"Two French commissaries stand (left), each with a book under his arm, holding out their demands for assignments on the exchequer; one has a paper inscribed 'Payer'. Their president, as in BMSat 8849, shrugging his shoulders, answers 'Impossible!' Another man seated on a bale (right) counts on his fingers; before him are figures giving a total of 'o'. A third holds up a paper: '2 /2 /3/', looking at it through an eye-glass. On the wall is a 'Tafel van Multiplicatie' and beside it shelves in which are books and bundles of papers, one inscribed 'Pretentions des Trouppes Suisses'. A shelf is inscribed 'Insolvable'. Text, 'Ecclesiasticus, Jesus Sirach', xli. 24."--British Museum online catalogue.
Description:
Artist identified as Hess and printmaker questionably identified as Gillray in the British Museum catalogue., One of twenty plates published as a bound set entitled: Hollandia regenerata., Place and date of publication from British Museum catalogue., Plate numbered "5" in upper left corner., Possibly published by Hannah Humphrey. See British Museum catalogue., Temporary local subject terms: Frenchmen -- Dutchmen -- Committees: finance committee -- Holland: civil discord., Title etched below image., and With: Letterpress explanation in French that includes appropriate texts from the Bible in Dutch and in English.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Hess, David, 1770-1843, artist.
"The interior of a church or crypt, indicated by a stone wall with funeral monuments, and a flagged floor in which old graves have been violated. A soldier tramples on a skeleton, another levers up a flag-stone. Behind, a boy in military uniform, in back view, urinates upon a skull. A citizen raises a mallet in both hands to deface a large monument against the wall, on which is the figure of a bearded man in sixteenth-century armour, which partly obscures the lettering on the tomb: 'Wil. . . [F]riso Princ .... Araus Na ...'. A tomb beside it (right), headed by a pyramid of skulls, is 'F. W: \ com: Nassov. \ Obiit \ Anno . . \.' There are other broken tombstones, one inscribed 'Princ: Araus'. A plumed helmet and blazoned shield lie on the ground. 'C'est ainsi qu'en Frise les amis de la liberté ont détruit jusqu'à la mémoire de leurs anciens tyrans. . . .' Text, 'Leviticus', xviii. 27."--British Museum online catalogue.
Description:
Artist identified as Hess and printmaker questionably identified as Gillray in the British Museum catalogue., One of twenty plates published as a bound set entitled: Hollandia regenerata., Place and date of publication from British Museum catalogue., Plate numbered "16" in upper left corner., Possibly published by Hannah Humphrey. See British Museum catalogue., Temporary local subject terms: Holland: civil discord -- Committees: removal committee -- Churches: Dutch churches -- Tombs -- Skeletons -- Military uniforms -- Graves: violation of graves -- Monuments: destruction of monuments., Title etched below image., and With: Letterpress explanation in French that includes appropriate texts from the Bible in Dutch and in English.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Hess, David, 1770-1843, artist.
"The patriots (known as 'Bataves', who had emigrated in 1787 after their defeat by the Anglo-Prussian alliance, see BMSat 7178, &c.) approach the committee (apparently two French Représentants en Mission) with requests for money and clothes. Four men stand obsequiously on the right, two with papers inscribed 'Request'. From the pocket of one (right), dressed as a soldier, projects a carriage-lamp (which he is alleged in the text to have stolen). One Frenchman (wearing a scarf inscribed 'Representant'), holding a pair of breeches, puts money into an outstretched palm. The other haughtily watches the suppliants. On the left an old Jew measures a patriot wearing sabots, his coat inscribed 'N° 25', for a suit of clothes. Behind him is a wall from which projects a sign: 'Nathan Levi Uitdraager en Kleermaaker' [broker and tailor]. On the wall are four pegs, from one hangs a 'Capts Pack': coat, boots, and sword, from another a 'Lts Pack': coat and sword. Between them hangs a small empty bag of 'Courage Militais' [sic], and on the right a mask. Behind the suppliants is a door (right) above which is a notice surmounted by a cap of liberty: 'Nederlandsche \ Societeÿt \ Vry Wÿn en Moll' [Wine and beer gratis]. On the door: 'gebranndte Waateren te koop' [brandy for sale]. Text, 'Proverbs', xiii. 21."--British Museum online catalogue.
Description:
Artist identified as Hess and printmaker questionably identified as Gillray in the British Museum catalogue., One of twenty plates published as a bound set entitled: Hollandia regenerata., Place and date of publication from British Museum catalogue., Plate numbered "12" in upper left corner., Possibly published by Hannah Humphrey. See British Museum catalogue., Temporary local subject terms: Holland: civil discord -- Committees: refugee committee -- Frenchmen -- Lamps: carriage lamps -- Jews -- Trades: tailors -- Brokers -- Military uniforms: Dutch uniforms -- Cap of liberty., Title etched below image., and With: Letterpress explanation in French that includes appropriate texts from the Bible in Dutch and in English.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Hess, David, 1770-1843, artist.
"A lamp-lighter (left) stands dejectedly on his ladder which rests against a stone obelisk supporting a lamp whose glass is broken. The light has been extinguished by a blast from the head of a cherub emerging from clouds (right). A man wearing a cocked hat standing by the lamp-post tries in vain to get a spark from a flint. A stout citizen bends over a cup held by an old woman seated on the right, he stirs it and blows upon it, evidently trying to kindle a light. A dog befouls the obelisk. '. . . Ce Committé se donne bien dela peine pour allumer la grande lanterne. Mais - le vent siffie - les verres sont cassé - comment les raccomoder ? - ' Text, 'Job', xviii. 5."--British Museum online catalogue.
Description:
Artist identified as Hess and printmaker questionably identified as Gillray in the British Museum catalogue., One of twenty plates published as a bound set entitled: Hollandia regenerata., Place and date of publication from British Museum catalogue., Plate numbered "9" in upper left corner., Possibly published by Hannah Humphrey. See British Museum catalogue., Temporary local subject terms: Holland: civil discord -- Committees: committee of public instruction -- Lamp-lighters -- Lighting: lamps -- Dutchmen., Title etched below image., and With: Letterpress explanation in French that includes appropriate texts from the Bible in Dutch and in English.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Hess, David, 1770-1843, artist.
"Lord Lansdowne is about to force down the throat of the Duke of Richmond a part of his model fortifications which are on a dish beside him. These are in the form of a semicircle of gun-embrasures, each marked with a letter of the word '[F]ORTIFICATION'; Lansdowne stands behind Richmond, who is seated, holding him by the arm, with the letter 'F' in a spoon which he holds before Richmond's mouth; Richmond starts back in alarm. The blind Barré, touching the wall to guide himself, enters from the right, leading by the empty right sleeve a lean and erect military officer with a wooden leg, who holds a long spear. On Richmond's table is a paper: 'Morning Post Tuesday March 6th 1787. Marquis La . . s . . . n; This Letter if his Grace thought proper, he would send him under cover to refresh his convenient & accomodating Memory------ Lords Debates'. On the wall (left) behind the table is a plan of fortifications inscribed 'Cherbourg', above it is a scroll inscribed 'en le rose je fleurie' (the Lennox motto, cf. BMSat 7160)."--British Museum online catalogue.
Description:
Date of publication based on that of earlier state., Previously issued April 2, 1787, with an imprint by Fores; this earlier imprint has been burnished from the plate but is still visible in lower left below image. Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6, no. 7155., Printmaker from British Museum catalogue., and Title etched below image.
Publisher:
I. Jarvis, Richmond Buildings
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Barré, Isaac,--1726-1802--Caricatures and cartoons., Harvey, Francis--Ownership., Jarvis, John, fl. 1783-1794, publisher., Lansdowne, William Petty,--Marquis of,--1737-1805--Caricatures and cartoons., and Richmond, Charles Lennox,--3d Duke of,--1735-1806--Caricatures and cartoons.
"A reissue ... of BMSat 6250 (1783), on the coalition of Fox and North, Humphrey's imprint scored through but legible. The application to current politics (if intended) is obscure: Fox, saying "Damn the Tories!!!", triumphs over Shelburne, with the help of North (d. 1792)."--British Museum online catalogue.
Description:
Plate originally published with the imprint: Pubd. July 11th, 1783, by W. Humphrey, No. 227 Strand. Original imprint has been scored through with etched lines but is still visible in lower left corner of image. Cf. No. 6250 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Printmaker from British Museum catalogue., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Fores, S. W., publisher., Fox, Charles James,--1749-1806--Caricatures and cartoons., Harvey, Francis--Ownership., Lansdowne, William Petty,--Marquis of,--1737-1805--Caricatures and cartoons., and North, Frederick,--Lord,--1732-1792--Caricatures and cartoons.
"Copy of a French print. A fashionable promenade. Two men walk towards each other, each with a lady hanging to each arm, all have their faces concealed by some part of their dress, hat, or collar, or both. One man has a round hat, with a fantastically curved brim projecting downwards. The other has a huge crescent-shaped cocked hat with the peaks dipping over face and back. Both have high, stiff, pointed collars projecting above the high collars of coat and waistcoat. The ladies wear bonnets with projecting scoops or a straw hat with broad contorted brim, with high neck-ruffles. A couple walk arm-in-arm, and in the background two ladies walk away. Another lady sits alone under a tree (left). The men wear knee-breeches. The ladies wear or carry shawls with their trailing dresses; their flat slippers are en cothurne."--British Museum online catalogue.
Description:
Printmaker and date of publication from British Museum catalogue. and Title etched below image.
Publisher:
H. Humprey, No. 27 St. James's Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
Fox, and Richmond on the left with Shelburne standing pensively between them, move away from the armored ghost of Cromwell who stands on a crushed crown and sceptre. Cromwell is saying "To obtain your end your measures are right, you arm the people, like me, you trample on prerogative...." A reference to Shelburne's plan after the Gordon Riots to arm the populace in preference to the use of troops.
Alternative Title:
Malagrida and conspirators, consulting the ghost of Oliver Cromwell
Description:
Printmaker from British Museum catalogue.
Subject (Geographic):
Great Britain--Politics and government--1760-1789.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Cromwell, Oliver,--1599-1658--Caricatures and cartoons., Darchery, Elizabeth, publisher., Fox, Charles James,--1749-1806--Caricatures and cartoons., Harvey, Francis--Ownership., Lansdowne, William Petty,--Marquis of,--1737-1805--Caricatures and cartoons., and Richmond and Lennox, Charles Lennox,--Duke of,--1735-1806--Caricatures and cartoons.
"Time stands behind an oval table covered with a cloth on which is an hour-glass, its sands nearly run out, standing on a large flat book inscribed 'Traitè de Paix', from which five seals hang evenly. Behind him is a doorway in a stone wall, covered with a curtain, one side of which he holds. With his left forefinger he points upwards at the inscription above the door: 'L'avenir', which is decorated with seven (drooping) ears of corn. The seals are inscribed (left to right): 'F.W.' [Frederick William of Prussia]; 'G Rx', with its ribbon inscribed 'God save the King'; France; a crowned 'C' [Catherine II]; 'Fr. Imp.' [Francis Imperator] (prophetic of the powers that decided the fate of Holland in 1815). 'Le génie du Terns garde la porte de l'avenir;... Qui est le mortel assez hardi, pour oser le penetrer? . . .' Text, 'Proverbs', x. 28. To this is added, in English only, 'St. Matthew', v. 9, 'Blessed are the peacemakers!'"--British Museum online catalogue.
Description:
Artist identified as Hess and printmaker questionably identified as Gillray in the British Museum catalogue., One of twenty plates published as a bound set entitled: Hollandia regenerata., Place and date of publication from British Museum catalogue., Plate numbered "20" in upper left corner., Possibly published by Hannah Humphrey. See British Museum catalogue., Temporary local subject terms: Holland: civil discord -- Emblems: hour-glass -- Personifications: Time -- Seven ears of wheat-corn as United Provinces., Title etched below image., and With: Letterpress explanation in French that includes appropriate texts from the Bible in Dutch and in English.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Hess, David, 1770-1843, artist.
"Gaetan Vestris (right) giving a dancing lesson to a gigantic goose with a human head and long pigtail queue. They face each other in profile. Vestris stands with his legs together, chest thrown out, his arms curved. "Regardez-moi" was his characteristic admonition. On a stool behind the goose is an open book inscribed "Electrical E. E. L."; on the ground at its feet is another inscribed "The Torpedo. Dedicated to Ld------C------. My Lord, I take the Liberty------ The greatness of whose Parts are known. . ." . This indicates that the goose is Lord Cholmondeley (1749-1827), "The Torpedo, a Poem to the Electrical Eel addressed to Mr John Hunter Surgeon" and "Dedicated to . . . Lord Cholmondeley," 4th ed. 1777, was a coarse and scurrilous poem, three lines of which are, "What tho' Lord Ch--lm--d--ly may conceal A most enormous length of Eel Admir'd for Size and bone:"In the wall which forms the background are two sash-windows and a door (left) round which a grinning youth, probably a servant, is looking. On the wall are half length portraits: three in ovals of elderly ladies in profile, one of a clergyman, full-face, wearing a biretta, his left hand on a book. There is also a picture of Fox, with a fox's head, seated opposite Cholmondeley; they are throwing dice. Fox appears satisfied, the other clenches his fist and exclaims in anger. A devil is climbing on the top of the frame and holds out a claw to grab the head of Fox. On the picture are the words "A Nick by God". Like Fox, see BMSat 5972, Cholmondeley held a faro bank at Brooks's. G.E.C., 'Complete Peerage'."-- British Museum online catalogue.
Description:
CtY-LW, Printmaker and date of publication from British Museum catalogue., Sheet trimmed within plate mark., and Title from text at bottom of image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Cholmondeley, George James Cholmondeley,--Marquess of,--1749-1827--Caricatures and cartoons., Fox, Charles James,--1749-1806--Caricatures and cartoons., Harvey, Francis--Ownership., and Vestris, Gaëtan,--1729-1808--Caricatures and cartoons.
Subject (Topic):
Clothing & dress--England--1780-1790., Dance., Geese. , and Interiors--England--18th century.