Three photograph albums documenting vacations and activities in Europe and southern California and Connecticut, loose photographic prints, and correspondence of Natalie Paley, circa 1930-1966, Two albums contain photographs of locations in Europe document the marriage of Paley with Lucien-Camille Lelong as well as their circle of friends, 1930-1932. Friends include actress Lady Iya Abdy (formerly Iya De Gay) and fashion model Liliane de Faucigny-Lucinge, also known as Baba de Lucinge, as well as art patrons Marie-Laure, Vicomtesse de Noailles and Arthur Anne Marie Charles, Vicomte de Noailles. One of the European albums also documents her relationship with Russian dancer Serge Lifar, and includes images from a vacation by Paley, Lelong, and Lifar in Venice, Italy, as well as two portrait drawings of Paley by stage designer Oliver Messel, 1931. The other album includes images of a vacation to Biarritz, France, and a skiing vacation. The European albums also include photographic prints and halftone images from society magazines, A series of loose photographic prints by Studio Dorvyne documents a masquerade ball hosted by Comte Étienne de Beaumont and his wife, Comtesse Edith de Beaumont, during the summer of 1931, with portraits of individuals in costume that include the Beaumonts, Liliane de Faucigny-Lucinge, Nimet Eloui Bey, Coco Chanel, Fulco Santostefano della Cerda, Serge Lifar, Natalie Paley, Howard Sturges, and Julian West, as well as Cole Porter and his wife, Linda Lee Thomas Porter, An album of locations in Hollywood, California and Connecticut documents the activities of Paley and her friends, 1935-1938. The album includes images from the set of the movie, Sylvia Scarlett (1935), in which she had a role, and includes images of Paley, actors Brian Aherne, Cary Grant, Edmund Gwenn, and Katharine Hepburn, as well as director George Cukor and producer Pandro S. Berman. Images of her friends in informal settings, probably parties hosted by Cukor, include Cukor, his parents Victor F. Cukor and Helen Gross Cukor, Hepburn, Zoë Akins, Freddie Bartholomew, Cecil Beaton, Ethel B. Borden, Ina Claire, Constance Collier, Gary Cooper, Lily Damita, Liev de Maigret, Marlene Dietrich, Tom Douglas, Peggy Fears, Winsor French, Clark Gable and his wife (Ria Franklin Prentiss Lucas Langham Gable), John Gilbert, Frances Howard Goldwin, William Haines, Rowland Leigh, Louis Mason, Oliver Messel, Carmel Myers, David Niven, Merle Oberon, Louella Parsons, Margaret Perry, Basil Rathbone, Dolores del Río, Ruth Selwyn, James Shields, Hugh Walpole, Victor William (Peter) Watson, Clifton Webb, and Julian West. There is a series of images of John Chapman Wilson, the second husband of Paley, and the business manager and confidant of Noel Coward, at the Fayreways estate on Sasco Hill, Fairfield, Connecticut, circa 1937-1938, Loose photographic prints include portraits of Serge Lifar by Studio Lipnitzki, Paris, France, and portraits of Natalie Paley and Jean-Louis de Faucigny-Lucinge Baba d'Erlanger, by Foto Giacomelli, Venice, Italy, 1931, as well as promotional photographic prints from movies that include images of Katharine Hepburn and Charles Boyer in Break of Hearts (1935), and Hepburn and Brian Aherne for Sylvia Scarlett (1935)., and Correspondence in the collection consists of a letter to Paley from an unidentified correspondent in French, May 194?; a condolence letter from Boris Kochno on the death of her husband, November 1961; and a letter from Noel Coward, April 17, 1966
Description:
Natalie Pavlovna Paley (1905-1981) was a French-born fashion icon, socialite, and film actress, as well as a granddaughter of Russian tsar Alexander II and cousin of Russian tsar Nicholas II. In 1927, she became the second wife of French couturier Lucien-Camille Lelong (1889-1958); they divorced in 1937, the same year she married theater producer John Chapman Wilson (1899-1961)., Title devised by cataloger., One of the European albums is missing many prints from its leaves, which may represent many of the loose photographic prints., Many of the halftones duplicate photographic prints in the European albums., The album of locations in the United States is disbound and has many manuscript inscriptions., and Letter in folder 21 formerly described as written by Antoine de Saint-Exupery is now described as from an unidentified correspondent
Subject (Geographic):
California, Biarritz (France), Hollywood (Los Angeles, Calif.), and Venice (Italy)
Three photograph albums documenting vacations and activities in Europe and southern California and Connecticut, loose photographic prints, and correspondence of Natalie Paley, circa 1930-1966, Two albums contain photographs of locations in Europe document the marriage of Paley with Lucien-Camille Lelong as well as their circle of friends, 1930-1932. Friends include actress Lady Iya Abdy (formerly Iya De Gay) and fashion model Liliane de Faucigny-Lucinge, also known as Baba de Lucinge, as well as art patrons Marie-Laure, Vicomtesse de Noailles and Arthur Anne Marie Charles, Vicomte de Noailles. One of the European albums also documents her relationship with Russian dancer Serge Lifar, and includes images from a vacation by Paley, Lelong, and Lifar in Venice, Italy, as well as two portrait drawings of Paley by stage designer Oliver Messel, 1931. The other album includes images of a vacation to Biarritz, France, and a skiing vacation. The European albums also include photographic prints and halftone images from society magazines, A series of loose photographic prints by Studio Dorvyne documents a masquerade ball hosted by Comte Étienne de Beaumont and his wife, Comtesse Edith de Beaumont, during the summer of 1931, with portraits of individuals in costume that include the Beaumonts, Liliane de Faucigny-Lucinge, Nimet Eloui Bey, Coco Chanel, Fulco Santostefano della Cerda, Serge Lifar, Natalie Paley, Howard Sturges, and Julian West, as well as Cole Porter and his wife, Linda Lee Thomas Porter, An album of locations in Hollywood, California and Connecticut documents the activities of Paley and her friends, 1935-1938. The album includes images from the set of the movie, Sylvia Scarlett (1935), in which she had a role, and includes images of Paley, actors Brian Aherne, Cary Grant, Edmund Gwenn, and Katharine Hepburn, as well as director George Cukor and producer Pandro S. Berman. Images of her friends in informal settings, probably parties hosted by Cukor, include Cukor, his parents Victor F. Cukor and Helen Gross Cukor, Hepburn, Zoë Akins, Freddie Bartholomew, Cecil Beaton, Ethel B. Borden, Ina Claire, Constance Collier, Gary Cooper, Lily Damita, Liev de Maigret, Marlene Dietrich, Tom Douglas, Peggy Fears, Winsor French, Clark Gable and his wife (Ria Franklin Prentiss Lucas Langham Gable), John Gilbert, Frances Howard Goldwin, William Haines, Rowland Leigh, Louis Mason, Oliver Messel, Carmel Myers, David Niven, Merle Oberon, Louella Parsons, Margaret Perry, Basil Rathbone, Dolores del Río, Ruth Selwyn, James Shields, Hugh Walpole, Victor William (Peter) Watson, Clifton Webb, and Julian West. There is a series of images of John Chapman Wilson, the second husband of Paley, and the business manager and confidant of Noel Coward, at the Fayreways estate on Sasco Hill, Fairfield, Connecticut, circa 1937-1938, Loose photographic prints include portraits of Serge Lifar by Studio Lipnitzki, Paris, France, and portraits of Natalie Paley and Jean-Louis de Faucigny-Lucinge Baba d'Erlanger, by Foto Giacomelli, Venice, Italy, 1931, as well as promotional photographic prints from movies that include images of Katharine Hepburn and Charles Boyer in Break of Hearts (1935), and Hepburn and Brian Aherne for Sylvia Scarlett (1935)., and Correspondence in the collection consists of a letter to Paley from an unidentified correspondent in French, May 194?; a condolence letter from Boris Kochno on the death of her husband, November 1961; and a letter from Noel Coward, April 17, 1966
Description:
Natalie Pavlovna Paley (1905-1981) was a French-born fashion icon, socialite, and film actress, as well as a granddaughter of Russian tsar Alexander II and cousin of Russian tsar Nicholas II. In 1927, she became the second wife of French couturier Lucien-Camille Lelong (1889-1958); they divorced in 1937, the same year she married theater producer John Chapman Wilson (1899-1961)., Title devised by cataloger., One of the European albums is missing many prints from its leaves, which may represent many of the loose photographic prints., Many of the halftones duplicate photographic prints in the European albums., The album of locations in the United States is disbound and has many manuscript inscriptions., and Letter in folder 21 formerly described as written by Antoine de Saint-Exupery is now described as from an unidentified correspondent
Subject (Geographic):
California, Biarritz (France), Hollywood (Los Angeles, Calif.), and Venice (Italy)
Three photograph albums documenting vacations and activities in Europe and southern California and Connecticut, loose photographic prints, and correspondence of Natalie Paley, circa 1930-1966, Two albums contain photographs of locations in Europe document the marriage of Paley with Lucien-Camille Lelong as well as their circle of friends, 1930-1932. Friends include actress Lady Iya Abdy (formerly Iya De Gay) and fashion model Liliane de Faucigny-Lucinge, also known as Baba de Lucinge, as well as art patrons Marie-Laure, Vicomtesse de Noailles and Arthur Anne Marie Charles, Vicomte de Noailles. One of the European albums also documents her relationship with Russian dancer Serge Lifar, and includes images from a vacation by Paley, Lelong, and Lifar in Venice, Italy, as well as two portrait drawings of Paley by stage designer Oliver Messel, 1931. The other album includes images of a vacation to Biarritz, France, and a skiing vacation. The European albums also include photographic prints and halftone images from society magazines, A series of loose photographic prints by Studio Dorvyne documents a masquerade ball hosted by Comte Étienne de Beaumont and his wife, Comtesse Edith de Beaumont, during the summer of 1931, with portraits of individuals in costume that include the Beaumonts, Liliane de Faucigny-Lucinge, Nimet Eloui Bey, Coco Chanel, Fulco Santostefano della Cerda, Serge Lifar, Natalie Paley, Howard Sturges, and Julian West, as well as Cole Porter and his wife, Linda Lee Thomas Porter, An album of locations in Hollywood, California and Connecticut documents the activities of Paley and her friends, 1935-1938. The album includes images from the set of the movie, Sylvia Scarlett (1935), in which she had a role, and includes images of Paley, actors Brian Aherne, Cary Grant, Edmund Gwenn, and Katharine Hepburn, as well as director George Cukor and producer Pandro S. Berman. Images of her friends in informal settings, probably parties hosted by Cukor, include Cukor, his parents Victor F. Cukor and Helen Gross Cukor, Hepburn, Zoë Akins, Freddie Bartholomew, Cecil Beaton, Ethel B. Borden, Ina Claire, Constance Collier, Gary Cooper, Lily Damita, Liev de Maigret, Marlene Dietrich, Tom Douglas, Peggy Fears, Winsor French, Clark Gable and his wife (Ria Franklin Prentiss Lucas Langham Gable), John Gilbert, Frances Howard Goldwin, William Haines, Rowland Leigh, Louis Mason, Oliver Messel, Carmel Myers, David Niven, Merle Oberon, Louella Parsons, Margaret Perry, Basil Rathbone, Dolores del Río, Ruth Selwyn, James Shields, Hugh Walpole, Victor William (Peter) Watson, Clifton Webb, and Julian West. There is a series of images of John Chapman Wilson, the second husband of Paley, and the business manager and confidant of Noel Coward, at the Fayreways estate on Sasco Hill, Fairfield, Connecticut, circa 1937-1938, Loose photographic prints include portraits of Serge Lifar by Studio Lipnitzki, Paris, France, and portraits of Natalie Paley and Jean-Louis de Faucigny-Lucinge Baba d'Erlanger, by Foto Giacomelli, Venice, Italy, 1931, as well as promotional photographic prints from movies that include images of Katharine Hepburn and Charles Boyer in Break of Hearts (1935), and Hepburn and Brian Aherne for Sylvia Scarlett (1935)., and Correspondence in the collection consists of a letter to Paley from an unidentified correspondent in French, May 194?; a condolence letter from Boris Kochno on the death of her husband, November 1961; and a letter from Noel Coward, April 17, 1966
Description:
Natalie Pavlovna Paley (1905-1981) was a French-born fashion icon, socialite, and film actress, as well as a granddaughter of Russian tsar Alexander II and cousin of Russian tsar Nicholas II. In 1927, she became the second wife of French couturier Lucien-Camille Lelong (1889-1958); they divorced in 1937, the same year she married theater producer John Chapman Wilson (1899-1961)., Title devised by cataloger., One of the European albums is missing many prints from its leaves, which may represent many of the loose photographic prints., Many of the halftones duplicate photographic prints in the European albums., The album of locations in the United States is disbound and has many manuscript inscriptions., and Letter in folder 21 formerly described as written by Antoine de Saint-Exupery is now described as from an unidentified correspondent
Subject (Geographic):
California, Biarritz (France), Hollywood (Los Angeles, Calif.), and Venice (Italy)
Three photograph albums documenting vacations and activities in Europe and southern California and Connecticut, loose photographic prints, and correspondence of Natalie Paley, circa 1930-1966, Two albums contain photographs of locations in Europe document the marriage of Paley with Lucien-Camille Lelong as well as their circle of friends, 1930-1932. Friends include actress Lady Iya Abdy (formerly Iya De Gay) and fashion model Liliane de Faucigny-Lucinge, also known as Baba de Lucinge, as well as art patrons Marie-Laure, Vicomtesse de Noailles and Arthur Anne Marie Charles, Vicomte de Noailles. One of the European albums also documents her relationship with Russian dancer Serge Lifar, and includes images from a vacation by Paley, Lelong, and Lifar in Venice, Italy, as well as two portrait drawings of Paley by stage designer Oliver Messel, 1931. The other album includes images of a vacation to Biarritz, France, and a skiing vacation. The European albums also include photographic prints and halftone images from society magazines, A series of loose photographic prints by Studio Dorvyne documents a masquerade ball hosted by Comte Étienne de Beaumont and his wife, Comtesse Edith de Beaumont, during the summer of 1931, with portraits of individuals in costume that include the Beaumonts, Liliane de Faucigny-Lucinge, Nimet Eloui Bey, Coco Chanel, Fulco Santostefano della Cerda, Serge Lifar, Natalie Paley, Howard Sturges, and Julian West, as well as Cole Porter and his wife, Linda Lee Thomas Porter, An album of locations in Hollywood, California and Connecticut documents the activities of Paley and her friends, 1935-1938. The album includes images from the set of the movie, Sylvia Scarlett (1935), in which she had a role, and includes images of Paley, actors Brian Aherne, Cary Grant, Edmund Gwenn, and Katharine Hepburn, as well as director George Cukor and producer Pandro S. Berman. Images of her friends in informal settings, probably parties hosted by Cukor, include Cukor, his parents Victor F. Cukor and Helen Gross Cukor, Hepburn, Zoë Akins, Freddie Bartholomew, Cecil Beaton, Ethel B. Borden, Ina Claire, Constance Collier, Gary Cooper, Lily Damita, Liev de Maigret, Marlene Dietrich, Tom Douglas, Peggy Fears, Winsor French, Clark Gable and his wife (Ria Franklin Prentiss Lucas Langham Gable), John Gilbert, Frances Howard Goldwin, William Haines, Rowland Leigh, Louis Mason, Oliver Messel, Carmel Myers, David Niven, Merle Oberon, Louella Parsons, Margaret Perry, Basil Rathbone, Dolores del Río, Ruth Selwyn, James Shields, Hugh Walpole, Victor William (Peter) Watson, Clifton Webb, and Julian West. There is a series of images of John Chapman Wilson, the second husband of Paley, and the business manager and confidant of Noel Coward, at the Fayreways estate on Sasco Hill, Fairfield, Connecticut, circa 1937-1938, Loose photographic prints include portraits of Serge Lifar by Studio Lipnitzki, Paris, France, and portraits of Natalie Paley and Jean-Louis de Faucigny-Lucinge Baba d'Erlanger, by Foto Giacomelli, Venice, Italy, 1931, as well as promotional photographic prints from movies that include images of Katharine Hepburn and Charles Boyer in Break of Hearts (1935), and Hepburn and Brian Aherne for Sylvia Scarlett (1935)., and Correspondence in the collection consists of a letter to Paley from an unidentified correspondent in French, May 194?; a condolence letter from Boris Kochno on the death of her husband, November 1961; and a letter from Noel Coward, April 17, 1966
Description:
Natalie Pavlovna Paley (1905-1981) was a French-born fashion icon, socialite, and film actress, as well as a granddaughter of Russian tsar Alexander II and cousin of Russian tsar Nicholas II. In 1927, she became the second wife of French couturier Lucien-Camille Lelong (1889-1958); they divorced in 1937, the same year she married theater producer John Chapman Wilson (1899-1961)., Title devised by cataloger., One of the European albums is missing many prints from its leaves, which may represent many of the loose photographic prints., Many of the halftones duplicate photographic prints in the European albums., The album of locations in the United States is disbound and has many manuscript inscriptions., and Letter in folder 21 formerly described as written by Antoine de Saint-Exupery is now described as from an unidentified correspondent
Subject (Geographic):
California, Biarritz (France), Hollywood (Los Angeles, Calif.), and Venice (Italy)
Portraits of prostitutes in Storyville, New Orleans, Louisiana.
Container / Volume:
Box 1 | Folder 4
Image Count:
2
Abstract:
Photographs created by E. J. Bellocq chiefly of nude prostitutes in Storyville, New Orleans, Louisiana, circa 1910-1915, and printed from his negatives by an unidentified printer, probably in 1950. E. J. Bellocq (1873-1949), born John Ernest Joseph Bellocq, was a commercial photographer who worked in New Orleans, Louisiana, circa 1902-circa 1940. Bellocq is best known for his photographs of prostitutes working in Storyville, the legalized red light district of New Orleans. and Print No. 4 depicts a nude woman posed sitting sideways on a wooden chair with her legs crossed in front of a draped window. A large steamer trunk and wooden shelves are partially visible on the left edge of the image.
Description:
Linen mat tape affixed to verso of each print with a pencil number inscription, 1-7, probably inscribed by Abraham Stransky. and Pencil inscriptions on the verso of each print in an unidentified hand, probably transcribed from original mats: "Ernest J. Bellocq (?-1938) Storyville, photog. New Orleans, La."; "Test print obtained by me (A. S.) in 1950, from owner of the glass negatives at that time"; "Photo: circa: 1912"; "See: 'E. J. Bellocq,' Pub. by Museum of Modem Art - 1970 & Rose, Al: 'Storyville, New Orleans' - 1974"; and "Bellocq made photos: 1895-1930s."
Subject (Geographic):
Storyville (New Orleans, La.)--Pictorial works
Subject (Name):
Bellocq, E. J, Stransky, Abraham,--1910-1995, and Stransky, Abraham,--1910-1995--Ownership
Subject (Topic):
Photographers--Louisiana--New Orleans, Photography of the nude, Photography of women--Louisiana--New Orleans, Photography, Artistic, and Prostitutes--Louisiana--New Orleans--Pictorial works
Portraits of prostitutes in Storyville, New Orleans, Louisiana.
Container / Volume:
Box 1 | Folder 7
Image Count:
2
Abstract:
Photographs created by E. J. Bellocq chiefly of nude prostitutes in Storyville, New Orleans, Louisiana, circa 1910-1915, and printed from his negatives by an unidentified printer, probably in 1950. E. J. Bellocq (1873-1949), born John Ernest Joseph Bellocq, was a commercial photographer who worked in New Orleans, Louisiana, circa 1902-circa 1940. Bellocq is best known for his photographs of prostitutes working in Storyville, the legalized red light district of New Orleans. and Print No. 7 depicts a nude woman posed reclining on an upholstered chaise lounge among several large pillows. She also wears a necklace with a medallion and shoes. Two pillows on the chaise lounge depict respectively a bulldog and a United States flag. In the background, an electrical cord hangs over the latch of a door and wraps around the doorknob, probably as an improvised burglary deterrent.
Description:
Linen mat tape affixed to verso of each print with a pencil number inscription, 1-7, probably inscribed by Abraham Stransky. and Pencil inscriptions on the verso of each print in an unidentified hand, probably transcribed from original mats: "Ernest J. Bellocq (?-1938) Storyville, photog. New Orleans, La."; "Test print obtained by me (A. S.) in 1950, from owner of the glass negatives at that time"; "Photo: circa: 1912"; "See: 'E. J. Bellocq,' Pub. by Museum of Modem Art - 1970 & Rose, Al: 'Storyville, New Orleans' - 1974"; and "Bellocq made photos: 1895-1930s."
Subject (Geographic):
Storyville (New Orleans, La.)--Pictorial works
Subject (Name):
Bellocq, E. J, Stransky, Abraham,--1910-1995, and Stransky, Abraham,--1910-1995--Ownership
Subject (Topic):
Photographers--Louisiana--New Orleans, Photography of the nude, Photography of women--Louisiana--New Orleans, Photography, Artistic, and Prostitutes--Louisiana--New Orleans--Pictorial works
Portraits of prostitutes in Storyville, New Orleans, Louisiana.
Container / Volume:
Box 1 | Folder 3
Image Count:
2
Abstract:
Photographs created by E. J. Bellocq chiefly of nude prostitutes in Storyville, New Orleans, Louisiana, circa 1910-1915, and printed from his negatives by an unidentified printer, probably in 1950. E. J. Bellocq (1873-1949), born John Ernest Joseph Bellocq, was a commercial photographer who worked in New Orleans, Louisiana, circa 1902-circa 1940. Bellocq is best known for his photographs of prostitutes working in Storyville, the legalized red light district of New Orleans. and Print No. 3 depicts a nude woman reclining on a wicker chaise lounge with a pillow.
Description:
Linen mat tape affixed to verso of each print with a pencil number inscription, 1-7, probably inscribed by Abraham Stransky. and Pencil inscriptions on the verso of each print in an unidentified hand, probably transcribed from original mats: "Ernest J. Bellocq (?-1938) Storyville, photog. New Orleans, La."; "Test print obtained by me (A. S.) in 1950, from owner of the glass negatives at that time"; "Photo: circa: 1912"; "See: 'E. J. Bellocq,' Pub. by Museum of Modem Art - 1970 & Rose, Al: 'Storyville, New Orleans' - 1974"; and "Bellocq made photos: 1895-1930s."
Subject (Geographic):
Storyville (New Orleans, La.)--Pictorial works
Subject (Name):
Bellocq, E. J, Stransky, Abraham,--1910-1995, and Stransky, Abraham,--1910-1995--Ownership
Subject (Topic):
Photographers--Louisiana--New Orleans, Photography of the nude, Photography of women--Louisiana--New Orleans, Photography, Artistic, and Prostitutes--Louisiana--New Orleans--Pictorial works
Portraits of prostitutes in Storyville, New Orleans, Louisiana.
Container / Volume:
Box 1 | Folder 1
Image Count:
2
Abstract:
Photographs created by E. J. Bellocq chiefly of nude prostitutes in Storyville, New Orleans, Louisiana, circa 1910-1915, and printed from his negatives by an unidentified printer, probably in 1950. E. J. Bellocq (1873-1949), born John Ernest Joseph Bellocq, was a commercial photographer who worked in New Orleans, Louisiana, circa 1902-circa 1940. Bellocq is best known for his photographs of prostitutes working in Storyville, the legalized red light district of New Orleans. and Print No. 1 depicts a partially nude woman posed standing in profile beside a bentwood bed; her left arm rests on a draped nightstand. She wears opera stockings with bows, as well as underwear gathered at her waist, which exposes her torso. Other elements of the room include a canopy and lace mosquito curtain over the bed, as well as a comforter, pillows, and flower on it. Artwork in the room includes a portrait of a woman and sculpture of a female figure on the nightstand, as well as an indistinct portrait of a woman in a heart-shaped mat on the wall.
Description:
Linen mat tape affixed to verso of each print with a pencil number inscription, 1-7, probably inscribed by Abraham Stransky. and Pencil inscriptions on the verso of each print in an unidentified hand, probably transcribed from original mats: "Ernest J. Bellocq (?-1938) Storyville, photog. New Orleans, La."; "Test print obtained by me (A. S.) in 1950, from owner of the glass negatives at that time"; "Photo: circa: 1912"; "See: 'E. J. Bellocq,' Pub. by Museum of Modem Art - 1970 & Rose, Al: 'Storyville, New Orleans' - 1974"; and "Bellocq made photos: 1895-1930s."
Subject (Geographic):
Storyville (New Orleans, La.)--Pictorial works
Subject (Name):
Bellocq, E. J, Stransky, Abraham,--1910-1995, and Stransky, Abraham,--1910-1995--Ownership
Subject (Topic):
Photographers--Louisiana--New Orleans, Photography of the nude, Photography of women--Louisiana--New Orleans, Photography, Artistic, and Prostitutes--Louisiana--New Orleans--Pictorial works
Portraits of prostitutes in Storyville, New Orleans, Louisiana.
Container / Volume:
Box 1 | Folder 5
Image Count:
2
Abstract:
Photographs created by E. J. Bellocq chiefly of nude prostitutes in Storyville, New Orleans, Louisiana, circa 1910-1915, and printed from his negatives by an unidentified printer, probably in 1950. E. J. Bellocq (1873-1949), born John Ernest Joseph Bellocq, was a commercial photographer who worked in New Orleans, Louisiana, circa 1902-circa 1940. Bellocq is best known for his photographs of prostitutes working in Storyville, the legalized red light district of New Orleans. and Print No. 5 depicts a nude woman posed standing with her hands held behind her back before a door. She also wears a necklace with a medallion and shoes.
Description:
Also inscribed on verso by collector Abraham Stransky: "New Orleans (given to me 1950 by owner of a lot of these glass negatives).", Linen mat tape affixed to verso of each print with a pencil number inscription, 1-7, probably inscribed by Abraham Stransky., and Pencil inscriptions on the verso of each print in an unidentified hand, probably transcribed from original mats: "Ernest J. Bellocq (?-1938) Storyville, photog. New Orleans, La."; "Test print obtained by me (A. S.) in 1950, from owner of the glass negatives at that time"; "Photo: circa: 1912"; "See: 'E. J. Bellocq,' Pub. by Museum of Modem Art - 1970 & Rose, Al: 'Storyville, New Orleans' - 1974"; and "Bellocq made photos: 1895-1930s."
Subject (Geographic):
Storyville (New Orleans, La.)--Pictorial works
Subject (Name):
Bellocq, E. J, Stransky, Abraham,--1910-1995, and Stransky, Abraham,--1910-1995--Ownership
Subject (Topic):
Photographers--Louisiana--New Orleans, Photography of the nude, Photography of women--Louisiana--New Orleans, Photography, Artistic, and Prostitutes--Louisiana--New Orleans--Pictorial works