Manuscript on parchment of 1) Bible in the usual order with some prologues. 2) Index of Hebrew names generally attributed to Stephen Langton. 3) Chapters 25-29 of the Testament of the 12 Patriarchs. Written for Cardinal Niccolo Albergati
Description:
In Latin., Script: Written in rounded gothic bookhand., The Bible is a splendid example of the Italian late gothic illuminated manuscript. The decoration consists of two very richly illuminated pages (f. 5r, Genesis; f. 272r, Psalms), thirteen small miniatures (ff. 1r, 570v-576v), and 79 historiated initials, 7 to 10-line (not including ascenders or descenders) at the beginning of every book of the Bible, the sections of the Psalter, and a few prologues. The miniatures are in thin gold or yellow frames. The historiated initials are composed of acanthus, mauve, blue, pink, orange, and/or green. At least four artists collaborated in the illustration and decoration of the codex. On virtually every folio, recto and verso, are elaborate bar borders, in margins and/or between text columns, full or half-length, gold, blue, green, pink, and/or orange with white filigree, some with curling acanthus, leafy midpoints and terminals with acanthus and hair-spray extension. On folios with miniatures or initials, more elaborate borders (full borders on ff. 1r, 5r): curling hair-spray with gold dots and trefoil leaves, spikey ivy, pink, blue, orange and green flowers, putti, insects, birds, grotesques and, on f. 348v, a marginal scene, lower left corner, a fowler chasing rabbits., Ornamental initials (5 to 6-line) at the beginning of the prologues in red, blue, orange, and/or green, acanthus infilled red with white filigree against irregular gold grounds; gold against cusped pink and blue backgrounds with white filigree; some rinceaux initials in Franco-Flemish style, pink or blue with white highlights against cusped gold grounds. 2 and 1-line initials, gold on red and blue grounds with white filigree. Running titles in alternating red and blue letters or in gold against red and blue rectangular grounds with white filigree. Line fillers (ff. 617r-682r) in red, blue and/or gold. Chapter numbers in red or blue. Rubrics throughout., First two leaves slightly creased., and Binding: 19th-20th centuries. A painted design under the gilt fore edge. Red velvet binding.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Langton, Stephen, -1228.
Subject (Topic):
Versions, Vulgate, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on parchment (trimmed) of 1) Tacitus, Annales XI-XVI. 2) Tacitus, Historiae I-V. Possibly written for Alfonso II, Duke of Calabria, King of Naples
Description:
In Latin., Script: Written by two scribes; Scribe 1) ff. 1r-126r in a neat, slightly rounded gothic bookhand; Scribe 2) ff. 126v-218v, in a neat humanistic bookhand., Full border, f. 1r, attributed to Nicola Rapicano: white vine, infilled blue, red, and green, with white dots; framed and divided into panels by thin gold bands, the inner frame with a second band in two shades of purple, with white highlights. Outer and lower margins divided by band of fruit, in the outer margin, black with gold highlights, in the lower margin, red with green and gold highlights; divided into sections and at corners by English frets, infilled blue or green with white dots. In center of outer margin, a medallion after a classical coin or cameo, bust of a man in profile with a laurel wreath against a blue ground with fine white filigree; in center of lower margin, coat of arms of Alfonso II, Duke of Calabria, King of Naples (quarterly, first and fourth paly of 4 or and gules [Aragon], second and third argent, a cross potent sable [Calabria]), in a gold and purple quatrilobe frame, a gold diadem above, against a blue ground, as above, supported by four putti. Putti, birds (including a large peacock, center of inner margin), insects, and a bowl of fruit, symmetrically arranged in corners and around swags, often overlapping or passing behind decorative elements. Both inner and outer frame broken by text and marginalia, suggesting that the border is a later addition. Two lines of gold capitals open the text on f. 1r. On f. 136v, a 5-line white vine initial, gold, infilled red, green, and blue, against a blue ground, of inferior execution compared to f. 1r. Two 3-line initials, ff. 25v and 40v, gold or blue with purple or red penwork; each with guide-letters for illuminator., and Binding: Between 1890 and 1900, or 20th century. Dark brown goatskin, blind-tooled with rope work interspersed with copper colored dots in Italian style (15th century) by Leon Gruel (active under his own name between 1891 and 1923).
Subject (Geographic):
Connecticut, New Haven., and Rome
Subject (Name):
Alfonso II, King of Naples, 1448-1495. and Tacitus, Cornelius.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Latin prose literature, Manuscripts, Medieval, and History
Manuscript on paper (coarse, brown) of annals of Genoa
Description:
In Latin., Watermarks: unidentified bull's head buried in gutter., Script: Written by two scribes. Scribe 1) ff. 1r-45v, 158r-163v, 168r-172v, compact fere-humanistic script with exagerrated flourishes at conclusion of most lines. Scribe 2) ff. 46r-157v, 164r-167v, well spaced informal humanistic script. Marginal annotations and arts. 15-16 added, 15th-16th centuries, by several hands., Stained throughout., and Binding: Nineteenth century. Rigid vellum, gold-tooled. Stamped, in gold, on spine: "Caffari Chronica MS.".
Manuscript fragment on parchment of an antiphonary containing Feria V throughout the year
Description:
In Latin., Script: written in a formal, rounded Italian gothic script (littera textualis formata)., and Decoration: the 6-line initial "M" at the beginning of the Psalm is in gold, on a square ground of blue decorated with white filigree; the inside of the initial depicts a good-quality image of David kneeling against a mauve background and looking up to the hand of god; 1-line initials at the beginning of Psalm verses and antiphons alternate in red and blue uncials; rubrics written in red capitals; punctuated with the punctus and punctus elevatus; musical notation is in black on 4-line staves in red.
Manuscript fragment on parchment of an antiphonary containing Saturday throughout the year
Description:
In Latin., Script: written in a formal, rounded Italian gothic script (littera textualis formata)., and Decoration: the 7-line initial "D" at the beginning of the Psalm is in light tan and gold on a square ground in blue with white filigree; the inside of the initial contains a miniature that is badly rubbed, depicting Christ holding a book on a mauve ground; the first line of the Psalm is written in 1-line white capitals on a rectangular red ground; guide letters for the artist are in the margin in red; 1-line initials are black capitals highlighted with red; punctuated with the punctus and punctus elevatus; hyphenation is in the same ink as the text; musical notation is in black on 4-line staves in red.
Manuscript on parchment. Includes a calendar for Augustinian hermits
Description:
In Latin., Script: Copied by one hand in small Southern Gothica Textualis Libraria under Humanistic influence (frequent use of Half-Uncial d), highly abbreviated., Heightening of the majuscules in yellow; headings in red. 1-line plain initials alternately in red and blue, with guide-letters, in the text (art. 2); 2-line plain initials alternately in red and blue, with guide-letters, placed half way in the text-block, except in col. a of the verso pages, where they are placed entirely in the margin. Running titles in red on most pages., Badly mutilated with missing folios., and Binding: ca. 1900 (before 1912) by P. Verburg in the workshop of Douglas Cockerell and in the style of the latter's bindings. Blind-tooled brown morocco over cardboard, with braided leather ties (defective) attached to the front cover and metal catchpins; hinges and back rubbed. Gilt edges.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Augustinians. and Catholic Church
Subject (Topic):
Liturgy, Breviaries, Manuscripts, Medieval, and Monasticism and religious orders
Manuscript on paper (unidentified watermarks, trimmed) and parchment (f. 1) of Sozomenus Pistoriensis, Commentary on Persius
Description:
In Latin., Script: Written in a neat humanistic script in 1461 by Bartholomaeus Baldinotti., Small initials, in red, mark the beginning of prologue and each satire., and Binding: Nineteenth century. Vellum case.
Manuscript on paper of 1) Pseudo-Dionysius Areopagita, Epistolae, translated into Latin by Iohannes Sarracenus (?). 2) Commentary by Albertus Magnus (here ascribed to Thomas Aquinas) on art. 1. 3) Commentary on a poem on Book I of the Sentences of Peter the Lombard. 4) Commentary on a poem on Book II, Distinctiones 1-6 of the Sentences of Peter the Lombard
Description:
In Latin., Script: Art. 1-2 written by a single scribe in two variants of Humanistic script: art. 1 (the text) in Humanistica Textualis, art. 2 (the commentary) after some hesitation in a very similar form of Humanistica Cursiva. Art. 3-4 written by a single scribe in Gothica Hybrida Libraria under Humanistic influence, of greasy appearance; a larger size is used for the poetical parts., The majuscules in art. 1-2 are heightened in dark yellow. Headings in red. Red calligraphic initials throughout the manuscript by the same hand (3 lines in artt. 1-2, 2 lines in artt. 3-4). At the opening of art. 1 a 9-line blue Renaissance initial with white vinestem decoration without background. At the opening of art. 3 a red (?) 3-line initial with some flourishing., The book is excessively trimmed; especially in artt. 3-4 the lower margins are extremely narrow. The paper is badly damaged by the acidity of the ink., and Binding: Seventeenth century (?). Limp vellum. At the top of the front cover: "M.S." in ink. Spine with three raised bands. In the second compartment the title in ink "S. Dionis. Epistol@".
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Pseudo-Dionysius, the Areopagite.
Subject (Topic):
Didactic literature, Latin (Medieval and modern), Manuscripts, Medieval, Scholasticism, and Theology, Doctrinal
Antoninus, Saint, Archbishop of Florence, 1389-1459
Published / Created:
[between 1490 and 1500]
Call Number:
Beinecke MS 4
Image Count:
127
Resource Type:
unspecified
Abstract:
Manuscript on paper of St. Antoninus, Confessionale
Description:
In Latin., Watermarks: unidentified bull's head., Script: Text written by one person in humanistic script; numerous marginal and interlinear notes in a slightly later hand., Many ornamental capitals of various sizes, 9- to 3-line, in red and blue with purple penwork, mark each section of text; some with pale shades of yellow, peach, and purple as background. Rubrics (except toward end); red, blue, and yellow paragraph marks., and Binding: between 1490 and 1500. Original sewing on three tawed, slit straps, kermes pink, laced through tunnels in the thickness of wooden boards into rectangular channels on their outer face. Twisted, tawed cores of plain, wound endbands laid in grooves. All supports pegged and gypsum (?) used to fill in around them. Spine lined with brown calf, wanting except under endband tie-downs. Covered in brown calf, blind-tooled with a rope interlace panel border. Corner turn-in tongues. Two catches on lower board, stubs of straps on upper. Boards worm-eaten and detached and most of the cover wanting. Minor repairs to endleaves and headband made ca. 1976.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Antoninus, Saint, Archbishop of Florence, 1389-1459.
Subject (Topic):
Confession, Catholic Church, Didactic literature, Latin (Medieval and modern), Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on paper of 1) Cicero, De amicitia. 2) Cicero, Paradoxa Stoicorum
Description:
In Latin., Watermarks: similar in design to Piccard Schere III.918-19., Script: Written in poorly formed humanistic script with some gothic and cursive elements, perhaps by more than one scribe, above top line., Decoration, all of poor quality, executed by several contemporary hands. On f. 1r, black penwork initial with floral design in center, on square pale red-orange ground, outlined in black; large rectangular frame, in black, connects initial to unidentified arms (or a castle [tower?] proper surrounded by vine, in chief azure [with label of cadency of 4 points argent?] with charge [stars or crosses?] argent) in lower margin. On f. 26r, angular scroll, green with pale red and orange trim, unfurls to form the letter A, 5-line, with an arrow shot through the two shafts to serve as crossbar; green foliage sprouting above. Initials, 5- to 2-line, of similar scroll design for each paradoxon. Rubric on f. 1r in a different hand from those in rest of manuscript. Many elegant pointing hands with fancy cuffs in margins., and Binding: Nineteenth century, Italy. Quarter bound in vellum with blue, red, and yellow woodblock paste-paper sides. Traces of inscription on fore-edge (contemporary?) and on vellum strip.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Cicero, Marcus Tullius.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Latin essays, Manuscripts, Medieval, and Stoics