Manuscript on parchment of Book of Hours printed in Paris, Thielman Kerver for Guillaume Eustace, 20 June 1500. The illuminated leaves, from a Book of Hours for the use of Rouen, between 1475 and 1500, were inserted into the printed Book of Hours before the present-day binding was made (ca. 1600).
Description:
In Latin., Script: Copied by one hand in Northern Gothica Textualis Formata., Decoration: Headings in red. Heightening of majuscules in yellow. Rectangular line-fillers decorated with red, blue and gold; 1-line dentelle initials; 2-line foliate initials; 4-5 line historiated initials (artt. 3 and 14); arch-topped miniatures (described above) above 3-4 lines of text, accompanied by 3- or 4-line foliate initials. The pages containing miniatures or historiated initials have full flower and acanthus borders, which may contain additional scenes or grotesques (see artt. 2, 4, 5, 11, 12). The woodcuts are coloured by hand throughout the book. Text pages containing a 2-line foliate initial have outer-margin or inner- and outer-margin borders (the latter on ff. 42 bis r and 64r)., and Binding: Red morocco similar to that of Beinecke MS 662.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Books of hours, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
In Latin with some Dutch headings., Script: Copied by one Northern scribe writing Southern Textualis Formata (Rotunda) with some Humanistic features (Capital A, straight d alternating with Gothic d)., Headings in red. Lavish decoration in Ghent-Bruges style. Rectangular line-fillers in red, blue, green and gold. Trompe-l'oeil initials (1 line, 2 lines, 3 lines (rarely), 5 lines) consist of twisted branches in mat gold projecting shadow on a square background in red, blue or green. Full-page miniatures are painted on the verso of inserted singletons and are framed by four-margin borders which have their counterpart on the facing text page. Text miniatures (height: 7-8 lines) are painted in regular quires and are accompanied by four-margins, mostly floral borders., and Binding: Partly original binding in blind-tooled brown calf by the Bruges binder Ludovicus Bloc (1484-1529). The original binding is inset in brown morocco by F. Bedford (?) On each cover a panel with eight animals in tendrils, surrounded by the inscription in Roman Capitals "Ob laudem Christi librum hunc recte ligavi Ludovicus Bloc", is stamped four times; between the upper and the lower panel imprints is a five-compartment frieze containing animals. On the modern blind-tooled spine gold-tooled modern inscriptions "HORAE / B.V.M. / TORNACENSIS" and "MS./ BRUGES / C. 1520". Gilt and gauffered edges. White parchment endleaves.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Books of hours, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on parchment (thick and furry) of Sir Gilbert Dethick, Book of Arms. Illustrations of coats of arms, in color, one per folio recto or verso; above each except the first, the name of the bearer, as given below. No mottoes given. Dedicated to Queen Elizabeth I of England (1558-1603).
Description:
In English., Script: Introduction and labels of illustrations in cursive with loops, by one scribe., Each shield enclosed in shaded pink border designed to look like worked metal, and surmounted by a jousting helm in profile, mantling gules doubled argent with gold tassels; wreath in colors from shield. Only shields (in up to 17 quarters) and crests vary. Slight variations from this scheme on f. 2r (royal arms) and f. 3r (mantling sable doubled argent). Fair quality of workmanship., Bookblock detached from the binding. Illustration badly smeared on f. 11r, slightly smeared f. 28r., and Binding: ca. 1873. Gold-stamped red goatskin case.
Subject (Geographic):
Great Britain., Connecticut, and New Haven.
Subject (Name):
Dethick, Gilbert, Sir. and Elizabeth I, Queen of England, 1533-1603.
Subject (Topic):
Devices (Heraldry), Heraldry, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript fragment on vellum of 1 leaf from a Breviary, with offices for St. Ursula.
Description:
Two historical initials.
Subject (Name):
Catholic Church--Liturgy and Ursula,--Saint
Subject (Topic):
Breviaries, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on parchment (thick) of 1) Notes on the baronial Clare family of Gloucester, in chart format, from a manuscript contemporary with or slightly earlier than the main text (art. 3). Name of the appropriate King of England appears on the left in a red circle [concludes with King Edward IV, 1327-77], and a short history of certain members of the Clare family are added on the right. 2) Genealogical tree, added between 1450 and 1500, establishing the claims of King Edward IV (1461-83) to the kingdoms of England, France, Castile and Leon. 3) Brut Chronicle, up to 1419, but the final leaf of text has been torn out
Description:
In Middle English., Script: Written by a single scribe in neat Anglicana formata. Running titles and marginal notes added by later hands., Illuminated initial, 6-line, on f. 1r, pink on gold ground, with blue, green, and pink acanthus leaves, and white highlights; full bar-border with swirling acanthus leaves in same colors as for initial; black hair-spray in outer margins. Heading and chapter numbers in red. Small initials, 2-line, blue with red flourishes, for most chapters. Paragraph marks alternate red and blue., Parchment is well thumbed and worn, especially f. 1r; some loss of text., and Binding: 17th-18th centuries. Covered in brown calf, blind-tooled, with a brick-colored, gold-tooled label, probably a later addition.
Subject (Geographic):
Connecticut, New Haven., and Great Britain
Subject (Name):
Clare family. and Edward IV, King of England, 1442-1483.
Subject (Topic):
English literature, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and History
Manuscript on parchment (scraps, endpieces) of the Canticum canticorum, with glossa ordinaria.
Description:
Text written in large round late caroline minuscule; commentary in a similar, but smaller script with many abbreviations.
Subject (Name):
Bible. O.T. Song of Solomon and Glossa ordinaria
Subject (Topic):
Illumination of books and manuscripts, Medieval, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on paper (trimmed) of 1) Alphabetical index. 2) Extract from Petrarca, Africa, VI, 885-918. 3) Petrarca, Canzoniere. 366 poems. 4) Transcription of a note on the front flyleaf of the Virgil manuscript copied by Petrarch, Milan, Biblioteca Ambrosiana, MS S.P. Arm. 10, scaf. 27. 5) Petrarca, Trionfi
Description:
In Italian., Script: Copied by one hand writing an unusual and upright form of Humanistica Cursiva Libraria, marked by a conspicuous shape of r; a second hand copied the replacement leaves 108 and 109, and a third hand copied f. 149r-v; both using the same type of script., Pale red headings (the one on f. 9r in Capitalis), subscriptions and plain initials (Capitalis). On f. 9r (beginning of art. 3) splendid 5-line trompe-l'oeil initial in Veneto-Paduan style in the shape of a square purple stone slab showing the letter V and plants in relief, slightly damaged., A section in the middle of ff. 85 and 86 is missing and has been replaced by pieces of paper written by a contemporary hand, and Binding: Seventeenth century. Limp parchment with two modern leather ties. On the spine the inscription in ink: "Petrar** Manuss***".
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Petrarca, Francesco, 1304-1374.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Italian poetry, and Manuscripts, Medieval
Manuscript on parchment of Capitularies of Charlemagne and Louis the Pious compiled by Ansegisus in 827. With Capitularies of Charles the Bald; and List of Frankish kings from Faramund to Philip II (1180).
Description:
In Latin., Script: Written in fine Carolingian minuscule primarily by two scribes. Scribe 1: ff. 1v-42v; Scribe 2: ff. 43r-96r, 98r-102r., Eleven large decorative initials (5- to 13-line) of very good quality in gold, green, red, and white, of the style usually associated with the school of Rheims. The initials are constructed of broad outlines in green which are decorated with unburnished gold (partly rubbed) and bordered with red. The letters terminate in interlace knots and animal heads. Empty spaces within the initials are filled with interlace grids of stylized foliage in unburnished gold laid on greenish ground. The stems of the most important initials (ff. 3r, 8v, 28v, 55r, 67r, 83r, 98r) are decorated with white interlace designs on red grounds., and Binding: Eighteenth century. Edges spattered red. Brown spattered calf, blind-tooled. Remains of paper label on spine.
Subject (Geographic):
Connecticut, New Haven., and France
Subject (Name):
Charlemagne, Emperor, 742-814., Charles II, King of France, 823-877., and Louis I, Emperor, 778-840.
Subject (Topic):
Law |z France, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Politics and government
Manuscript on parchment of 1) The author, Quintus Aemilianus Cimbriacus (1449-1499) of Vicenza, speaking to his book of poetry, 6 lines. 2) 28-line encomium dedicated to Niccolo Donati, Patriarch of Aquileia, 1493-97. 3) Rhapsodia I. 4-7) Rhapsodia I-V. 8) De mysteriis christianis. 9-10) Poems to Angelus Padavinus.
Description:
Binding: Date?, Italy. Tacketed to a limp vellum wrapper made from a parchment document: Agostino Barbarigo, doge of Venice (1486-1501), writes on behalf of the secretary Joannes B[remainder of name missing due to hole in parchment], dated Venice, 5 May 14[8?]8. Filing notes on upper cover. Title in majuscules on upper cover: "Quintii Haemiliani Cimbriaci Vti [for Vincentinus?]"., Half-page coat of arms (argent [oxidized], a chief with 3 roses gules above 2 bars gules; crest: bishop's mitre surmounted by gold cross) enclosed by a wreath with flowers and fruit and four ribbons, f. 1v. Plain gold majuscules outlined in black, 4- to 2-line, mark beginning of arts. 2-8; headings for each poem in black epigraphic square capitals., and Script: Written in a well-formed upright humanistic bookhand.
Subject (Name):
Quintus Aemilianus Cimbriacus
Subject (Topic):
Christian poetry, Latin (Medieval and modern), Illumination of books and manuscripts, Medieval, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library