wears a large round hat, and naval uniform with his star."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., One line of quoted text below title: "Those lips were made for kissing, ladies!", Sheet trimmed mostly within plate mark., and Temporary local subject terms: Naval uniforms: Duke of Clarence's uniform.
Publisher:
Pubd. Octr. 11th, 1791, by H. Humphrey, N. 18 Old Bond Street
"Pitt as Don Quixote (and Petruchio) bestrides a sorry rosinante, the white horse of Hanover, scarred and decrepit and apparently at the point of death. Behind him sits the King of Prussia. Holland, as Sancho Panza, on the animal's hind-quarters, clasps Prussia round the waist. The Sultan, on the extreme left, crouches behind the horse, kissing its tail. Pitt, who holds a whip, points a thin mail-clad hand arrogantly at Catherine of Russia (right), a stout woman who has sunk in terror to her knees, but is supported by the Emperor Leopold and by France, a grotesquely lean Frenchman of the old régime, wearing a cocked hat ornamented with fleur-de-lis. Pitt wears Mambrino's helmet (the barber's basin) surmounted by a crown and a feather. He says: ""Katharine, that cap of yours becomes you not; "Off with that bauble, 'tis my royal will." The 'cap' is a crescent in her hair, symbolizing her conquests from Turkey and, more especially, Oczakoff, the place in dispute. Pitt's horse (George III), says, weeping, "Heigho! to have myself thus rid to death, by a Boy & his playmates, merely to frighten an Old Woman - I wish I was back in Hanover to get myself a belly full". A holster on the animal's neck is inscribed 'G.R', but the 'G' has been struck out and replaced by 'P' (to indicate that Pitt has usurped the prerogative of the Crown, cf. BMSat 7479, &c). The King of Prussia, with his chin on Pitt's shoulder, glares fiercely; he holds a drawn sabre and says, "Blood & Dunder, I would give her one good Prussian stroking". Sancho Panza, a fat Dutchman, says, "I'm in a good humour to give her a dram of right Holland's". The crouching Turk cries obsequiously, "Amman! Amman! Anglois, Alia, Alia". Catherine is terrified, she turns away from Pitt exclaiming: ""I see my Lances are but straws; "My strength is weak, my weakness past compare; "And am asham'd, that Women are so simple "To offer War when they should kneel for Peace." France says, "O, by Gar! if Mirabeau was but 'live! Sacre Dieu." The Emperor, who is crowned, and wears a cloak on which is the Habsburg eagle, says, "Das is de devil, to give up all again". Beside Catherine is a sword tying across a plan of a fortress, Oczakow."--British Museum online catalogue
Alternative Title:
What you will and Modern Quixote
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., Temporary local subject terms: Allusion to Don Quixote -- Horse of Hanover -- George III as the Horse of Hanover -- Weapons: sabre -- Horse whip -- Allusion to Oczakow -- Allusion to Triple Alliance (England, Prussia and Holland)., and Watermark: J Whatman.
Publisher:
Pubd. April 20th, 1791, by S.W. Fores, Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Catherine II, Empress of Russia, 1729-1796, Leopold II, Holy Roman Emperor, 1747-1792, Frederick William II, King of Prussia, 1744-1797, Selim III, Sultan of the Turks, 1761-1808, and Pitt, William, 1759-1806
"The Duchess of York (left), full face, dances a minuet with a partner whose figure and profile suggest the Prince of Wales. He faces her, his left forefinger touching her left forefinger, his right arm outstretched, holding his hat. Her dress is cut very low and she displays her tiny feet (cf. BMSat 7930, &c), showing her leg to the knee in a way then considered immodest."--British Museum online catalogue
Description:
Title etched below image; the letter 'k' in 'York' seems to have been etched on the plate as 'y' and altered by hand after printing., Printmaker from British Museum catalogue., Sheet partially trimmed within plate mark., and Temporary local subject terms: Dancing -- Dances: minuet.
Publisher:
Pubd. Decr. 14th, 1791, by H. Humphrey, No. 18 Old Bond Street
Subject (Name):
George IV, King of Great Britain, 1762-1830 and Frederica Charlotte Ulrica Catherina, Princess, Duchess of York, 1767-1820
"The Duke and Duchess of York receive the address of the City on their marriage, the Mayor, &c, being represented as bulls on their hind legs, wearing livery-gowns. A braying ass on the extreme right reads the 'City Address to their Royal Highness . . .' The Duke stands on the edge or the dais, making an extravagantly low bow, looking through his legs away from the deputation; the Duchess on his right sinks in a curtsey so low tha her petticoats take the form of a circular cushion from the centre of which her head emerges. Behind them (left) is a chair of State surmounted by crown."--British Museum online catalogue
Alternative Title:
City-loyalty amply rewarded
Description:
Title etched below image., Printmaker from British Museum catalogue., and Temporary local subject terms: Marriages: Duke of York's marriage, 1791 -- Furniture: chair of State -- Crowns -- Members of Common Council -- John Hopkins, Mayor, 1791 -- Rose, Recorder, 1791 -- Horned cattle -- Asses -- City address to the Duke and Duchess of York -- Curtsies: Duchess of York's curtsy.
Publisher:
Pubd. Decr. 27th, 1791, by H. Humphrey, No. 18 Old Bond Street
Subject (Name):
Frederick Augustus, Prince, Duke of York and Albany, 1763-1827 and Frederica Charlotte Ulrica Catherina, Princess, Duchess of York, 1767-1820