Verse -- "A wealthy man of late, we hear,"., In four columns with the title and two woodcuts above the first two; imprint at foot of the fourth column, below a single rule; the columns are not separated by rules., Also published with title ’A cabinet of good counsel’., Dated from the address; see David Stoker, "Another look at the Dicey-Marshall publications: 1736-1806", The Library, ser. 7, v. 15:2 (June 2014), 111-157., Mounted on leaf 45. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 2.
Caption title., Verse-"In St. Lucie's distant isle, ", In four columns, with the title above the first two columns; columns are not separated by rules; the first and fourth columns include one woodcut each and the second includes two woodcuts., At foot of the fourth column, within square brackets, is the statement "Entered at Stationers Hall.", At head of title: Cheap Repository., Attributed to Hannah More., Imprinted from English short title catalogue., and For further information, consult library staff.
Verse begins: "Behold here's a ditty, 'tis true and no jest,"., In four columns with the title above the first two; the columns are not separated by rules., Another printing or issue (ESTC T206945) has imprint: Sold at no. 4, Aldermary Church Yard., Dated from the address of the other printing/issue; see David Stoker, "Another look at the Dicey-Marshall publications: 1736-1806", The Library, ser. 7, v. 15:2 (June 2014), 111-157., Mounted on leaf 75. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 3.
Verse begins: "Attend, ye lovers, and give an ear"., In four columns with the title and two woodcuts above the first two; the columns are separated by columns of type ornaments., The left woodcut is found in other broadsides with Bow Church Yard and Aldermary Church Yard imprints; the date range is that covering both imprints; see David Stoker, "Another look at the Dicey-Marshall publications: 1736-1806", The Library, ser. 7, v. 15:2 (June 2014), 111-157., Susan’s surname appears in other editions as either Massie or Mease., Mounted on leaf 60. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 2.
Publisher:
publisher not identified
Subject (Topic):
Couples, Cemeteries, Tombs & sepulchral monuments, Skulls, and Staffs (Sticks)
Verse begins: "God prosper long our noble king,", In five columns with the title and woodcut above the first two; imprint at the foot of fifth, below a single rule; the columns are not separated by rules., Woodcut depicts a leader carrying a decorated spear followed by four heavily armed soldiers., Dated from the address; see David Stoker, "Another look at the Dicey-Marshall publications: 1736-1806", The Library, ser. 7, v. 15:2 (June 2014), 111-157., Mounted on leaf 18. Copy trimmed. Imprint supplied from more perfect copy in British Library., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 1.
Verse - "You that do know what to true love belong.". -, There is no full stop at the end of the title., Title and three woodcuts are above the first two columns; the first woodcut depicts a shepherd with his crook, the second a hanged man, and the third a shepherdess also with crook; the columns of text are separated by columns of type ornaments; and there are two layers of clouds in the first woodcut., The woodcuts are also found in editions with Bow Church Yard and Aldermary Church Yard imprints; the date is based on that; see David Stoker, "Another look at the Dicey-Marshall publications: 1736-1806", The Library, ser. 7, v. 15:2 (June 2014), 111-157., In this printing, the left edge of the first woodcut aligns with the "i" in "wandering" in the title. In another printing (ESTC N511170), it aligns with the space between "n" and "g"., Mounted on leaf 61. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 2.
Publisher:
publisher not identified
Subject (Topic):
Shepherds, Shepherdesses, Hangings (Executions), Gallows, and Dead persons
Verse - "In Bath a wanton wife did dwell,"., What appears to be the same setting of type was also issued with imprint: Sold at no. 42, Long Lane; dated from that address; see David Stoker, "Another look at the Dicey-Marshall publications: 1736-1806", The Library, ser. 7, v. 15:2 (June 2014), 111-157. Appearance of woodcut suggests this issue preceded one with imprint., In four columns with the title and woodcut above the first two; the columns are not separated by rules., Mounted on leaf 63. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 2.
Publisher:
J. Evans?
Subject (Geographic):
Bath (England)
Subject (Topic):
Repentance, Women, Moral and ethical aspects, Heaven, and Gates
By the King's Royal Letters Patent and By the King's royal lettters patent
Description:
Title from text within image., With two small letterpress notices printed on green paper and pasted at the bottom of the image on the front and on the verso above the aperture that contains the lace samples., On reverse: Royal patent for Geo. Fred. Urling & Co. Thread Lace Manufacturers to the Royal Family and to her late Majesty. By special appointment. At top of image: Retail House for Urling's lace. Also two red wax seals below aperture., and On reverse: Royal patent for Geo. Fred. Urling & Co. Thread Lace Manufacturers to the Royal Family and to her late Majesty. By special appointment. Also carrying two red wax seals. For further information, consult library staff.
Emblematic funeral ticket for Isaac Watts, Congregational minister, hymn writer, theologian, and logician who died 25 November 1748. In the center is a mausoleum decorated with pillars and scrolls with three small Cherub heads along the top and the lid decorated with two full-figure Cherubs holding torches on either side of an urn at the top of the structure. The center has been left blank to allow for the letterpress printing (used as the title). On the left, standing on a low block, is the allegorical figure of Time, shown as an old, bearded man with wings, scythe, and hourglass. On the right Death stands on a coffin, shown as a skeleton with an arrow in his left and his right hand resting on one of the small heads decorating the base of the mausoleum. Along the base of the mausoleum hangs a cloth with an image of a funeral procession in a graveyard. On the hills in the background are churches and on the right, a ruins overgrown with vines. In the sky centered above the mausoleum is the symbol of the Holy Ghost and above it the Sun and on either edge two Cherub heads
Description:
Title from letterpress text in a compartment left blank in an elaborately engraved pictorial sheet. and Plate mark: 23 x 27 cm.
Publisher:
publisher not identified
Subject (Name):
Watts, Isaac, 1674-1748
Subject (Topic):
Death and burial, Cherubs, Churches, Coffins, Death, Funeral processions, Sun, Skeletons, and Tombs & sepulchral monuments
A group of cats look at book opened to a musical score, on the right and images of mice on the left. Some of the cats are singing while one plays a trumpet; one of the cats wears spectacles. In the foreground are a violin and loose sheets of music. The book is propped against a birdhouse from which emerges a mouse; a cloth has been draped over the birdhouse
Description:
Title supplied by cataloger., After a painting by Pieter Bruegel the Elder; see British Museum online catalogue, registration no.: 1855,0609.487., Two similar prints, with slight variations in the image, were published by Ackermann in July 1817 with the title "Concert of cats". See Lewis Walpole Library call no.: 817.07.00.01., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
publisher not identified
Subject (Topic):
Animals in human situations, Cats, Mice, Musical instruments, Musicians, and Singers