Satire by Paul Sandby on Hogarth's 'Analysis of Beauty', with Hogarth in Bedlam, bizarrely attired in a long cloak and fantastic headdress with an ink bottle as a crown and straw around one leg. His palette hangs from his neck as he paints on the wall
Description:
Title etched above image., Printmaker and publication date from British Museum catalogue., Sheet trimmed within plate mark., Description of content below image: He raves, his words are loose as heaps of sand ..., and Temporary local Medical Library subject terms: Patients, psychiatric -- Hospitals, interior -- Patient restraints.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain., England, and London.
Subject (Name):
Hogarth, William, 1697-1764 and Bethlem Royal Hospital (London, England)
A scene in a room: Justice Henry Fielding stans in a circle drawn on the floor, the scales of 'Astrea' in his pocket, his hand supported on the sword of Justice. Also in the circle as if to protect them from witchcraft are the Lord Mayor Sir Crisp Gascoyne, his state collar round his neck, and "Dr." John Hill, the clyster-pipe of 'Galen' in his pocket; the latter points to the gypsy Mary Squires whose cause he advocated. Fielding points to Elizabeth Canning with an attendent(?) behind, whose story he eagerly defended. Two pictures hanging on the wall amplify the subject of the print: on the left, a view of the Mansion House, London, then recently erected; and on the right, a view of the Old College of Physicians, comprising a mortar, a dried and stuffed skin of a crocodile, a human skeleton, and a stuffed ostrich. Between the pictures hangs the regalia of the City of London. Centered on the ground is a bottle labelled 'Another bottle' alluding to the 'Bottle-Conjurer' (See British Museum satire 'The magician' no 3022).
Description:
Title from item., Sheet trimmed within plate mark., "Pr. 6d"--Lower right below verses., Six lines of verse in three columns below image: When one head has a cause in hand, A cause it cannot understand; Auxilliarys must be good, To make the matter understood: Three conj'rers sure must find ye out, Which, one, might ever hold in doubt., and Mounted to 35 x 46 cm.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain. and British.
Subject (Name):
Fielding, John, Sir, 1721-1780, Hill, John, 1714?-1775, Gascoyne, Crisp, Sir, 1700-1761, Canning, Elizabeth, 1734-1773, and Squires, Mary, -1762
Subject (Topic):
Romani, Fraud, Interiors, Criminals, Physicians, British, Government officials, and Magicians
Title etched below image., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted to 36 x 24 cm.
Publisher:
Published July 18th, 1802 by S. Howitt, Panton Street, Hay Mart
Subject (Topic):
Cats, Dogs, Dwellings, Interiors, Military officers, and British
"Naval mutineers, seated and standing at a long table, glare ferociously at Admiral Buckner, who stands (left) calmly, hat in hand, in profile to the right at the foot of the table. The man at the head of the table, seated in a chair which is higher than the others, holds a blunderbuss and wears a hat. He must be Richard Parker, but does not resemble him. At his elbow and on the extreme right stands Thelwall filling a glass from a 'Grog' can; he says "Tell him we intend to be Masters, I'll read him a Lecture"; from his pocket hangs a paper: 'Thellwals Lecture' (see British Museum Satires No. 8685). One man only is seated on the president's left and on the near side of the table. He places a fist on a long paper headed 'Resolutions'. Under the table in the foreground, lifting up the tablecloth, five secret instigators are (left to right): Lauderdale, holding a paper: 'Letter from Sheerness to Ld L------le'; Horne Tooke, Stanhope, Grey, Fox, the most prominent, saying, "Aye, Aye, we are at the bottom of it", and Sheridan. All have satisfied smiles. Four ruffians are seated at the farther side of the table, others stand behind them; one aims a pistol over the admiral's head, one man smokes, another chews tobacco, taking a quid from his box. Weapons lie on the table. On the wall behind them are a print of Britannia head downwards, and two torn ballads: 'True Blue an old Song' and 'Hearts of Oak are our Ships Jolly Tars are our men We alway are Ready', the last word scored through. On the right the slanting window of the captain's cabin is indicated."--British Museum online catalogue
Alternative Title:
Beggars on horseback
Description:
Title etched below image., Publisher's advertisement following imprint: Folios of caricatures lent out for the evening., Sheet trimmed within plate mark., and MS. notes in pencil in an unidentified hand, describing the satire.
Publisher:
Published by S.W. Fores, N. 50 Piccadilly
Subject (Geographic):
Great Britain.
Subject (Name):
Buckner, Charles, approximately 1735-1811, Grey, Charles, 2nd Earl, 1764-1845, Fox, Charles James, 1749-1806, Lauderdale, James Maitland, Earl of, 1759-1839, Parker, Richard, 1767-1797., Sheridan, Richard Brinsley, 1751-1816, Stanhope, Charles Stanhope, Earl, 1753-1816, Thelwall, John, 1764-1834, and Tooke, John Horne, 1736-1812
Subject (Topic):
Sandwich (Sloop), Nore Mutiny, 1797, Spithead Mutiny, 1797, Sailors, Admirals, Interiors, Mutinies, Firearms, Ships, and British
"Midshipmen at table in a confined space, with a low roof, lit by a candle stuck in a bottle, which casts heavy shadows. They drink grog from tea-cups with a blue interior rim. Eight midshipmen sit at the table, bare except for a jug and bottle; of these two play cards, two sleep, one plays a fife. One of the card-players smokes a cigar and holds a handful of coins. A mishipman holds a lighted cigar to the face of his sleeping neighbour. A lieutenant drinks with the midshipmen. A ninth dances tipsily, holding cup and bottle; behind him stands a sailor playing a fiddle. A tenth, wearing a fur cap, struggles sulkily into a greatcoat before going on duty. A black boy stands against the wall grinning at the dancing midshipman. A steward (left) also stands against the wall, before recessed shelves containing a dinner-service. Against the wall hang hats, a dirk, a sextant, a sextant-case, swords, a speaking-trumpet."--British Museum online catalogue
Description:
Title from caption below image., Questionable attribution to Marryat from British Museum catalogue., Sheet trimmed within plate mark., and Reissue of no. 14287 in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10; originally published Aug. 12, 1821, by G. Humphrey.
Publisher:
Published by Thos. McLean, 26, Haymarket
Subject (Topic):
Black people, Sailors, British, Interiors, Intoxication, Ships, and Servants
"A macaroni dressed in a grotesque exaggeration of the prevailing fashion. His hair is in a high pyramid with side curls, an enormous club hangs down his back. A small three-cornered hat is perched on the top of his hair. He wears a large nosegay. He stands in a mincing attitude by a toilet-table, draped with muslin on which are boxes and toilet jars, the latter inscribed "essence" and "Rose". The wall is panelled and ornamented with mouldings; the floor is carpeted and there are two cane-seated chairs of an unusual pattern [This probably represents the dress of 'Lord P-----' as a macaroni buck at the Pantheon masquerade of 12 May 1773. See 'Oxford Magazine', x. p. 179, where his dress is described]."--British Museum online catalogue, description of a proof state
Description:
Title from item., State with letters, as described in the British Museum catalogue from a print not in the British Museum collection. For a proof state before letters, see No. 5221 in the Catalogue of prints and drawings in the British Museum, v. 5., Sheet trimmed to plate mark., and Temporary local subject terms: Male fashion, 1773 -- Macaronies -- Dressing room -- Furniture -- Carpet.
A young Macaroni with an elaborate wig and enormous bow at his neck sits in an artist's studio as his portrait is painted by an artist, a caricature of Richard Cosway R.A., with an equally elaborate hair style. Both are fashionably dressed. The artist sits at his easel, his hand filled with paint brushes and an palette; the canvas faces the viewer so that the portrait is visible. On the wall in the background are two portraits, one of another dandy and one of a woman in an elaborate hat; the paintings hang on either side of a round mirror
Alternative Title:
Billy Dimple sitting for his picture
Description:
Title from item., Engraved by Earlom after drawing by Dighton. See British Museum catalogue., Later state, with altered imprint statement and added plate numbering. For an earlier state with the imprint "Printed for Carington Bowles, Map & Printseller, No. 69 in St. Pauls Church Yard, London, published as the act directs, 25 Sepr. 1772", see Lewis Walpole Library call no.: 772.09.25.01.1+, Publication date inferred from the date of partnership formed by Henry Carington Bowles and Carver after Carington Bowles's death in 1792. See: Plomer, H.R. Dictionaries of the printers and booksellers., Plate numbered '257' in lower left corner., Temporary local subject terms: Furnishings: round mirror -- Portrait paintings -- Artist's implements: palette and brushes., and Watermark.
Publisher:
Printed for Bowles & Carver, Map & Printsellers, No. 69 in St. Pauls Church Yard, London
Title from item., Cf. No. 4582 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., and Temporary local subject terms: Interiors: artist's studio -- Macaronies -- Female dress, 1772 -- Female dress: mob cap -- Toupée wig -- Club wig -- Furnishings: round mirror in gold frame -- Portrait paintings -- Artist's implements: palette and brushes -- Artist's implements: easel.
Publisher:
Printed for Carington Bowles, Map & Printseller, No. 69 in St. Pauls Church Yard, London
A young barmaid wearing a frilly dormeuse cap and a neckerchief with a breast knot, attends to a group of male customers gathered around the bar. An elderly military officer wearing a saber leans on the bar spooning custard from a glass, while three young men on his left ogle the barmaid. Two other men occupy the right side of the bar, and two dogs the center foreground, a poodle jumping up at the bar, and a pug urinating on a copy of "The Gazette extraordinary" which lies on the floor. Other newspapers are in the hands of the customers, the "Ledger" and the "Morning post". Bottles, glasses and bowls are arranged on shelves behind the girl
Description:
Title from item., Publication date from British Museum catalogue, Numbered '384' in lower left of plate., and Publication date erased from this impression.
Publisher:
Printed for & sold by Carington Bowles at his Map & Print Warehouse, No. 69 in St. Pauls Church Yard, London
Subject (Geographic):
England. and England
Subject (Topic):
Bartenders, Military uniforms, British, Clothing & dress, Newspapers, Taverns (Inns), Interiors, Glassware, Bars (Furniture)., Shelving, Hats, and Dogs