One of a collection of four similar images; the others in this series are: Mr. Kean as Othello; Madame Vestris as Don Giovani; Miss Bartolozzi as the page in The marriage of Figaro. Formerly part of an album (now lost), each on the same size sheet but different colors and attributed to different artists. Annotations in red ink are by the same hand. Presumably these collages, constructed from the same fabrics, were made by friends and exchanged as gifts. This collage shows full-length image of a woman, identified as Miss Hargraves. Her head and neck, arms, and feet have been cut from an unidentifed print or prints while her costume and its trimming are cut from satin cloth. On each side are small images also cut from prints: on the right a house with a second story wrap-around porch and on the right a covered structure ladened with refreshments and On the back of this collage are mounted three small engravings of women in fashionable dress; with notes in red ink "Presented by Sarah, Apl. 8 1830" written twice in the upper left and right and below also on the right and left "The author returns thanks". In the same hand the middle print has been annotated "Kemble" which is also engraved in the plate with the author and printmaker statements "R. Cruikshank delt. J. Rogers sc."
Description:
Title written below image; artist statement above image. and Date of production from recipient's note on the verso and other internal evidence.
Volume 1, page 37. Original drawings of heads, antiquities, monuments, views, &c. by George Vertue
Image Count:
1
Resource Type:
still image
Alternative Title:
Mr. Baker of St. Johns College Oxon and Mr. Baker of St. Johns College Cambridge
Description:
Title and statement of responsibility written in ink below image, on mounting sheet. The correct university name "Cambridge" has been added in pencil beneath "Oxon.", Date supplied by cataloger., and Mounted on page 37 in a volume of ca. 50 drawings that was assembled from works purchased by Horace Walpole at the Vertue sale of 1757. Now bound in red morocco, this volume has Walpole's manuscript title-page: Original drawings of heads, antiquities, monuments, views, &c. by George Vertue and others.
Subject (Name):
University of Cambridge. and Baker, Thomas, 1656-1740,
One of a collection of four similar images; the others in this series are: Miss Hargraves as Amy; Madame Vestris as Don Giovani; Miss Bartolozzi as the page in The marriage of Figaro. Formerly part of an album (now lost), each on the same size sheet but different colors and attributed to different artists. Annotations in red ink are by the same hand. Presumably these collages, constructed from the same fabrics, were made by friends and exchanged as gifts. In this image, a full-length image of Edmund Kean as Othello constructed from parts of a print or prints while his costume and hat and their trimming are cut from satin cloth with additional decorated paper trimming and small metal buttons. This image is the only one of the four mounted on a secondary sheet, this one ruled as if from a ledger
Description:
Title written at bottom of sheet., Statement of responsibility written at top of sheet; "the author" is unidentified., and Date of production from recipient's note on the verso of one of the collages and other internal evidence.
Subject (Name):
Kean, Edmund, 1787-1833, and Shakespeare, William, 1564-1616.
Volume 1, page 7. Original drawings of heads, antiquities, monuments, views, &c. by George Vertue
Image Count:
1
Resource Type:
still image
Description:
Title from contemporary manuscript annotation in ink below image, on mounting sheet., Date based on that of the printed work for which this design was made., Original drawing for the engraved frontispiece to v.1 of: Nicolai Triveti, Dominicani, Annales sex regum Angliae. Oxonii [Oxford] : E Theatro Sheldoniano, 1719-1722., Laid down on an ink line mount., and Mounted on page 7 in a volume of ca. 50 drawings that was assembled from works purchased by Horace Walpole at the Vertue sale of 1757. Now bound in red morocco, this volume has Walpole's manuscript title-page: Original drawings of heads, antiquities, monuments, views, &c. by George Vertue and others.
No. Excise-Office, at in Distt. Colln. 1748 and Receipt for payment of carriage tax
Description:
Title transcribed from item., Body of text: Received of [blank] of [blank] in the County of [blank] the sum of [blank] Pounds for [blank] four-wheel carriage, and [blank] two-wheel carriage, of which [blank] has this day given notice, according to the Statute of the Twentieth Year of His present Majesty. In full for one year., Printed in red ink., Form completed in ink by the Excise Office at Methwould in Lynn, Swaffham District, 30 May 1748. The completed receipt reads: Received of Cyril Wycke Esqr. of Hockhold [Hockwold] in the County of Norfolk the sum of four Pounds for one four-wheel carriage ... Also annotated on the verso., and For further information, consult library staff.
View of the small "oratory of St. Nicholas" perched on a tiny island in Switzerland’s Lake Lucerne
Description:
Title etched below image., Signed with initials and dated in lower left corner. "I.G.", i.e., Isabella Godfrey, the married name of Augusta Isabella Ingram., and Probably engraved and printed in England, where the printmaker presumably lived after marrying John Godfrey of Sandwich, Kent, in 1823. Possibly worked up from a sketch made on a post-nuptial continental tour.
A large portfolio assembled by Horace Walpole from various lots he acquired at the Vertue sale 16 March 1757 including rare prints and drawings, among which are Holbein drawings. In addition to the portfolio, is a small volume of eight portrait drawings taken from this collection and later acquired separately
Alternative Title:
Portfolio of original drawings of heads, antiquities, monuments, views &c by Vertue and others
Description:
Title from item. Title from Hazen: Portfolio of original drawings of heads, antiquities, monuments, views &c by Vertue and others., Two volumes and one solander box containing a drawing housed separately., and Some of these, about fifty, are now mounted and rebound in red morocco, with Horace Walpole's manuscript title-page preserved. Bookplate 1. Press-mark D.3.13 in Manuscript Catalogue of 1763; moved to the Round Tower. Bookplate of William Frederick, 9th Earl Waldegrave.
A large portfolio assembled by Horace Walpole from various lots he acquired at the Vertue sale 16 March 1757 including rare prints and drawings, among which are Holbein drawings. In addition to the portfolio, is a small volume of eight portrait drawings taken from this collection and later acquired separately
Alternative Title:
Portfolio of original drawings of heads, antiquities, monuments, views &c by Vertue and others
Description:
Title from item. Title from Hazen: Portfolio of original drawings of heads, antiquities, monuments, views &c by Vertue and others., Two volumes and one solander box containing a drawing housed separately., and Some of these, about fifty, are now mounted and rebound in red morocco, with Horace Walpole's manuscript title-page preserved. Bookplate 1. Press-mark D.3.13 in Manuscript Catalogue of 1763; moved to the Round Tower. Bookplate of William Frederick, 9th Earl Waldegrave.
A head and shoulders profile portrait of Miami chief Pacanne, holding a tomahawk across his chest, with bracelets on his upper arms and jewellery in his ears, nose and across the crown of his head
Description:
Title in scratched letters at top of image, partially in reverse; the individual letters are printed correctly but the words themselves run right to left on the print., Printmaker attribution and date from impression at the Library and Archives Canada (Acc. No. 1938-223-42), on which the contemporary statement of responsibility "by Mrs. Simcoe 1794" is written in ink., After a drawing by British Lieutenant Governor Henry Hamilton, who travelled with Pacanne during the American Revolution. The original drawing is now housed at the Houghton Library at Harvard., A slightly later date is suggested by a contemporary ink annotation beneath plate mark on Lewis Walpole Library impression: An Indian Chief N. America of the Miamis tribe (from life 1795)., and Presumably one of only two small plates etched by Simcoe, which were sent to England in 1794 and printed in Bristol and London; see Dictionary of Canadian Biography, entry for Elizabeth Posthuma (Simcoe) Gwillim.