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1. Enthusiasm delineated [graphic]
- Creator:
- Mills, Isaac, 1770-1857, printmaker
- Published / Created:
- [12 November 1795]
- Call Number:
- Folio 75 H67 800 v.2 (Oversize)
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- Copy of Hogarth's print; interior of a
- Description:
- Title etched below image., State from British Museum catalogue., Lettered above the image with text beginning: Hogarth's first thought for the medley. Copied from a very curious print designed and engraved by Hogarth, of which there are only two impressions, both of them in the possession of John Ireland. March 15th 1796. [Image of hand with pointing finger]. After taking the above impressions, Hogarth changed the point of his satire from the superstitious absurdities of popery and ridiculous personification delineated by ancient painters, to the popular credulities of his own day, erased or essentially altered every figure except two, and on the same piece of copper engraved the plate now in the possession of Messrs. Boydell, entitled Credulity, superstition & fanaticism, a medley., Dedication etched below title: Humbly dedicated to his Grace the Arch Bishop of Canterbury, by his Graces most obedient humble servant Wm. Hogarth., Text following dedication: Advertisement. The intention of this print, is to give a lineal representation, of the strange effects of literal and low conceptions of sacred beings, as also of the idolatrous tendency of pictures in churches, and prints in religious books, &c., Legend following advertisement: A. After Raphael Urbino. B. After Rubens. C. After Rembrant. D.E.F.G.H. Are imitations of several other painters., Sheet trimmed to plate mark., Copy of: Catalogue of prints and drawings in the British Museum, v. 3, no. 2425., Copy of: Paulson, R. Hogarth's graphic works (3rd ed.), no. 210., Ms. note in pencil in Steevens's hand above print: See J. Ireland's Hogarth illustrated, p. 365., and On page 190 in volume 2.
- Publisher:
- Published Novr. 12th, 1795 by John Ireland (Author of Hogarth illustrated) No. 3 Poets Corner, Palace Yard, & for Messrs. Boydell, Cheapside & Shakespeare Gallery Pallmall
- Subject (Name):
- Toft, Mary, 1703-1763, Villiers, George, 1690-1748., and Whitefield, George, 1714-1770
- Subject (Topic):
- Christianity, Superstition, Demonology, Demons, Ghosts, Witches, Sleeping, and Supervisors
- Found in:
- Lewis Walpole Library > Enthusiasm delineated [graphic]
2. Enthusiasm delineated [graphic]
- Creator:
- Mills, Isaac, 1770-1857, printmaker
- Published / Created:
- [12 November 1795]
- Call Number:
- Print20116
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- Copy of Hogarth's print; interior of a
- Description:
- Title etched below image., State from British Museum catalogue., Lettered above the image with text beginning: Hogarth's first thought for the medley. Copied from a very curious print designed and engraved by Hogarth, of which there are only two impressions, both of them in the possession of John Ireland. March 15th 1796. [Image of hand with pointing finger]. After taking the above impressions, Hogarth changed the point of his satire from the superstitious absurdities of popery and ridiculous personification delineated by ancient painters, to the popular credulities of his own day, erased or essentially altered every figure except two, and on the same piece of copper engraved the plate now in the possession of Messrs. Boydell, entitled Credulity, superstition & fanaticism, a medley., Dedication etched below title: Humbly dedicated to his Grace the Arch Bishop of Canterbury, by his Graces most obedient humble servant Wm. Hogarth., Text following dedication: Advertisement. The intention of this print, is to give a lineal representation, of the strange effects of literal and low conceptions of sacred beings, as also of the idolatrous tendency of pictures in churches, and prints in religious books, &c., Legend following advertisement: A. After Raphael Urbino. B. After Rubens. C. After Rembrant. D.E.F.G.H. Are imitations of several other painters., Sheet trimmed to plate mark., Copy of: Catalogue of prints and drawings in the British Museum, v. 3, no. 2425., Copy of: Paulson, R. Hogarth's graphic works (3rd ed.), no. 210., and 1 print : etching ; plate mark 481 x 380 mm.
- Publisher:
- Published Novr. 12th, 1795 by John Ireland (Author of Hogarth illustrated) No. 3 Poets Corner, Palace Yard, & for Messrs. Boydell, Cheapside & Shakespeare Gallery Pallmall
- Subject (Name):
- Toft, Mary, 1703-1763, Villiers, George, 1690-1748., and Whitefield, George, 1714-1770
- Subject (Topic):
- Christianity, Superstition, Demonology, Demons, Ghosts, Witches, Sleeping, and Supervisors
- Found in:
- Medical Historical Library, Cushing/Whitney Medical Library > Enthusiasm delineated [graphic]
3. Enthusiasm delineated [graphic]
- Creator:
- Mills, Isaac, 1770-1857, printmaker
- Published / Created:
- [March 1798]
- Call Number:
- Folio 75 H67 800 v.2 (Oversize)
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- ; interior of a chapel with an impassioned
- Description:
- Title etched below image., Lettered above the image with text beginning: Hogarth's first thought for the medley. Copied from a very curious print designed and engraved by Hogarth, of which there are only two impressions, both of them in the possession of John Ireland. After taking the above impressions, Hogarth changed the point of his satire from the superstitious absurdities of popery & ridiculous personification delineated by ancient painters, to the popular credulities of his own day, erased or essentially altered every figure except two, & on the same piece of copper engraved the plate which is copied on the opposite page., Dedication etched below title: Humbly dedicated to his Grace the Arch Bishop of Canterbury, by his Graces most obedient humble servant Wm. Hogarth., Text following dedication: Advertisement. The intention of this print, is to give a lineal representation, of the strange effects of literal and low conceptions of sacred beings, as also of the idolatrous tendency of pictures in churches, and prints in religious books, &c., "Page 233"--Above image, right., Sheet trimmed to plate mark., Copy of: Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3, no. 2425., Copy of: Paulson, R. Hogarth's graphic works (3rd ed.), no. 210., and On page 190 in volume 2.
- Publisher:
- Published March 1798 for John Ireland, Poets Corner, Palace Yard
- Subject (Name):
- Toft, Mary, 1703-1763, Villiers, George, 1690-1748., and Whitefield, George, 1714-1770
- Subject (Topic):
- Christianity, Superstition, Demonology, Demons, Ghosts, Witches, Sleeping, and Supervisors
- Found in:
- Lewis Walpole Library > Enthusiasm delineated [graphic]
4. References to the figures in Hogarth's Enthusiasm delineated [graphic]
- Creator:
- Mills, Isaac, 1770-1857, printmaker
- Published / Created:
- March 1798.
- Call Number:
- Folio 75 H67 800 v.2 (Oversize)
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- ; interior of a chapel with an impassioned
- Description:
- Title etched above image., Legend to figures lettered or marked with asterisks in image, above imprint and below image: A. After Raphael. B. After Rubens. C. After Rembrandt. D.E.F.G.H. Are imitiations of other painters. *From sketches by Hogarth on the margins of the original prints., "Page 233"--Above image, left., Plate prepared for: Ireland, J. Supplement to Hogarth Illustrated, 1798, p. 233., Sheet trimmed to plate mark., Details from: Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3, no. 2425., Details form: Paulson, R. Hogarth's graphic works (3rd ed.), no. 210., and On page 190 in volume 2.
- Publisher:
- Published by John Ireland, No. 3 Poets Corner, Palace Yard, Westminster
- Subject (Name):
- Toft, Mary, 1703-1763
- Subject (Topic):
- Christianity, Superstition, Demonology, Demons, Ghosts, and Witches
- Found in:
- Lewis Walpole Library > References to the figures in Hogarth's Enthusiasm delineated [graphic]
5. References to the figures in Hogarth's Enthusiasm delineated [graphic]
- Creator:
- Mills, Isaac, 1770-1857, printmaker
- Published / Created:
- March 1798.
- Call Number:
- Folio 75 H67 800 v.2 (Oversize)
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- ; interior of a chapel with an impassioned
- Description:
- Title etched above image., Legend to figures lettered or marked with asterisks in image, above imprint and below image: A. After Raphael. B. After Rubens. C. After Rembrandt. D.E.F.G.H. Are imitiations of other painters. *From sketches by Hogarth on the margins of the original prints., "Page 233"--Above image, left., Plate prepared for: Ireland, J. Supplement to Hogarth Illustrated, 1798, p. 233., Sheet trimmed to plate mark., Details from: Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3, no. 2425., Details form: Paulson, R. Hogarth's graphic works (3rd ed.), no. 210., and On page 191 in volume 2.
- Publisher:
- Published by John Ireland, No. 3 Poets Corner, Palace Yard, Westminster
- Subject (Name):
- Toft, Mary, 1703-1763
- Subject (Topic):
- Christianity, Superstition, Demonology, Demons, Ghosts, and Witches
- Found in:
- Lewis Walpole Library > References to the figures in Hogarth's Enthusiasm delineated [graphic]
6. Enthusiasm delineated [graphic]
- Creator:
- Mills, Isaac, 1770-1857, printmaker
- Published / Created:
- [12 November 1795]
- Call Number:
- 795.11.12.02+
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- Copy of Hogarth's print; interior of a
- Description:
- Title etched below image., Lettered above the image with text beginning: Hogarth's first thought for the medley. Copied from a very curious print designed and engraved by Hogarth, of which there are only two impressions, both of them in the possession of John Ireland. March 15th 1796. [Image of hand with pointing finger]. After taking the above impressions, Hogarth changed the point of his satire from the superstitious absurdities of popery and ridiculous personification delineated by ancient painters, to the popular credulities of his own day, erased or essentially altered every figure except two, and on the same piece of copper engraved the plate now in the possession of Messrs. Boydell, entitled Credulity, superstition & fanaticism, a medley., Dedication etched either side of title: Humbly dedicated to his Grace the Arch Bishop of Canterbury, by his Graces most obedient humble servant Wm. Hogarth., Text following dedication: Advertisement. The intention of this print, is to give a lineal representation, of the strange effects of literal and low conceptions of sacred beings, as also of the idolatrous tendency of pictures in churches, and prints in religious books, &c., Legend to the left of the title: A. After Raphael Urbino. B. After Rubens. C. After Rembrant. D.E.F.G.H. Are imitations of several other painters., Sheet trimmed to plate mark., Copy of: Catalogue of prints and drawings in the British Museum, v. 3, no. 2425., and Copy of: Paulson, R. Hogarth's graphic works (3rd ed.), no. 210.
- Publisher:
- Published Novr. 12th, 1795 by John Ireland, No. 3 Poets Corner, Palace Yard, Wesminster
- Subject (Name):
- Toft, Mary, 1703-1763, Villiers, George, 1690-1748., and Whitefield, George, 1714-1770
- Subject (Topic):
- Christianity, Superstition, Demonology, Demons, Ghosts, Witches, Sleeping, and Supervisors
- Found in:
- Lewis Walpole Library > Enthusiasm delineated [graphic]