Manuscript on paper, composed of two distinct parts. Part I (ff. 1-48): Cicero, Orator ad M. Brutum. Part II (ff. 49-114): Cicero, Orationes.
Alternative Title:
Orator; Orationes
Description:
Binding: Nineteenth century, Italy. Brick red goatskin, blind-tooled. Bound for the Guarnieri-Balleani library (Iesi) in the same bindery as MS 450 and Marston MSS 72, 86, 181 and probably by the same binder. Title in ink on the tail edge, mostly illegible., Heading and plain initial, in red, on f. 49r only., On paper, Part I: Plain initials in red or blue; heading on f. 1r in red majuscules. Part II: Heading and plain initial, in red, on f. 49r only., Purchased from C. A. Stonehill in 1959 by Thomas E. Marston., Script: Each part written in humanistic cursive by a single scribe, above top line., Watermarks: Part I: unidentified hunting horn, in gutter. Part II, in gutter: similar in design to Briquet Fruit 7380-81., and Written possibly in Northern Italy in the middle of the 15th century. Part II was copied by the humanist Stefano Guarnieri who never completed copying the text
Subject (Name):
Guarnieri, Stefano--Manuscripts
Subject (Topic):
Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, Oratory--Early works to 1800, and Speeches, addresses, etc., Latin
Also contained are the Latin and French poems "Explicit iste liber," "Epistola super huius," "Quam cinxere," "Traitie," "Carmen de variis in amore passionibus," and "Carmen super multiplici viciorum pestilencia.", Manuscript on parchment in Anglicana (Scribes 1 and 2) and Secretary script (Scribe 3). The text is the third recension of the Confessio Amantis, written in 1392-1393.The manuscript was produced around 1400 or the beginning of the fifteenth century in the same manner as the other surviving manuscripts from this time, presumably under the author's supervision., and The text of the manuscript is the third recension of the Confessio Amantis, written in 1392-93. Also contained are the Latin and French poems "Explicit iste liber," "Epistola super huius," "Quam cinxere," "Traitie," "Carmen de variis in amore passionibus," and "Carmen super multiplici viciorum pestilencia.
Description:
Binding: yellow morocco on wooden boards, by Douglas Cockerell and Son, 1962., Ex libris Sir George Meyrick. Gift of James M. Osborn, 1961., First and third quires wanting., Imperfect: stained by mildew throughout; rubbing; multiple repairs with some loss of text., Rubrications at running titles, initials, Latin commentary., Sir George Meyrick, Bart., who sold the manuscript after his father's death in 1960, said that the manuscript had been in his family's possession for over 100 years and that in 1775 the house was almost destroyed by fire. Many family papers were lost and perhaps it was then that the manuscript became damp and mildewed., and There are red and blue 1-3 line initials at small and large paragraph breaks. Books II (f. 13r), V (76r), VI (125r), VII (140r), and VIII (175v) contain initials with full page demi-vignette borders in gold, red, blue, green, orange, and brown.
Subject (Name):
Gower, John,--1325?-1408 and Meyrick, George,--Sir--Ownership
Subject (Topic):
English poetry--14th century, English poetry--Middle English, 1100-1500, French poetry--14th century, Latin poetry--14th century, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on paper of Boccaccio, De mulieribus claris, with dedication to Andrea Acciaiuoli.
Description:
Binding: Fifteenth century, Italy. Parchment stays from contemporary document adhered to inner and outer conjugate leaves of quires. Original wound sewing on three tawed skin, slit straps fastened in channels in flush wooden boards. A primary endband, caught up on the spine, is sewn on tawed skin cores. Remains of red secondary embroidery. The spine is square and lined with tawed skin between central supports. Covered in kermes pink, tawed skin with corner tongues, the sides divided into triangles with right angled and diagonal fillets. Three fastenings, the catches on the lower board and stubs of green fabric straps on the upper board which is cut in to accomodate them. Eight star-shaped bosses on the upper board (one wanting) and five on the lower, each board with four bosses on their spine edges. Inscription on upper cover: "de mulieribus claris". Written in ink on fore edge: "LXXXVIII" with a helmet on each side. Label on lower board wanting., Folio 3r, partial border, of poor quality: in lower margin, a patch of green grass with two women seated, one dressed in red, the other in green and white, supporting a shield with unidentified arms (gules, 3 helmets sable [in outline only]), a later addition. From the patch of grass oak branches with leaves and acorns extend into inner and upper margins. In inner margin, a fox chasing a hare. Folio 80r, a medallion framed in red and pink and four small gold flowers, with an unidentified monogram in gold against blue ground. One pen-and-ink initial, 8-line, blue with pale red penwork. Plain initials alternate in red and blue. Headings in red (ff. 1r-7r only). Many initials touched with red. Guide letters for decorator throughout., Purchased in 1954 from C. A. Stonehill by Thomas E. Marston., Script: Text written in a well spaced gothic bookhand with humanistic features by a single scribe, below top line. Art. 1 and rubrics added in similar script by another hand., Unidentified arms, with "Cretulia" and "Thurj" added on either side, and inscription in the lower margin of f. 2v: "Quid spectas Thurum [with 3 helmets] sunt hec insignia. Thuris/ Donarunt Sacre Iuno Minerua Venus/ Cretulia., and Watermarks: Briquet Tete de boeuf 14717 and similar to Piccard Ochsenkopf XII.123.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Latin literature, Medieval and modern, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Herolt, Johann Nicolaus, von Dinkelsbühl, approximately 1360-1433
Published / Created:
1444
Call Number:
Marston MS 141
Image Count:
259
Resource Type:
Archives or Manuscripts
Abstract:
Manuscript on paper (thick) of 1) Five lines of verse on the proper formulaic conclusion to prayers addressed to members of the Trinity. 2) Nicolaus de Dinkelsbuehl, De septem peccatis capitalibus (Confessionale). 3) Latin and German names of the books of the Bible; Latin and German names of Aristotle's principal works; Latin names of the Minor Prophets; etc. 4) Johannes Herolt ("Discipulus"), Sermones dominicales. 5) Johannes Herolt, Sermo in festo Iohannis Baptiste.
Alternative Title:
Nicolaus de Dinkelsbuehl; Johannes Herolt, etc.
Description:
Binding stays from this and other parchment manuscripts, s. xiii-xiv, inserted throughout., Binding: Fifteenth century, Germany. The backs of the quires are cut in. Original sewing on three double supports is laced into almost flush wooden boards, and the tawed skin cores of braided endbands, sewn through the cover, are also laced. The spine is back cornered with lining extending between supports on the outside of the boards. Large vermilion and sepia roses are painted on each edge. Back pastedown (and perhaps the inner front pastedown, covered by paper) consists of a parchment bifolium (Germany, 1200-1250) containing the Sermones de tempore of Johannes Halgrinus de Abbatisvilla. Written in small neat early gothic bookhand, above top line. Binding stays from this and other parchment manuscripts, 13th-14th centuries. Covered in kermes pink skin blind-tooled with an X in a frame on the front board, tying-up marks on the spine, and a frame on the lower one. Five round, brass bosses on each board and one fastening, the catch inset on the upper board, the lower one cut in for the strap., Crude red initials, 3- to 2-line, throughout; ff. 33v-38r, 113v-114v and 166r-203r rubricated., Imperfect: leaves 123r-124r and 207r-v mutilated., Purchased in 1946 from H. Rosenthal by H. P. Kraus, who sold it in 1957 to Thomas E. Marston., Script: Written by multiple scribes in varying styles of gothic hybrida and bookhand scripts., and Watermarks, in gutter: similar to Briquet Monts 11786 and unidentified bull's head.
Subject (Name):
Dinkelsbuehl, Nicolaus de and John,--the Baptist, Saint
Subject (Topic):
Church year sermons, Confession--Catholic Church, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and Sermons--Early works to 1800
Manuscript on paper of Eberhardus Bethuniensis, Graecismus.
Description:
Binding: Nineteenth century, Italy. Half bound in vellum with paper spattered with black on the sides. Gold-tooled spine with black label: "Trattato de' Grecismi in Versi Latini," and "1471" stamped along lower edge., Ink has corroded some leaves; many leaves repaired in margins., Plain initials, paragraph marks, initial strokes, punctuation, in red. Guide letters for rubricator., Purchased in 1956 from Bernard M. Rosenthal by Thomas E. Marston., Script: Written in gothic bookhand by a single scribe, below top line., and Watermarks: similar to Briquet Lettre G 8199, Briquet Lettre B 7980, Briquet Fleur 6393, Briquet Joug 7872, 7876.
Subject (Name):
Evrard,--de Béthune
Subject (Topic):
Didactic poetry, Latin, Latin language--Grammar, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on parchment of a collection of homilies. Written as part (ff. 154-177) of a codex intended for recitation: a series of accents added in a contemporary hand act as an aid for pronunciation
Alternative Title:
Omelie
Description:
Binding: Twentieth century. Half bound in black goatskin with black cloth sides and gold tooling on the spine, including: "Omelie" and "MS. Saec. XI"., Plain initials, 2-line, in red and/or brown. Headings in red. Instructions for rubricator and guide letters., Purchased in 1956 from Arthur Rau of Paris by L. C. Witten, who sold it in 1958 to Thomas E. Marston., and Script: Written by a single scribe in a late caroline minuscule.
Subject (Name):
Catholic Church--Liturgy
Subject (Topic):
Homiliaries, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Hus, Jan, 1369?-1415 Jacobus, de Voragine, ca. 1229-1298
Published / Created:
[ca. 1441]
Call Number:
Marston MS 140
Image Count:
273
Resource Type:
Archives or Manuscripts
Abstract:
Manuscript on paper, composed of four parts. Part I (ff. 1-13): Calendar, etc. Part II (ff. 14-138): Jacobus de Voragine, Legenda aurea. Part III (ff. 139-173): Anonymous letter to John Huss written after the Council of Constance; 35 articles of erroneous dogmatic teaching of the Greek church, written in the circle of the papal court during the endeavour to reconcile the Greek and Roman Churches at the Councils of Ferrara and Florence (1437-39). Part IV (ff. 174-269): Latin-German vocabulary.
Description:
Binding: Ca. 1500 (?), Austria. Parchment stays from early manuscripts in center of quires. Original (?) sewing on three tawed skin, double, twisted sewing supports laced into grooves in flush wooden boards and fastened with square pegs. The grooves are filled in with glue. The spine is rounded and backed (naturally?) and back bevelled. A plain, wound endband is sewn on a tawed skin core and also laced and pegged. The spine is lined with coarse cloth in the center and vellum at the ends, extending on the outside. Covered in plain, kermes pink, tawed skin (sheep?) possibly a later addition. Trace of one fastening, the catch on the upper board. There may have been a chain attachment at the head of the lower board. The insides of the boards have been varnished; off-set impressions of pastedowns from early manuscripts on both boards., Part I: KL in calendar in blue; other charts and diagrams in shades of red and black. Small plain initials, headings, initial strokes and underlining in red. Parts II and III: Red or blue initials, 4- to 3-line, some with simple designs. Headings, paragraph marks, initial strokes, underlining in red. Guide letters for decorator. Part IV: Plain initials, and initial strokes, in red, for ff. 174r-176r., Purchased from H. Rosenthal in 1946 by H. P. Kraus who sold it in 1957 to Thomas E. Marston., Script: Each part written by a single hand in hybrida script., and Watermarks: unidentified mountain in gutter.
Subject (Name):
Council of Constance--(1414-1418), Council of Florence--(1438-1445), and Jacobus,--de Voragine,--ca. 1229-1298
Subject (Topic):
Christian legends, Latin language--Dictionaries--German, Latin prose literature, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and Schism, The Great Western, 1378-1417
The decoration is uneven and differs from section to section. Artt. 1, 3, 5, 6, 7, 8 have headings in red ink, red heightening of majuscules, red paragraph marks and red plain initials (plain and unusual flourished initials in red in art. 3) of various sizes. Artt. 2, 4 and 5-8 may have yellow heightening of majuscules too. No initials or paragraph marks in art. 8. Artt. 9-11 have red plain initials up to f. 81v; after that blank spaces with guide-letters; headings are missing after f. 67r. Artt. 2, 4, 12, 13, 14 have almost no decoration. Running headlines (author names) in large Southern Gothica Textualis Formata on pages of artt. 1, 3, 5 and 6., Binding: Nineteenth-century. Damaged half linen, the pasteboard covers covered with red paper impressed with a spiky lozenge pattern in black. Removed and rebound in purple paper. Modern binding not digitized., Cite as: Mariological, Ascetical and Other Texts. General Collection, Beinecke Rare Book and Manuscript Library, Yale University., Manuscript on paper. This incomplete manuscript consists of a series of more or less independent sections. An unusual feature is the writing of text parts in the lower margins as if they were catchwords. Leaves are missing, and many texts are consequently incomplete. Many pages spoilt by the acidity of the ink. Apparently copied by four different hands, mostly very unstable and looking different depending on the period during which they entered the various sections. A (ff. 1r-54v = artt. 1-8 and ff. 107v-108v = art. 14) writes peculiar forms of Humanistica Semitextualis Libraria, which if written rapidly (Currens) tends to become a Cursiva with more pronounced Gothic features, especially in the additional artt. 2, 4 and 14; typical is the unusual abbreviation for in in the shape of dotted i. B (ff. 55r-66v = art. 9) writes Humanistica Semitextualis Libraria, equally under Gothic influence. C (ff. 67r-98v = artt. 10-11) writes a small sloping Gothico-Antiqua Currens. D (ff. 99r-105r = art. 12) writes a Humanistica Cursiva Libraria under Gothic influence; a deviant form D' is seen on ff. 106r-107r = art. 13., and Modern foliation followed. Wanting ff. 71-72.
Subject (Name):
Bernard, of Clairvaux, Saint, 1090 or 91-1153, John, of Wales, 13th cent, and Mary, Blessed Virgin, Saint
Subject (Topic):
Christian literature, Latin (Medieval and modern), Contemplation in literature, Exempla -- Early works to 1800, Manuscripts, Medieval -- Connecticut -- New Haven, and Sermons
Binding: Original blind-tooled brown leather over unbevelled oak boards, bound on four double cords. The two covers are decorated by means of triple fillets with different patterns: on the front cover a double rectangular frame divided into small lozenges decorated with lozenge-shaped hand-tools: griffon, unicorn (?), undetermined, ad two small flowerets; on the rear cover a double rectangular frame divided into six triangles decorated with only a few lozzenge-shaped hand-tools. Both covers protected by four engraved brass corner-pieces (three lost). Remnants of two clasps attached to the rear cover. Spine reinforcement consisting of four fragments from a missal (see below). Spine (damaged) with four raised bands and plaited headbands. Brown leather spine label with gold-tooled title and shelf-mark: VEN. BEDAE / SCINTILLA ETC. / I. XXII. B. V. (now detached). Five red leather tabs or traces of tabs, one at the beginning of each part. Front paste-down of blank parchment., Cite as: Mariological, Mystical and Ascetical Treatises. General Collection, Beinecke Rare Book and Manuscript Libra, Consecutive rear fly-leaf and paste-down cut from the same missal as the binding reinforcements, Germany, 14th century. Final part of the Ordinary of the Mass, containing corrections and changes. The Pater noster has neumatic notation on 4-line staves in black, red and yellow. Parchment. Copied by one hand in Gothica Textualis Formata, the corrections in smaller Textualis Libraria (ca. 1400). Red stroking of majuscules, red rubrics and plain initials., f. 142 loose. Originally tipped in and tab bound., In Latin., Manuscript on paper in five parts, each with its own very partial foliation (ca. 1800); they seem to have had the same history. The handwriting, by various scribes sometimes difficult to discern, is generally very uneven. The paper at places damaged by the acidity of the ink. Part I (ff. 1-84, art. 1): Copied by four Gothic hands: A (ff. 1r-29v): Hybrida Formata; B (ff. 30r-39va): Semihybrida Currens; C (ff. 39vb-56r): Hybrida Libraria; D (ff. 56v-77r): small Hybrida Libraria. Part II (ff. 85-215, art. 2): Copied by various scribes, writing Hybrida Formata, Hybrida Libraria, Cursiva Libraria (ff. 153v-157v) and Semihybrida Currens (f. 210r-v, 212v). The headings are in diverse types of script, often slovenly written. Part III (ff. 216-273, art. 3): Copied by three hands. A (ff. 216r-230v): large, bold Hybrida Formata; B (ff. 231r-272ra): Hybrida Libraria; C = friar Rudolphus Deyrdynck (f. 272rb-v): Hybrida Libraria. Part IV (ff. 274-343, artt. 4-19): Copied by one hand writing Hybrida or Semihybrida Libraria/Currens. Part V (ff. 344-388, art. 20): Copied by three hands. A (ff. 344r-352ra, 14): bold Hybrida Formata/Libraria; B (ff. 352ra, 14-354va): bold Semihybrida Libraria; C (ff. 354vb-388r): linear Hybrida Libraria/Currens sloping to the left., Note in the lower margin of f. 1r suggests that the manuscript was produced in the Benedictine abbey of Huysburg, north of Halberstadt. The scribe Rudolf Deyerdynck may have been a member of this community. Gift of the Library Associates of Yale University Library., Part I: Headings in red. The majuscules are stroked in red. Plain initials of various sizes in red, generally with the simplest form of penwork; they are all executed by the same hand., Part II: Plain initials in red of various styles and sizes, often with some flourishing; they are missing on ff. 206r-207v., Part III: Headings in red. The majuscules are stroked in red. 2-3 line plain initials in red., Part IV: Headings in red. Red stroking of majuscules and red paragraph-marks. Plain initials in red of mediocre execution; on ff. 279r-284r cadels with fancy forms; a face in the initial on f. 312r; some initials (ff. 324r-341v) apparently by the same hand as those in Part I., and Part V: Headings in red. Stroking of initials in red. 2-3-line plain initials in red at the opening of the chapters. A human face in the initials on ff. 351r, 352r, 375v. The names of the authorities quoted are in red.
Subject (Name):
Abbot of St. Mihiel, Smaragdus, fl. 809-819, Bishop of Brandenburg, Stephan Bodeker, 1383-1459, and Blessed Virgin, Saint, Mary
Subject (Topic):
Christian literature, Latin (Medieval and modern), Illumination of books and manuscripts, Medieval, Manuscripts, Medieval -- Connecticut -- New Haven, and Sermons