Après de Mannevillette, Jean-Baptiste-Nicolas-Denis d', 1707-1780, cartographer
Published / Created:
[1775?]
Call Number:
27 1775
Image Count:
1
Resource Type:
cartographic image
Description:
Depth shown by soundings., "47" in upper left corner., Appears in Après de Mannevillette's Le Neptune oriental (1775)., and Inset: Plan des Isles Remouw, Kandang, High et Voody située sud-est de l'Isle Sumatra au Détroit de la Sonde.
Publisher:
Chez Demonville
Subject (Geographic):
Sunda Strait (Indonesia), Indonesia, and Sunda Strait.
Scene of men chopping, hewing, and carrying wood, with two figures embracing at center. In the lower right corner, a woman feeds a baby whose foot a seated man kisses; another young child leans on the woman. The scene is set among trees with fronds and a shoreline in the distant background
Description:
BEIN WA Prints +116: Imperfect: bled at foot, with loss of fourth line of text and publisher's statement. Watercolor hand-coloring., BEIN WA Prints +122: Not colored., Title and statements of responsibility engraved below image., and Publication statement engraved below main text.
Publisher:
Chez Bulla, rue St. Jacques No. 38 et chez Ladvocat, Libraire, palais Royal, galerie de bois, Nos. 197 et 198
Scene of men chopping, hewing, and carrying wood, with two figures embracing at center. In the lower right corner, a woman feeds a baby whose foot a seated man kisses; another young child leans on the woman. The scene is set among trees with fronds and a shoreline in the distant background
Description:
BEIN WA Prints +116: Imperfect: bled at foot, with loss of fourth line of text and publisher's statement. Watercolor hand-coloring., BEIN WA Prints +122: Not colored., Title and statements of responsibility engraved below image., and Publication statement engraved below main text.
Publisher:
Chez Bulla, rue St. Jacques No. 38 et chez Ladvocat, Libraire, palais Royal, galerie de bois, Nos. 197 et 198
"Chaque exemplaire de ce tirage a été paraphé par l'auteur, ce qui l'authentifie comme édition originale"--Third printed leaf., Includes photocopies showing "quelques prix obtenus en ventes publiques ou en achats officiels.", and BEIN Lemaître Lettrism 141: Unsigned copy. Paperbound. From the library of Maurice Lemaître.
Publisher:
Centre de créativité/Éditions lettristes
Subject (Geographic):
France.
Subject (Topic):
Painting, French, Prices, Painting, Modern, and Lettrism
Florii Francisci Florentini d'amore Camilli et Emilie Aretinorum, D'amore Camilli et Emilie Aretinorum, and De amore Camilli et Emilie Aretinorum
Description:
BEIN Beinecke MS 907: Imperfect: wormed, with slight loss of text. Blind-stamped quarter pigskin binding over wooden boards; with two metal clasps. Manuscript ownership note on rear pastedown: Anno 1561 22 Febr. 3. g. M. Pauli Bussini Magdeburg. Purchased on the Edwin J. Beinecke Book Fund. Number 6 of 6 titles bound together., Text is based upon Leonardo Bruni [Aretino]'s De duobus amantibus, which in turn is a Latin translation of the tale of Ghismunda and Guiscardo from Boccaccio's Decameron., Printer Jean Lambert was active in Paris from 1493-1514. Dealer slip in CtY-BR suggests 1505? as the date of imprint. However no reference sources confirm this date., Signatures: a⁶ B-C⁶ D⁴., Woodcut on title page., and Not cited in Adams, H.M. Catalogue of books printed on the continent of Europe, 1501-1600, in Cambridge libraries or Short-title catalogue of books printed in France and of French books printed in other countries from 1470 to 1600 now in the British Museum.
Publisher:
Jehan Lambert
Subject (Topic):
Fathers and daughters, Love, Murder, Suicide, and Italian literature
Print reproduces the George Catlin painting of 1845 in a mirror image, left to right; shows a group of fourteen in full-length portraits; twelve Iowa Indians in native dress; three chiefs (Mew-Hu-She-Kaw, New-Mon-Ya, Se-Non-Ty-Yah); three warriors (Wash-ka-mon-ya, No-ho-mun-ya, and Wa-tan-ye); four women (Ruton-ye-we-ma, Ruton-we-me, Oke-we-me, and Koon-za-ya-me); and two children (Wa-ta-we-bu-ka-na and Ta-pa-ta-me) with, in western dress, the formerly enslaved African-American diplomat, linguist, and interpreter, Jeffrey Deroine, and the circus promoter, George H.C. Melody
Description:
Title from caption below image. and Related to a companion print issued in Boston by J.H. Bufford with title in English: G.H.C. Melody, and the Ioway Indians: As they were presented to His Majesty Louis Philippe 1st, April 21st 1845; in this related print, the individuals portrayed are identified in a printed caption at bottom.
Publisher:
Imp. Bertauts
Subject (Name):
Deroine, Jeffrey, 1806-1859, Mew-hu-she-kaw, New-Mon-Ya, Se-Non-Ty-Yah, Ta-pa-ta-me, Wa-ta-we-bu-ka-na, Wash-ka-mon-ya, No-ho-mun-ya, Wa-tan-ye, and Melody, George H. C., 1793-1860
Manuscript, on parchment, in unidentified of Harangues et oraisons des anciens. Contains examples of ancient speeches from famous events in both Greek and Roman history. Also includes the funerary speech of Perides [sic], several speeches attributed to Philip of Macedonia, Demosthenes, Alexander, Nero, and many others. Also includes a speech by Ottoman envoys to Rhodes (dated to 1522) and an ultimatum of Suleiman I (1494-1566) to Philippe Villiers de l'Isle-Adam
Description:
In French., Script: Gothica Semihybrida Formata (Bastarda)., Layout: ff. 2-57 single column of 40 lines; ff. 58-165 sincle column of 41 lines., Decoration: Line-fillers in the shape of a red or blue horizontal stroke heightened with liquid gold. Paragraph marks in liquid gold on a square red or blue background. 4- or 5-line painted initials. On the second front flyleaf verso full-page frontispiece: in an imitation wooden frame a room is depicted, in which twelve men are engaged in discussion., Binding: Original green velvet binding over pasteboard, spine with four raised bands; two velvet straps attached to the front board closing over pins in the rear board with two enamelled brass clasps with the arms of François II, duc de La Rochefoucauld, and his wife Anne de Polignac; gilt edges., and The original foliation in Roman numbers, at right in the upper margin of the rectos, is incomple.
Subject (Geographic):
Connecticut, New Haven., Italy, and Greece
Subject (Topic):
Manuscripts, Medieval, Speeches, addresses, etc., Greek, Speeches, addresses, etc., Latin, Church history, and History
BEIN Mzd45 H6 1509: Hand-ruled and rubricated throughout; capitals supplies in gold on red and blue backgrounds. Hand-colored illustrations are: the printer's device on page [1], the skeleton and surrounding figures on page [2], full-page illustration of Bathsheba and David, full-page illustration of Mary surrounded by emblems (partially reconstructed when original text was removed and replaced with ms. insert?), and 18 small illustrations throughout., BEIN Mzd45 H6 1509: Imperfect: comprising 70 leaves (numbered in pencil), with lacunae after leaves 5, 6, 9, 12, 13, 17, 19, 20, 23, 30, 37, 51, 54. Text of leaves 59-60 and 65-66 has been cut out and manuscript text inlaid within the borders instead. The signatures appear to have been erased throughout., BEIN Mzd45 H6 1509: Printed on vellum. Bound in morocco with gilt tooling and edges; emblematical clasp. Dealer's description on front paste-down., BEIN 1971 439: Rubricated. Printed on vellum. Illustration of the Annunciation (page [25]) completely hand-colored. Armorial bookplate of Clarence Sweet Bement. Ownership inscription of Baron de Jean Haussonville. Contemporary manuscript annotations in several hands on the final pages, indicating events occurring in specific years. Brown blind-tooled leather binding., Signatures: A-L⁸ M⁴., Title from title-page on page [1], which bears Gilles Hardouyn's printer's device - all within an architectural frame. The device is repeated on page [184]., Imprint from colophon on page [184]: "Les presentes heures a lusaige de Ro[m]me tout au long sans rien requerir. Ont este acheuees a paris le huitiesme iour de Mars. Lan mil cinq ce[n]s et neuf. Par Gilet Hardouyn Imprimeur demourant au bout du pont au change a lenseige de la Rose desoub[-]z de la belle ymage"., Almanac on page [3] covers years 1508-1520, in French., In a Gothic type., Illustrated throughout with 19 full page illustrations, and several smaller cuts within the text., With a decorative border (primarily historiated or architectural) to every page., "R" (for Rome) on first four leaves of each quire, in a line with the signature., Initial spaces., and Collation and signatures given according to P. Lacombe, Livres d'Heures imprimés au XVe et au XVIe siècle, 199.
BEIN Mzd45 H6 1509: Hand-ruled and rubricated throughout; capitals supplies in gold on red and blue backgrounds. Hand-colored illustrations are: the printer's device on page [1], the skeleton and surrounding figures on page [2], full-page illustration of Bathsheba and David, full-page illustration of Mary surrounded by emblems (partially reconstructed when original text was removed and replaced with ms. insert?), and 18 small illustrations throughout., BEIN Mzd45 H6 1509: Imperfect: comprising 70 leaves (numbered in pencil), with lacunae after leaves 5, 6, 9, 12, 13, 17, 19, 20, 23, 30, 37, 51, 54. Text of leaves 59-60 and 65-66 has been cut out and manuscript text inlaid within the borders instead. The signatures appear to have been erased throughout., BEIN Mzd45 H6 1509: Printed on vellum. Bound in morocco with gilt tooling and edges; emblematical clasp. Dealer's description on front paste-down., BEIN 1971 439: Rubricated. Printed on vellum. Illustration of the Annunciation (page [25]) completely hand-colored. Armorial bookplate of Clarence Sweet Bement. Ownership inscription of Baron de Jean Haussonville. Contemporary manuscript annotations in several hands on the final pages, indicating events occurring in specific years. Brown blind-tooled leather binding., Signatures: A-L⁸ M⁴., Title from title-page on page [1], which bears Gilles Hardouyn's printer's device - all within an architectural frame. The device is repeated on page [184]., Imprint from colophon on page [184]: "Les presentes heures a lusaige de Ro[m]me tout au long sans rien requerir. Ont este acheuees a paris le huitiesme iour de Mars. Lan mil cinq ce[n]s et neuf. Par Gilet Hardouyn Imprimeur demourant au bout du pont au change a lenseige de la Rose desoub[-]z de la belle ymage"., Almanac on page [3] covers years 1508-1520, in French., In a Gothic type., Illustrated throughout with 19 full page illustrations, and several smaller cuts within the text., With a decorative border (primarily historiated or architectural) to every page., "R" (for Rome) on first four leaves of each quire, in a line with the signature., Initial spaces., and Collation and signatures given according to P. Lacombe, Livres d'Heures imprimés au XVe et au XVIe siècle, 199.
