Manuscript on paper (unidentified watermark) of Valerius Maximus, Facta et dicta memorabilia, with interlinear and marginal glosses
Description:
In Latin., Script: Copied by one hand in Humanistica Cursiva Libraria, marked by a curious form of r resembling c., Undecorated. The spaces for headings and initials are blank, except in the first quires, where a 16th-century hand has added some rubrics and plain initials; red capitals and a few contemporary red headings are added on ff. 77v-91r., Top edges severely trimmed. The top corners of ff. 189-249 repaired. Outer edges of ff. 156-166 damaged by mice (?)., and Binding: Early, brown undecorated leather over pasteboard. Spine with four raised bands. Blue sprinkled edges.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Valerius Maximus.
Subject (Topic):
Didactic literature, Latin and Manuscripts, Medieval
Manuscript on parchment of 1) Dedication to Ferdinand of Aragon and to his son Alphonse, Duke of Calabria. 2) Dialogue between Lazarelli and his Muse. 3) Books 1-3 on methods of counting time, moveable feasts, the ages of the world, the Jewish patriarchs, popes (the latest, Paul II, 1464-71), etc. 4) Calendar of moveable feasts in 1476 and November-June of 1477. 5) Books 4-16, March through February, and final book entitled Iudicium. 6) Calendar, March through February, with two series per month, the first with Christian feasts, the second with agricultural, zodiacal and historical (Roman and Jewish) information. 7) Thirteen poems by others in honor of Lazarelli. Eleven poets are represented; most of those identified are associated with the Accademia Pomponiana in Rome in the 1480's.
Description:
In Latin., Script: Written in well formed humanistic script below the top line., Eighteen miniatures, the final six sketched in but unfinished, by an accomplished artist whose identity remains uncertain. The miniatures are usually framed in a pink or mauve egg-and-dart molding and a thin gold band. Dedicatory inscription in gold Roman letters on a marble-patterned panel appears on f. 7r. One historiated initial, below inscription, 10-line, of the author at work: gold, edged in black, against a purple and pink quartered ground with pink and purple filigree; all framed in green. In lower margin, supported by putti, is the coat-of-arms of Ferdinand of Aragon, King of Naples., Four initials all'antica, ff. 1r, 70r, 102r, 222v, 14- to 7-line, gold, black, purple, pink, orange and green with flowers and acanthus. Ten white-vine initials, ff. 45r, 58r, 88v, 115r, 137v, 155v, 170v, 182r, 200r and 213v, 10- to 8-line, colors as above. Numerous 4- to 2-line initials, gold, darkly edged in black, on orange-, pink-, and blue-flecked grounds, with guide-letters; some with faces drawn in interior. 2- and 1-line initials, gold, red, and blue with acanthus serifs. 1-line paragraph marks red or blue. Running titles in yellow, red, and blue. Rubrics in margins in red, blue, and purple. KL monograms, 3-line, yellow, red, and blue., and Binding: Nineteenth century. Worn red velvet case.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Lazarelli, Ludovico.
Subject (Topic):
Calendars, Chronology, Church calendar, Christian literature, Latin (Medieval and modern), Fasts and feasts, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on parchment of 1) Ps.-Raymundus Lullus, Figurae instrumentales Testamenti: Diagrams and tables related to the Testamentum, a treatise of the Lullian alchemical corpus. 2) Recipes for obtaining the philosophical stone and the magisterium
Description:
In Latin., Script: Art. 1 is written by one scribe in Southern Gothica Semitextualis Libraria, with cursive x and cursive final s. Art. 2 was added by two scribes writing Humanistica Cursiva Libraria., The tables and diagrams are traced in brown or red ink. Except in the tables there is no ruling for the text. The text is written in brown and red ink., and The parchment is stained and worn due to folding and manipulation.
Manuscript on paper, written in two stages. Part II was copied in the mid-14th century (before 1369) in Tuscany, possibly in Pisa. Part I was copied by Niccolo di Giovanni Cinuzi da Siena in Ferrara, Italy, by 1 Sept. 1415. Part I: Boccaccio, Filostrato. Part II: Articles 2-35 and 38-39 consist of a collection of Italian canzoni by various authors as well as anonymous poems. Artt. 36 and 37 are fragments of Petrarch, Rerum vulgarum
Description:
In Italian., Watermarks: Part I: similar to Briquet Monts 11678. Part II: similar to Briquet Ciseaux 3737., Script: Part I (ff. 1r-78v): Written by a single scribe in a bold upright notarial script. Part II (ff. 91r-110v): Written in a clear notarial script by a single scribe; later writers have added the initials, offset in margins, for the major sections of text (sometimes inaccurately) and the notes on ff. 109v-110v., Crude drawings include a falconer with birds, f. 103v, and a ghost (?), f. 103r., The pattern of stains suggests the two parts were originally bound separately. Stained throughout; some ink blotches affect text., and Binding: Nineteenth century. Brown calf over wooden boards, blind-tooled. Red-brown, gold-tooled label. Parchment reinforcements between quires.
Manuscript on paper and parchment, composed in seven parts, of a collection of papal documents relating to the Franciscan Order, the Poor Clares, and the Tertiaries of St. Francis. With Rule for Poor Clares; and Rule of the Tertiaries of St. Francis. Includes texts by Popes Urban IV and John XXII; incunabulum; and additional texts
Description:
In Latin., Script: Part I (ff. 2-104): Written by several scribes in small gothic text hands. Part II (ff. 105-132): Written in small upright gothic script; words being defined written in larger more formal style of script. Part III (ff. 133-175): Written in a style of script similar to that in Part II. Part IV (ff. 176-211: Incunabulum. Part V (ff. 212-247): Written in a small round gothic text hand with humanistic features. Part VI (ff. 248-253): Written in cramped and hastily written gothic script. Part VII (ff. 254-265): Written in small gothic text hand., Part I: Two illuminated initials, 9- to 5-line, formed of stylized foliage, pink and green with white highlights on gold gound, filled with blue ground with white filigree. Terminals extending into the margins to form partial floral borders, stylized foliage, blue, green and pink, with gold balls with hair-line extensions. Pen-and-ink initials, alternating in blue and red with red and light green penwork. Plain initials in red or blue. Part II: Red and blue divided initial, 4-line, f. 105r, smaller initials in red or blue. Underlining and paragraph marks in red. Letters and words stroked with yellow. Part III: Crude red initial with simple penwork designs, 8- to 2-line. Paragraph marks and underlining in red. Part V: Red initial, 11-line, with simple designs, f. 212r; 2-line initials, headings, underlining, marginal notes, paragraph marks in red. Majuscules touched with yellow and stroked with red. Part VII: Paragraph marks and underlining in red., and Binding: Sixteenth century, Netherlands. Bound in tan goatskin over paste boards. Very faint blind tooling and four fastenings, two of them ribbon. Catches on the lower board. Front pastedown (and possibly back pastedown?): portion of a document dated 1491. Spine: tying up marks are head, tail, and around the supports.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
John XXII, Pope, -1334., Urban IV, Pope, ca. 1200-1264., Franciscans., and Poor Clares.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, Monasticism and religious orders, Papal documents, and Third orders
Manuscript on paper of notes concerning Arcturus and the Pleiades; Preface to Emperor Constantine Porphyrogenitus; Geoponica
Description:
In Greek., Watermark: similar to Briquet 2538., Script: Written by a scribe associated with Georgius Moschos., Decorative designs, in red, on f. 6v and 90r; headings and initials in red., and Binding: Seventeenth century. French calf with original front wrapper as flyleaf.
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Astronomy, Medieval, Greek literature, and Manuscripts, Medieval
Manuscript fragment on parchment of a gradual or a missal containing the Common of Martyrs and rubric for the Common of a Martyr
Description:
In Latin., Script: written in a formal gothic bookhand (littera textualis formata)., and Decoration: musical notation in brown on 4-line staves in red; 1-line initials alternate red with brown penwork and blue with red penwork; the 1-line initial at the beginning of the rubric is a blue capital with red penwork, and the rubric is written in in a smaller version of the text script; words and syllables are divided by red horizontal strokes; punctuated with the punctus.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Liturgy, Manuscripts, Medieval, Missals, and Graduals (Chants).
Manuscript on parchment of an anonymous Latin grammar, with some Italian translations
Description:
In Latin, with some Italian., Written by a single scribe in careful humanistic cursive, above top line., Folio 1r illuminated by Francesco d'Antonio del Chierico. Full border, partially rubbed, of white vine-stem ornament curling around a thin gold bar against blue, green and pink ground. In outer border, a medallion, framed in gold, with profile of a young man against blue ground. In lower border a wreathed medallion, framed by two circles of gold with partially erased arms. Medallion supported by six green and red winged putti. The entire border inhabited by a large number of putti playing among the vine stem, various birds and three does. Illuminated initial, 3-line, joined to the border, gold against blue, green and pink ground with white vine-stem ornament inhabited by a seated putto. One small illuminated initial, f. 1v, 2-line, gold against blue and pink ground with white filigree (partly rubbed). Plain initials alternate in red and blue. Guide letters for initials., and Binding: Nineteenth century, Italy (?). Semi-limp vellum case.
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Latin language, Grammar, and Manuscripts, Medieval
Manuscript on paper of 1) Table for Oppian, Halieutica. 2) Anonymous Life of Oppian. 3) Oppian of Anazarbos, Halieutica. The order of the text is distorted: I.1-66; 380-543; 67-379; I.544-III.189; IV.562-619; III.198-IV.561; IV.620-end. 4) Oppianus of Apamea, Cynegetica. 5) Colluthus, Raptus Helenae. 6) Tryphiodorus, Troiae Halosis. 7) Dionysius Periegetes, Description of the habitable world (De situ orbis).
Description:
In Greek., Watermarks: similar to Briquet Chapeau 3397 for leaves with text, and to Harlfinger Cloche 31 for blank pages., Script: Text was written by a single scribe. A later hand, bold and ill-formed, supplied the table of contents (ff. iii verso-iv verso), minor marginal notations and the foliation in the upper right corner (for ff. 1-60)., Tinted drawing of Oppian writing his poem while contemplating fish in a nearby stream occurs on f. 1v (perhaps an amateur copy of an author portrait); one simple 6-line initial in red and black penwork, f. 2r; headings in red., and Binding: Nineteenth century. Title in ink on fore edge. Tan calf case with deep geometric indentations, blind-tooled, with a dark blue, gold-tooled calf label. Similar to the bindings of MSS 256 and 258. Possibly bound by Whitaker (we thank A. R. A. Hobson for this information).
Subject (Geographic):
Greece., Connecticut, New Haven., and Troy (Extinct city)
Subject (Name):
Oppian, active 2nd century.
Subject (Topic):
Geography, Greek poetry, Illumination of books and manuscripts, Medieval, Legends, and Manuscripts, Medieval
Manuscript on paper (sturdy), composed of two volumes formerly bound as one. Volume I (ff. 1-55): Historia Alexandri Magni compiled largely from the version of Archpresbyter Leo, translated into Italian. Volume 2 (ff. 56-115): Leonardo Bruni, De primo bello punico, translated into Italian
Description:
In Italian., Watermarks: similar in design to Briquet Chapeau 3369-70, unidentified mountain., Script: Written by a single scribe in careless notarial script., Blank spaces for headings that would have also included the first few words of text., and Binding: Twentieth century. Brown decorated paper cases with blank and inscribed labels.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Alexander, the Great, 356-323 B.C.
Subject (Topic):
Italian literature, Literature, Medieval, Manuscripts, Medieval, and Punic wars