Woodward, G. M. (George Moutard), approximately 1760-1809, artist
Published / Created:
[1790?]
Call Number:
Drawings W87 no. 13 Box D175
Image Count:
1
Resource Type:
still image
Abstract:
Two men in coats engage in a terse exchange. One of the individuals holds a newspaper where the front page headline reads 'Peace' and asks "Who brought it about" The second man responds "I don't know!!
Alternative Title:
Deep politicians
Description:
Title inscribed below image in black ink in the artist's hand., Signed by the artist., Date supplied by cataloger., and For further information, consult library staff.
A fight on a country lane between gentlemen hunting and a farmer
Description:
Title from text below image., Date of publication from unverified data in local card catalog record., Description based on imperfect impression; sheet trimmed within plate mark with loss of imprint., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted to 29 x 38 cm.
Title from caption above image., Publication date inferred from the date of Lord Lovat's execution., Key to items in the image at bottom of plate., and Mounted to 32 x 41 cm.
Title from item., Publication based on the date of publication of a similar print: A representation of the surprizing performances of Mr. Samson., Plate from: The universal museum and complete magazine of knowledge and pleasure. [London] : Printed for J. Payne, vol. for 1768?, Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Horsemanship -- Mr. Price, fl. 1768.
V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Napoleon, scarcely caricatured, stands in the centre of the design, pointing with left forefinger to a pile of cannon-balls in the right foreground inscribed 'Forse, meat Balls for the Lads of Paris'. Just behind him, and emerging from clouds, stand the Devil (left) and Death (right), directing his actions. Napoleon is flanked by two much taller supporters: an Italian brigand holding up a pole inscribed 'Plunder' to which a limp purse is tied, and with a pistol in his left hand. On the right is a savage dishevelled butcher, holding up a knife, with a noose in the right hand. Both wear belted tunics. These three are identified by an inscription below the design: 'Capt of Starved Banditty from the Alps, Ad Camp,, The Aghast Emperor & his two Friends & Pillars of the State,, Butcher from Elba. Generalissimo'. All are dominated by a larger figure, emerging from clouds above Napoleon's head, which has a scaly body and streaming hair, styled 'Deamon of War Presideing over the Tyrant'. His extended right hand points to the words 'Boundless Ambition' in large letters on a background of fire and lightning of which he is the centre. In his left hand is the shaft of a pennant inscribed: 'We, Come, to Redres:s Grievances'. Dark clouds and lightning extend left and right over ranks of soldiers in the middle distance who watch Napoleon. Those on the right are a ragged, dilapidated, and motley crew, some with pitchforks; they shout "Vive la Empre . . . [sic]" and "Vive la Boun. . . ." Those on the left are perhaps intended for National Guards (cf. British Museum Satires No. 12531)."--British Museum online catalogue
Description:
Title etched below image., Printmaker and date of publication from British Museum catalogue., Plate numbered "351" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., Watermark: 1817., and Leaf 64 in volume 5.
Publisher:
publisher not identified
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821 and Joachim Murat, King of Naples, 1767-1815
Subject (Topic):
Butchers, Devil, Skeletons ., Death, Soldiers, Italian, and French
Title from item., Publication date from British Museum catalogue., Two lines of text below image: Moderation, moderation, wonderfull moderation ..., Temporary local subject terms: Prisons: the Tower -- Yeomen of the Guard -- British Lion -- Animals: dogs -- Allusion to Magna Charta -- Emblems: cap and staff of liberty -- Whips -- Laws: allusion to Habeas corpus -- Emblems: royal cipher., and Mounted to 31 x 39 cm.
Townshend, George Townshend, Marquis, 1724-1807, printmaker
Published / Created:
[1760?]
Call Number:
760.00.00.84
Image Count:
1
Resource Type:
still image
Alternative Title:
Scene in a country churchyard
Description:
Title from item., Printmaker and publication date from an unverified card catalog record., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Graveyards -- Buildings: country church -- Crowns: coronet -- Devil -- Death.
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[3 January 1778]
Call Number:
Folio 75 B87 770 (Oversize)
Collection Title:
Page 137. Bunbury album.
Image Count:
1
Resource Type:
still image
Abstract:
"A satire on Cambridge. The interior of a large room showing two sash windows, through one of which (left) is seen part of the south side of the Senate House, through the other, the tower of St. Mary's Church, both drawn with topographical accuracy. Between the two windows is a niche in which is a statue of Athene holding her shield; in her outstretched left hand is held out a laurel wreath towards some men beneath her who have entered from a door on the right. Her owl sits beside her on the stump of a tree. Beneath the title is etched, "dedicated to the illustrious Inheritress of her fame in Professors of Arts & Sciences, the University of Cambridge O Matre pulchra Filia pulchrior!" Immediately below Athene, and concealing the lower part of her draperies a man stands on a high rostrum covered with a cloth. He wears a furred academic gown and bands, and holds out a rolled document in his right hand. Immediately below the rostrum a man, not in academic dress, is seated at a table writing. He is in profile to the right looking towards four men who have entered from the right through an open door, apparently 'professors of Arts and Sciences', whose names he is recording. The foremost of these is a dancing-master who stands holding a bow in his right hand, a kit or small fiddle in his left. Next is a rough-looking elderly man wearing a round hat and long coat. The other two are middle-aged, one holding his hat and a cane and accompanied by a dog. On the left, and behind the chair of the man writing, are two other 'professors'; a fencing-master, wearing a fencing-jacket, stands in back view, turning his head in profile to the right, his left arm raised, holding his foil horizontally. Behind him stands a thin man wearing a hat, one hand in his waistcoat pocket, the other thrust in his waistcoat."--British Museum catalogue
Description:
Title etched below image; the letters "n" in "Athens", "inheritress", and "University" are etched backwards., Sheet trimmed within plate mark., and Mounted on page 137 of: Bunbury album.
Title from item., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Clergy: vestry -- Poverty -- Families -- Churchwardens., and Mounted to 17 x 23 cm.