"Fox, a ragged sansculotte with bloodstained hands and a dagger dripping blood thrust in his belt, sings "Ca ira!" He capers, right hand on his hip, left hand held up; expression and attitude suggest quasi-intoxication, a blast issues from his posteriors. On his forehead is a patch of sticking-plaster. He is unshaven and his body has a subhuman hairiness. He wears the ill-fitting wig of an artisan, with a tricolour cockade."--British Museum online catalogue
Alternative Title:
Reason & philosophy
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., Temporary local subject terms: Allusion to French Revolution -- Emblems: tricolor cockades -- French democrats -- Sansculottes -- Jacobins -- Expressions of speech: c̨a ira -- Weapons: daggers., 1 print : etching on wove paper, hand-colored ; plate mark 35.0 x 24.9 cm, on sheet 39.3 x 29.3 cm., and Mounted on leaf 29 of volume 3 of 12.
Publisher:
Pubd. March 1st, 1793, by H. Humphrey, No. 18 Old Bond Street
"On the left. Fox stands at his tavern-door, which is at r. angles to the front of the house (r.), where a large open sash-window faces the spectator. Below the window is a large inscription: 'C. J. F & Co. Dealers Rectifiers and Compounders [the 'nf' of 'confounders' is scored through, and replaced by 'mp'] of foreign Spirits'. Beside the window are chequers, indicating the sale of ale; below them: 'Whitbreads intire' [cf. BMSat 10421]. Over the door is the sign: a crown, and 'The Case is Altered' [cf. BMSat 9714], with a bunch of grapes indicating the sale of wine. Fox, very neat and debonair, with a napkin under his arm, a corkscrew in his coat-pocket, a typical tavern-keeper or head-waiter, smiles at a ragged, Bohemian-looking fellow, who approaches him, with outstretched left hand, a large book under his right. arm inscribed 'Pl[an] of Reform'. The ragged reformer says: "Ah! Citizen, how do you do. I've just finisd my plan of Reform, and as you have no plan we can as well be going on with that as doing nothing." Fox, his hand thrust in his coat-pocket, answers: "Citizen!!! we-go-on-with your plan!!! I dont understand you Oh!. I suppose you mean what I used to gammon my Custommers with when I lived over the way, but that sort of fun wont do now, we are all different people!" Within the open window members of the new Ministry are seated drinking, as if at a tavern-club meeting, with Erskine, wearing a hat and Chancellor's wig and gown, in the chairman's seat, which is surmounted by the Prince of Wales's feathers (see BMSat 10525); he holds the mace. On the left. (or Erskine's r.) are Sheridan (a bottle of 'Sherry' in front of him), Grey, and Lauderdale. Opposite them are (r. to left.): Grenville, Bedford, Moira (wearing a cocked hat and smoking a long pipe), Petty, and (slightly isolated) Sidmouth. ..."--British Museum online catalogue
Alternative Title:
Design for a scene in the intended new melodrama entitled The forty thieves
Description:
Title etched below image., Questionable attribution to Isaac Cruikshank from the British Museum catalogue., and Mounted on leaf 31 of volume 11 of 12.
Publisher:
Pub. March 25th, 1805, by I. Hays, 25 Marylebone St., Piccadilly
Subject (Name):
Fox, Charles James, 1749-1806, Grey, Charles Grey, Earl, 1764-1845, Grenville, William Wyndham Grenville, Baron, 1759-1834, Sidmouth, Henry Addington, Viscount, 1757-1844, Erskine, Thomas Erskine, Baron, 1750-1823, Lauderdale, James Maitland, Earl of, 1759-1839, Sheridan, Richard Brinsley, 1751-1816, Bedford, John Russell, Duke of, 1766-1839, Lansdowne, Henry Petty-Fitzmaurice, Marquess of, 1780-1863, and Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826
"Pitt, Hastings, and Thurlow sit at a circular dinner-table on which is the King's head in a large dish. The dish is ornamented with a crown and the words 'Mal. y . Pense'. Pitt (left) sits in profile to the right cutting off a piece of the tongue with a knife and fork. Thurlow, in his Chancellor's wig and gown, faces him, using two large spoons greedily (cf. BMSat 7166), he is taking brains from a hole in the King's forehead. Hastings, in oriental dress, sits between them gouging out an eye with a spoon and fork. Besides Pitt is a sauce-boat inscribed 'Sauce', beside Thurlow a bottle inscribed 'Vinegar'."--British Museum online catalogue
Description:
Title etched below image., Attributed to Gillray in the British Museum catalogue., Sheet trimmed within plate mark on top edge., Temporary local subject terms: Male costume: Oriental costume -- Royal motto: Honi soit qui mal y pense., 1 print : etching on laid paper, hand-colored ; plate mark 19.9 x 28.9 cm, on sheet 22.7 x 31.9 cm., and Mounted on leaf 29 of volume 2 of 12.
Publisher:
Pubd. March 28th, 1788, by S.W. Fores, N. 3 Piccadilly
Subject (Geographic):
Great Britain.
Subject (Name):
George III, King of Great Britain, 1738-1820, Pitt, William, 1759-1806, Hastings, Warren, 1732-1818, and Thurlow, Edward Thurlow, Baron, 1731-1806
"Fox, in a diver's dress which leaves his face and hands bare, stands on the bed of the ocean, speaking, through a tube inscribed 'Haul up', to his assistants in a boat; these haul on a pulley attached to the mast of the boat, but cut off by the upper margin. Fox has fastened the rope to a chest inscribed '10 Per Cent'; this, with an anchor inscribed 'Pig Iron' and three barrels, one inscribed 'Beer Tax', lies on the ocean bed. He turns his back on the dead body of John Bull, lying on his back, beside the wrecked hull of the 'Constitution Cutter - John Bull commander (whose cargo he is seizing); only the top of the mast projects above the surface of the 'Ocean of Taxation'; on this a carrion bird perches, another flies towards it. The boat from which Fox has descended is 'The Experiment'; in it are salvaged money-bags inscribed '10 Pr Cent'; its crew are (l. to r.), Windham (?), Sheridan, Erskine, and Petty."--British Museum online catalogue
Description:
Title etched below image., Attributed to Rowlandson by Grego., Year of publication from British Museum catalogue., Sheet trimmed within plate mark., and Mounted on leaf 37 of volume 8 of 14 volumes.
Publisher:
Pubd. May 31, by T. Rowlandson, N. 1, James St., Adelphi
Subject (Name):
Fox, Charles James, 1749-1806, Windham, William, 1750-1810, Sheridan, Richard Brinsley, 1751-1816, Erskine, Thomas Erskine, Baron, 1750-1823, and Lansdowne, Henry Petty-Fitzmaurice, Marquess of, 1780-1863
Subject (Topic):
John Bull (Symbolic character), Barrels, Diving suits, and Shipwrecks
Two women stand on a balcony, mouths open in song and eyes cast downward at their music sheet. They wear corsetted dresses and feathered head wear. A satire of the duet performed by Harriet Abrams (1758-1821), the English soprano and composer, and her sister Theodosia (ca. 1770-1849), a contralto, on 9 May 1788 at Hanover Square Rooms. The piece performed was 'Gia che mia sposa sei' by Antonio Sacchini, and the occasion was the annual benefit concert for the tenor Samuel Harrison
Alternative Title:
Duet at the Hanover Square concert
Description:
Title etched below image., After a drawing by John Nixon, now in the Gerald Coke Handel Collection, Foundling Museum, London. The artist's "JN" monogram and "1788" date are etched within center left portion of image., Imperfect; sheet trimmed within plate mark with loss of imprint statement from bottom edge. Imprint supplied from impression in the Gerald Coke Handel Collection, Foundling Museum, London., Not in the Catalogue of prints and drawings in the British Museum., and Laid down onto album paper, with a cropped portrait of an unidentified man on the verso: I. Hiresman pinx. ; M. Vdr. Guchta sculp.
"Admiral Sir George Young, in naval uniform, stands in profile to the left, slim and erect, heels together, hand on the hilt of his sword. He wears a cocked hat and high boots. His expression is firm, alert, benevolent."--British Museum catalogue
Description:
Title etched below image., Leaf 8 in an album with the spine title: Characatures by Dighton., and Figure identified as "Admiral Young" in pencil in lower left corner of sheet.
"The royal party on board a vessel which, though the sail is inscribed 'Southampton Frigate', resembles a fishing-vessel. They are seated in the stern in the worst throes of sea-sickness: the King (centre), his hat tied on with a handkerchief, clasps his stomach. One of the princesses, holding a smelling-bottle, supports the Queen. The helmsman is impeded by a fat lady who drinks from a bottle. A princess (left) droops despairingly, another (right) appeals to Heaven for mercy. A sailor (left) carries off a bucket, holding his nose. Below the deck appear the heads of two beef-eaters, vomiting."--British Museum online catalogue
Alternative Title:
Southampton Frigate
Description:
Title etched below image., Attributed to Rowlandson by Grego., Temporary local subject terms: Southampton frigate -- Naval uniforms: sailors' uniforms -- Sails -- Beefeaters -- Sea sickness., 1 print : etching on laid paper, hand-colored ; sheet 27.1 x 37.5 cm., Sheet trimmed within plate mark., and Mounted on leaf 56 of volume 3 of 14 volumes.
Publisher:
Pubd. Augst. 4, 1789, by S.W. Fores, No. 3 Piccadilly
Subject (Geographic):
Great Britain.
Subject (Name):
George III, King of Great Britain, 1738-1820 and Charlotte, consort of George III, King of Great Britain, 1744-1818
"Bonaparte (left) and Cornwallis play chess. Bonaparte, not caricatured, alert and military, wearing his large plumed cocked hat, leans forward, pointing to his move; his left arm lies on the table and in his left hand is his sheathed sabre. He says: "Check to your King, remember it is not the first time, and I think a very few Manoeuvres more will completely convince you that I am better acquainted with the Game I am playing than you are aware of." Cornwallis, plump and civilian despite his regimentals and profession, sits without a hat, scratching his head apprehensively. He says: "Curse it I shall lose this Game; You are too much for me." He wears his ribbon and star, 'Honi soit' on his garter. The chairs are symbolical: that of Bonaparte has ormolu laurel wreaths, the legs are formed of fasces and axes; that of Cornwallis, with plain oval back, suggests an English drawing-room."--British Museum online catalogue
Description:
Title etched at bottom of image., Attributed to Charles Williams in the British Museum catalogue., Printseller's announcement below imprint: Folios of caracatures [sic] lent out for the evening., Watermark: Budgen 1799., and Early gilt paper strips pasted to margins as a mount.
Publisher:
Pubd. Jany. 9th, 1802, by S.W. Fores, 50 Piccadilly
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821, and Cornwallis, Charles Cornwallis, Marquis, 1738-1805
Subject (Topic):
Generals, French, English, Chess, Daggers & swords, and Hats
"An elderly general rides a high-stepping horse in profile to the left, posed like an equestrian statue. He wears a high cocked hat with cockade and plume; his sword-belt is buckled over his sash, which girds a heavy paunch. In his right hand is a cane. He is Lt.-General Richard England of Lifford, co. Clare, Colonel of the 5th Foot and Lt.-Governor of Plymouth, father of Sir Richard England (b. 1793). He was a veteran of the American War, and had been one of the first colonists of Western Upper Canada."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark on three sides, with minimal loss of image from right edge., Leaf 71 in an album with the spine title: Characatures by Dighton., and Watermark, trimmed: [Ed]meads 1808.
"Caricature with Queen Caroline and Bergami riding on donkeys on the road from Jericho to Jerusalem."--British Museum online catalogue
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum online catalogue., Two lines of quoted text beneath title: "A saint and courier cheek by jowl, set out strange lands to see., Not in the Catalogue of prints and drawings in the British Museum., Mounted to 58 x 39 cm., Mounted on leaf 81 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Caroline" and "Bergami" identified in pencil beneath image; date "3 [sic] June 1821" written in ink in lower right corner.
Publisher:
Pub. by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821 and Bergami, Bartolomeo Bergami, Baron
Subject (Topic):
Adultery, Donkeys, Whips, Bottles, and Traffic signs & signals
