Manuscript on parchment of Thomas Aquinas, Summa contra gentiles, ending abruptly
Description:
In Latin., Script: Written in neat gothic bookhand by a single scribe., Red and blue split initial, 10-line, at beginning of text (p. 11) with fine penwork flourishes within body and length of inner margin, in red, blue, and purple. Similar initials, 6- to 3-line, without penwork extensions, on pp. 68, 130, 284. Small initials, 5- to 2-line, alternating red with purple penwork and blue with red, throughout. Headings in red; running titles in red and blue; paragraph marks alternate red and blue., and Binding: Fifteenth century. Sewn on five double, tawed thongs laced into flush oak boards through tunnels in the edge and pegged with rectangular pegs. The back board is cracked and mended. The spine is square and lined with tawed skin. Plain, wound endbands sewn on twisted, tawed skin cores laced into the boards. Added embroidery is sewn through the cover and shows on the spine and the edge, with whip-stitching around the entire endband. Covered in kermes pink tawed skin with corner tongues. Two strap-and-pin fastenings, the pins on the lower board. Five foliate bosses on each board. A pin, straps and two bosses wanting. Original front pastedown: incomplete alphabetical index, 14th century, of subjects from amor through uita (no entries for x). Original back pastedown, also contemporary with main text: fragment of a theological text on the biblical prophets, on recto; unfinished diagram of the books of the Bible, divided into categories in mandata diuisio, in exempla diuisio, in ammonitiones diuisio, in reuelationes diuisio (with material from Old Testament only), on verso.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Thomas, Aquinas, Saint, 1225?-1274. and Dominicans.
Subject (Topic):
Manuscripts, Medieval, Philosophy, Scholasticism, and Theology
Manuscript on paper of Summa de casibus conscientiae by Bartholomaeus de Sancto Concordio (Bartholomaeus Pisanus O.P., c. 1260-1347).
Description:
In Latin., Script: Copied by Jodocus Sparlützel in a single hand in Gothica Hybrida Libraria. The scribe is elsewhere given the name Jodocus Sparlützel (Swicker) de Wil., Decoration: Red stroking of the majuscules and red underlining. Red plain initials, normally 1-2 lines; the initial of the first lemma beginning with a given letter of the alphabet is larger (up to 7 lines) and may be a flourished initial with penwork in the same red colour. Many initials are given strange and fancy forms. Erroneous initials are found on ff. 109r, 246v, 248v. An initial “U” is missing on f. 246r, and in art. 4, no initials “T”, “X”, “Y” and “Z” were provided by the scribe., and Binding: Original binding, with a repaired spine, composed of (very damaged) undecorated brown leather over wooden boards, and sewn on three double cords(?), with plaited headbands. Five brass bosses are on each cover. Two clasps are attached to the rear board and rectangular engraved catches are on the front board. The inscription, in Northern Gothica Textualis Formata, is not deciphered.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Bartholomew, of San Concordio, 1262-1347. and Dominicans.
Manuscript fragment on parchment of Dynus de Mugello's Super infortiato et Digesto Novo; the first part of the text of this fragment follows fairly closely to the printed text of the commentary by Dynus de Mugello, a teacher of law at Bologna, although in many minor instances it agrees more closely with the quotations attributed to Dynus by Albericus de Rosate in his commentary
Description:
In Latin., Script: written in a cramped and inelegant gothic script (scripture notularis)., and Decoration: two 2-line initials alternating red and blue decorated with red penwork; rubrics written in red gothic cursive; the lemmata are marked with alternating red and blue paragraph marks, and some are underlined in brown; punctuated with the punctus; hyphenation is in the same ink as the text.
Manuscript on parchment (goatskin) of Nicolaus de Osimo (Auximo) OFM (d. after 1453), Supplementum Summae Pisanellae, an alphabetically arranged supplement to the Summa de casibus conscientiae of Bartholomew of Pisa (Bartholomaeus de Sancto Concordio, d. 1347). Produced at the Franciscan convent of Santa Maria degli Angeli near Milan
Description:
In Latin., Script: Apparently 8 scribes, all writing Southern Gothica., Decoration: The decoration of artt. 1-4 consists of heightening of the majuscules in yellow; blue or red paragraph marks. In art. 3 the chapters normally open with a 2-line (rarely 3-line) flourished initial with penwork extensions in the left margin or in the intercolumnar space, alternately red with purple or blue penwork and blue with red penwork; the first lemma of each letter opens with a 3- or 4-line flourished initial filled with foliage and with more developed marginal extensions. The text opens on f. 5v with a 5-line dentelle initial with green and blue background heightened with gold and white, followed by 5 lines of text mostly in majuscules. The decoration of art. 7 is similar to that of art. 3 but less carefully executed., and Binding: Eighteenth century (?). White parchment over pasteboard, with two modern brass clasps fixed to the front cover. On the spine green leather label with gold-tooled title "SUMA MAGISTRA". On the bottom edge the title "Summa Pisa****" is written.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Nicholas, of Osimo, -1453. and Franciscans
Subject (Topic):
Manuscripts, Canon law, Illumination of books and manuscripts, Medieval, Latin literature, Medieval and modern, and Manuscripts, Medieval
Two volumes, in two different hands, with drawings in ink (some colored) on vellum of swan marks granted by the King of England to persons who have lands valued at least 500 marks and who wish to keep swans, otherwise designated a royal bird and the property of the crown. The catalog of marks assigned to each family, in rough alphabetic order is preceded by a summary of various laws related to the keeping of swans and their designation as royal game. From Horace Walpole's 1774 edition of Description of the villa of Mr. Horace Walpole at Strawberry-Hill near Twickenham, Middlesex: Curious books in the glass closet in the library ... Two books of swan-marks, on vellum: extremely rare
Description:
In English and Latin., Title from preliminary leaf, larger volume, on paper bound in preceding marks on vellum leaves., Title on preliminary leaf in smaller volume: The swane booke., Both volumes with the armorial bookplate of Earl of Derby, 1775-1851 and press mark 25. B., and Text from the 1842 Catalogue of the classic contents of Strawberry Hill collected by Horace Walpole: Two books of Swanmark's, 8vo, bound in vellum, and extremely rare.
Two volumes, in two different hands, with drawings in ink (some colored) on vellum of swan marks granted by the King of England to persons who have lands valued at least 500 marks and who wish to keep swans, otherwise designated a royal bird and the property of the crown. The catalog of marks assigned to each family, in rough alphabetic order is preceded by a summary of various laws related to the keeping of swans and their designation as royal game. From Horace Walpole's 1774 edition of Description of the villa of Mr. Horace Walpole at Strawberry-Hill near Twickenham, Middlesex: Curious books in the glass closet in the library ... Two books of swan-marks, on vellum: extremely rare
Description:
In English and Latin., Title from preliminary leaf, larger volume, on paper bound in preceding marks on vellum leaves., Title on preliminary leaf in smaller volume: The swane booke., Both volumes with the armorial bookplate of Earl of Derby, 1775-1851 and press mark 25. B., and Text from the 1842 Catalogue of the classic contents of Strawberry Hill collected by Horace Walpole: Two books of Swanmark's, 8vo, bound in vellum, and extremely rare.
Manuscript on parchment of Isidore of Seville (d. 636), Synonyma
Description:
Script: Copied by a somewhat uneven hand in bold and angular Praegothica., Decoration: Red headings; alternately res and blue-gree 1-line versals; alternately red and blue 3-line half inset initials, plain or flourished with penwork. A curious pointing hand on f. 24v., Binding: None., and In Latin.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Isidore, of Seville, Saint, -636.
Subject (Topic):
Fathers of the church, Latin literature, Medieval and modern, and Manuscripts, Medieval
Manuscript fragment on parchment of Isidore's Synonyma
Description:
In Latin., Script: written in late Caroline minuscule., and Decoration: 1-line initials in brown square capitals highlighted with red; other 1-line initials in brown rustic capitals; rubrics written in red minuscule; punctuated with the punctus, punctus elevatus, and punctus interrogativus.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Isidore, of Seville, Saint, -636.
Subject (Topic):
Manuscripts, Medieval, Christian literature, Latin (Medieval and modern), and Dialogues, Latin (Medieval and modern)
Manuscript on parchment and paper of the Alfonsine Tables, a scientific work on astronomy, executed on parchment and decorated, but unfinished, to which paper leaves have been added at a not much later date, and the text completed, probably by a scholar
Description:
In Latin., Watermarks: 1) ladder in a circle with star at top, two varieties, similar to Briquet 5920; 2) eagle displayed within a circle, similar to Briquet 203., Script: Four scribes have written the manuscript: (1) the professional, humanistic hand of the parchment section; (2) the rapid, partly illegible cursive hand of the paper leaves; (3) a late humanistic hand which has supplied "radices" in red and brown inks in the lower margins of ff. 33-38; (4) a hand that filled in the numerals on the whole of f. 63r and a part of f. 36v, distinguishable by his numeral "7"., In the parchment section, headlines and part of the writing in red (the sixth place in each table is outlined in yellow glair, except in the table on f. 57r, where the ninth, fifteenth, and twenty-first places are outlined in blues). Longitudinal spaces between columns of the tables in the parchment section, ff. 38v-42v, 53r, and 61r-70v, have been decorated with arabesque patterns of vines, leaves, and flowers in great variety and usually in differing combinations of glair and blue, but the work has been left unfinished toward the end of the section. No illustration., and Binding: Modern. Blue morocco, gilt, matching slipcase of straight-grained blue morocco, by R. Wallis, original gilt edges.