Manuscript fragment on parchment of Augustine's Sermon 69 on Matthew 11.
Description:
In Latin., Script: written in early gothic script (littera textualis)., and Decoration: 1-line initials are in brown highlighted with red; punctuated with the punctus, punctus elevatus, and punctus interrogativus; hyphenation is in the same ink as the text.
Manuscript fragment on parchment of a group of sermons, including: Hildebert of Le Mans, Sermones de tempore; Unidentified sermon on John the Evangelist; and Unidentified sermon on the Circumcision (1 January).
Description:
In Latin., Script: written in an informal gothic script (approaching a littera textualis currens)., and Decoration: spaces have been left at the beginning of homilies for 2-line initials, but they have not been added; 1-line initials are in brown; punctuated with the punctus; a contemporary hand has made some corrections to the text in a darker ink.
Manuscript on paper, with parchment for outer and inner conjugate leaves of each quire, composed of four "booklets" or units of similar format. Part I: 1) William of St. Thierry, Epistola ad fratres de monte Dei, formerly attributed to Guigo and Bernard of Clairvaux. Part II: 2) Bernard of Clairvaux, Sermo in festo annuntiationis B. V. Mariae. 3) Bernard of Cluny [?], Sermo de villico iniquitatis, formerly attributed to Bernard of Clairvaux. 4) Bernard of Cluny, Preface to art. 3. Part III: 5) Bernard of Clairvaux, De gradibus humilitatis et superbiae. 6) Jean, l'Homme de Dieu, Tractatus de ordine vitae et morum institutione, formerly attributed to Bernard of Clairvaux. Part IV: 7) Bernard of Clairvaux, Sermo I pro Dom. VI post Pentecosten. 8) Bernard of Clairvaux, Sermo II pro Dom. VI post Pentecosten. 9) Bernard of Clairvaux, Sermo II pro Dom. VI post Pentecosten. 10) Anonymous sermon on the Virgin Mary. 11) Nicholas of Clairvaux, Sermo in natali S. Benedicti de euangelio. 12) Bernard of Clairvaux, Sermo in obitu Domini Humberti
Description:
In Latin., Watermarks: Part I: unidentified P in gutter. Parts II-IV: similar in design to Briquet Lettre Y 9182-84., Script: Part I (ff. 1-34): Written by a single scribe in well formed upright gothic script exhibiting batarde influence in the long descenders. Part II (ff. 35-46): Written in a script similar to that of Part I, but with less batarde shading. Part III (ff. 47-82): Written possibly by the same scribe as Part II. Part IV (ff. 83-99): Written in small cramped gothic script similar to those in I-III., Part I: Carefully executed red and blue divided initial, 8-line, on f. 1r; infilled and surrounded by delicate foliage designs in red and purple ink, on a green ground, with flourishes extending down inner border. Similar initial, f. 1v, without green ground and with blue scroll design for crossbar. Headings, paragraph marks, initial strokes, underlining, and Nota marks in red. Part II: Fine initial, 8-line, on f. 35r, divided red and blue, infilled and surrounded by six foliage designs in red penwork on green ground, with a central flower of six petals touched with yellow. Plain blue initial, 3-line, on f. 39v, with some floral designs in body in natural color of paper; red initials, 2-line, ff. 40r and 45v. Headings, initial strokes, underlining and corrections, in red. Paragraph marks in red or blue. Guide-letters for rubricator. Part III: Divided initial I, red and blue, 10-line, on f. 47r, with red and purple foliage designs on green ground surrounding initial, and with flourishes extending down inner margin. Blue initial, 4-line, on f. 68v, infilled and surrounded by penwork designs in red. Plain initials, 2-line, headings, initial strokes, paragraph marks, corrections, and some marginal notes, in red. Guide-letters and instructions for rubricator. Part IV: Blue initial, 5-line, on f. 83v, with interior floral designs in natural color of parchment; body infilled and surrounded by red penwork designs extending down inner margin. Initials, 5- to 2-line, headings, paragraph marks, in red., and Binding: 16th-17th centuries (?). Original sewing on four tawed, slit straps, the spine rounded and the supports prominent and defined. Plain, wound endbands on vegetable fiber cores, the covering leather saddle-stitched around them. Covered in dark brown calf with round and lozenge-shaped tools in diamonds and triangles formed by intersecting fillets in a central panel in a double outer frame. One fastening, the catch on the upper board and the strap wanting. Turk's head knot placemarks on the fore edge. Rectangular label removed from upper edge of front cover; two modern brown labels, stamped in gold, on spine: "Bernardi Varia" and "M. S." Original front pastedown: lower portion of a parchment bifolium (Germany, 15th century) of the Doctrinale of Alexander of Villa Dei with lines 1056-79 visible on verso and 1520-44 on recto. Ca. 5 mm. between lines of text. Binding restored.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Bernard, of Clairvaux, Saint, 1090 or 1091-1153., Catholic Church, and Cistercians.
Subject (Topic):
Didactic literature, Latin (Medieval and modern), Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, Monasticism and religious orders, Sermons, and Theology
Manuscript fragment on parchment of the Song of Moses from a Psalter
Description:
In Latin., Script: written in gothic script (littera textualis), below top line., and Decoration: 1-line initials alternate red and blue; punctuated with the punctus; hyphenation is in the same ink as the text.
Manuscript on parchment (leaves are very uneven due to irregular trimming) originally composed of roughly executed full-page illustrations and diagrams that constitute the Speculum theologie
Description:
In Latin., Script: Inscriptions written in gothic bookhand, additions in either textura or running scripts (ff. 2r. 7v)., The illustrations on ff. 1r-7v are drawn in red ink, heightened with green, orange, and yellow. The diagram on f. 8r is drawn in brown and red, touched with blue, red, yellow and gold., Folio 8r darkened and rubbed with some loss of text., and Binding: Nineteenth century. Half bound in mottled brown goatskin, gold-tooled, with a red label. Marbled paper sides.
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Didactic literature, Latin (Medieval and modern), Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Theology
Manuscript fragment on parchment of a portion of old statutes related to the Carthusian order
Description:
In Latin., Script: written by two scribes in gothic script, one writing littera hybrida script (fols. 1-2) and the other writing littera textualis (fols. 3-4)., and Decoration: there are spaces for 2-line initials and rubrics, but they have not been added; 1-line capitals within text are in black; punctuated with the punctus, punctus elevatus, and punctus flexus; hyphenation is in the same ink as the text.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Carthusians.
Subject (Topic):
Manuscripts, Medieval and Monasticism and religious orders
Title and text in lower margin in Latin and German., Date derived from printmaker's date of death., In margin lower center: Cum Priv. Sac. Caes. Maj., The church and monastery depicted were located in Vienna, Austria. The church was erected after the Great Plague of Vienna in 1679., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
publisher not identified
Subject (Geographic):
Vienna (Austria).
Subject (Topic):
Church buildings, Monasteries, Plague, and City & town life
Manuscript on paper containing 1) Thomas Aquinas (1225-1274), Quaestiones de quolibet. 2) A series of Quaestiones on the soul. 3) Thomas Aquinas (doubtful), De natura generis. 4) Thomas Aquinas (doubtful), De principio individuationis. 5) Thomas Aquinas (doubtful), De natura accidentis. 6) Thomas Aquinas (doubtful), De quattuor oppositis. 7) Treatise on the immortality of the soul, being a shortened version of the beginning of Guillelmus de Alvernia (Guillaume d'Auvergne, c. 1180-1249), De immortalitate animae. 8) Thomas de Sutton (d. in or after 1300), De productione formarum substantialium. 9) Thomas Aquinas, De iudiciis astrorum. 10) Thomas Aquinas, De mixtione elementorum. 11) Thomas Aquinas, De aeternitate mundi. 12) Thomas Aquinas(doubtful), De instantibus. 13) Thomas Aquinas, De occultis operationibus naturae. 14) Thomas Aquinas, De principiis naturae. 15) Thomas Aquinas, De natura materiae et dimensionibus interminatis. 16) Thomas Aquinas, De motu cordis. 17) Anonymous (Ps.-Thomas Aquinas), De universalibus. 18) Anonymous (Ps.-Albertus Magnus), De intellectu et intelligibili. 19) Aegidius Romanus (Giles of Rome, c. 1244-1316), Theoremata de ente et essentia. 20) Anonymous commentary on Boethius (c. 480-c. 524), Quomodo substantiae in eo, quod sint, bonae sint (De hebdomadibus, CPL 892). 21) Albertus Magnus, De intellectu et intelligibili. 22) Albertus Magnus, De natura et origine animae. 23) Heymericus de Campo (Heymeric van de Velde, c. 1390-1460), Problemata inter Albertum Magnum et sanctum Thomam, written 1423-1426, printed Cologne, Iohannes Landensis, 1496 (GKW 12405) and 1517. 24) Franciscus de Mayronis OFM (François de Meyronnes, d. c. 1328), attrib., Vinculum de esse essentiae. 25) Anonymous (Ps.-Albertus Magnus), Quaestiones de esse et essentia. 26) 27. Fragments preserved as sewing guards from a printed indulgence issued by Marinus de Fregeno (d. 1486), who sold indulgences for an expedition against the Turks in the years 1473-1480.
Description:
Binding: Contemporary unbevelled wooden boards covered with dark brown pigskin, simply decorated with fillets. Spine with four raised bands. Five cylindrical brass bosses and corner and side-pieces on each cover. Remnants of two engraved brass clasps attached to the rear cover, the catches with the inscription “Maria”. Yellow edges., Red stroking of majuscules. Red headings only in art. 23. Red plain or slightly decorated initials, 2-9 lines, sometimes taking the shape of a littera duplex or a flourished initial (f. 49v); no initials in artt. 2-3. At the top of the left-hand column of f. 1r there is a blank space (for a small miniature?)., Script: Probably six scribes, all writing highly abbreviated Gothic scripts., and Watermarks: var. Briquet 14871-14872 and 14549?.
Subject (Name):
Thomas,--Aquinas, Saint,--1225?-1274
Subject (Topic):
Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and Scholasticism