"A wild affray round a circular gaming-table seen at close range, only the heads and shoulders of those on the nearer side of the table being visible. An angry military officer wearing a cocked hat, with an empty wallet on the table before him, leans forward aiming his pistol at a lean and elderly man whose 'chapeau bras' and long pigtail indicate that he is French. The latter covers a pile of guineas with his hand and aims a pistol at his assailant. Some of the players are falling over in their eagerness to escape. Between the combatants, and on the further side of the table, one man holds a chair above his head, about to smite the officer; a fellow-officer raises a bottle and a candle-stick to strike the Frenchman. All the persons (sixteen) are in violent action, with which their expressions correspond. Some are in flight, others about to intervene. On the table are a triple candle-stick, a dice-box and dice, a sword, a hat containing coins, and a purse."--British Museum online catalogue
Description:
Title from caption below image., Printmaker's signature from impression in British Museum., Description based on imperfect impression; sheet trimmed within plate mark and printmaker's signature has been mostly erased., and Watermark: J. Whatman.
Publisher:
Publish'd March 1790 by Wm. Holland, Oxford Street
Subject (Topic):
Candlesticks, Fighting, Gambling, Handguns, Men, French, Military uniforms, and British
"A scene in the Assembly Rooms, Bath. The stout Master of the Ceremonies brings up an elderly man (right) who bows, chapeau-bras, with an ingratiating smile, to an elderly lady seated against the wall in profile to the right. She looks at him with a disparaging expression. In the foreground (left) a young man is talking ardently to a pretty young woman who inspects the room through an eye-glass. In the background (right) couples are dancing with great vigour and display of leg, probably in a cotillon (cf. BMSat 7441). Above them and on the extreme right is the musicians' gallery. The wall is decorated by large oval mirrors and candle-sconces. A chandelier hangs from the ceiling."--British Museum online catalogue
Description:
Title etched below image., Printsellers announcement following imprint: NB. Folios of caracatures [sic] lent out for the evening., Temporary local subject terms: Architectural details: musicians' gallery -- Bath Master of the Ceremonies -- Bath Assembly Rooom -- Balls -- Lighting: candle sconces -- Chandeliers -- Furnishings: mirrors -- Dancing., Watermark: Edmeads & Pine., and Printseller's stamp in lower right of sheet: S.W.F.
Publisher:
Published Novemberr [sic] 24, 1795, by S.W. Fores, No. 50 Piccadilly, the corner of Sackville Street
"A slim man, standing, 'chapeau-bras', in profile to the right. He is fashionably dressed in a high-collared coat cut back to form tails, and shirt frill; his shoes have very large buckles. His hair is in a queue resembling that worn by the Macaronies c. 1772 but smaller and attached to the back of his head instead of falling on his shoulders. Beneath the title is etched, 'These Species of Insects, of late are become exceeding numerous, (like the Green Louse, when first brought to Amsterdam, from a single one, has proceeded such Swarms as to be of alarming Consequence) their Colours' are various, '& cast their Coats like the Camelion, sometimes to ten different Shades of a day, it is difficult to distinguish the Male of these Reptiles from the Female, as the Voice & Manner approaches nearer to the Feminine than Masculine. Liquor they are peculiarly fond of, and when in a State of Inebriation are so troublesome, that it requires a stout Cane to keep them from stinging you. They are in being all the Year round, are chiefly to be found in the Boxes of the Theatres, Publick Gardens, Concerts, &c. You may hear them long before they come to View, by a shrill squeak of Bern me, Gad Zounds, Blood & Thunder, D------m'd Boar & such Phrases. The celebrated Linneus attributes their Generation to the Putrified Essence of Lavender, Bergamot, Marchalle Powder, Violets, Pomatums, Snuff, Grease &c. &c. Although their first Appearance has a terrible Aspect, they are as harmless and inoffensive, when sober, as New Born Babes. A Buckling of this Species, differs from a Buck, much in the same manner as a Hornet to a Wasp'."--British Museum online catalogue, description of a later state
Description:
Title etched below image., Questionable attribution to Rowlandson from the British Museum catalogue and Grego., Probably an early state; price statement, which seems to be partially or completely burnished away in later states, is present here. For a probable later state lacking price, see no. 6718 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., "Price 6d, col[ore]d 1s."--Following imprint., Temporary local subject terms: Fashionable men -- Fashion -- Allusion to Charles Furtado., and Mounted to 45 x 29 cm.
Publisher:
Pub. as the act directs, 12th May, 1784, by a Lover of Natural History
In a room reminiscent of a magician's study, the King, dressed in a cloak as Friar Bacon (a necromancer of popular fable), evokes visions of the royal power while the brazen head speaks. Each vision is represented by a large medallion inscribed, "Constitution," and shows a different balance of power between the king and both houses of Parliament. On the left, Fox, Burke, and North, peek in through an open door, appearing alarmed. On the right, a number of men walk down the "back stairs." The first of them, carrying a conspirator's lantern and led by the devil, is Lord Temple
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., and Mounted to 28 x 41 cm.
Publisher:
Pubd. March 3d, 1784, by W. Humphrey, No. 227 Strand
Subject (Geographic):
Great Britain
Subject (Name):
George III, King of Great Britain, 1738-1820, Fox, Charles James, 1749-1806, Burke, Edmund, 1729-1797, North, Frederick, Lord, 1732-1792, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, Bacon, Roger, 1214?-1294., and Pitt, William, 1759-1806.
Subject (Topic):
Politics and government, Wizards, Magic, and Devil
"Pl. to the 'Anti-Jacobin Review' (issued separately). Grattan (right) has risen from his arm-chair to greet with outstretched hands two young men whom a servant (left), with a knowing gesture, has just shown into his library. One introduces the other: "Mr Grattan give me leave to introduce Mr Jn° H--gh--'s"; Grattan says: "I suppose Sir you are an United Irishman"; Hughes answers: "I am". A bust of 'Le Paus' (see BMSat 9240) on a high pedestal on the extreme right looks down cynically at Grattan. On the wall behind him are portraits of 'Lord Fitzgerald' (see BMSat 9227), 'Tom Paine' (a mere scrawl), and 'Robespier[re]', with a placard: 'New Irish Government Liberty and Equality to be introduced by our worthy & disinterested Allies the French'. The other two walls are lined with bulky volumes: 'Towers Tracts' (see BMSat 7890); 'Republic'; 'Wakefield' (see BMSat 9371); 'Parr' (see BMSat 9430); 'The Press' (see BMSat 9186, &c); 'The Courier' (see BMSat 9194, &c); 'Christie'; 'Molineux'; 'Pain's Works' (see BMSat 8137, &c); 'Critical Review' (see BMSat 9240); 'Mc Niven'; 'Priestly Works' (see BMSat 7887); 'O'Connor' (see BMSat 9245, &c.) On the writing-table are documents: 'Constitution of United Irishmen' and 'Copy of the [illegible word] of ye Test of Oath'. On the floor at Grattan's feet is a sheaf of pikes with papers: 'Contract for Pikes'; 'Plan for the destruction of both Houses of Parlaiment Bank & . . by Tone'; 'Dispatches from the French Conventi[on]'; 'List of united Irishmen in London Hamburg . . .'; a portfolio: 'Charts of the Irish Coast with remarks where foreign troops may be landed with great safety'; two large books: 'Art of Assassination' and 'Rise and Progress of Jacobinism'."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., Plate from: The Anti-Jacobin Review and Magazine, or, Monthly Politique and Literary Censor. London, 1799, issued separately., Temporary local subject terms: United Irishmen -- Tinnehinch estate -- Interiors: private library -- Writing materials: inkstand and quills -- Furniture: slip-covered armchair -- Domestic service: manservant -- Pictures amplifying subject: portraits of Robespierre and Fitzgerald -- Placards -- Busts -- Allusion to jacobinism -- John Hughes., and Mounted to 29 x 36 cm.
Publisher:
Pubd. May 1st, 1799, by T. Whittle, Peterbro' Court, Fleet Street, for the Anti Jacobin Review
Subject (Name):
Grattan, Henry, 1746-1820, Fitzgerald, Edward, Lord, 1763-1798, Robespierre, Maximilien, 1758-1794, and La Revellière-Lépeaux, Louis-Marie de, 1753-1824
Title etched below image., Printmaker and date from British Museum catalogue and Grego., Companion print to: A sufferer for decency., Temporary local subject terms: Barber shops -- Wig blocks -- Basins -- Soap -- Flat iron., and Watermark: fleur-de-lis above armorial shield
A pretty young woman sits on the knee of a military officer as they embrace, both unaware that her furious, red-faced husband has just entered the room through the door on the left. He clutches a large stick and exclaims, "My wife, as sure as I am a haberdasher."
Description:
Title from item., Earlier state, with imprint, of no. 9623 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., Earlier edition of print described by Joseph Grego in Rowlandson the caricaturist, v. 2, p. 15., and Watermark: Russell & Co.
Publisher:
Pubd. Octr. 1st, 1799, by R. Akerman, No. 101 Strand
Title from item., Attributed by Grego to Rowlandson and Woodward., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Pastimes: skipping.
Publisher:
Pubd May 20th, 1800, by R. Ackermann, N.101 Strand
"An actor, ugly and ragged, stands gesticulating, the left arm extended towards Sheridan, who sits in a low chair (right) before a small rectangular table. He fixes Sheridan with a hungry glare, clutching a small cocked hat in his right hand ... In the upper right corner of the design is a quotation from 'Hamlet', III. ii, beginning 'Oh, there be Players', and ending, 'they imitated humanity so abominably'."--British Museum online catalogue
Description:
Title etched below image., Printmaker and date from Grego., Possibly published by Fores, whose publisher's stamp is on the Lewis Walpole Library impression., Twelve lines of text below title: A candidate for the stage lately applied to the manager of Drury-Lane Theatre for an engagement ..., 1 print : etching on wove paper, hand-colored ; sheet 35.5 x 24.6 cm., Sheet trimmed within plate mark on three sides; window mounted to 51 x 36 cm., and Mounted opposite page 594 (leaf numbered '28' in pencil) in volume 4 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.