Title from caption below image., First two letters of "A Paris" in imprint form a ligature., Approximate date of publication based on publisher's flourish dates. See British Museum online catalogue., "No. 18."--Upper right corner., Watermark., and Writing in ink in a contemporary hand on verso, partially trimmed.
A perspective view, or vues d'optique, of the Covent Garden Market, looking towards Inigo Jones's St. Paul's Church, which is situated slightly to the right of center; in the foreground are shown vendors, carriages, pedestrians and other street life. The image is reversed for viewing through the lens of a Zograscope and designed to give the illusion of a deeper perspective, enhanced by the deep vanishing point and bright colour of the print
Alternative Title:
Vue perspective du Covent Garden, Vue du Couvent Garden, and Vue du Convent Garden
Description:
Title etched below image; alternative title etched in reverse above image: Vue du Couvent Garden., Date of publication from dealer's description., and "No. 92"--Upper right, above image.
Publisher:
Chez J. Chereau, rue St. Jacques au desses de la Fontaine St. Severin aux a Colonnes no. 257
View of a mineral fountain located near the Belgian town of Spa. The fountain, raised up on a low pedestal and covered with a roof, stands in the center of the image. A covered walkway extends left from the fountain and meets a two-story stone building. Stone walls and staircases extend behind and to the right of the fountain. Trees and a bridge over a stream form the background; a dirt plaza forms the foreground
Alternative Title:
Vue de la fontaine de la Sauvenière près de Spa
Description:
Titled by the artist in ink below image; alternative title "Vue de la fontaine de la Sauvenière près de Spa" written in brown ink in a different hand above image., Signed by the artist in ink below title, in lower right., Part of a group of drawings by Antoine Le Loup of his hometown of Spa, one of which is dated "1767" by the artist. Cf. Lewis Walpole Library call no.: 75 B935 805 folder 45., Sheet numbered "9" in ink in upper right corner., Formerly laid in at page 139 in an album containing 402 pages, bound in red morocco leather with single gilt ruled line; spine stamped in gold "Drawings." Now disassembled and matted separately: Bull, R. Scrapbook of drawings. [England], [not after 1806]., Matted to 49 x 37 cm., and Original case shelved separately.
View of a plaza in the Belgian town of Spa, with a row of buildings (including shops labeled "Cour de Londre," "Caffe," and "Poste") on the left curving behind a fountain in the distance. A second row of buildings on the right includes a doorway below street level that is marked "Pouhon." Nine men and women occupy the square in two groups, one group in the foreground and the other in the middle distance; one woman and one man in the foreground are holding out hats and appear to be begging
Alternative Title:
Vue de la place de Spa
Description:
Titled by the artist in ink below image; alternative title "Vue de la place de Spa" written in brown ink in a different hand above image., Signed by the artist in ink below title, in lower right., Part of a group of drawings by Antoine Le Loup of his hometown of Spa. Cf. Lewis Walpole Library call nos.: 75 B935 805 folder 43; 75 B935 805 folder 44., Formerly laid in at page 143 in an album containing 402 pages, bound in red morocco leather with single gilt ruled line; spine stamped in gold "Drawings." Now disassembled and matted separately: Bull, R. Scrapbook of drawings. [England], [not after 1806]., Matted to 49 x 37 cm., and Original case shelved separately.
Drawing of the Belgian town of Spa as viewed from a nearby hill. Houses, a church, and other buildings are visible in the center of town; rolling, tree-lined hills are in the distance beyond. A woman carrying a basket travels along a path in the foreground; a dense thicket is on her left as she walks past a single tree on her right
Alternative Title:
Vüe de Spa
Description:
Titled by the artist in ink below image; alternative title "Vüe de Spa" written in brown ink in a different hand above image., Signed by the artist in ink below title, in lower right., Part of a group of drawings by Antoine Le Loup of his hometown of Spa, one of which is dated "1767" by the artist. Cf. Lewis Walpole Library call no.: 75 B935 805 folder 45., Sheet numbered "1" in ink in upper right corner., Formerly laid in at page 135 in an album containing 402 pages, bound in red morocco leather with single gilt ruled line; spine stamped in gold "Drawings." Now disassembled and matted separately: Bull, R. Scrapbook of drawings. [England], [not after 1806]., Matted to 49 x 37 cm., and Original case shelved separately.
"A young woman selling nosegays from a basket on her right arm, and with a book in the other hand."--British Museum online catalogue
Alternative Title:
Messieurs, achetter des bouquets pour rejouir votre odorat
Description:
Titles in English and French etched below image., Printmaker and publication information from first plate in series., Fourth plate from: Twelve London cries done from the life by P. Sandby. London, 1760., and Plate numbered "4" in lower right corner.
Framed by a decorative border, Chatham stands supported by crutches, with right arm upraised, speaking from behind a balustrade, with onlookers to either side. Probably a representation of his last speech in Parliament, given 7 April 1778, with a line from the text of his speech given below
Alternative Title:
William Pitt and Il faut déclarer la guerre à la France
Description:
Title from item., First state, with printmaker's and artist's names engraved on the plate, of no. 5478 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., and Possibly a book illustration.
Probable book illustration. Chatham stands supported by crutches, with right arm upraised, speaking from behind a balustrade, with onlookers to either side. Probably a representation of his last speech in Parliament, given 7 April 1778, with a line from the text of his speech given below
Alternative Title:
William Pitt and Il faut déclarer la guerre à la France
Description:
Title from item., Artist and engraver from earlier state., and Imperfect; sheet trimmed into design.
From the Collection: Hanbury-Williams, Charles, 1708-1759
Published / Created:
1717–1719
Call Number:
LWL MSS 7
Container / Volume:
box 52, folder 25
Image Count:
84
Description:
Charles Williams was a native of Caerleon, and had a successful career in Smyrna when he fled Wales after killing his cousin in a duel. He returned to London as a financier in the 1690s and befriended John Hanbury. When he died in 1720 he left his estate to Hanbury, who entailed it for his son Charles, who then took the name Hanbury-Williams. For further information, see The Hanburys of Monmouthshire by Richard Hanbury Tenison (1995), chapter 4. and A volume of letters bound in gold-tooled and stamped green vellum, with a printed CH-W number label (and evidence of a Phillipps label, now missing) on the spine. The Hanbury-Williams volume number is 46; the Phillipps number is 10893.