Manuscript indenture, on parchment, detailing an agreement between the Prior and canons of the Augustinian priory of Bromehill on the one part and the Mayor, burgesses, merchants and residents of the town of Thetford on the other part. The indenture concerns the rights to income from the annual Prior's fair at Bromehill, including rights to the toll, stallage and pickage fees.
Description:
Annotated in a later hand, possibly that of the Norfolk antiquary Thomas Martin., Docketed in a sixteenth-century? hand: the indentur of Bromehyll ffeyes., Formerly owned by Thomas Martin. From the collection of Toshiyuki Takamiya, 2013-., Layout: single column of 26 lines. Head of document indented., Script: secretary script., and With: Seal of the Prior and Canons of Bromehill Priory, in green wax, containing a pyramid between a star, below, and a crescent moon, above.
Subject (Geographic):
Norfolk (England)--Early works to 1800. and Thetford (England)--Early works to 1800.
Subject (Name):
Augustinians--England., Bromehill Priory (Norfolk, England), and Martin, Thomas,--1697-1771--Ownership.
Subject (Topic):
Fairs--England--Early works to 1800., Manuscripts, Medieval--Connecticut--New Haven., Markets--England--Early works to 1800., Medieval and Renaissance Manuscripts in Beinecke Library., and Monasteries and state--England.
Avicenna, 980-1037 Jābir ibn Ḥayyān Rāzī, Abū Bakr Muḥammad ibn Zakarīyā, 865?-925? Richard, de Fournival, fl. 1246-1260
Published / Created:
[ca. 1350]
Call Number:
Mellon MS 2
Image Count:
96
Resource Type:
Archives or Manuscripts
Abstract:
Manuscript on parchment of a collection of practical alchemies and procedures, the earliest such manuscript in the Mellon collection. Contains texts transmitted from Arabic sources and what appear to be European additions to the literature and practice of alchemy. Includes the following identifiable texts: Rasis or Aristotle, Lumen luminum perfecti magisterii; Avicenna, Epistola ad Hasen; Geber, Liber deitatis sive divinitatis and Summa perfectionis magisterii; Rasis, De aluminibus et salibus, extracts; and Richard de Fournival, Opus Arturi, or De arte alchemica. and The codex is an important, early, and comprehensive collection of largely practical alchemies and procedures. It is also of special significance both because of its early copies of texts transmitted from Arabic sources and for what appear to be very early, independent, European additions to the literature and practice of alchemy.
Description:
Alternating red and blue capitals throughout, some headings in red, many capitals stroked red, slight filiform decoration to opening initial of the volume, the rubrics and decoration probably by one of the scribes or another closely related hand., Binding: Early, probably 15th century. Undecorated red-dyed hide over beveled wooden boards, four brass edgepieces on each cover attached with brass nails, two brass catches on upper cover, lightly chased brass and leather clasps on lower cover (all of the material of cut sheet-brass), back with six raised bands, repaired and rebacked, with modern leather title label. Used as pastedowns inside upper and lower cover are two leaves from a 14th-century Germanic (perhaps Netherlandish) manuscript on parchment containing plainsong written in Germanic neumes on five-line staves, the text in Gothica textualis formata, large gothic capitals in red or blue, one at top of lower pastedown in black and red slightly decorated. In all the staves but the last on the lower pastedown the center-line is stroked red and bears the clef sign; in the last, the fourth line from the bottom has these indications., Pastedowns inside both covers are two leaves from a 14th-century Germanic (perhaps Netherlandish) manuscript on parchment containing plainsong written in Germanic neumes on five-line staves, the text in Gothica textualis formata, large gothic capitals in red or blue, one at top of lower pastedown in black and red slightly decorated., Possibly written by Frater Bartholomaeus (of?) Ol-----, 1335, according to a later note at foot of f. 88v, Script: Written by three scribes all using similar, legible, and rather cursive forms of Gothica textualis; the first scribe wrote ff. 1r-64v, the second ff. 65r-77r1, 38, and the third the remainder., Written by three scribes all using closely similar, legible, and rather cursive forms of Gothica textualis, heavily abbreviated with standard forms., and Written space 184 x 116, 2 columns, 50-49-48 lines each.
Subject (Name):
Avicenna, 980-1037, Bacon, Roger, 1214?-1294, Duveen, Denis I., bookplate, Geber, 13th cent. Summa perfectionis magisterii, Razi, Abu Bakr Muh ammad ibn Zakariya, 865?-925?, Richard, de Fournival, fl. 1246-1260, and Saumaise, Claude, 1588-1653, provenance
Subject (Topic):
Alchemy--Early works to 1800, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Aristotle, pseud. Falconer, William Rufus, Jordanus Sacro Bosco, Joannes de, fl. 1230
Published / Created:
13th-14th-mid 15th century
Call Number:
Beinecke MS 1024
Image Count:
179
Resource Type:
Archives or Manuscripts
Alternative Title:
Falconibus: ms., on parchment and paper, in Latin, German and French, Medecina equorum: ms., on parchment and paper, in Latin, German and French, and Secrtum secretorum: ms., on parchment and paper, in Latin, German and French
Manuscript on parchment (goatskin) of 1) Raymundus Martini OP (c. 1215-after 1285), Capistrum Iudaeorum, composed c. 1267. 2) Nicolaus de Lyra (c. 1270-1349), Probatio adventus Christi, 2nd redaction, written 1331-1334. 3) Odo Biagi of Ancona (Odo Blasii de Ancona), Quaestiones de vera fide. A treatise addressed to the Jew A., a physician from Piceno, whom the author had met in Ancona the same year.
Description:
Binding: Nineteenth century. De luxe binding (loose) in Neo-Renaissance style: red morocco over cardboard, both covers richly gold-tooled; the turn-ins gold-tooled; the flat spine gold-tooled in five compartments, the second one bearing the inscription “NICOLAI / de / LYRA.” Grey marbled paper endleaves; gilt edges. A repair at the middle of the top of the front parchment flyleaf may indicate that the original binding was chained, the staple being fixed at the top of the front cover., Script: Copied by one hand writing Southern Gothica Textualis Libraria. In art. 1 the handwriting is larger and more careful, with fewer abbreviations, than in artt. 2-3., and Uniform decoration. Headings in red. Red stroking of majuscules. Numerous paragraph marks alternately red and blue. Alternately red and blue 2-line (rarely 3-line) flourished initials with penwork and more or less developed marginal extensions in the contrasting colour; up to f. 41v they have mostly a more developed pattern of penwork; towards the end of art. 3 they are only 1 line high; blue penwork of the initial on f. 31r is extremely pale. 2-3-line painted decorated initials with acanth extensions in the margins in art. 3 only. A 4-line historiated initial with acanths and gold balls in the margin at the opening of each art. At the top of the Genealogy of Christ on f. 94r two roundels containing the portraits of Abraham (“Abraam”) and David (“Davit”). There is a large drawing of a running bird in blue ink in the lower margin of f. 19r.
Subject (Name):
Martí, Ramón,--d. ca. 1286 and Nicholas,--of Lyra,--ca. 1270-1349
Subject (Topic):
Antisemitism, Christian literature, Latin (Medieval and modern), Illumination of books and manuscripts, Medieval, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on parchment of 3 liturgical rolls, containing Ambrosian Rite Antiphons for Rogation Days, with musical notation.
Subject (Name):
Catholic Church--Ambrosian rite
Subject (Topic):
Antiphonaries, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, Music--500-1400, and Rogation days
Bible.--Latin--Versions, Bible--Paraphrases, Christian poetry, Latin (Medieval and modern), Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript leaf, on vellum, in a single hand, of part of the book of Ecclesiasticus (Sirach).
Description:
Decoration: Three illuminated initials with bar borders; illuminated chapter numbers., Layout: double columns of 46 lines each., Manuscript Bible originally given to St. Albans Abbey by Michael of Mentmore (-1349). Leaf previously owned by Alan G. Thomas. From the collection of Toshiyuki Takamiya, 2013-., and Script: gothic.
Subject (Name):
St. Albans Abbey. and Thomas, Alan G.--Ownership.
Subject (Topic):
Manuscripts, Medieval--Connecticut--New Haven., Medieval and Renaissance Manuscript Fragments in Beinecke Library., and Medieval and Renaissance Manuscripts in Beinecke Library.
Manuscript fragment on parchment of portions of the biblical book of I Samuel.
Description:
Decoration: initials in red., In Latin., Script: written in a humanistic script., and These fragments, from the same manuscript, are contained in Zi +4439 (Josephus, Opera), in which they are used as front and back flyleaves.
Subject (Topic):
Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscript Fragments in Beinecke Library, and Medieval and Renaissance Manuscripts in Beinecke Library