On the left a young woman sings while accompanying herself on a guitar. In the center a older woman leans toward the elderly man on the right as the two discuss the desirability of a match between the young lady and a young man from the Green family. The young lady and her matchmaker are both elaborately dressed
Alternative Title:
Match woman and Dealer in greens
Description:
Title from captions below images., Publication date from unverified data from local card catalog record., Sheet trimmed leaving thread margins., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
"A design in six compartments arranged in two rows, each with a title. [1] 'Johnnys reception by "merry Tonkanoo at Negro Ball'. The ball is in an open shed with a negro fiddler seated high on a hogshead; most of the guests watch Johnny, the only white, and 'Tonkanoo' bowing to each other. The latter is a tall negro with huge false moustache and long wig, feathered hat, and wide-cuffed coat in imitation of English dress c. 1740, with breeches and bare legs. A negro behind Johnny disperses flies with a branch. A negro couple is dancing; the ladies are fully dressed, some with tall cylindrical hats. Behind are distant mountains. [2] 'Johnny dancing with Rosa--the Planters beautiful daughter'. At the same ball all the negroes form a background of admiring spectators while Johnny, still wearing his enormous hat, dances with a pretty English girl in conventional evening dress, holding both her hands. Tonkanoo stands with his arms extended towards them. In the foreground (left) is a little naked negro Cupid with bow, quiver, and arrows, pointing to the couple. [3] 'Johnnys Courtship and professions of Love to Rosa'. Rosa reclines on a sofa under a piece of drapery looped from a tree; Johnny (left), hat in hand, kneels at her feet while the Cupid aims his bow at him. A pet monkey sits beside Rosa, and behind her (right) stands a negro girl brushing away flies with a branch. Johnny's servant is behind (left) holding an umbrella. Two cockatoos bill on a branch. [4] 'Johnny and the fair Rosa tripping to the Altar of Hymen'. The pair run hand in hand along a path which winds to a church resembling an English village church. Negro servants run after them, one holding up a large umbrella. Before them run two little negroes; one is Cupid playing a fiddle, the other, Hymen, holds up a lighted torch. In the distance, nearing the church, are the parson and his clerk. [5] 'Nuptial ceremony of Johnny and the charming Rosa'. In a Gothic church the parson with his book stands behind a cylindrical altar on which are two hearts transfixed by an arrow. Johnny puts the ring on Rosa's finger. The congregation are delighted negroes and negresses. Against the altar sit Cupid and Hymen; Cupid wears Johnny's huge hat and plays the fiddle; Hymen blows at his torch. [6] 'Johnny and his fair Bride reveling in Jollity and festive mirth'. Johnny, tipsily jovial, his father-in-law, and Rosa, sit at table, drinking, the men smoking, many bottles of 'Sangaree' on the floor. A man fiddles, and in the background a dance is in progress. Johnny wears his planter's hat, &c., as in British Museum Satires No. 11983, and has always a swarm of flies round his head. Rosa throughout wears her ball-dress, with feathers in her hair."--British Museum online catalogue, description of an earlier state
Description:
Title etched above image., State before imprint mostly burnished from plate., Plate numbered "180" in upper right corner. Also numbered in upper left: Pl. 2., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Also issued separately., and "Price one shilling coloured."
Publisher:
Pubd. by Ts. Tegg
Subject (Topic):
Black people, Celebrations, Courtship, Dance, Intoxication, Marriage, and Musicians
A print with two images, the first of which is an amorous young couple, enclosed in a garland of fruits and flowers joined at the bottom by a head of a blindfolded cherub on crossed cornucopias of fruit and coin. The second image can be viewed by turning the print upside-down image and shows an older, quarreling couple enclosed by a garland of entwined leafless branches and supported at the bottom by a horned head of a demon. Six lines of verse describing each scene are engraved on the happy couple's side on two goatskins suspended on either side of the image, and on the unhappy couple's side on a skin of an ass and that of a bear, suspended in similar fashion of the sides. The verse on the happy couple's side begins as follows, "When two fond fools together meet, each look gives joy, each kiss is sweet ..." On the unhappy couple's side the verse begins "The nuptials o'er with angry brow the married pair, both peevish grow ..."
Alternative Title:
Unhappy marriage
Description:
Title and imprint from another impression in an Andrew Edmunds sales catalogue (viewed October 2016)., With Carington Bowles series number '33' in lower right corner., Sheet trimmed within plate mark resulting in loss of title and imprint., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Watermark., and Window mounted to 37 x 27 cm.
Publisher:
Printed for Carington Bowles in S. Paul's Churchyard, London
Subject (Topic):
Couples, Courtship, Marriage, and Metamorphic pictures
The plot hatched by a mother to marry her daughter to an old wealthy colonel is discovered. Both the mother and daughter are fashionably dressed in large dressess, hats and large sleeves. The mother stands on a veranda looking down at her daughter seated with a portfolio in her lap; she turns back to look at her mother raising a lorgnette to look up at her. In the speech balloon above her head, the mother is shown to say, "Julia, love, as Colonel Ingot has amassed a vast fortune in India, I really think him worth your attention. I have sent to the Music Seller for every thing Indian. Sing nothing else love, if you can bear a couple of Cashmeres on do & complain of the chilliness of the Climate, look into Guthrie for a few hard Bengal names & at dinner eat nothing but a little Currey, you can have refreshments in your dressing room love. The daughter smiles up at her mother, and says, "Very well Ma, but you don't think he'd last long?" Below them, under the rose-coverd trellis the elderly colonel looks horrified at what he hears
Alternative Title:
Plot discovered
Description:
Title from item., Attributed to William Heath in dealer's description., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Published by Thos. McLean, 26 Haymarket
Subject (Geographic):
England
Subject (Topic):
Clothing & dress, Courtship, Couples, Lorgnettes, Marriage, Military officers, Porches, and Trellises
A man cavorting with a young woman, while his recently deceased wife lies in a coffin in the background. Lying next to a treasure chest is an open book which reads: "A smokey house and a scolding wife are the plague of mans life. Oh what pleasure well about when my wife is laid in ground".
Alternative Title:
Cure for the heart ache
Description:
Title etched below image., Four lines of quoted text below title: "Were I not resolv'd against the yoke of hapless marriage, never to be curs'd with second love, so fatal was the first, to this one error I might yield again. Dryden., Not in the Catalogue of prints and drawings in the British Museum., and Temporary local Medical Library subject terms: Marriage & married life.
Publisher:
Design'd and pubd. by T. Rowlandson, No. 1 James St., Adelphi
Subject (Geographic):
Great Britain and Great Britain.
Subject (Topic):
Marriage, Death, Coffins, Courtship, Sexual attraction, Drinking of alcoholic beverages, and Costume
Title from caption below image., Restrike. Date of printing based on watermark., Publisher's advertisement below image in lower right: Folio's of caracatures [sic] lent out for the evening., Design consists of eight pairs of figures in two rows, with lines of dialogue etched above each pair., Plate numbered in upper right corner: Vol. 1, pl. 12., For other prints in the set, see the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7, no. 8925, Temporary local subject terms: Female costume, 1796 -- Male costume, 1796., and Watermark: J. Whatman 1822.
Publisher:
Pubd. Jaunary [sic] 1st, 1796, by S.W. Fores, No. 50 Piccadilly, corner of Sackville Street
Subject (Topic):
Courtship, Couples, Marriage, Military uniforms, and British
Temple wedding, Tempele wedding, and Love at first sight
Description:
Verse begins: "In London fair city a young man and a maid,"., In three columns with the title and three woodcuts above the first two; imprint at the foot of the third column, below a single rule; the columns are not separated by rules., Dated from the address; see David Stoker, "Another look at the Dicey-Marshall publications: 1736-1806", The Library, ser. 7, v. 15:2 (June 2014), 111-157., Mounted on leaf 53. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 2.
Publisher:
Printed and sold at No. 4 Aldermary Church Yard
Subject (Geographic):
England
Subject (Topic):
Ballads, English, Courtship, Marriage, Household employees, Merchants, Husband and wife, and Man-woman relationships
A map with North-Pole and Ocean of Life at the top and South-Pole and Icebergs of Death at the bottom and in the middle, the Equinoctial Line of Love with the Ocean of Universal Love above and the Sea of Repentance below. The landmasses from Baby Land (top) to the larger Country of Bliss(middle) that forms the bulk of the image, are labeled with stages of life and virtues and vices of mankind, many around the experiences of courtship and marriage. In the cartouche is an image of Cupid looking into a chest
Description:
Title from caption below image., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and With accompanying explanatory sheet entitled: Voyage of the ship Perseverance ; Description of the country.
Publisher:
Pubd. May 1826 by S.W. Fores, corner of Sackville St. Piccadilly
Subject (Topic):
Conjectural works, Courtship, Cupids, Emblem pictures, and Marriage
"A pretty young wife sits beside an aged doting and rich husband, reading to him. He delightedly contemplates his glass, which is being filled by Death, who leans over a screen. The girl's left hand is held by a young officer who leans through the window (right)."--British Museum online catalogue
Alternative Title:
Honeymoon and When the old fool has drank his wine and gone to rest, I will be thine
Description:
Title from British Museum catalogue, taken from the heading to the printed page opposite the plate in The English dance of death., Couplet etched below image: When the old fool has drank his wine / and gone to rest, I will be thine., Attributed to Rowlandson in the British Museum catalogue., Sheet trimmed within plate mark with loss of imprint from top margin and verses from bottom margin. Missing text supplied from impression in the British Museum., Plate from: Combe, W. The English dance of death. London : Published at R. Ackermann's Repository of Arts ..., 1815-1816, v. 1, opposite page 106., and Temporary local Medical Library subject terms: Marriage & married life -- Skeleton as Death.
Publisher:
Pub. Augt. 1, 1814, by R. Ackermann's, 101 Strand
Subject (Name):
Combe, William, 1742-1823.
Subject (Topic):
Dance of death, Death (Personification), Marriage, Skeletons, Courtship, Adultery, Military officers, British, Eating & drinking, Alcoholic beverages, Windows, Interiors, Stringed instruments, Books, Dogs, Fireplaces, and Screens
