Manuscript, on parchment, in several unidentified hands containing a collection of various medical treatises. Manuscript consists of tree sections bound together. First part contains several works by Aristotle (all in William of Moerbeke's recension): De anima (ff. 1r-26r; marginal commentary by Thomas Aquinas), De somno et vigilia (ff. 26r-37r), De generatine et corruptione (ff. 38r-55r), De causis (ff. 56r-61r), De motibus animalium (ff. 62r-63r, beginning imperfect), De memoria et reminiscentia (ff. 63r-66v), De longitudine (ff. 67r-69r); and Henricus Monachus' Tabula ad inveniendum Pascha (f. 70r). The second part (15th c. date on the basis of paleography) contains Johannes de Sacrobosco's Algorithmus (ff. 70v-74r), De sphaera (74r-81v), and Compotus ecclesiastius (82v-98r), the anonymous' De simplici et composito quadrante (98r-100v), Robertus Grosseteste's De sphaera (ff. 101r-106r) and Compotus (ff. 106r-124r), Campanus de Novara and Robertus Grosseteste's Tabulae (ff. 124r-126r), Expositio tabule de annis Arabum Magistri Campani (f. 126r), De pratica quadrantis (ff. 127r-130r), Chylindrus (ff. 137r-139r), Compotus manualis (ff. 139r-142r), and Gerardus Creonensis' Theorica planetarum (ff. 143r-155r). The third part (14th c. date on the basis of decoration) contains Prophatius Hebraeus' Tractatus quadrantis novi (ff. 156r-171r), and the Tabula ad sciendu quantum cum quolibet gradu zodiaci... (f. 171v) Ends with two diagrams (ff. 172v-173r) and a table the fixed stars (f. 173v)
Alternative Title:
De anima, De somno et vigilia, De generatione et corruptione [etc.] : [the Tabula ad inveniendum Pascha of Henricus Monachus, followed by selections, mostly astronomical and arithmetical, from Johannes de Sacrobosco, Robertus Grosseteste, Johannes de Ahrweiler, Gerardus Cremonensis]
Description:
In Latin., Title devised by cataloger., Script: Gothica textualis., Decoration: decorative red and blue initials, and several hand drawn maps of the fixed stars. Rubrication., Layout: 1 column of around 40 lines., Binding: 15th-century brown pig-skin binding, blind-tooled. Contemporary pig-skin tabs attached to fore-edges to demarcate beginins of new texts. Traces of straps from back to front cover. Traces of metal bosses on front cover and 3 holes in triangular formation for chain attachment on back cover. Label on front cover: Algorism[us] ... / Sper materialis / Compo[si]tus philosop[] / uel custod[]. Label on back cover: Sphaera materialis / Joannis de Arweilerio. Quadra[n]s / nouus Probacii Hebrei 1554. Note on binding on inside front cover: Anno domini MCCCCLIIII. Ligatus est iste liber per reuerendum patrum fratrem Matthiam Halddenof suppriorem conuentus wiennensis., Date of the first and oldest part is based on scribal note (f. 26r): Explicit liber de anima petri Rodeheym. Amen. Anno domini MCCLXXXXI in uigilia pentecostes., and Also available on microfilm.
Subject (Topic):
Astronomy, Medicine, Greek and Roman, Medicine, Aphorisms, Medicine, Medieval, Manuscripts, and Psychology
Manuscript on paper of Adolfus von Wein, Doligamus. The text, a series of fables concerning the deceitful conduct of women, is heavily annotated with interlinear glosses and lengthy explanatory prose passages inserted both between segments of the text and in the outer margins. With Albertus Magnus, attributed author, De secretis mulierum; and Pope Pius II (Aeneas Sylvius Piccolomini), Carmen in laudem Friderici Caesaris, a poem written in praise of Friedrich III (1415-93), King of the Germans and later crowned Holy Roman Emperor
Description:
In Latin., Watermarks: similar to Piccard, Ochsenkopf XIII.173 and XI. 201, and similar in design to Briquet Main 11090, 11092-93., Script: Written by a single scribe in inelegant gothic cursive, with a smaller script for commentary and interlinear notations., Crude decorative initials, 2-line, in red, some with foliage designs in body of letter; first letter of each verse stroked with red., Some loss of marginalia due to trimming on ff. 8v, 9r., and Binding: Twentieth century. Red paste-paper case with a black, gold-tooled label.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Adolfus, von Wien, 14th cent. and Frederick III, Holy Roman Emperor, 1415-1493.
Subject (Topic):
Didactic literature, Latin (Medieval and modern), Fables, Laudatory poetry, Latin, Manuscripts, Medieval, and Scholia
Manuscript fragment on parchment of an index from a missal of the temporale, sanctorale, and Common of the saints
Description:
In Latin., Script: written in gothic script (littera textualis formata) in red and black ink., and Decoration: the 1-line initials at the beginning of each line are in red or in black highlighted with red; the feasts of Advent, the canon and prefaces of the Mass, the first Sunday after Easter, the beginning of the sanctorale, and all the items of the Commons are written in red; other important feast days such as Christmas, Epiphany, Easter, and Pentecost begin with a paragraph mark in red; punctuated with the punctus.
Manuscript on parchment (thick, good quality), composed of four parts. Although all four parts may be roughly contemporary in execution, they apparently were not assembled together as a "missal" until the 15th century, at which point the manuscript was annotated and cross-referenced from beginning to end; it is possible that only the lectionary and sacramentary in Part IV were originally intended to be used together
Description:
In Latin., Script: Part I (ff. 2-8): Text of calendar written in gothic bookhand by a single scribe; many later additions in several hands. Part II (ff. 9-56): Written in gothic bookhand, with additions in several different hands in less formal styles of writing. Musical notation consists of Austrian adiastematic neumes in the same ink as the text. Part III (ff. 57-64): Written in large liturgical gothic bookhand. Part IV (ff. 65-276): Written in gothic bookhand; several layers of marginalia added in less formal hands., Part I: KL monograms, in red, embellished with knobs. Part II: Eleven large initials, 12- to 6-line, drawn in red and/or brown ink against geometric grounds of blue and lime-green washes. The initials are constructed of dragons and other fantastic animals, or of stylized foliage inhabited by biting beasts and birds. Plain initials in blue, red or lime-green, some with blue and/or red penwork designs, others with knobs. Major headings in majuscules with letters alternating red, black, and sometimes lime green; other headings in red. Instructions to rubricator perpendicular to text. Part III: The decoration of the Canon of the Mass consists of a 3/4-page miniature of the crucifixion, f. 60r, framed with a narrow border of olive green, red and blue with white filigree. Christ is shown hanging from a Y-shaped Astkreuz flanked by Mary and St. John, against gold ground. The gold ground is largely rubbed and the figures are partly restored (lower part of St. John's robe has been reworked, and flaked paint on the cross and Christ's loin cloth replaced). Marginal illustration of what appears to be a kneeling Augustinian canon dressed in white and red robes, adjoining the Te igitur (f. 60v). Three illuminated initials, ff. 58r, 59v, 60v, for the Canon of the Mass, 7- to 5-line, pale mauve with stylized scrolls and green foliage against gold ground edged in blue with white filigree. Vere dignum initials, 3-line, alternate in red and blue with penwork in either blue or red. Part IV: Pen-and-ink initials, 7- to 4-line, of a similar design as in Part II, but lacking the vitality; drawn in brown and/or red ink with stylized foliage and palmettes sometimes touched with blue or red against blue, red and/or lime-green ground. Smaller initials, 4-line, red, blue or green with red and/or green penwork design. Plain initials in red. Headings in red. Instructions for rubricator perpendicular to text., Elegant repairs to parchment sewn with blue and chartreuse thread (e.g., f. 27). Most of the leaves of Part III have been repaired., and Binding: Nineteenth century, England. Quarter bound in brown calf, blind-tooled, over wooden board. Metal fittings at the head and tail of the leather and two fastenings.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Liturgy, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Missals
Manuscript fragment on parchment of a missal containing: St. Chrysogonus (24 November); St. Catharine of Alexandria (25 November); St. Virgil, Bishop of Salzburg (27 November); Common of an Apostle; and Common of Martyrs
Description:
In Latin., Script: written in a formal gothic script (littera textualis formata)., and Decoration: There is a 7-line initial "E" on fol. 1v in pink with red and white highlights on a gold ground; green and blue vines with pink flowers extend from the initial into the lower margin and the forks in the vines were once filled with gold wedges; other 1- to 4-line initials are in red; rubrics are written in red in the same script as the text; punctuated with the punctus; hyphenation is in the same ink as the text.
Manuscript on paper and parchment of Compendia in verse of the Bible and of the Sententiae; works on Canon and Roman Law; and Notes and metra especially on moral theology. Almost all texts and tables in this small manuscript are either by Iohannes Slitpacher, a Benedictine monk in the abbey of Melk, or anonymous and unrecorded
Description:
In Latin., Probably copied by one hand, writing an extremely small Gothica Semihybrida, varying from Libraria to Currens., Headings in red. Red heightening of majuscules and underlining. Red plain initials. A few crude flourished initials. Tables and circular diagrams in red and black ink; an unfinished diagram on the rear cover (f. 136v)., and Binding: Twentieth century. Brown leather over pasteboard, spine with three raised bands. Ff. 1 and 136, of thick yellowish parchment, are the original covers.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Slitpacher, Iohannes. and Benedictines.
Subject (Topic):
Canon law, Didactic literature, Latin (Medieval and modern), and Manuscripts, Medieval
Title from item., Date derived from printmaker's date of death., Place of publication derived from printmaker's place of residence., Text in Latin and German., In margin upper right: 8., In margin lower center: Cum Priv. Sac. Coes. Maj., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject headings: Hospitals, Austria; Poorhouses.
Publisher:
publisher not identified
Subject (Topic):
Almshouses, Hospitals, City & town life, and Streets
A photomechanical print probably created during the early twentieth century as a forgery that reproduces twelve gores for a globe published in 1507 by Martin Waldseemüller based on his wall map, Universalis Cosmographia (1507). and Evidence of the forgery includes the superimposition of the gores over glue already on the paper surface, which suggests use of a sheet removed from a period volume, as well as details that replicate gores from an authentic woodcut print formerly owned by Austrian cartographer Franz Hauslab and acquired by the James Ford Bell Library at the University of Minnesota in 1954
Description:
A gore is a roughly triangular or wedge-shaped segment of an object, as found in domes and globes, where a sector of a curved surface, or a curved surface that lies between two close lines of longitude on a globe, and flattened to a plane surface with little distortion., Martin Waldseemüller (1470-1519) was a German cartographer. His wall map Universalis Cosmographia (1507) and printed globes contemporarily derived from it were the first published globular maps of the Western Hemisphere and the first maps on which the name America appears in honor of Italian explorer Amerigo Vespucci (1454-1512)., In Latin., Title devised by cataloger., and Publication place and date of creation supplied by the cataloger.
Subject (Geographic):
America
Subject (Name):
Hauslab, Franz, 1798-1883., Vespucci, Amerigo, 1451-1512., and Waldseemüller, Martin, 1470-1519
Subject (Topic):
Forgeries, Globes, World maps, Discovery and exploration, and Name
