Title from dealer's catalog., Date based on approximate age of the sitter and the years the artist was active in the Walpole household., and Gilt-metal mount on velvet easel stand.
A caricature conversation group portrait depicting a gathering in the studio of the amateur artist Henry William Bunbury. Bunbury is seated at a round table in the center. The man presenting arms to him is Captain Walcott. At the right, wearing a tricorne hat is Captain Elliott. Patch is seated at his easel in the background and is painting the commmedia dell-arte character Puchinello. On the left, a servant holding back a curtain for an arriving guest has been identified as Valentino, Servitore di Piazza. Two paintings hang on the back wall. One to the left is a view of King’s College Cambridge. The other a figure and a horse
Description:
Title from 2005 Christie's appraisal., Inscribed on verso: Henry Wm. Bunbury Rome 1770, aetat suae 20"., and Identifications are based on drawings published by W.B. Watson, “Thomas Patch, Some new light on his work” Apollo (May 1967), 348-353.
Plate lettered in the top center 'G': Reverse copies of details of five men and one woman conversing and drinking, after characters in the upper left corner of Hogarth's first plate in Election entertainment. Each figure is numbered
Description:
Title devised by cataloger., Printmaker and date from other plates in this series in the British Museum catalogue., Plates from: Lichtenberg's Göttinger Taschen Kalender., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
publisher not identified
Subject (Name):
Hogarth, William, 1697-1764.
Subject (Topic):
Eating & drinking, Gin, Intoxication, Politicians, Smoking, and Taverns (Inns)
Plate lettered in the top center 'H': Reverse copies of details six figures from the center of Hogarth's first plate in Election entertainment. Each character is numbered; 1 and 2, two of the musicians (the woman violinist and the bass-viol player); 3, 4, and 5, three of the men sitting at the table conversing and drinking; 6. the portrait on the back wall
Description:
Title from British Museum catalogue., Printmaker and date from British Museum online catalogue., and Plate from: Lichtenberg's Göttinger Taschen Kalender.
Harding, G. P. (George Perfect), 1780-1853, artist
Published / Created:
[not after 1824]
Call Number:
Folio 33 30 Copy 4
Image Count:
1
Resource Type:
still image
Abstract:
Drawing of a lamp in the Tribune at Strawberry Hill; in the shape of a satyr's head, vines in the hair, facing right with an open mouth
Description:
Title devised by curator., Unsigned; questionable attribution to George Perfect Harding from local card catalog record., Date based on date of William Bawtree's death., and Mounted on page 172 of William Bawtree's extra-illustrated copy of: Horace Walpole's A description of the villa of Mr. Horace Walpole (Strawberry Hill : Printed by Thomas Kirgate, 1784). See A.T. Hazen's Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 11.
Subject (Name):
Strawberry Hill (Twickenham, London, England)
Subject (Topic):
Art collections, Satyrs (Greek mythology), and Lamps
Harding, G. P. (George Perfect), 1780-1853, artist
Published / Created:
[not after 1824]
Call Number:
Folio 33 30 Copy 4
Image Count:
1
Resource Type:
still image
Abstract:
Drawing of a lion as viewed from the side, facing right; in an oval. Based on an the original intaglia image on sardonyx, possibly part of a ring, in the Tribune at Strawberry Hill
Description:
Title devised by curator., Unsigned; questionable attribution to George Perfect Harding from local card catalog record., Date based on date of William Bawtree's death., and Mounted on page 163 of William Bawtree's extra-illustrated copy of: Horace Walpole's A description of the villa of Mr. Horace Walpole (Strawberry Hill : Printed by Thomas Kirgate, 1784). See A.T. Hazen's Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 11.
A caricature conversation depicting twelve men gathered at Sir Horace Mann’s house in Florence. A numbered key at lower right identifies most the twelve men. From left to right they are. 1. Mr. Pieters [Pieters], 2 Sir H. Mann, 3. Mr Trail [Rev. James Trail], 4. Capt. Bartie [Berie], 5. Mr. Althorp, 6. [Sir Williams Wynn], 7. Ld. Cowper, 8, Ld. Neauchamp, 9. Ld. Barkley [Berkeley], 10. Mr. Farmer [Turner], 11. [Abbe] P. (or B)illori, 12. [Patch]. The artist is carrying on his back a basket of volumes of the Vocabularia della Crusca. The paintings haning on the walls include at left: The Tower of Babel, and at center a group portrait of the Academia in session, flanked on either side by pictures referring to the “Crusca.”
Volume 1, page 9. Etchings by Henry William Bunbury, Esq. and after his designs. Page 115. Bunbury
Image Count:
1
Resource Type:
still image
Abstract:
A French postillion, whip in hand and wearing huge boots, is seen from behind looking over his right shoulder towards the viewer; a church is visible in the distance
Description:
Title, printmaker, and date of publication from the British Museum catalogue., Later state, with position of the figure's head altered and with additional shading added to the foreground. For an earlier state before these changes to the plate, see Lewis Walpole Library call no.: 75 B87 770., Sheet trimmed to plate mark on three sides., Mounted on page 9 in volume 1 of: Etchings by Henry William Bunbury, Esq. and after his designs., and Sheet annotated by Horace Walpole in ink below plate mark: Etched by Mr. Bunbury.
Publisher:
publisher not identified
Subject (Topic):
Postillions, French, Boots, Whips, and Coach drivers