Manuscript on paper (thin; unidentified watermarks concealed in gutter) of Aristotle, Ethica, translated into Spanish by Pedro Simon Abril
Description:
In Spanish., Script: Written by a single scribe in elegant italic script., Many folios at end are stained and repaired; some text lost., and Binding: Nineteenth century. Brown mottled calf, gold- and blind-tooled, by B. Miyar.
Manuscript on paper (sturdy) of a translation by Diego Guillen de Avila (active 1487-1516), from Politian's Latin translation of Herodian, History of the Empire from the Death of Marcus (in eight books covering the years 180 to 238, in Greek).
Description:
In Spanish., Watermarks somewhat similar to Briquet Main 10793., Script: Written by three scribes, in gothic cursive (cortesana) script. Scribe 1 (ff. 1v-3v) uses a large, sprawling hand; Scribe 2 (ff. 5r-86v) a compact, regular one; Scribe 3 (ff. 87r-112r) a large and sprawling one., and Binding: Nineteenth century. Worn red velvet with 2 brass clasp-and-catch fastenings.
Subject (Geographic):
Connecticut, New Haven., and Rome
Subject (Name):
Herodian.
Subject (Topic):
Literature, Medieval, Manuscripts, Medieval, Spanish literature, and History
A Spanish version of Gillray’s 1803 satire ‘Maniac Raving’s-or-Little Boney in a Strong Fit’, the texts in the plate adapted to the Spanish relationship with France during the Peninsular War - after the invading French armies were defeated by the Spanish in Andalusia at the Battle of Bailen ‘Napoleon is frantic with rage at the news from Spain... He blames Godoy (whom he had made ‘Prince of the Algarves’) for deceiving him, apostrophizes Talleyrand, reproaches Dupont, and his second-in-command Vedel, for the capitulation of Baylen... his deceptions are discovered by the ‘perfidious Englishman’, probably Sir Hew Dalrymple, the Governor of Gibraltar’ (British Museum catalogue).
Description:
Title from text above image., Text below image begins: Noticioso Napoleon de qe sus exercitos de España ..., and Copy of a print by James Gillray; for the original, see no. 9998 in the Catalogue of prints and drawings in the British Museum, v. 8. For a more simplified Spanish copy, see no. 11058.
Publisher:
publisher not identified
Subject (Geographic):
France
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821 and Gillray, James, 1756-1815
Subject (Topic):
History, Foreign public opinion, Spanish, Political satire, Spanish, Anger, Globes, Chairs, Documents, Fire, and Smoke
Manuscript, in unidentified hand, on parchment, containing books 1 (1r-97v), 2 (98r-195r), 4 (196r-303v), and 5 (306r-) of Avicenna's Liber Canonis or Canon Medicinae. Book 3 wanting. Collection of short medical texts follows: "Distinctio mensuraru[m] [et] ponderu[m] ex breuiario alfebyr" (342v-343r), "Distinctio ponderu[m] [et] m[en]suratu[m] ex breuiario filii sarapionis" (343r), "Pondera medicinalia signa conati sum[us]" (343r-343v), and the Secreta Ypocratis (343v-344v): "Peruenit ad nos [quia] cu[m] ypocras morti ap[pro]pinquaret". Also includes incomplete alphabetical index of medicial herbs (a-c; leaves iii verso-iv recto) and index of Arabic names: Incipiu[n]t expo[s]itiones nominu[m] arabico[rum] Auice[n]ne (leaves 345r-348v; Alfirdafu-Zicibil).
Alternative Title:
Qānūn fī al-ṭibb. Latin, Liber canonis, and Liber canonis medicinae
Description:
In Latin., Title from opening rubric., Script: southern gothic textualis., Decoration: several large puzzle initials in red and blue; alternating red and blue two-line initials with pen flourishes throughout. Rubrication., Layout: 2 columns of 53 lines., and Binding: modern light-brown calf over pasteboards. Spine title in gold-tooling: Avicenna / Canon Medicinae / MS Saec. XIV.
Subject (Topic):
Medicine, Medieval, Medicine, Arab, Medicine, and Manuscripts
Manuscript on paper of Juan de Sant-Fahagun and Pedro Lopez de Ayala, Libros de Cetreria. With the Commentary of Don Beltran de la Cueva, Duke of Alburquerque, in margins surrounding text
Description:
In Spanish., Watermarks: similar to Briquet Main 11154., Script: Written by a single scribe in a neat humanistic bookhand, with a somewhat smaller script for the surrounding commentary., Two initials (both f. 1r), the first, 5-line, for the rubric, purple with red penwork; immediately below, the second, for the text, 9-line, the upper portion red, filled with purple penwork, the lower portion purple, filled with red; attached to a thick bar border (side and lower margins) of red and purple vine scrolls in pen, with touches of light brown. One 7-line initial (f. 88r) red, with purple penwork, with exuberant loops and flourishes extending into top and side margins. Depictions of various implements, in black, within text (ff. 37v, 72v, 114r, 115r, 125r, 127r, and 137r). 3-line initials, paragraph marks, and headings in red throughout (except f. 1r, on which, in keeping with the initials, some of the paragraph marks are purple)., and Binding: 17th-18th centuries. Limp vellum case; title, now illegible, on spine. Front and back pastedown and back flyleaf contain extensive Latin legal references (17th century).
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
López de Ayala, Pedro, 1332-1407.
Subject (Topic):
Falconry, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Spanish literature
Manuscript on paper of the history of the final days of the Moorish kingdom of Granada
Description:
In Spanish., Watermark: resembles Briquet 11272 (Toulouse, 1570)., Script: copied by a single scribe in a Spanish version of Humanistica Cursiva Formata. The first word of each paragraph is written in Capitalis. The Latin formula at the end is in Humanistica Textualis Formata. A few marginal notes, mostly by a later hand., The text recounts the history of the final days of the Moorish kingdom of Granada through the conquest by Gonsalvo de Cordoba, the "great captain" in the service of the Catholic Kings of Spain, 1492. This is the final quire of a manuscript that contained the full history of the Moorish Kings of Granada., and Disbound. Extracted from a larger manuscript.
Subject (Geographic):
Connecticut, New Haven., Granada (Kingdom), and Spain
Subject (Topic):
Manuscripts, Medieval, Kings and rulers, and History
Manuscript fragment on parchment of Aristotle's Nicomachean Ethics (translated into Latin by Leonardo Bruni Aretino).
Description:
In Latin., Script: written in hybrida libraria with notarial influence., and Decoration: 8-line initials at the beginning of each book in red and purple; 3-line initials at the beginning of each capitulum alternate red and purple; 1-line initials in brown highlighted with red; rubrics in red in same script as text; first line of each book written in larger minuscule; paragraph marks alternate red and purple; running headlines in red and purple; punctuated with the punctus and, for major pauses, the punctus versus; another hand in black ink made some corrections and added punctuation, including the punctus elevatus and punctus interrogativus; hyphenation in the same ink as the text.
Manuscript fragment on parchment of a noted missal containing the Ordo missae
Description:
In Latin., Script: written in a formal gothic script (littera textualis formata) without feet on the minims., and Decoration: one 9-line initial "P" on fol. 1r in varying shades of blue with foliate decoration on white filigree; in the loop of the letter a peacock in blue and grey with green and gold feathers stands underneath a red rose; the text on the recto is bordered on all four sides and in the center margin with a gold band filled with blue diamons alternating with circles filled with flowers; musical notation is in black on 4-line staves in red; punctuated with the punctus; hyphenation is in the same ink as the text.
Manuscript on parchment of Kyrie, Gloria, Credo, Sanctus, Agnus Dei, and other liturgical texts, with motets by Josquin des Pres added at a later date
Description:
In Latin., Script: original text and additions copied in extremely large Southern (Spanish) Gothica Textualis Formata (Textus Praescissus), with music notation in nota quadrata., Richly decorated with red rubrics and painted initials., and Binding: s. XVI: undecorated brown leather over heavy wooden boards, sewn on four double cords. On both covers four large engraved brass corner pieces and more centrally five smaller engraved brass bosses. The leather damaged and several metal pieces lost. On the front cover upside down large number "26" in white paint. On the rear cover four engraved brass catches for clasps (one both at the top and at the bottom edge, and two at the outer edge), and eight nails towards the top probably for fixing a fenestra with title label (now lost). Leather tabs partly with Spanish inscriptions pasted on the outer edges of the leaves.