An elderly man plays a harp on a hillside surrounded by couples and children. In the distance are mountains and a tower
Alternative Title:
Harpist in the mountains, the Welsh bard
Description:
Title from the first line of the four-line poem printed below the image., Title continues: "... That not a mountain rears his head unsung. And many an amorous, many a humourous lay, which many a bard had changed many a day.", Sheet trimmed within plate mark., Frontispiece to: Jones, E. Bardic Museum. Musical and poetical relicks of the Welsh Bards, v. 2. London : For the author, 1802., Mounted on leaf 9 of volume 8 of 14 volumes., 1 print : etching on wove paper, hand-colored ; sheet 23.3 x 19.4 cm., and Sheet trimmed within plate mark with loss of imprint and verses.
Publisher:
Published according to act of Parliament Feb. 20, 1802 by Ed. Jones, in Lord Steward's Court-Yard, St. James's Place
Subject (Topic):
Children, Couples, Harps, Mountains, and Musicians
An elderly man plays a harp on a hillside surrounded by couples and children. In the distance are mountains and a tower
Alternative Title:
Harpist in the mountains, the Welsh bard
Description:
Title from the first line of the four-line poem printed below the image., Title continues: "... That not a mountain rears his head unsung. And many an amorous, many a humourous lay, which many a bard had changed many a day.", Sheet trimmed within plate mark., and Frontispiece to: Jones, E. Bardic Museum. Musical and poetical relicks of the Welsh Bards, v. 2. London : For the author, 1802.
Publisher:
Published according to act of Parliament Feb. 20, 1802 by Ed. Jones, in Lord Steward's Court-Yard, St. James's Place
Subject (Topic):
Children, Couples, Harps, Mountains, and Musicians
"Lee Lewes stands on stage at Covent Garden, with busts arranged on a table behind him, he holds one up, turning to the crowd; the audience in the pit in the foreground, with four tiers of boxes behind; after Woodward."--British Museum online catalogue
Description:
Title engraved below image. and Frontispiece to: A lecture on heads / by Geo. Alex. Stevens ; with additions, as delivered by Mr. Charles Lee Lewes ; ... embellished with twenty-five humourous characteristic prints, from drawings by G.M. Woodward, Esq. London : Printed for Vernor, Hood, and Sharpe ..., 1808.
Publisher:
Pub. by T. Tegg, 111 Cheapside
Subject (Geographic):
Great Britain.
Subject (Name):
Stevens, George Alexander, 1710-1784., Lewes, Charles Lee, 1740-1803, and Covent Garden Theatre,
Subject (Topic):
Theaters, Actors, British, Interiors, Audiences, and Public speaking
"Frontispiece to 'All the Talents', 18th edition, satirical verses by 'Polypus', i.e. E. S. Barrett, attacking the late Ministry. The print (Hogarthian in manner) has little relation to the verses, and is probably adapted from an earlier satire, perhaps on Bute. A creature with the body of a man and the face of an ape, with a tail, tramples on burning papers. It wears spectacles, a large wig, bands, old-fashioned laced coat (with a star), and tattered breeches. On one foot is a shoe; the left. leg is in a large jack-boot (? originally an emblem of Bute). In the right hand is a crozier with which he pulls down two books from a shelf: 'Magna Charter' and 'Coronation Oath'. Behind him a musket inscribed 'Army', the barrel pointing upwards, is firing a blast at the falling books. His left hand rests on a book or ledger, open on a book-stand, in which he writes with the feathered end of his pen. The page is headed 'Finance'; from the book hangs a paper: 'Country Dances'. The burning papers are inscribed 'Negotiation' [bis], 'Sinecures'. He is smoking a pipe from which thick clouds of smoke rise and obscure a profile bust portrait of Pitt. Below the design: 'Monstrum horrendum, informe, ingens, cui lumen ademptum.'."--British Museum online catalogue and British Museum curator's comments: The monster symbolizes the blind and reckless politician. The verses, though published after the fall of the Ministry ... were written before it, and do not allude to the Catholic question, here indicated by the treatment of the 'Coronation Oath'. Nor are the peace negotiations, ... directly referred to. They contain a tribute to Pitt, and gibes at Petty, ... here illustrated. They went through nineteen editions in 1807 ....
Description:
Title etched below image., Plate from: All the Talents, 18th edition, satirical verses by 'Polypus.', Lettered below title with a line from Virgil (Aeniad, III, 658): Monstrum horrendum, informe, ingens, cui lumen ademptum., and Mounted on leaf 45 of volume 8 of 14 volumes.
Publisher:
Pub. April 18th, 1807, by I. I. Stockdale, Pall Mall
Subject (Name):
Pitt, William, 1759-1806
Subject (Topic):
Animals in human situations, Apes, and Pipes (Smoking)
"Mrs. Thrale (Piozzi) and Boswell are in heated argument: she (left) advances upon Boswell with her hands on her hips; he stamps violently and clenches his fists. An elderly man seated in an armchair looks at them in alarm, raising his hand in admonition. He is Sir John Hawkins: the 'rival wits' have agreed to let him 'Declare the prop'rest pen to write Sam's Life.' Beside him a 'cello leans against the wall, emblem perhaps of Sir John's interest in music, perhaps of Mrs. Thrale's marriage to Piozzi. Three shelves of books are above his head; the highest is filled with large volumes covered with a cobweb, one inscribed 'History of Musi[c]' ... Behind the two disputants is a draped sash-window. Beneath each part of the title a quotation from the verses is engraved: '[1] Who, madning with an Anecdotic Itch, Hath said that Johnson call'd his Mother, B-tch?' Boswell taunts Mrs. Thrale with her anecdote of Johnson's answer to his mother when she called him a puppy. '[2] Who, from Macdonald's Rage, to save his snout, Cut twenty lines of defamation, out?' She retorts with the slander which Boswell denied."--British Museum online catalogue
Alternative Title:
Madame Piozzi
Description:
Title etched below image., Printmaker and date from British Museum catalogue., Frontispiece to: Pindar, P. Bozzy and Piozzi, or, The British biographers. London : Printed for G. Kearsley ..., [1786], Sheet trimmed to within plate mark on right edge., and Mounted on leaf 71 of volume 2 of 14 volumes.
"A room crowded with cooks and scullions : a tall cook addresses the others with clenched fist, holding the queue of his hair. The others make similar gestures of indignation ; one negligently holds a spit transfixing a bird which a dog is eating. Against the wall hang birds, &c., and a poster: Royal Bill of Fare ... second course."--British Museum Catalogue
Description:
Title etched below image., Printmaker and date from British Museum catalogue., Variant state of plate issued with the title: Cooks, scullions, hear me evr'y mother's son. Cf. Grego, J. Rowlandson the caricaturist, v. 1, page 204., Frontispiece to: Pindar, P. The Lousiad. An heroi-comic poem. Canto II. London : Printed for G. Kearsley ..., [1787], Sheet trimmed within plate mark., and Mounted on leaf 72 of volume 2 of 14 volumes.
Leaf 53. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
"Two men converse in an interior next to a fireplace. The figure at right rises and points to a portrait over the fireplace, a dog looking up to follow the gesture. The other figure, seated, holds a glass of wine. A grinning classical bust on the bookcase, lettered "Aristhoph..."."--Metropolitan Museum of Art online catalog
Description:
Title etched below image., Attributed to Rowlandson in the Metropolitan Museum of Art online catalog., Restrike. For an earlier issue, see Metropolitan Museum of Art online catalog, accession no.: 59.533.1816., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Frontispiece to part 20 of: The Wits magazine, and Attic miscellany. London : Printed for Thomas Tegg, [1818], Five lines of text below title: Foote, who had a sovereign contempt for his wife, said to Murphy, You may learn geography from her face ..., and On leaf 53 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Field & Tuer
Subject (Topic):
Interiors, Fireplaces, Portrait paintings, Dogs, Drinking vessels, Sculpture, and Bookcases
"Design in an oval. Used as a frontispiece to second edition (1785) of 'The Westminster Election' and probably designed for it. Britannia seated on a throne (right) raised on three steps holds out a laurel wreath towards the Duchess of Devonshire who is led towards her by the draped figures of Liberty (left) holding the staff and cap of Liberty, and Fame (right) with her trumpet. The British lion lies at Britannia's feet (right) looking over its shoulder at the Duchess."--British Museum online catalogue
Alternative Title:
Liberty and Fame introducing female patriotism to Britannia
Description:
Title etched below image., Printmaker and date of publication from Grego., Two lines of quoted text below title: "She smiles - infused with a fortitude from Heaven"! Vide Shakespears Tempest., Frontispiece to: Hartley, J. History of the Westminster election. London : Printed for the editors, and sold by J. Debrett ..., 1785., Temporary local subject terms: British Lion -- Personifications -- Cap of Liberty -- Staff of Liberty -- Musical instruments -- Laurel wreaths -- Ships., 1 print : etching on laid paper, hand-colored ; sheet 18.8 x 26.5 cm., Imperfect; sheet trimmed within plate mark on bottom edge, with loss of text below title., and Formerly mounted on verso of leaf 22 of volume 1 of 14 volumes.
Publisher:
publisher not identified
Subject (Name):
Cavendish, Georgiana Spencer, Duchess of Devonshire, 1757-1806
Subject (Topic):
Britannia (Symbolic character), Liberty, Fame, Lions, Thrones, Wreaths, Liberty cap, and Trumpets
"Design in an oval. Used as a frontispiece to second edition (1785) of 'The Westminster Election' and probably designed for it. Britannia seated on a throne (right) raised on three steps holds out a laurel wreath towards the Duchess of Devonshire who is led towards her by the draped figures of Liberty (left) holding the staff and cap of Liberty, and Fame (right) with her trumpet. The British lion lies at Britannia's feet (right) looking over its shoulder at the Duchess."--British Museum online catalogue
Alternative Title:
Liberty and Fame introducing female patriotism to Britannia
Description:
Title etched below image., Printmaker and date of publication from Grego., Two lines of quoted text below title: "She smiles - infused with a fortitude from Heaven"! Vide Shakespears Tempest., Frontispiece to: Hartley, J. History of the Westminster election. London : Printed for the editors, and sold by J. Debrett ..., 1785., Temporary local subject terms: British Lion -- Personifications -- Cap of Liberty -- Staff of Liberty -- Musical instruments -- Laurel wreaths -- Ships., and Mounted to 28 x 34 cm.
Publisher:
publisher not identified
Subject (Name):
Cavendish, Georgiana Spencer, Duchess of Devonshire, 1757-1806
Subject (Topic):
Britannia (Symbolic character), Liberty, Fame, Lions, Thrones, Wreaths, Liberty cap, and Trumpets
A young woman stands in a city street singing, a scroll with music in her one hand; beside her is a young girl who plays a triangle. The two performers are surrounded by a happy looking crowd of working class and poor citizens -- men, women and children -- smiling at the duo, some of whom seem to be singing along. A older woman holds a basket over their arms with a mug dangling from the handle; a young boy also with a basker stands with his dog looking on with awe. In the background on either side are buildings including a church tower
Description:
Title devised by cataloger., Frontispiece to: Jones, E. Musical bouquet, or, Popular songs and ballads. London : Printed and sold at no. 3 Green Street, near Grosvenor Square ..., [1799]., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Publish'd as the act directs, by Ed. Jones
Subject (Topic):
Ballads, Children, Cries, Singers, Street entertainers, and Percussion instruments
