Ambrose, Saint, Bishop of Milan, d. 397 Jerome, Saint, d. 419 or 20
Published / Created:
1439-1440.
Call Number:
Beinecke MS 766
Image Count:
620
Resource Type:
Archives or Manuscripts
Abstract:
Manuscript on parchment of St. Jermone, Epistulae et tractatus. With Ambrosius Mediolanensis (St. Ambrose, 339-397), De excessu fratris.
Description:
Binding: Sixteenth century. Brown leather over cardboard boards, the covers blind-tooled with a triple fillet lozenge inside a floral roll frame, the center and the corners gold-tooled with two different floral tools. Spine with four raised bands and remnants of gold-tooled lilies in the compartments. Edges painted blue. Marks of two pairs of ties., Headings in red. Red heightening (stroking) of the majuscules. 2-3-line flourished initials (with guide letters) in red with penwork varying from pale red to purple. A large (10 lines) decorated flourished initial in red, with developed purple penwork (“R” instead of “D”) in littera duplex style on f. 229v. Two Gothic historiated initials on gold background with floral marginal extensions: f. 1r: St. Jerome with lion and boy holding open a book (damaged); f. 25v: a monk copying., Script: Apparently four scribes: A, Iohannes de Carnago, is the main scribe and copied ff. 1r-260v (with the exception of 8 lines at the bottom) in Gothico-Humanistica Semitextualis Libraria; B copied from the bottom lines of f. 260v to f. 270v, in Humanistica Textualis Libraria; C copied ff. 271r-275v in Gothico-Humanistica Textualis Libraria; and D copied ff. 276r-304v in Gothico-Humanistica Semitextualis Libraria., and The codex belonged to the Diocesan Library of Dunedin, New Zealand. Sotheby sale, London, 27 March 1950 (catalogue, no. 35).
Manuscript on parchment of 1) Anonymous grammatical treatise in prose (Grammatica Latina secundum Donatum). 2) Disticha Catonis.
Description:
1-line red versals and 2-line red plain initials. Two large initials: f. 1r, at the beginning of the text of art. 1, historiated 10- line initial in pink on a blue background, containing a half-length profile of a poet or teacher in outline with a yellow dress; f. 10r, at the beginning of art. 2, decorated 9-line initial in pinkon a blue background, filled with red, yellow and green leaves., Binding: Original half brown leather binding over heavy bevelled wooden boards; sewn on two split leather thongs; the spine damaged. Remnants of one strap attached to the front cover, with iron pin on the rear cover., Due to intensive use the pages are badly rubbed and the legibility is impaired; whole passages have been rewritten by a later hand. The corners of the leaves are worn off. Holes and sewings., and Script: Copied by one hand in large Southern Gothica Textualis Formata (Rotunda). The opening majuscule of each verse set off in a separate column.
Manuscript on paper of 1) Prologue by the translator, addressed to Henry of Lusignan, Prince of Galilee (d. 1427). 2) Plutarchus (c. 46-120), Vita Luculli, Latin translation by Leonardus Iustinianus (Leonardo Giustiniani, 1388-1446). 3) Plutarchus, Comparatio vitarum Cimonis atque Luculli, Latin translation by Leonardus Iustinianus.
Description:
Binding: Nineteenth century. Quarter brown leather (with corners) and reddish brown marbled paper over cardboard. Gold-tooled flat spine with inscription: “PLUTARCHI VITA LUCULLI LATINE M.S.”., Headings in pale red. Art. 1 opens with a 6-line initial in red with the pen drawing for unexecuted white vinestem decoration. The 6-line initial at the head of art. 2 is purplish red on a blue background delicately heightened with silver arabesques, extended in the margin with red and green acanthus leaves. At the bottom of the same f. 387r there was a coat of arms flanked by two fleur-de-lys and four balls in purplish red and blue and red ribbons; the coat of arms has been cut out and the page has been repaired with a piece of paper; on it a modern coat of arms accompanied by the initials W and S (Walter Sneyd) is drawn in pencil., and Script: Copied by one scribe in a broad Humanistica Textualis Formata of "typographic" character and marked by unusual features such as the occasional use of round s in medial position and long i in final position, and inconsistencies in the use of ae/ẹ, the form of final s and m, etc. Majuscules at the beginning of lines protrude into the margin. Line fillers in the shape of expunged i.
Manuscript on parchment (goatskin) of 1) Raymundus Martini OP (c. 1215-after 1285), Capistrum Iudaeorum, composed c. 1267. 2) Nicolaus de Lyra (c. 1270-1349), Probatio adventus Christi, 2nd redaction, written 1331-1334. 3) Odo Biagi of Ancona (Odo Blasii de Ancona), Quaestiones de vera fide. A treatise addressed to the Jew A., a physician from Piceno, whom the author had met in Ancona the same year.
Description:
Binding: Nineteenth century. De luxe binding (loose) in Neo-Renaissance style: red morocco over cardboard, both covers richly gold-tooled; the turn-ins gold-tooled; the flat spine gold-tooled in five compartments, the second one bearing the inscription “NICOLAI / de / LYRA.” Grey marbled paper endleaves; gilt edges. A repair at the middle of the top of the front parchment flyleaf may indicate that the original binding was chained, the staple being fixed at the top of the front cover., Script: Copied by one hand writing Southern Gothica Textualis Libraria. In art. 1 the handwriting is larger and more careful, with fewer abbreviations, than in artt. 2-3., and Uniform decoration. Headings in red. Red stroking of majuscules. Numerous paragraph marks alternately red and blue. Alternately red and blue 2-line (rarely 3-line) flourished initials with penwork and more or less developed marginal extensions in the contrasting colour; up to f. 41v they have mostly a more developed pattern of penwork; towards the end of art. 3 they are only 1 line high; blue penwork of the initial on f. 31r is extremely pale. 2-3-line painted decorated initials with acanth extensions in the margins in art. 3 only. A 4-line historiated initial with acanths and gold balls in the margin at the opening of each art. At the top of the Genealogy of Christ on f. 94r two roundels containing the portraits of Abraham (“Abraam”) and David (“Davit”). There is a large drawing of a running bird in blue ink in the lower margin of f. 19r.
Subject (Name):
Martí, Ramón,--d. ca. 1286 and Nicholas,--of Lyra,--ca. 1270-1349
Manuscript on parchment of Alexander of Villa Dei, Doctrinale.
Description:
Binding: Nineteenth century, England. Light brown leather, gold-tooled. Gilt edges. Rebacked. Title on spine: "Alexander de Villa Dei Doctrinale. MS: In Memb". Bound for Henry Drury by C. Lewis in 1820., One historiated initial, f. 1r, 6-line, pink, red, and green with white filigree on gold ground thinly edged in black, with a half-length portrait of a teacher in red robes and a red cap holding a book, against a blue ground with white filigree. In the lower margin arms of the Pesaro family of Venice (per pale indented or and azure), framed by scrolling acanthus, green, red, blue, and pink. Plain initials and paragraph marks both alternate blue and red. Headings in red., and Script: Written in round gothic bookhand by a single scribe, below top line.
Filelfo, Francesco, 1398-1481 Fortunatus, Saint, d. ca. 400 Prudentius, b. 348 Sedulius, 5th cent
Published / Created:
1473
Call Number:
Marston MS 98
Image Count:
140
Resource Type:
Archives or Manuscripts
Abstract:
Manuscript on paper (coarse) of 1) Prudentius, Praefatio. 2) Prudentius, Psychomachia. 3) Final verses from Francesco Filelfo, Satyrarum hecatostichon septima decas, hecatosticha quinta. 4) Franciscus de Fiano, Deprecacio pulcherrima ad gloriosissimam matrem. 5) Fortunatus, selected verses from Carmina III.9.1 (Ad Felicem episcopum de pascha). 6) Sedulius, Carmen paschale. 7) Sedulius, Hymnus I. 8) Two unidentified poems. Written by a Cistercian monk.
Description:
Binding: Nineteenth century, Italy (?). Bound in tan sheepskin, over wooden boards. Bluish green edges. "Prudentii" scratched on leather of upper board., Contemporary foliation, in ink, in upper right corner skips from 4 to 6; correct modern foliation, lower right, in pencil., Script: Written in humanistic bookhand with gothic features by a single scribe, above top line., Some headings, in red, for art. 6 only., and Watermarks, in gutter: similar to Briquet Lettres Assemblees 9607; similar to Piccard Blume II.900, but with prominent stitching holes.
Antoninus, Saint, Archbishop of Florence, 1389-1459
Published / Created:
[between 1450 and 1475]
Call Number:
Marston MS 163
Image Count:
522
Resource Type:
Archives or Manuscripts
Abstract:
Manuscript on paper of St. Antoninus of Florence, Summa moralis (extracts on sins, virtues and vices arranged thematically).
Description:
29 modern binders blanks at end not digitized. Back flyleaf indicative of binders blanks., Binding: 17th-18th centuries, Northern Italy. Resewn and bound in alum tawed pigskin, blind-tooled. Lower board cut in for the strap. The boards and cover are probably early (15th century) and reworked and reshaped to fit the text block, given the large number of later blank leaves inserted at end of text and the way the text block appears to have been trimmed at the tail and the new endbands added. In addition, the title written twice, 15th century, on upper cover ("Rationale diuinorum offitiorum" of Guilielmus Durandus) does not correspond to the present text. Title, written in ink, on a square paper label on spine mutilated and largely illegible. Strip of liturgical manuscript with musical notation, 15th century?, used as spine lining., Decorative initials, 9- to 5-line, for main text divisions, blue with red penwork designs (red much faded); headings, initials (5- to 3-line), paragraph marks in bright red; initial strokes in yellow., Purchased in 1958 from C. A. Stonehill by Thomas E. Marston., Script: Written by multiple scribes in small informal styles of gothic bookhand with humanistic features, below top line., and Watermarks, buried in tight binding: unidentified flower.
Manuscript on paper (polished) of Gasparino Barzizza, Commentary on Epistolae morales ad Lucilium, 65-124 only.
Description:
Binding: Fifteenth century, Italy. Parchment stays are adhered to inner and outer conjugate leaves of quires. Original wound sewing on three tawed skin, slit straps laid in channels on the outside of beech boards. The endbands, which are wanting, were sewn on tawed skin cores laid in grooves and nailed or held in place by the bosses; they were tied down through a tawed skin spine lining. Covered in sheepskin, originally brick red, with the surface now badly rubbed and shedding. Corner tongues. Blind-tooled with an X in concentric frames. Four leaf-shaped catches with three flowers on each on the lower board, one wanting; the upper board cut in for two kermes pink straps attached with star-headed nails. Five flower-shaped bosses on each board and the trace of a chain attachment at the tail of the lower one., Illuminated initial, f. 1r, 8-line, blue with white highlights and burnished gold on gold ground with stylized foliage in green and dark red with yellow highlights. Terminals ending in foliage serifs, red, green with yellow highlights, and gold balls with hairline extensions. Numerous pen and ink initials, 3-line, alternate red and bright blue with penwork designs of the other color extending along margin., Purchased from Enzo Ferrajoli through Nicolas Rauch of Geneva in 1958 by L. C. Witten, who sold it the same year to Thomas E. Marston., Script: Written in gothic cursive with humanistic features by a single scribe, above top line., and Watermarks: similar to Briquet Tour 15909 and Piccard Turm II.617.
Manuscript on paper, composed of two distinct parts, of speeches by Cicero. Introductions to ten of the speeches were composed by Antonio Loschi between 1391 and 1405. The pattern of stains indicates that Parts I and II were once separate; it is unclear when they were bound together.