[approximately 1815] and [printed mid-20th century]
Call Number:
Paulson 815.00.00.22
Image Count:
1
Resource Type:
still image
Abstract:
"A house is attacked while a lady and a young girl sleep on a couch at center. Three bandits wield weapons, and one takes hold of the necklace of the lady. Another group of armed gentleman approach from the stairs at right."--Metropolitan Museum of Art online catalog
Description:
Title etched below image., Attribution to Rowlandson from the Metropolitan Museum of Art online catalog, accession no.: 59.533.1612., Engraved after the painting "1er Scène de voleurs" by Louis Léopold Boilly, now in the Palais des Beaux-Arts de Lille., Restrike of the latest state of the plate, which has a border and stippling added in addition to the title. The titled state is given an original issue date of circa 1815 date in the Metropolitan Museum of Art online catalog., In the opinion of Nicholas J.S. Knowles, the coloring on this impression suggests it was printed in England in the mid-20th century by the successor Leadenhall Press., and Plate originally issued without title; see Lewis Walpole Library call no.: 810.00.00.59. This untitled state might be the plate described under the name "Banditti" in: Grego, J. Rowlandson the caricaturist, v. 2, page 297.
Publisher:
publisher not identified and Leadenhall Press
Subject (Topic):
Criminals, Robberies, Firearms, Sofas, and Necklaces
[approximately 1812] and [printed approximately 1980?]
Call Number:
Paulson 812.00.00.131
Image Count:
1
Resource Type:
still image
Abstract:
"Landscape, rural; small cottage with figures at lower left; broken fence in front center near brook; water, stream in center with man on horseback herding cattle across it; large trees in back left and at front right on shore."--Collections database, Five Colleges and Historic Deerfield Museum Consortium, accession no.: SC 2009:16.
Description:
Title etched below image., Later state, with border added and Rowlandson's signature partially worn from plate., Identified in the Metopolitan Museum of Art online catalog (Object Number: 59.533.1685) as a plate from Rowlandson's "Views of Cornwall" series, dated 1812, despite not being listed in Grego as such (see: Grego, J. Rowlandson the caricaturist, v. 2, pages 239-246)., and Late-20th century restrike on modern paper, similar to others from the same collection bearing pencil annotations suggesting printing dates around 1980. The copper plate would have been in the possession of the successor Leadenhall Press in England at the time, according to Nicholas J.S. Knowles.
Men in various stages of drunkenness sit at a dinner table while others are passed out on the floor. One man in topboots dances on the table as he waves his hat and a bottle. Several of the men of the party are passed out in their chairs or have fallen on the floor. An obese parson leans against the wall as he vomits. Several of them are wearing hunting hats; on the wall are antlers and a hunting-piece
Alternative Title:
While on a visit in the hundreds of Essex ...
Description:
Title from item., Text below title: While on a visit in the hundreds of Essex being under under the necessity of getting dead drunk every day to save your life. Et propter vitam vivendi perdere causas., Sheet trimmed within plate mark., and Mounted to 17 x 25 cm.
Men in various stages of drunkenness sit at a dinner table while others are passed out on the floor. One man in topboots dances on the table as he waves his hat and a bottle. Several of the men of the party are passed out in their chairs or have fallen on the floor. An obese parson leans against the wall as he vomits. Several of them are wearing hunting hats; on the wall are antlers and a hunting-piece
Alternative Title:
While on a visit in the hundreds of Essex ...
Description:
Title etched below image., Text below title: While on a visit in the hundreds of Essex being under under the necessity of getting dead drunk every day to save your life. Et propter vitam vivendi perdere causas., Later state, with border added. For an earlier state lacking border, see no. 10828 in the Catalogue of prints and drawings in the British Museum, v. 8. See also: Grego, J. Rowlandson the caricaturist, v. 2, page 124., Late-20th century restrike on modern paper, similar to others from the same collection bearing pencil annotations suggesting printing dates around 1980. The copper plate would have been in the possession of the successor Leadenhall Press in England at the time, according to Nicholas J.S. Knowles., and Illustration to James Beresford's Miseries of human life, 1806; see no. 10815 in the Catalogue of prints and drawings in the British Museum, v. 8.
Publisher:
publisher not identified
Subject (Name):
Beresford, James, 1764-1840.
Subject (Topic):
Country life, Intoxication, Manners & customs, Dining tables, Eating & drinking, and Vomiting
"An old Parson, of Dr. Syntax type, falls into the water from his horse which rolls in the stream. His hat, wig, and 'Funeral Sermon' are in the water, where a dog chases geese. On a rustic bridge (right) two women and a child are watching in alarm, a milk-pail falls from the head of one of them. In the background (left) two horses gallop up a slope pursued by a dog, one rider loses his seat, the other his hat."--British Museum online catalogue
Alternative Title:
Miseries of traveling and Being mounted on a beast who as soon as you have watered him ...
Description:
Title etched below image., Text below title: Being mounted on a beast who as soon as you have watered him on the road, proceeds very coolly to repose himself in the middle of the pond, without taking you at all into his counsel, or paying the slightest attention to your remonstrances., Later state, with border added. For an earlier state lacking border, see no. 10837 in the Catalogue of prints and drawings in the British Museum, v. 8. See also: Grego, J. Rowlandson the caricaturist, v. 2, page 121., Late-20th century restrike on modern paper, similar to others from the same collection bearing pencil annotations suggesting printing dates around 1980. The copper plate would have been in the possession of the successor Leadenhall Press in England at the time, according to Nicholas J.S. Knowles., and Illustration to James Beresford's Miseries of human life, 1806; see no. 10815 in the Catalogue of prints and drawings in the British Museum, v. 8.
Publisher:
publisher not identified
Subject (Name):
Beresford, James, 1764-1840.
Subject (Topic):
Clergy, Falling, Accidents, Bodies of water, Horses, Dogs, Geese, Pedestrian bridges, and Pails
"Two designs on one plate. Top (British Museum Satires No. 6868): A young woman lies under a tree asleep, partly supported by a small beer barrel; a rake is beside her. Next her a young man sits up yawning and stretching. A dog sits beside them; in the distance are sheep. Below (British Museum Satires No. 6869): A young woman (right) lies full length on a sofa; next her in the opposite corner of the sofa is an elderly man in regimentals, also asleep. The feet of both rest on a chair (left). A cat sleeps on the floor."--British Museum online catalogue
Alternative Title:
Nap in the country ; Nap in town
Description:
Titles etched below images., Later state, with both images contained within double border lines added along edge of plate., Two images on one plate, each with a separate title and signature. Imprint statement appears twice, once below each title., Late-20th century restrike on modern paper, with pencil annotation "RP/77" in lower right that suggests a 1977 printing date. The copper plate would have been in the possession of the successor Leadenhall Press in England at the time, according to Nicholas J.S. Knowles., For the original issue of the plate, see nos. 6868 and 6869 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., and Cf. Grego, J. Rowlandson the caricaturist, v. 1, page 175.
Publisher:
Pubd. by S. Alken, No. 3 Dufours Place, Broad Street, Soho
"Two scenes printed on one sheet, the subjects relate to Bunbury's days as a student at Cambridge. "Pot Fair Cambridge": pots are laid out on tables for sale. A fat divine stumbles backward as dogs fight in the foreground. A seller at right is alarmed as he threatens to fall onto her table. "The College Gate": Three men ride off in different directions after coming through a gate with square brick pillars surmounted by stone vases. Behind the left rider walks a fat divine wearing an academic cap. Through the gateway we are shown a short fat man in a clerical wig standing on a mounting block as a groom approaches with his horse."--Metropolitan Museum of Art online catalog
Alternative Title:
Pot fair Cambridge ; The college gate
Description:
Titles etched below images., Later state, with new border lines added around each image., Two images on one plate, each with its own title and statement of responsibility., Late-20th century restrike on modern paper, similar to others from the same collection bearing pencil annotations suggesting printing dates of 1977. The copper plate would have been in the possession of the successor Leadenhall Press in England at the time, according to Nicholas J.S. Knowles., An original issue date of ca. 1790 is suggested Metropolitan Museum of Art online catalog, accession no.: 59.533.1861., Top image is a reduced copy of no. 4729 in the Catalogue of prints and drawings in the British Museum, v. 4., and Bottom image is a reduced copy of no. 5804 in the Catalogue of prints and drawings in the British Museum, v. 5.
Publisher:
publisher not identified
Subject (Name):
University of Cambridge, and King's College (University of Cambridge). Chapel,
Subject (Topic):
Pottery, Dogs, Students, Teachers, Gates, Horses, and Clergy
"Print of a country 'quack' doctor standing behind an alarmed looking female patient with his fingers in her mouth. A young boy stands on the left holding a dish and pliers. In the background stands a woman wearing a ... cape and holding the side of her mouth whilst exhibiting obvious pain. Suspended from the ceiling is a bird in a cage. A bill on the wall reads: 'Barnaby Factotum / Draws teeth Bleeds and Shaves / Wigs made here, also sausages / wash Balls, Black puddings. / Scotch pills Powder for the Itch / Red Herrings / Breeches Balls / and small beer by the maker / In Utrumque Paratus'."--Royal Collection Trust online catalogue and "Print of a tailor seated cross legged on a table as he irons a garment. Beside him on the table, stands a pewter tankard and shears. A second tailor, also ironing, sits behind the first with a look of surprise cast in the direction of a woman who stands at the door holding a basket of ?cucumbers on her head. The woman resembles Rowlandson's etching of a 'Shrimp Girl' (RCIN 913702). In the foreground, a small boy warms irons by a fire as cat stands next to him, yawning."--Royal Collection Trust online catalogue
Alternative Title:
Toothache, or, Torment and torture, Torment & torture, and Torment and torture
Description:
Titles etched below images., Later state, with new border lines added around each image., Two images on one plate, each with its own title, signature, and imprint statement., Late-20th century restrike on modern paper, with pencil annotation "RP/77" in lower right that suggests a 1977 printing date. The copper plate would have been in the possession of the successor Leadenhall Press in England at the time, according to Nicholas J.S. Knowles., For original issue of the left side of the plate, see Royal Collection Trust, RCIN 810964. For original issue of the right side of the plate, see Royal Collection Trust, RCIN 810963., Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 375., and Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 374.
Publisher:
Published August 1, 1823, by John Fairburn, Broadway, Ludgate Hill
