Manuscript on parchment (warped) of Victorinus, Commentarius in Ciceronis De inventione (Explanationes in Ciceronis Rhetoricam). With an Anonymous commentary on Cicero, De inventione I.24-28.
Description:
Binding: Nineteenth century, Italy. Brick red goatskin, blind-tooled. Bound in the same bindery for the Guarnieri-Balleani family (Iesi) as MS 450 and Marston MSS 72, 181, 182, and 212., Contemporary accounts on f. 49v refer to one Jordanus de Walchelina, and to Rotbertus, Liulfus and Leofric. Partially effaced inscription on f. 49v indicates that Stefano Guarnieri (d. 1495) bought the manuscript in Rome in 1465 (see U. Nicolini, "Stefano Guarnieri da Osimo cancielliere a Perugia dal 1466 al 1488," L'umanesimo umbro: atti del XI convegno di studi umbri-Gubiio 22-23 settembre 1974 [Perugia, 1977] pp. 307-23)., On parchment., Purchased from Lathrop Harper in 1953 by Thomas E. Marston., Script: Written by multiple scribes in cramped early gothic bookhand, above top line. Marginalia by several contemporary and later hands., Seven illuminated initials are later addition (Italy, 1450-1500): 4- to 3-line, gold on blue, red and green ground with white filigree. Black inkspray with gold leaves and balls extending into margins; f. 1r with blue and red flowers. Guide letters for decorator in margins., and Written by multiple scribes in cramped early gothic bookhand.
Subject (Name):
Victorinus, Marius and Victorinus, Marius. Explanationes in Ciceronis rhetoricam
Subject (Topic):
Illumination of books and manuscripts, Medieval, Latin essays, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and Scholia
Manuscript on paper of Nicolas Trevet, Commentarius in tragoedias Senecae.
Description:
Binding: Date? The backs of the quires are cut in, some in a W shape. Resewn on two tawed skin, slit straps. Endband sewn on a tawed skin core laid in grooves on the outside of the boards and nailed. The back oak board was previously covered with leather; front board is of unidentified wood. This seems to be a patched together binding using boards from different, possibly 15th-century, books. Presently quarter bound with brown sheepskin, blind-tooled, with radiant IHS in circles. Spine: supports defined with triple (?) fillets; an X with a central cross bar in the panels. Two fastenings, with the catches on the lower board. The upper board cut in for straps fastened with star-headed nails. Remains of title, in ink, on tail edge., Many leaves stained and crumbling along edges; no loss of text., Red and/or deep aquamarine blue initials, 10- to 5-line, with penwork flourished in same color(s), mark beginning of each play. On f. 1r head of bearded man peeps out from behind foliage in interior of letter; on other initials penwork designs extend into margins to form borders (e. g., 170r). Plain initials, 5- to 2-line, paragraph marks, headings, in red., Script: Written in semi-gothic cursive script by a single scribe, above top line; headings in gothic bookhand., and Watermarks: similar to Briquet Tete de boeuf 14330, 14338, Piccard Ochsenkopf I.701, Briquet Main 11092.
Subject (Name):
Seneca, Lucius Annaeus,--ca. 4 B.C.-65 A.D and Trivet, Nicholas,--1258?-1328
Subject (Topic):
Latin drama (Tragedy), Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and Scholia
Curlo, Giacomo Griffolini, Francesco, 1418-1483 Phalaris, Tyrant of Agrigentum, 6th cent. B.C Pliny, the Younger Plutarch
Published / Created:
[ca. 1450]
Call Number:
Marston MS 51
Image Count:
538
Resource Type:
Archives or Manuscripts
Abstract:
Manuscript on paper (slightly polished) of 1) Giacomo Curlo, Preface addressed to Ferdinand I of Naples. 2) Giacomo Curlo, Epitoma Donati in Terentium. 3) Antonio Cassarino, Preface addressed to Giacomo Curlo. 4) Plutarch, Apophthegmata, Latin translation by Antonio Cassarino. 5) Phalaris, Epistolae, translated by Francesco Griffolini of Arezzo and dedicated to Malatesta Novella of Cesena. 6) Phalaris, four additional Epistolae, translated into Latin by Francesco Griffolini of Arezzo and dedicated to King Alfonso I of Naples. 7) Pliny, Epistolae I.1-III.15.
Description:
Acquired from C. A. Stonehill in 1954 by Thomas E. Marston., Binding: Fifteenth century, Spain (?). Original wound sewing on four tawed skin, slit straps laced through tunnels in the edges of wooden boards to channels on the outside and pegged. Yellow edges. The beaded chevron endbands are sewn with red and yellow thread on tawed skin cores laid in grooves in the boards. Covered in brown sheepskin with the surface mostly worn off; decorated with concentric frames, the central panel and one frame filled in with square goat (?) and flower tools standing on a point. Title in ink on a paper label, now mostly wanting. Four truncated diamond-shaped catches on the lower board have a raised design of the Virgin and child and a flower., F. 140 lacking., Plain lumpy initials, 3- to 2-line, alternate blue and red. Headings and paragraph marks in red., Script: Written in an unusual style of loose and sloping humanistic script with cursive features; angular, little shading of letters, well spaced., and Watermarks: ff. 1-112, similar to Briquet Lettre R 8941; ff. 113-160 and 209-256, similar to Briquet Echelle 5904, 5908; ff. 161-208, 257-265, similar to Piccard Kreuz II.616, 619, 622.
Subject (Name):
Curlo, Giacomo, Donatus, Aelius, Ferdinand--I,--King of Naples,--1423-1494, and Terence
Subject (Topic):
Latin letters, Literature, Medieval--Translations, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and Scholia
Lactantius, ca. 240-ca. 320 Ovid, 43 B.C.-17 or 18 A.D
Published / Created:
1459
Call Number:
Marston MS 16
Image Count:
420
Resource Type:
Archives or Manuscripts
Abstract:
Manuscript on paper of Ovid, Metamorphoses. With Lactantian tituli and narrationes in margins.
Description:
Binding: Fifteenth century, Germany. Adhered vellum stays on the inside of the quires. Original wound sewing on three wide, tawed skin, slit straps laced through tunnels in the edges of beech boards to channels on the outside and pegged. Natural color endbands, caught up on the spine, are sewn to tawed cores laced into grooves on the outside of the boards. Front pastedown: reused paper manuscript with text side pasted face down. Quarter bound in blue, tawed skin with a strip, now wanting, nailed along the edge. Two leaf-shaped catches with three five-petalled flowers on them on the lower board and the upper one cut in for kermes pink straps attached with metal plates; damage from a chain fastening at the head of this board, and the board broken; outer edge wanting. Title, in same (?) hand as on f. 1r, on upper and lower boards: "Ouidius methamorphoseos.", Plain red 5-line initial, in outline only, f. 3r; two smaller initials of similar style, ff. 3v-4r. First letter of each verse stroked with red, ff. 3r-4r. Spaces left for decorative initials remain unfilled elsewhere in codex., Purchased from C. A. Stonehill in 1949 by Thomas E. Marston., Script: Written in a small neat gothic text hand with hybrida features., and Watermarks: unidentified bull's head and mountain.
Subject (Name):
Ovid,--43 B.C.-17 or 18 A.D
Subject (Topic):
Latin fiction, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and Scholia
Manuscript on paper containing 1) Legendary history of the foundation of Rome. 2) Mirabilia Romae. 3) Note on Roman abbreviations especially for personal names. 4) Heading of an index to the Roman History of Livy (?). 5) Note on officials, functions and institutions of the Roman empire. 6) Note on the structure of Roman personal names. 7) Headings of the chapters of Books 1-9 of Facta et dicta memorabilia. 8) Giunta de Sancto Giminiano (14th century), alphabetical table to Facta et dicta memorabilia, from A to T, with ample blank spaces between each letter of the alphabet. 9) Mentions of Valerius Maximus and Livy in works of Thomas Aquinas and Nicholas of Lyre. 10) Valerius Maximus (1st century), Facta et dicta memorabilia, including the pseudepigraphic Book 10, De interpretacionibus nominum.
Description:
Binding: Nineteenth century. Quarter binding in brown leather, the cardboard covers covered with marbled brown paper. Gold-tooled spine with five raised bands and brown title label with gold-tooled inscription: “VALERIUS MAXIMUS / MANUSCRIPTUM”. Red sprinkled edges., Script: Copied by one hand in Gothica Cursiva Libraria, the text very large, the glosses small., The pages damaged by the acidity of the ink., and Underlining, paragraph marks, headings, stroking of majuscules and plain initials (with guide letters), all in red.
Subject (Geographic):
Rome (Italy)--Description and travel and Rome (Italy)--History
Subject (Name):
Valerius Maximus
Subject (Topic):
Didactic literature, Latin, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and Scholia
Manuscript on paper, composed of two distinct parts, of speeches by Cicero. Introductions to ten of the speeches were composed by Antonio Loschi between 1391 and 1405. The pattern of stains indicates that Parts I and II were once separate; it is unclear when they were bound together.
Subject (Name):
Loschi, Antonio,--d. 1441
Subject (Topic):
Illumination of books and manuscripts, Medieval, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, Scholia, and Speeches, addresses, etc., Latin
Manuscript on paper of Lucan, Pharsalia. With commentary, verse summary, and verse argumenta of each book.
Description:
Binding: Fifteenth century, Italy. Vellum stays in and outside the quires. Original sewing on three tawed skin, slit straps which are laced through tunnels in the edges of wooden boards to channels on the outside and pegged. Plain, wound endbands are sewn on tawed skin cores laced or laid in grooves on the outside of the boards. Quarter bound with brown leather, probably a later addition, as perhaps are the clasp straps. Two leaf-shaped catches and inscription in ink on the lower board: "Lucanus [?]". Front pastedown and flyleaf from a lectionary (Italy, 1050-1100); back flyleaf and pastedown from a homiliary (Northern Italy, 950-1000); on the pastedown, a homily on submission to the will of God, probably a continuation of the same text as on the flyleaf., Crudely executed penwork initials in red, f. 1r only; spaces for decorative initials at beginning of each book have sketches in brown ink (contemporary?) or are left unfilled. Headings in red. Some guide letters for decorator., In Latin., Purchased from H. P. Kraus in 1956 by Thomas E. Marston., Script: Written by a single scribe in well spaced gothic bookhand, above top line. Marginalia in several contemporary hands., and Watermarks: unidentified bull's head concealed by script.
Subject (Geographic):
Rome--History--Civil War, 43-31 B.C
Subject (Name):
Lucan,--39-65
Subject (Topic):
Epic poetry, Latin, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and Scholia
Manuscript on parchment containing 1) Two diagrams with accompanying text. 2) Note on vows. 3) Petrus Cantor (d. 1197), De tropis loquendi. 4) Table of the subdivisions of anima. 5) Theological note. 6) Note on merit. 7) Theological treatise in four books. 8) Notes in plummet. 9) Treatise on vision and gifts ("dotes").
Description:
Binding: Original (?) binding in ... over wooden boards, sewn on four split leather thongs. Remnants of four pairs of leather ties, two at the front and one at the top and at the tail., Script: Copied by various small hands, writing highly abbreviated Gothica Textualis Currens or Libraria. In some sections documentary cursive influence is visible (especially in looped d)., and The decoration is unevenly spread. Red paragraph marks, underlining and headings; some plain red initials; alternating red and blue flourished initials with penwork in the contrasting colour in art. 7; initials missing in art. 9.
Subject (Topic):
Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, Philosophy, Medieval, and Scholia
Manuscript on parchment of Persius, Satirae 1.22-6. With argumenta added in the 15th century.
Description:
Binding: 20th-21st centuries, not digitized. Plain brown leather over cardboard. Yellowish paper endleaves., Paragraph marks in red. All the majuscules, those at the opening of the verses and the others, are heightened with dark yellow. The Satires open with a 2-line flourished initial (a 3-line flourished initial for Satire 6) with marginal extensions, alternately in red with purple penwork and blue with red penwork., and Script: Copied by one hand writing Italian Gothica Hybrida Libraria, with a preference for round r and d with relatively short shaft.
Subject (Name):
Persius
Subject (Topic):
Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, Scholia, and Verse satire, Latin