"An emblematical and composite scene, with a realistic background intended for Lake Como, with the Villa d'Este (right), decorated with dancing figures as in British Museum satires no. 14171. In the foreground the Queen, between Bergami and Wood, falls from the tilting summit of a breaking pillar, supported on insecure props. She falls to the left, with Bergami, whose arm is round her waist. Wood, who holds her left hand, falls to the right, weighed down by a block inscribed 'Log' chained to his ankle. A small figure of Justice holding scales descends through the air towards them. The pillar resolves itself into separate blocks on each of which is a letter: 'M O B / I L I T Y'. A board resting on a ram's head forms the tiny platform from which the trio are falling. The pillar rests on a slab inscribed 'Adultery'. This is supported on the bewigged head of Brougham which is raised on three props: a massive broom, and two beams poised on a rectanglar cage in which sits a second and much smaller lawyer (Denman). The beams are respectively 'Sham Addresses' and 'Hired Processions' [see British Museum satires no. 14182]. These props are flanked by two ladders resting against the 'Adultery' slab, by which Bergami (see British Museum satires no. 14183) and Wood (see British Museum satires no. 13734) have reached the Queen. One (left) is inscribed 'Brass'; from it dangle emblems of Bergami: a postilion's boot, a whip, and a Maltese cross, see British Museum satires no. 13810. The other (right) is 'Wood'; from it dangle a bottle, a pestle and mortar, and a porter's knot. In the foreground (right) are thistles, emblem of 'Thistle-Wood', see British Museum satires no. 14146. On Lake Como sails (left) a one-masted vessel with a tent on its deck, the polacca, see British Museum satires no. 13818. Beyond its shores and on the extreme left are tiny buildings representing Jerusalem. A lake-side signpost, 'To Jerusalem', points in the same direction, and near it the Princess and Bergami ride side by side on asses (see British Museum satires no. 13918, &c.). On the right is a travelling-carriage, with two horses and a postilion; in it sit the same couple. On the door are the letters 'C·B'. In the lake behind it the pair are seen bathing, two nude figures standing waist-deep, holding hands. Near them is an empty rowing-boat inscribed 'Como'.."--British Museum online catalogue
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Sheet trimmed within plate mark., 1 print : etching ; plate mark 27.3 x 22.6 cm, on sheet 27.5 x 23 cm., Printed on wove paper; hand-colored., Mounted to 58 x 39 cm., Mounted on leaf 79 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Bergami," "Caroline," and "Wood" identified in ink below image; date "1 June 1821" written in lower right corner of sheet. Typed extract of twenty-seven lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Geographic):
Como, Lake (Italy),
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Wood, Matthew, Sir, 1768-1843, Bergami, Bartolomeo Bergami, Baron, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, and Denman, Thomas Denman, Baron, 1779-1854
"An emblematical and composite scene, with a realistic background intended for Lake Como, with the Villa d'Este (right), decorated with dancing figures as in British Museum satires no. 14171. In the foreground the Queen, between Bergami and Wood, falls from the tilting summit of a breaking pillar, supported on insecure props. She falls to the left, with Bergami, whose arm is round her waist. Wood, who holds her left hand, falls to the right, weighed down by a block inscribed 'Log' chained to his ankle. A small figure of Justice holding scales descends through the air towards them. The pillar resolves itself into separate blocks on each of which is a letter: 'M O B / I L I T Y'. A board resting on a ram's head forms the tiny platform from which the trio are falling. The pillar rests on a slab inscribed 'Adultery'. This is supported on the bewigged head of Brougham which is raised on three props: a massive broom, and two beams poised on a rectanglar cage in which sits a second and much smaller lawyer (Denman). The beams are respectively 'Sham Addresses' and 'Hired Processions' [see British Museum satires no. 14182]. These props are flanked by two ladders resting against the 'Adultery' slab, by which Bergami (see British Museum satires no. 14183) and Wood (see British Museum satires no. 13734) have reached the Queen. One (left) is inscribed 'Brass'; from it dangle emblems of Bergami: a postilion's boot, a whip, and a Maltese cross, see British Museum satires no. 13810. The other (right) is 'Wood'; from it dangle a bottle, a pestle and mortar, and a porter's knot. In the foreground (right) are thistles, emblem of 'Thistle-Wood', see British Museum satires no. 14146. On Lake Como sails (left) a one-masted vessel with a tent on its deck, the polacca, see British Museum satires no. 13818. Beyond its shores and on the extreme left are tiny buildings representing Jerusalem. A lake-side signpost, 'To Jerusalem', points in the same direction, and near it the Princess and Bergami ride side by side on asses (see British Museum satires no. 13918, &c.). On the right is a travelling-carriage, with two horses and a postilion; in it sit the same couple. On the door are the letters 'C·B'. In the lake behind it the pair are seen bathing, two nude figures standing waist-deep, holding hands. Near them is an empty rowing-boat inscribed 'Como'.."--British Museum online catalogue
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., and Sheet trimmed within plate mark.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Geographic):
Como, Lake (Italy),
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Wood, Matthew, Sir, 1768-1843, Bergami, Bartolomeo Bergami, Baron, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, and Denman, Thomas Denman, Baron, 1779-1854
Caption title., Date based on publisher J. Jennings's activity dates. See: Todd, W.B. Directory of printers and others in allied trades, London & vicinity, 1800-1840, page 107., In one column with a printer's ornament above the title., A slip song., In verse., First line: All is silent and dark - on the night's heavy air ..., and For further information, consult library staff.
Publisher:
Printed and sold by Jennings, No. 13, Water-lane, Fleet-street, London
Apollo Anglicanus, English Apollo, and Saunder. 1687. The second part
Description:
BEIN 2013 1188: Armorial bookplate: Bryan Fausset. Inscriptions: Simon Hughes. Scant manuscript annotations on rear free endpaper. No. 8 of 12 titles bound together., "Saunder. 1687. The second part" (caption title) has separate register., Signatures: A-B⁸ ²A⁸., Title page and calendar in red and black., and Contains advertisements.
Coordinates based on index map ([1] leaf of plates). and On each map: Published according to Act of Parliament by J. Rennell ... [date]; "W. Harrison, sc."
Publisher:
James Rennell
Subject (Geographic):
Bengal (India), Bihar and Orissa (India), India, Bengal., and Bihar and Orissa.
BEIN 1983 785: Lot number "130" written in manuscript at foot of title page. No. 27 of 33 titles bound together in volume with bookplate of John Farquhar Fulton and binder's title: Sale catalogues, London, 1689-1690. Manuscript letter on two pages to John Farquhar Fulton from E.B., dated Nov. 21, 1928, bound in at front. and Signature : A⁴.
BEIN 1983 785: No. 30 of 33 titles bound together in volume with bookplate of John Farquhar Fulton and binder's title: Sale catalogues, London, 1689-1690. Manuscript letter on two pages to John Farquhar Fulton from E.B., dated Nov. 21, 1928, bound in at front., The date, in title, is given according to Lady Day dating., Signatures: [A]¹ B-F² G¹ A²., and "An appendix to the catalogue of books in quires": p. 1-4 at end.
BEIN 1983 785: No. 33 of 33 titles bound together in volume with bookplate of John Farquhar Fulton and binder's title: Sale catalogues, London, 1689-1690. Manuscript letter on two pages to John Farquhar Fulton from E.B., dated Nov. 21, 1928, bound in at front., Caption title., and Signatures: A-B².
BEIN 1983 785: No. 26 of 33 titles bound together in volume with bookplate of John Farquhar Fulton and binder's title: Sale catalogues, London, 1689-1690. Manuscript letter on two pages to John Farquhar Fulton from E.B., dated Nov. 21, 1928, bound in at front. and Signatures: [A] B-K²
BEIN 1983 785: Imperfect: some loss of text due to trimming. No. 6 of 33 titles bound together in volume with bookplate of John Farquhar Fulton and binder's title: Sale catalogues, London, 1689-1690. Manuscript letter on two pages to John Farquhar Fulton from E.B., dated Nov. 21, 1928, bound in at front., "The time of sale is from 9 in the morning to 12 at noon and from 3 to 7 in the evening. Catalogues are given by Mr. Gillyflower in Westminster-Hall, Mr. Nott in the Pall-Mall, Mr. Wilkinson at the Black-Boy in Fleet-Street, Mr. William Miller at the Acorn in St. Paul's Church-Yard, Mr. Tho. Hargrave at the King's-Head near the Bars in Holborn, the widow Cooper in Little-Britain, and at Mr. Sam. Croutch's at the corner of Pope'-Head-Alley Cornhill, booksellers; 1689.", and Signatures: [A]²(-A2) B-F² F-G².
