In the center an auctioneer, hammer in hand, stands behind a podium having sold a pack of hounds with the human faces; Sheridan holds the hounds leashes. One dog sleeps on the floor as another urinates on its bone. On the left, a grey horse neighs as it is lead to the auctioneer. A clerk taking notes at a small desk to the left of the podium looks up at the auctioneer
Description:
Possibly by Williams, based on style., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., In pencil along bottom edge: Grey. P of W. Sheridan., and Mounted to 29 x 40 cm.
Publisher:
Pubd. March 17th 1812 by Wm. Holland No 11 Cockspur Street
Subject (Name):
George IV, King of Great Britain, 1762-1830, Grey, Charles Grey, Earl, 1764-1845, and Sheridan, Richard Brinsley, 1751-1816
Title from item., Printmaker from British Museum catalogue., and Temporary local subject terms: Partial wigs: false curls -- Naval uniforms: sailors' uniform -- Guns: pistols -- Duels: Duke of York and Lt.-Col. Lennox, May 26, 1789 -- French hairdressers -- Hairdressing implements -- Military uniforms: lieutenant-colonel, 35th Foot -- Furniture: chairs -- Tables.
Publisher:
Pubd. by W. Dent
Subject (Name):
George IV, King of Great Britain, 1762-1830, William IV, King of Great Britain, 1765-1837, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Richmond and Lennox, Charles Lennox, Duke of, 1764-1819, Winchilsea, George Finch, Earl of, 1752-1826, and Weltje, Louis, 1745-1810
"Print showing George IV, in the title role of Mozart's opera, surprised by the sudden arrival of his wife, Caroline, as Donna Anna, lately returned from Italy, during the wedding feast scene, at which a number of bare breasted women are present; on the left, Lord Castlereagh, playing the role of Leporello, holds a long list of the King's female conquests."--Library of Congress online catalog
Description:
Title etched below image., Text below title: Don Giovanni by His M-y, Donna Anna by a celebrated actress, her first appearance on this stage these 7 years, Leporello by Derry Down Triangle, the other caricters [sic] by the Corps de Ballet., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted on page 20 of: George Humphrey shop album.
Publisher:
Pub. July 23, 1820, by H. Fores, 16 Panton St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, Castlereagh, Robert Stewart, Viscount, 1769-1822, and Mozart, Wolfgang Amadeus, 1756-1791.
Subject (Topic):
Operas & operettas, Adultery, Surprise, Banquets, Dining tables, and Chandeliers
"The reduction of the Prince of Wales's establishment at Carlton House is represented as the auction scene in 'The School for Scandal' (iv. 1). 'Lot 1', a portrait of the King and Queen, as a farmer and his wife, a copy of BMSat 6934 reversed, is being held up for sale by (?) Sheridan. The Prince, as Charles Surface, stands in the middle of the room, legs apart, his cane raised above his head, right hand in his breeches-pocket, saying, "Careless, Knock down the Farmer". George Hanger as Careless stands in a high-backed arm-chair (right), his hammer raised above his head, saying, "Going for no more than One Crown". Weltje, a stout man, stands beside the rostrum, his arms folded, looking down at a pile of plate at his feet inscribed 'Lot 6'. On the left stand three men: the bidder, pencil and note-book in his hand, saying, "Five shillings for that Lot", and two military officers, one stout, the other slim and foppish, looking through an eye-glass at the picture. 'Lot 2' and 'Lot 3' are pictures still on the wall, Three quarter length portraits of Mrs. Fitzherbert, her hands in a muff, and a lady wearing a large feathered hat, perhaps the Duchess of Devonshire, cf. BMSat 6961, &c. 'Lot 5' is a saddle on the floor beside a pair of top-boots. Through an open door (left) appears the corner of a building inscribed 'Tatersal's' (where the Prince's stud was sold) and a high phaeton which is 'Lot 1800' (see BMSats 6970, 6980)."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark with loss of imprint statement. Imprint statement from British Museum catalogue., Temporary local subject terms: Auctions -- Contents of Carleton House -- Pictures amplify subject -- Tatersal's -- Prince of Wales' debts -- Richard Brinsley Sheridan's School for scandal., and On verso in pencil: George Towneley Stubbs?
Publisher:
Published July 18, 1786, by S.W. Fores, N. 3 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818, George IV, King of Great Britain, 1762-1830, Hanger, George, 1751?-1824, Weltje, Louis, 1745-1810, Fitzherbert, Maria Anne, 1756-1837, and Devonshire, Elizabeth Cavendish, Duchess of, 1758-1824
"George IV, dressed as Henry VIII and with cavalry boots decorated with rosettes, sits on the throne (right), shrinking angrily from oxen wearing civic gowns who bow, presenting petitions. All the horns of the oxen are tipped with tiny caps resembling caps of Liberty; a slightly larger pair protects the prongs of a fork held up on the extreme left above the massed heads of the beasts. On this a placard is speared: 'Petitions from every Part of the World--(Hole's and Corner's excepted) to Dismiss the Ministers-- signed by upwards of 999,999--Millions of the Brute Creation.' The petitions of the four beasts in the front row are headed: 'Petition of Lord Mayor & Citizens of London to Dismiss Ministers'; 'Petitions from every part of England & Wales to Dismiss Ministers &c &c &c'; '. . . ions from every Part of Scotland to Dismiss Ministers &c &c &c'; 'Petitions from every part of Ireland . . . [ut supra]'. Hooves rise from cattle behind holding more petitions: 'from Europe'; 'From Asia'; 'from Africa'; 'from America'; 'from every Honest Man'. The canopied throne is raised on a dais of three steps, the footstool is a cushion supported on a (carved) elephant; but the King's feet are drawn back. His right hand is on his hip; he holds an oddly shaped sceptre in the left hand. The back of the throne is framed by carved mannikins with shackled hands and feet; a large crown rests on the heads of the two uppermost. The back of the canopy has a pattern of writhing serpents. Ministers, much caricatured, stand on the right and left of the dais. In the foreground (right) and on the King's left, Wellington, with the apron and steel of a butcher (as in British Museum Satires No. 13288), with gauntlet gloves and with a star on his tunic, holds a blood-stained battle-axe. Sidmouth, as Court-fool, sits in profile to the left on an apothecary's mortar, wearing a double-peaked fool's cap and a star, and holding a bladder which is his clyster-pipe. Behind is Eldon, scowling savagely and holding the mace and the Purse of the Great Seal. A bishop holding a crosier stands on either side of the throne, behind the Ministers. A staff supports an emblematical cask which a naked Bacchus bestrides. On the King's right is Liverpool, holding a tall staff to which a green bag is tied (see British Museum Satires No. 13735). Next him is Castlereagh, blandly sinister, holding a scourge, and with a bunch of keys hanging from his belt; he stares at the petitioners. A tiny Vansittart is beside him, in his Chancellor of the Exchequer's gown, with an 'X' on his breast above a chequered pattern, hung diamond-wise. Immensely fat and absurd beefeaters stand along the back of the room under quasi-Gothic windows of stained glass. All hold tridents and turn their eyes towards the petitioners, grinning grotesquely. Each window is centred by an escutcheon on which a decanter is the chief object. The upper part of each is filled by a design of three large peacock's feathers (see British Museum Satires No. 13299). The Gothic roof, caricaturing that at Carlton House (cf. British Museum Satires No. 11727), is filled with tracery in the form of antlers."--British Museum online catalogue
Description:
Title etched above image., Text below image: Historical fact, King Henry VIII, being petitioned to dismiss his ministers & council, by the citizens of London & many boroughs, to releive [sic] his oppressed subjects, made the citizens this sagacious reply: "We, with all our cabinet, think it strange that ye, who be but brutes, & inexpert folk, shd. tell us who be & who be not fit for our council." Vide La Belle Assemblée for October 1820, p. 151., and Mounted on page 33 of: George Humphrey shop album.
Publisher:
Pubd. by G. Humphrey, Feby. 14, 1821, 27 St. James's Street
Subject (Geographic):
England.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Eldon, John Scott, Earl of, 1751-1838, Wellington, Arthur Wellesley, Duke of, 1769-1852, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Vansittart, Nicholas, 1766-1851, Henry VIII, King of England, 1491-1547., and Dionysus (Greek deity)
Subject (Topic):
Politicians, Boots, Thrones, Oxen, Bowing, Petitions, Liberty cap, Pitchforks, Podiums, Crowns, Scepters, Butchers, Fools & jesters, Mortars & pestles, Medical equipment & supplies, Ceremonial maces, Bishops, Bags, Whips, Honor guards, and Windows
"The King is on the throne (right), with five advisers seated at a round table at the base of the dais; all are thrown into confusion by the arrival of a top-booted messenger (left) who rushes into the room, hair on end, yelling, "The Queen's Arrived!!!" The terrified King screams: "The Devil!!!!" His wig stands on end and his crown falls off; a bottle of 'Curacoa' is upset. The Ministers are engaged on 'Plans for Divorce', a paper so inscribed is on the table; all register terror. The Archbishop of Canterbury says "The Lord have mercy on our vicked Souls," the pious Liverpool says "Amen." All are broadly burlesqued, with goggling eyes and large heads in the manner of Woodward's 'Long Heads' or 'Lilliputians' (cf. British Museum satires nos. 10604, 10889). See British Museum Satires No. 13730, &c."--British Museum online catalogue, description from probable copy of this print
Description:
Title etched below image., Attribution to Robert Cruikshank based on expertise of Andrew Edmunds., Sheet trimmed within plate mark., "Plate 2"--Upper left corner., For an Irish copy of nearly identical composition, see no. 13728 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted on page 17 of: George Humphrey shop album.
Publisher:
Pubd. June 1820 by Benbow, corner of St. Clements Church Yd., Strand
Subject (Geographic):
Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, and Manners-Sutton, Charles, 1755-1828
Subject (Topic):
Divorce, Politicians, Bishops, Messengers, Tables, Crowns, Wigs, Bottles, and Fear
"George IV drives Lady Conyngham in a four-wheeled pony-chaise. He is chubbily obese, in loose trousers and braided jacket, wearing a cap poised on his naturalistic curls (cf. British Museum Satires no. 14637). He turns to the enormously corpulent lady. Both overweight the little chaise, and the very small ponies strain desperately. Behind and on the extreme left is the head of the horse ridden by an attendant. They have just passed a gate with a small octagonal lodge. The drive is bordered by a paling; in the background are stags."--British Museum online catalogue
Alternative Title:
Ponies posed
Description:
Title etched below image., Printmaker from the British Museum catalogue., and Watermark: J. Whatman 1824.
Publisher:
Pub. March 28, 1824, by S.W. Fores, 41 Picadilly [sic], London
Subject (Name):
George IV, King of Great Britain, 1762-1830 and Conyngham, Elizabeth Conyngham, Marchioness, -1861
"In the foreground John Bull, a drink-blotched 'cit', and George IV tug at a large pair of antlers. The King (right): "I tell you Bull I will wear them--I know they will become me--what am I allways to be disappointed." John wears a large white favour in his hat inscribed 'The Queen'; he says: "I'll be D--n'd if you do wear them yet, however much you may deserve them so it is useless contending G--e." At his feet is a large bludgeon: 'John Bull's Oke'. Behind them, a woman, apparently Mrs. Bull, strikes Majocchi, so that his nose gushes blood, saying: "You're one of the Villians from Cotton Garden" [see British Museum Satires No. 13824, &c.]. He falls backwards, saying: "Non mi Ricordo" [see British Museum Satires No. 13827]. In the middle distance behind John (left), stands a woman arm-in-arm with a sailor, who is next a soldier; she waves her handkerchief, saying; "The Queen for ever"; the other two wave their hats, shouting: "Go it John we'll stand by You." Behind the King (right) stand four witnesses: three villainous-looking fops and a woman; they are 'Inhabitants of Cotton Garden'."--British Museum online catalogue
Description:
Title etched below image., Date of publication from the British Museum catalogue., Sheet trimmed within plate mark., and Mounted on page 41 of: George Humphrey shop album.
Publisher:
Pubd. by J.L. Marks, 28 Fetter Lane, Fleet Street
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., George IV, King of Great Britain, 1762-1830, and Majocchi, Theodore, active 1820
Subject (Topic):
John Bull (Symbolic character), Adultery, Antlers, Pulling, Fighting, Witnesses, Sailors, and Soldiers
"The Prince and Britannia stand on each side of the Coronation Chair as in BMSat 7386. Its Gothic carvings are altered to satyrs' heads. On the back of the Chair is a small money-bag inscribed Virtue. The Prince and Britannia stand as before, but the foot which she places on the step inscribed 'The Voice of the People' is a cloven hoof. The next step, 'Publick Safety', is badly cracked; the other steps are blank. No words come from Britannia's mouth; the Prince says, "I woud do the best to please my People". Liberty and Justice are transformed into Sheridan and Fox. Sheridan, wearing ragged clothes, holds the cap of 'Liberty' on a broom; he puts one hand on the Prince's shoulder while he steals a handkerchief from his coat-pocket. Fox, in place of Justice's sword, holds a bludgeon in the head of which is an eye which drips blood (in the coloured version); he holds up an evenly-balanced pair of scales, formed of two dice-boxes. His eye-bandage is pushed up on his forehead and he says, "I have the Voice of the People in my Eye". 'Commerce' is transformed from a comely young woman into a drunken hag who holds up a glass of gin. The Mayor says, "We have not been taxed this twelvemonth". Pitt, instead of being the colleague of the Furies, attacks them: in his left hand he holds up a large conical extinguisher with which he is about to put out the torch of 'Rebellion'. He says, "I could soon extinguish these Puppet Shew Vapours if properly supported". The Fury holds up two torches, one of 'Rebellion', the other 'Puppet Shew'. He puts his left foot on the prostrate head of 'Envy', who is holding up a fire-brand. The third fury (Falsehood) has disappeared. The British Lion looks from behind Britannia's shield snarling ferociously in defence of Pitt."--British Museum online catalogue
Description:
Title etched below image., Attributed to Rowlandson by Grego., Temporary local subject terms: Lord William Gill, 1720-1798: Mayor of London -- Lord Mayors -- Chairs: Satyrs' heads on coronation chair -- Broom as staff of liberty -- Emblems: drunken hag / commerce -- Scales: dice boxes -- Huge candle snuffers -- British lion -- Furies -- Regency crisis., and Mounted to 31 x 47 cm.
Publisher:
Pub. Decr. 29, 1788, by S. Fores No. 3 Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, and Pitt, William, 1759-1806