Leaf 57. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
A full length portrait of a macaroni carrying a cane and looking down to greet his spaniel who jumps towards him
Description:
Title etched below image., State with plate number added. Cf. No. 4671 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., Initial letters of publisher's name in imprint form a monogram., Two lines of verse below title: A fribbling, idle, prating type ye are, fit only for yourselves! - herd then together., and Plate numbered "V. 1" in upper left corner and "3" in upper right corner.
Publisher:
Pubd. as the act directs, May 4th 1771, by MDarly, 39 Strand
A group of people are shown walkiing down a city street as they return from a church service. Two carry bibles, one a snuff-box. One man carries a large muff, and the woman wears a skirt with an enormous hoop. The church is shown in the background on the right
Description:
Title from item., Publication place and date inferred from those of the periodical for which this plate was engraved., Companion print: The old political macaroni with his wise family at breakfast. See Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4, no. 4821., and Plate from: The macaroni and theatrical magazine, or, Monthly register of the fashions and diversions of the times. London : John Williams, June 1773, p. 403.
Publisher:
publisher not identified
Subject (Topic):
Chimney sweeps, Churches, City & town life, Dandies, Dogs, Servants, and Wigs
A fat parson stands in the grounds of a country house as a footman on the right doffs his hat to him and a dog jumps on him in greeting. A fashionably dressed young woman walks on the park grounds (left) and looks coyly back towards them; behind her in the distance is a folly. Beyond the iron gates (right) -- the pillars decorated with eagles -- another servant waits by the carriage. In the distance (right) is a church spire
Description:
Title etched below image., After Dighton. Cf. Sotheby's catalog., Sheet trimmed within plate mark., Plate numbered '563' in lower left corner., Cf. No. 3755 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3. Original issue without imprint date; dated in the Catalogue ca. 1760., No. 34 in a bound in a collection of 69 prints with a manuscript title page: A collection of drolleries., Bound in half red morocco with marbled paper boards and spine title "Facetious" in gold lettering., and 1 print : mezzotint on laid paper ; plate mark 35.2 x 25 cm, on sheet 38.5 x 37.2 cm.
Publisher:
Printed for & sold by Carington Bowles, No. 69 St. Paul's Church Yard, London. Published as the act directs
A fat parson stands in the grounds of a country house as a footman on the right doffs his hat to him and a dog jumps on him in greeting. A fashionably dressed young woman walks on the park grounds (left) and looks coyly back towards them; behind her in the distance is a folly. Beyond the iron gates (right) -- the pillars decorated with eagles -- another servant waits by the carriage. In the distance (right) is a church spire
Description:
Title etched below image., After Dighton. Cf. Sotheby's catalog., Sheet trimmed within plate mark., Plate numbered '563' in lower left corner., Cf. No. 3755 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3. Original issue without imprint date; dated in the Catalogue ca. 1760., and Mounted.
Publisher:
Printed for & sold by Carington Bowles, No. 69 St. Paul's Church Yard, London. Published as the act directs
A fat parson stands in the grounds of a country house as a footman on the right doffs his hat to him and a dog jumps on him in greeting. A fashionably dressed young woman walks on the park grounds (left) and looks coyly back towards them; behind her in the distance is a folly. Beyond the iron gates (right) -- the pillars decorated with eagles -- another servant waits by the carriage. In the distance (right) is a church spire
Description:
Title etched below image., After Dighton. Cf. Sotheby's catalog., Date of publication inferred from date of the Bowles & Carver partnership formed after the 1793 death of Carington Bowles. Cf. Plomer., Numbered '348' in lower left corner., and Cf. No. 3755 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3. Original print was published by Carington Bowles in 1760 and 1785.
Publisher:
Printed for & sold by Bowles & Carver, No. 69 in St. Pauls Church Yard, London
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[2 January 1773]
Call Number:
Folio 75 B87 770 (Oversize)
Collection Title:
Page 61. Bunbury album.
Image Count:
1
Resource Type:
still image
Abstract:
A satire showing three men all with caricatured faces stand in front of two men, one of whom is obese and points to them, sit at a table. Behind them pinned to the wall are a map and portrait. Two dogs, one large and black and the other small and white, raise their paws at each other
Description:
Title from text below image., Initial letters of artist's name in signature form a monogram., Early state, before additional drypoint shading added. For a later state, see Lewis Walpole Library call no.: Bunbury 773.01.02.02.2+., Sheet trimmed within plate mark., Temporary local subject terms: Military: Militia., and Mounted on page 61 of: Bunbury album.
Publisher:
Publish'd as the act directs, 2d Jany. 1773, by J. Bretherton, No. 134 New Bond Street
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[2 January 1773]
Call Number:
Bunbury 773.01.02.02.2+
Image Count:
1
Resource Type:
still image
Abstract:
A satire showing three men all with caricatured faces stand in front of two men, one of whom is obese and points to them, sit at a table. Behind them pinned to the wall are a map and portrait. Two dogs, one large and black and the other small and white, raise their paws at each other
Description:
Title from text below image., Initial letters of artist's name in signature form a monogram., Later state, with slight alterations to the design. For an earlier state with less drypoint shading, see Lewis Walpole Library call no.: Bunbury 773.01.02.02.1+., Temporary local subject terms: Pictures amplifying subject., and Watermark: L.V.G.
Publisher:
Publish'd as the act directs, 2d Jany. 1773, by J. Bretherton, No. 134 New Bond Street
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[23 May 1799]
Call Number:
Bunbury 799.05.23.06+
Image Count:
1
Resource Type:
still image
Abstract:
"Satire on volunteers: an officer and another man sit at a table while a soldier presents two potential - but unprepossessing - recruits, the second man shabbily dressed; behind them a large dog menaces a smaller one; on the wall a map and a portrait of a general."--British Museum online catalogue, description of an earlier state
Description:
Title from text below image., Initial letters of artist's name in signature form a monogram., Reissue, with altered imprint statement, of a print originally published 2 January 1773 by J. Bretherton. Cf. No. 4759 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., Sheet trimmed to plate mark on bottom edge leaving thread margin., Watermark: Edmeads & Pine 1795., and Embossed stamp of publisher in lower right corner of sheet: S.W.F.
Publisher:
Publish'd as the act directs, May 23 1799, by S.W. Fores, No. 50 Piccadilly
Plate 11 of Wheatley's Cries of London. This plate shows a ballad seller with strip ballads, selling her wares to two men on the sidewalk beside a building with two large columns; around them are two women, one holding a child, and a small boy feeding a dog
Alternative Title:
Chanson nouvelles deux sols le livret
Description:
Title from item., With the imprint statement: London Pubd, as the Act directs 1st. March 1796 by Colnaghi & Co. (late Torres) No. 127 Pall Mall., and Engraved after Francis Wheatley, who first exhibited his series of oil paintings depicting London street-sellers at the Royal Academy between 1792 and 1795.
Subject (Topic):
Copperplates, Ballads, Dogs, Infants, Mothers, and Street vendors