Binding: Nineteenth century. Vellum stays outside the quires. Paste-paper case in shades of deep purple., Purchased from H. P. Kraus in 1957 by Thomas E. Marston., Script: Written in humanistic cursive script with gothic features., and Watermarks: unidentified quadruped in gutter.
Paul, the Deacon, approximately 720-799? Rufus, Sextus
Published / Created:
[between 1450 and 1500]
Call Number:
Beinecke MS 742
Image Count:
159
Resource Type:
Archives or Manuscripts
Abstract:
Manuscript on paper of 1) Paulus Diaconus (d. after 744), Historia Romana (adaptation and continuation of Eutropius [4th century], Breviarium ab Urbe condita), with the additional Book 17. 2) Festus (4th century), Breviarium historiae Romanae.
Alternative Title:
Paulus Diaconus, Festus
Description:
Binding: Nineteenth-century. Brown-black marbled paper over pasteboard., Collection of Bernard M. Rosenthal, San Francisco (MS 40). Purchased from him on the Edwin J. Beinecke Fund., Numerous underlinings and contemporary marginal captions and notes in Gothica Semihybrida Currens throughout the manuscript, written by probably two German readers. Pointing hands., Pale red headings. Gothic calligraphic initials in brown ink of various sizes, with guide-letters in the left margin: 3 lines at the head of each paragraph (art. 1 only), 6-7 lines at the opening of each Book., Script: Copied by one hand in Humanistica Cursiva Libraria under Gothic influence (d mostly Uncial)., and Watermark: crossbow (?).
Subject (Geographic):
Rome -- History
Subject (Name):
Paul, the Deacon, approximately 720-799? Historia Romana and Rufus, Sextus
The decoration is uneven and differs from section to section. Artt. 1, 3, 5, 6, 7, 8 have headings in red ink, red heightening of majuscules, red paragraph marks and red plain initials (plain and unusual flourished initials in red in art. 3) of various sizes. Artt. 2, 4 and 5-8 may have yellow heightening of majuscules too. No initials or paragraph marks in art. 8. Artt. 9-11 have red plain initials up to f. 81v; after that blank spaces with guide-letters; headings are missing after f. 67r. Artt. 2, 4, 12, 13, 14 have almost no decoration. Running headlines (author names) in large Southern Gothica Textualis Formata on pages of artt. 1, 3, 5 and 6., Binding: Nineteenth-century. Damaged half linen, the pasteboard covers covered with red paper impressed with a spiky lozenge pattern in black. Removed and rebound in purple paper. Modern binding not digitized., Cite as: Mariological, Ascetical and Other Texts. General Collection, Beinecke Rare Book and Manuscript Library, Yale University., Manuscript on paper. This incomplete manuscript consists of a series of more or less independent sections. An unusual feature is the writing of text parts in the lower margins as if they were catchwords. Leaves are missing, and many texts are consequently incomplete. Many pages spoilt by the acidity of the ink. Apparently copied by four different hands, mostly very unstable and looking different depending on the period during which they entered the various sections. A (ff. 1r-54v = artt. 1-8 and ff. 107v-108v = art. 14) writes peculiar forms of Humanistica Semitextualis Libraria, which if written rapidly (Currens) tends to become a Cursiva with more pronounced Gothic features, especially in the additional artt. 2, 4 and 14; typical is the unusual abbreviation for in in the shape of dotted i. B (ff. 55r-66v = art. 9) writes Humanistica Semitextualis Libraria, equally under Gothic influence. C (ff. 67r-98v = artt. 10-11) writes a small sloping Gothico-Antiqua Currens. D (ff. 99r-105r = art. 12) writes a Humanistica Cursiva Libraria under Gothic influence; a deviant form D' is seen on ff. 106r-107r = art. 13., and Modern foliation followed. Wanting ff. 71-72.
Subject (Name):
Bernard, of Clairvaux, Saint, 1090 or 91-1153, John, of Wales, 13th cent, and Mary, Blessed Virgin, Saint