Manuscript on paper of mercantile statutes of Florence in three Books, revised by a committee of experts and promulgated by Grand Duke Francesco I de' Medici of Tuscany (1574-1587); the basis for the revision were the statutes of 1393 ("statuto vecchio") and those of 1496 ("statuto nuovo").
Description:
In Italian., Script: Copied by one scribe in sloping calligraphic Humanistica Cursiva., On the frontispiece f. r, a woodcut title-page with spaces for text (a handwritten title) left blank. The full-page woodcut represents the ruins and symbols of Rome with the god of the Tibre under a portico with five allegorical female figures., The paper of most pages is damaged by the corrosive ink., and Binding (repaired): ca. 1700. White parchment over pasteboard. Spine with four raised bands and handwritten title in ink: "Statut. / Florent. / M.S.". Bordeaux edges.
Subject (Geographic):
Connecticut, New Haven., and Florence (Italy)
Subject (Topic):
Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, Statutes, and Politics and government
Manuscript on paper. Includes notes on arithmetic and accounting for merchandise; a romance of Tristan; list of spices; astronomical and astrological information; charms and prayers; recipes; extracts in Venetian; and poems
Description:
In Italian and Latin., Watermarks: similar to Briquet Fruit 7372-76, Briquet Cheval 3564, and Briquet Fruit 7341., Script: Written by a single scribe in a neat notarial hand, through f. 67v. Notes added by various hands of 14th-15th centuries., Drawings of ships, towers and merchants in ink, with added yellow, brown, green, red and blue; many diagrams. Crude 2- and 1-line initials in red, with guide-letters for rubricator showing beneath; headings in red., Repair of f. 1 with later paper; some loss of text. Repairs at outer edges on this and other folios do not affect text., and Binding: 18th-19th centuries. Rigid vellum case with paste paper back endleaf and pastedowns. Central fold of each bifolium has been reinforced with a strip of parchment.
Subject (Geographic):
Connecticut, New Haven., and Venice (Italy)
Subject (Topic):
Accounting, Arithmetic, Astrology, Astronomy, Medieval, Formulas, recipes, etc, Illumination of books and manuscripts, Medieval, Italian literature, Manuscripts, Medieval, Merchants, Prayers, Tristan (Legendary character), and Economic conditions
Manuscript on paper of Ovid, Metamorphoses, translated into Italian and with allegorical interpretations by Giovanni Bonsignori (Citta di Castello, d. after 1377), finished 29/30 Nov. 1377. With various Italian poems by different poets. The scribe Giovanni Tolosini did the copying from an Apulian exemplar and at the request of Chirico di Pietro Tolosini
Description:
In Italian., Watermarks: Briquet 8348 and 11868-11869 (?)., Script: Copied by Giovanni Tolosini in very small Gothica Semihybrida Libraria/Currens (Mercantesca)., Headings in black up to f. 27v, afterwards in red. Heightening of majuscules in yellow up to f. 27v. 3- (sometimes 4- or 5-) line flourished initials alternately in red with blue penwork and blue with red penwork, with penwork extensions in the left margin or in the intercolumnar space. Large decorated flourished initials with developed and diversified penwork (c. 7 lines) in the same colours., The upper edges damaged by moist, especially in the fold., and Binding: Fifteenth century. Half leather (red-brown goatskin, which replaces an original wider piece of leather) with unbevelled wooden boards and remnants of two clasps attached to the front cover. Bound on three white leather thongs. On the spine a paper label with the handwritten 18th-century inscription "Metam. d'Ovidi[o]". On the front board the number "45" is written in ink; on the inner side of the rear board a 5-line account in Italian, 16th century, by the same hand (?) as copied the latter part of art. 8.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Ovid, 43 B.C.-17 A.D. or 18 A.D.
Subject (Topic):
Classical literature, Italian poetry, Literature, Medieval, and Manuscripts, Medieval
Manuscript on paper of 1) Poem warning against sin. 2) Sermons. 3) Notes on Christian, historical and other subjects, sermons, commonplaces, recipes etc. This is followed by notes on the churches and other buildings of the city, and the relics kept in the churches. 4) Latin proverbs and quotations in alphabetical order. The sources as far as indicated are the Bible, the Church Fathers, a few Christian authors of the Middle Ages, pagan authors and philosophers. 5) Notes on monuments in Sinigallia. 6) Latin verses in honor of the Virgin. 7) Text of epitaphs in churches at Sinigallia, dated 1600-1602, in which the family names have been replaced by "N." With historical notes, astronomical tables, and a list of herbs
Description:
In Italian., Script: Various scribes, mostly writing Humanistica Cursiva Currens difficult to decipher. Some parts are written by a more calligraphic hand, especially the original parts of artt. 4, 6 and 7., There is no decoration., The paper badly damaged by the acid ink, often impairing legibility. Some texts much faded., and Binding: Modern blue paper wrappers; on the spine a paper label with the printed inscription "ITALIAN MISCELLANY. MS. c. 1650".
Subject (Geographic):
Connecticut, New Haven., and Senigallia (Italy)
Subject (Topic):
Christian literature, Italian poetry, Manuscripts, Medieval, Sermons, and Sermons, Italian
Manuscript on paper of Gregory I, Pope, Moralia in Iob. Books 1-4 translated into Italian by Zanobi de Strata
Description:
In Italian., Several watermarks, most indeterminate, but one resembling Piccard, vol. 10, II 307 (Pavia, 1397-99)., Copied in Italian humanist cursive., and Binding: Plain vellum over boards. Endleaves from a 14th-century breviary.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Gregory I, Pope, approximately 540-604.
Subject (Topic):
Christian literature, Italian, Literature, Medieval, and Manuscripts, Medieval
Manuscript on paper of an album of 105 water-color drawings of Italian costumes and scenes of daily life (some with titles), including two maps of Venice
Description:
In Italian., Drawings mounted, framed by narrow gold strips., and Binding: Nineteenth century. Red, straight-grained goatskin, gold-tooled, with light blue, watered silk doublures and flyleaves. Possibly bound by one of the Bozerians (Paris, 1793-1817), but the foot of the spine where their signature usually appears was destroyed in rebacking. Gilt edges.
Subject (Geographic):
Connecticut, New Haven., and Venice (Italy)
Subject (Topic):
Manuscripts, Medieval, Description and travel, and History
Manuscript on paper of 1) Sonnet by the Franciscan Alessandro de Ritiis, or by his compatriot from L'Aquila, Buccio di Ranallo, lamenting the loss of a loaned book. 2) Polistorio, attributed to the Dominican Bartolomeo da Ferrara (1308-1444).
Description:
In Italian., Watermarks: Briquet Arbalete 746., Script: Written in fere-humanistic script by a single scribe, above top line., Fully illuminated title page, f. 6r. Floral border in inner and upper margin, black inkspray with blossoms, green, blue and purple with white highlights and gold balls. Bar border between text columns, gold and red, extends from buds (mauve, green and blue with white highlights) with stylized foliage, purple, blue and green and gold with white highlights; surmounted in upper margin by half-length figure of Virgin with Child. In outer margin, elaborate partial border of stylized foliage and flowers, green, blue and purple with white and yellow highlights and gold balls, framing central wreathed medallion with triton blowing a curved horn, on gold ground with penwork filigree. In center of lower border, arms of the Marcello family of Venice (azure, a bend wavy or) on deep red ground within wreathed medallion, both with yellow highlights. Arms symmetrically flanked by 2 putti plucking fruit from wreathed medallion and holding rods, green, blue, and purple with scrolls bearing the mottoes "sola virtus" and "dulcia poma" in red, and two triton-putti, one playing a flute, the other a stringed musical instrument. One historiated initial, 6-line, of stylized foliage in green, purple, and blue with white filigree on gold ground, with a half-length figure of a crowned and bearded man, perhaps the Emperor Augustus. The design of the upper and inner border and of the historiated initial is conservative in style and close to the work of Leonardo Bellini., and Binding: Fifteenth century, Italy. Parchment stays are adhered inside the quires. Rear pastedown (now lifted): parchment leaf from a lectionary, Italy (North?), 1050-1100; a parchment leaf, perhaps from the same manuscript, is concealed under front paper pastedown. Each leaf, with a stub, is folded around the front and back flyleaves, sewn, and glued down under the pastedowns. Original sewing on five tawed skin, slit straps laid in channels on the outside of beech boards and nailed. Yellow edges. Plain wound, natural color endbands are sewn on leather cores. Covered in brown calf with narrow corner tongues. There is a large, eight-petalled fitting in the central blind-tooled panel and four corner fittings have flower and agnus dei designs on them. The concentric outer frames are filled with rope interlace or small roses. The Marcello arms were stamped on each board on an inlaid leather shield which is wanting on the upper board. Spine: bands outlined with triple fillets, an X of three fillets in the panels. Four fastenings, the catches on the lower board, the upper one cut in for red fabric straps, attached with star-headed nails.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Bartolomeo, da Ferrara.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Italian literature, and Manuscripts, Medieval
Manuscript on parchment of an atlas produced by the Genoese cartographer Battista Agnese (1514-1564) in Venice
Description:
In Latin and Italian., Script: inscriptions in black or red ink in Humanistica Cursiva under Gothic influence, and in Capitalis (the latter sometimes in gold)., Shield in yellow and blue with "Cosmo-Grra-Phia" in red. The maps show varying degrees of colouring., An atlas produced by the Genoese cartographer Battista Agnese (1514-1564) in Venice. Includes 23 maps in various colors, with many representations of people, ships, and landmarks., and Binding: de luxe binding, 19th or 20th century, by Rivière & Son: gold-tooled red morocco over pasteboard; gold-tooled title on spine:"PORTOLANO / DA / BATTISTA / AGNESE", and at the bottom: "1559".
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Agnese, Battista, active 16th century.
Subject (Topic):
Atlases, Cosmography, Illumination of books and manuscripts, Medieval, Manuscript maps, and Manuscripts, Medieval
Manuscript on parchment roll, consisting of five skins pasted together, of an untitled list of 267 courses mentioning distances between two places and the bearing according to a 32-point compass, in Venetian dialect
Description:
In Italian (Venetian dialect)., Script: Written by one scribe in black ink except for five lines in red; of these lines 145 and 171 are no entries, but rubrics introducing the sections dealing with the Sea of Azov and the islands of the Aegean Sea respectively. The handwriting is a small Southern Gothica Textualis Libraria under Cancelleresca influence; the latter is most apparent in the shape of the letter g and in the horizontal approach strokes at the top of the ascenders., The majuscules are heightened in red., and Damp stains have damaged and even obliterated some parts of the text, especially in its first section.
Subject (Geographic):
Connecticut, New Haven., and Italy
Subject (Topic):
Manuscripts, Medieval, Description and travel, and Manuscript maps