IIn an alcove on the right in an untidy garret, a man in a dressing-gown scratches his head as he writes on a sheet with the title "Poverty, a Poem". In the center of the image his wife is seated as she mends a pair of breeches; at her feet a cat and her kittens are curled up on the man's coat. Under the sleeve of the coat on the floor is an issue of "Grubstreet Journall." She looks to the door on the left where she is confronted by a milkmaid who holds a lengthy tally; the daisies in her bonnet suggest Michaelmas day when bills are due; she also is shown with a yoke across her back. Just inside the doorway a dog snatches the single pork chop from a plate on a chair; the cupboard above the door stands open to show empty shelves. Behind the poet's head is a satirical print showing Alexander Pope thrashing the book-seller Edmund Curll who had published pirated editions of his letters."
Description:
Title and state from Paulson., "Price 3 shillings"--Following imprint., Verse etched below image: Studious he sate, with all his books around, Sinking from thought to thought, a vast profound! Plung'd for his sense, but found no bottom there; Then writ, and flounder'd on, in more despair. Dunciad Book I, line III., and Sheet trimmed within plate mark.
"An untidy garret with a man in a dressing-gown working on a poem entitled 'Poverty' while his wife is confronted by a milkmaid with a lengthy tally who demands payment; a baby in bed is crying; a dog eats meat from a plate on a chair; behind the poet's head is a satirical print showing Alexander Pope thrashing the book-seller Edmund Curll who had published pirate editions of his work."--British Museum online catalogue
Alternative Title:
Studious he sate, with all his books around
Description:
Title from Paulson., Two columns each with two lines of verse engraved below image: Studious he sate, with all his books around, Sinking from thought to thought, a vast profund! Plung'd for his sense, but found no bottom there; Then writ, and flounder'd on, in more despair. Dunciad Book I, line III., Copy of: Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3, no. 2309., and Copy of: Paulson, R. Hogarth's graphic works (3rd ed.), no. 145.
Publisher:
Published Octr. 1st, 1797 by G.G. & J. Robinson, Paternoster Row, London
Volume 1, page 10b. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
A grinning man with a long queue stands facing right, holding a pair of shears in his left hand. He holds wooden box that serves as a stool in his right hand, and under his right arm is a struggling dog. Behind him, in the upper left, hangs a sign with three fleur-de-lis that is lettered "LA VENGEANCE De crotteur royal Tond des CHIENS Proprement".
Description:
Title, printmaker, and publication date supplied by curator., Sheet trimmed to plate mark., For a version of this design in reverse, published 25 April 1771 by M. Darly, see no. 4668 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., and Mounted on page 10b in volume 1 of: Etchings by Henry William Bunbury, Esq. and after his designs.
A scene in London, possibly near St. Martin's-in-the-Fields, shows a musician at an open window holding his ears against the noise of the street; a pregnant ballad-seller chants while her baby cries and a parrot above her head on the lamp post squawks; a milkmaid and other street-traders cry their wares; one small boy plays a drum while another urinates under the startled gaze of a small girl who holds a rattle and stands by a house made of toy blocks; an itinerant oboist plays; a dustman carries his basket and a bell; a knife-grinder sharpens a cleaver, a dog barking at his feet; on the roof at the right two cats fight (both shown with arched backs) just beyond the chimney from which a chimney sweep emerges. A sign to the left of the musician's window advertises The Beggar's Opera. A sign on the building to the right reads "John Long Pewterer." In this state the horse on the extreme right is black (white in the earlier state), the boy's slate trailing on the ground was only half shaded in the earlier state, but is now darkened
Description:
Title from published state of the print., Ink trasing of the trial proof of: The enraged musician., Inscribed in pencil by the artist above drawing: A sketch from Mr. Crickett's Impression (formerly Mr. Ingham Foster's.) See John Ireland's Hogarth Illustrated, p. 342. & Mr. Nichols's Book, 3d edit, page 257., Tracing of: Paulson, R. Hogarth's graphic works (3rd ed.), no. 152., and On page 101 in volume 2.
Subject (Topic):
Blocks (Toys), Cats, Children, City & town life, Chimney sweeps, Dogs, Musical instruments, Musicians, Noises, Occupations, Parrots, Street vendors, and Urination
A scene in London, possibly near St. Martin's-in-the-Fields, shows a musician at an open window holding his ears against the noise of the street; a pregnant ballad-seller chants while her baby cries and a parrot above her head on the lamp post squawks; a milkmaid and other street-traders cry their wares; one small boy plays a drum while another urinates under the startled gaze of a small girl who holds a rattle and stands by a house made of toy blocks; an itinerant oboist plays; a dustman carries his basket and a bell; a knife-grinder sharpens a cleaver, a dog barking at his feet; on the roof at the right two cats fight (both shown with arched backs) just beyond the chimney from which a chimney sweep emerges
Description:
Title based on published original., Date based on Dent's years of activity., Sheet trimmed to plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Copy of: Paulson, R. Hogarth's graphic works (3rd ed.), no. 152, Ms. note in pencil in Steevens's hand above print: Specimen of Trusler's book., and On page 103 in volume 2.
Publisher:
publisher not identified
Subject (Topic):
Blocks (Toys), Cats, Children, City & town life, Chimney sweeps, Dogs, Musical instruments, Musicians, Noises, Occupations, Parrots, Street vendors, and Urination
"A copy by Rowlandson after the 1774 Bunbury print, 'The hopes of the family - an admission at the university', a satire on a socially aspirational family: a youth is being examined by a tutor for admission to Cambridge university; the tutor, in academic robes, is seated at a table pointing at a large volume resting beside a globe; the youth stands counting on his fingers while his eager father, wearing countryman's boots, urges him on; on the left a woman, probably the tutor's housekeeper, holds two further volumes, and on the right an elegant undergraduate stands smiling; on the wall behind are portraits of "Dr Allcock" and a woman, a Roman bust with turned down mouth on the lintel above the door, and a frame with the plan and elevation of a building."--British Museum online catalogue
Description:
Title supplied by cataloger, based on that of the earlier print from which this design was copied., Printmaker and date of publication from British Museum online catalogue, registration no.: 2006,U.1348., A reduced copy of no. 4727 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., Similar to and perhaps related to a series of small copies by Rowlandson of earlier Bunbury satires, published in 1803 by R. Ackermann. See Rowlandson the caricaturist / by Joseph Grego. London, Chatto and Windus, 1880, v. ii, p. 42-43., On same sheet: Miseries of London., and Mounted to 56 x 37 cm.
Publisher:
publisher not identified
Subject (Topic):
Dogs, Families, Social mobility, Students, Teachers, Teaching, and Portraits
A scene in Donna Theresa's bedchamber: Fantasio transformed by witchcraft into a lap-dog is being petted in the arms of Donna Theresa, who sits on her canpoied bed. The Provincial stands to her right as he addresses her
Description:
Title and imprint from Paulson., Paulson notes that Hogarth omits "invt." from his signature suggesting perhaps that this print too is a copy., "V: II : P: 1"--Lower left, below image., One of seven illustrations engraved for a modernized edition of Apuleius's The golden ass: Gildon, C. New metamorphosis. London : Printed for Sam. Briscoe at the Bell-Savage on Ludgate-Hill, 1724., Sheet trimmed to plate mark., On page 21 in volume 1. Plate trimmed to: 14.3 x 7.8 cm., and Date given in Steevens's hand: 1724. With other notes by Steevens that apply to the group of seven other illustrations mounted on same sheet.
An enraged man with clenched fists, the presumed speaker of the diatribe inscribed below image, is flanked by family members. On his right his wife attempts to calm him ("Brother patriot you'll choak yourself with passion") while his diminutive son tugs at his clothes pleading "Daddy I wish you'd let the Patriots alone & give my Mammy some money to buy a Calfs Head for Dinner for I'm sure the Patriots wont," while another son holds on to the woman saying "Mother shant I be a Patriot when I'm a man". A bootblack seated to the left of the group says "Have 'em blackd your Honor. Twig the patriot your Honor". Two dogs are present as well, one barking wears a collar inscribed Patriot, while the other urinates on the man's shoe. Quotes appear in balloons
Alternative Title:
I am a patriot d- me Sir and I am a patriot damn me Sir
Description:
Title supplied by cataloger; printmaker surmised by repository., Trimmed into image with loss of imprint and portion of inscription torn., Publisher statement from impression in the Library of Congress., Inscription beneath image: I am a Patriot d- me Sir and I will be a Patriot & what of that & pray G- D- me Sir what do you mean by asking my Reasons did you ever know a Patriot that could give a Reason - only D- me I hate every thing thats done by any body that could or would do good to their Country and so d- me Sir that's what we call Patriotism., Date of "1778" written in contemporary hand between image and inscription., and Mounted to 20 x 26 cm.
Publisher:
Pub. accordg. to Act of Parlt. Octr. 21 1776 by J. Lockington Shug Lane ...
Charles Churchill in the form of a huge bear (right, as in Hogarth's print The Bruiser) and wearing clerical neckbands, looks down, mouth agap, at a little dog (left) who snarls back. The dog personifies Hogarth as in his own print "Trump"; his paws rest on a artist's palette inscribed "Line of beauty". The bear's paw rests on a sheet inscribed "Epistle to Wm. Hogarth," the poem which Churchill published in response to Hogarth's sketch of Wilkes described as "John Wilkes, Esqr."
Alternative Title:
Satire on Hogarth and the Rev. C. Churchill
Description:
Title from later state, engraved for the engd. for the Hiberia magazine. and Alternative title from British Museum catalogue: Satire on Hogarth and the Rev. C. Churchill.
Tom Nero's body is laid out on a round table in a dissecting theatre. In niches on either side are two skeletons labeled "Gentn: Harry" and "Macleane" after two recently hanged criminals. Three doctors work on dissecting Tom's body as a dogs feeds on his entrails. The room is filled with doctors reading and discussing, the whole presided over by the chief surgeon in a large chair emblazoned with the arms of the Royal College of Physicians
Description:
Title and printmaker from British Museum catalogue., State, publisher, and series title from Paulson., Final plate in a series of four: The four stages of cruelty., and Temporary local Medical Library subject terms: Dissection -- Anatomical Theatres -- Prevention of Cruelty to Animals -- Company of Surgeons -- Surgeon's Hall -- Freke, John (1688-1756).
Publisher:
Wm. Hogarth
Subject (Topic):
Anatomy, Criminals, Dogs, Dissections, Medical education, Rake's progress, Physicians, and Skeletons