Design in two compartments contrasting on the left the poverty and depravity of "French Liberty" with the opulence of the British on the right "British Slavery." The thin, ragged sansculotte with a liberty cap on his head, warms his bare, talon-like feet before a fire, while eating his dinner of raw onions. Behind him snails overflow his chamber pot; above the fireplace a "Map of French Conquests". At his feet a sword lies across a violin like a bow. He extolls the virtues of the National Assembly and new won liberties. In contrast on the right, an obese, red-faced Englishman sits in a luxurious room before a table laden with a tankard of hock and a large joint of beef. His shoes are slashed to relieve his bloated, gouty feet. A gold statute of Britannia adorns the wall above him. He curses his ministry for imposing taxes and starving the British people
Alternative Title:
British slavery
Description:
Title etched below image., Two images on one plate., 1 print : etching on wove paper, hand-colored ; plate mark 25.2 x 35.5 cm, on sheet 27.7 x 39.7 cm., and Mounted on leaf 21 of volume 3 of 12.
Publisher:
Pubd. December 21st, 1792, by H. Humphrey, No. 18 Old Bond Street
Subject (Geographic):
France, France., and Great Britain.
Subject (Topic):
History, Taxation, Britannia (Symbolic character), Liberty, Poverty, Rugs, Taxes, and Wealth
"A bull, snorting ferociously, has tossed a Spaniard high in the air, a shower of coins falls from his pockets. The bull is attempting to charge a Frenchman and an American (right), the latter being an Indian brave, holding a spear and wearing a girdle and head-dress of feathers; they shrink back in alarm, the American sheltering behind the Frenchman. But the bull is checked by a Scot in Highland dress, who holds its tail saying, "Luton, a-Ho" (Luton being one of the estates of Bute). Bute's waist is held by North, who says "Bushey Park, a Ho" (North lived at Bushey Park, Lady North being the Ranger of the Park), and North's by Lord Mansfield saying "Caen Wood a Ho" (Caen (or Ken) wood being the estate bought by Mansfield from Bute. Cf. BMSat 4885). In the foreground (left) a Dutchman sits grinning on a cask inscribed "Hollands Gin"; he is about to light his pipe with a burning paper on which is inscribed "? TM", presumably representing the memorials of Yorke, see BMSat 5568. ..."--British Museum online catalogue
Description:
Printmaker from British Museum catalogue., Title from item., Eight lines of verse in two columns on either side of title: The bull see enrag'd, has the Spaniard engag'd ..., Temporary local subject terms: America as an Indian -- France as a Frenchman -- Holland as a Dutchman -- Spain as a Spaniard -- Scotland as a Scotsman -- Holland: cask of gin -- Allusion to Omoa., 1 print : etching on wove paper, hand-colored ; sheet 24.5 x 35.3 cm., Sheet trimmed within plate mark., and Mounted on leaf 9 of volume 1 of 12.
Publisher:
Publish'd Jany. 4th, 1780, by W. Humphrey, No. 227 Strand
Subject (Geographic):
United States
Subject (Name):
Bute, John Stuart, Earl of, 1713-1792, North, Frederick, Lord, 1732-1792, and Mansfield, William Murray, Earl of, 1705-1793
Subject (Topic):
John Bull (Symbolic character), History, and Bulls
The design closely follows George Cannings "New Morality".
Alternative Title:
Promis'd installment of the high priest of the Theophilanthropes and Promised installment of the high priest of the Theophilanthropes
Description:
Title etched below image., Statement following publisher's name: ... for the Anti-Jacobin magazine & review., Five columns of verse etched under title: "Behold! The directorial lama, sovereign priest Le Paux whom atheists worship ...", Plate from: Anti-Jacobin magazine & review, v. 1, p. 115., Sheets trimmed to plate mark., 1 print on 2 sheets : etching on wove paper, hand-colored ; plate mark 27.8 x 62.7 cm., and Mounted on leaf 63 of volume 4 of 12.
Publisher:
Publishd. August 1st, 1798, by J. Wright, No. 169 Piccadilly
Subject (Geographic):
Great Britain., France, Great Britain, England, and London
Subject (Name):
Bedford, Francis Russell, Duke of, 1765-1802, Canning, George, 1770-1827., Erskine, Thomas Erskine, Baron, 1750-1823, Fox, Charles James, 1749-1806, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, La Revellière-Lépeaux, Louis-Marie de, 1753-1824, Priestley, Joseph, 1733-1804, Shuckburgh-Evelyn, George Augustus William, Sir, 1751-1804, Southey, Robert, 1774-1843, Tierney, George, 1761-1830, Wakefield, Gilbert, 1756-1801, and Wollstonecraft, Mary, 1759-1797
Subject (Topic):
Jacobites, Theophilanthropism, Leviathan, Newspapers, Philanthropy, History, Foreign public opinion, British, Religious aspects, Politics and government, and Periodical illustrations
"A design in three compartments, each with its title. [1] John Bull (left), very corpulent, a frothing tankard in his hand, sits in an arm-chair beside a table loaded with beef, pudding, and 'Home Brew'd'; he is approached by three famished Frenchmen, who lean eagerly towards him, cap in hand. He points to the table, saying: "The blessed effects of a good Constitution." The three say: "I am your Friend John Bull you want a Reform"; "My Honble Friend speaks my Sentiments"; "John Bull you are too Fat." Below: [2] The three Frenchmen, ragged, bare-legged, and fierce-looking, two with bludgeons and one with a dagger, advance menacingly to John Bull, who holds out a frog, saying: "A Pretty Reform indeed you have deprived me of my Leg and given me nothing but Frogs to eat I shall be Starved I am no Frenchman." He has a wooden leg, is less stout than in [1], and his clothes are ragged. The Frenchmen say: "Eat it you Dog & hold your Tongue you are very happy"; "Thats right my friend we will make him Happier still" (his cap is inscribed 'Ca ira'); "He is a little leaner now." Below: [3] John Bull lies prostrate screaming "O - H - O - H"; two frantic Frenchmen holding firebrands trample fiercely on him. One (left) says: "now he is quite happy I will have a Jump"; the other adds, "Oh Delightfull you may thank me you Dog for sparing your Life - thank me I say."--British Museum online catalogue
Alternative Title:
Reform begun and Reform compleat
Description:
Title from text etched above each image., Attributed to Rowlandson by the British Museum catalogue., Sheet trimmed within plate mark., Temporary local subject terms: Food: roast beef -- Beverages -- Dishes: tankards -- Jugs -- Weapons: bludgeons -- Wooden legs -- Allusion to French Revolution -- Frenchmen., 1 print : etching on wove paper ; sheet 43.1 x 26.5 cm., Date written in ink in the bottom right corner of sheet, possibly in contemporary hand: Jan. 8, 1793., and Mounted on leaf 54 of volume 4 of 14 volumes.
Publisher:
Pulished [sic] as the act directs, Jany. 8th, 1793, by Jno. Brown, No. 2 Adelphi
Subject (Geographic):
France
Subject (Topic):
History, Foreign public opinion, British, John Bull (Symbolic character), Ethnic stereotypes, Obesity, Meat, Beer, Pitchers, Daggers & swords, Frogs, and Peg legs
At the center of the sheet stands John Bull, hands clasped in prayer, as Sheridan and Fox force the bread of liberty into his wide open mouth as they pick his pocket. On either side of the three stands a gallows and the Temple Bar. In each of the four corners in similar scenes, labelled clockwise from upper left, Holland, Savoy, German & Prussia, red-capped French sansculottes try to force the bread of liberty down recognizable national stereotypes from these four nations as they loot the terrfied citizens
Alternative Title:
Sansculottes feeding Europe with the bread of liberty
Description:
Title from text in image., Printmaker from British Museum catalogue., Sheet trimmed to plate mark on bottom edge., 1 print : etching on wove paper, hand-colored ; plate mark 30.1 x 36.4 cm, on sheet 35.8 x 42.0 cm., and Mounted on leaf 25 of volume 3 of 12.
Publisher:
Pubd. Jany. 12st [sic], 1793, by H. Humphrey, N. 18 Old Bond Street
Subject (Geographic):
France
Subject (Name):
Fox, Charles James, 1749-1806 and Sheridan, Richard Brinsley, 1751-1816
Subject (Topic):
John Bull (Symbolic character), Girondists, Sansculottes, Liberty, Liberty cap, Popes, History, and Foreign relations
Three British sailors invite the captured French Admiral to sit and eat with them: " Well come sit down and do as we do. We never bear malice toa Frenchman after we have thrash'd him". The Admiral remarks: "Ah! Ag, b'egar you site dam vell, but no vonder, you eat dam vel, and you drink dam vel!
Description:
Title etched below image., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted on leaf 17 of volume 8 of 14 volumes.
Publisher:
Pubd. Decr. 11, 1805, by R. Ackermann, N. 101 Strand
Subject (Geographic):
Great Britain.
Subject (Topic):
Trafalgar, Battle of, 1805, History, Eating & drinking, Sailors, British, and French
The head of Louis XVI lies on the platform at the base of a guillotine, his hands tied behind his back, blood pouring from the blade and his head. The swirls of blood ascend and swirl around the guillotine like clouds of smoke and etched in this cloud are a long speech pleading for justice from the British nation and beginning: Wither, O wither shall my blood ascend for Justice? My throne is seized on by my murderers ...
Description:
Title etched below image., Two lines of text above image: This exact representation of that instrument of French refinement in assassination, the guillotine, is submited to the "Gentlemen of the Phalanx" & other well-wishers to the King & Constitution of Great Britain, by their devoted servants at command, The Assassins of the King of France., Sheet trimmed within plate mark at top and bottom., 1 print : etching on wove paper, hand-colored ; plate mark 35.3 x 24.8 cm, on sheet 38.1 x 27.5 cm., and Mounted on leaf 28 of volume 3 of 12.
Publisher:
Pubd. Feby. 16th, 1793, by H. Humphrey, No. 18 Old Bond Street
Subject (Geographic):
France and Great Britain
Subject (Name):
Louis XVI, King of France, 1754-1793
Subject (Topic):
Death and burial, Decapitations, Executions, Guillotines (Punishment), History, and Foreign relations
At the top of a cliff overlooking the sea, Don Quixote (personifying Spain) and Sancho (a Dutchman) discuss plans for a seige while a monkey (representing France) stands on the neck of the Don's horse, pointing toward the moon in which is visible the fortress at Gibraltar. A reference to plans for the combined attack on Gibraltar by French and Spanish forces. The attack came in September of 1782 and was repulsed by the British
Description:
Title from item., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., 1 print : etching on laid paper ; plate mark 25.0 x 35.2 cm, on sheet 26.3 x 36.4 cm., and Mounted on leaf 42 of volume 1 of 12.
Publisher:
Pubd. Augt. 22d, 1782, by H. Humphrey, New Bond Street
A gallows separates the design into two compartments. A sign in the center reads "Roberspierre, Marat, Santerre." The crossbar reads "Held up to infamy and posterity." Another sign hangs from the left arm and reads "Paine's Rights of Man." The sign on the right side reads "Classical lectures on the Roman History.", The scene on the left half is labelled at the top "Old England" and depicts naval and commercial prosperity under the bright skies. Three columns labelled Virtue, Honor and Loyalty stand over the words British Constitution; at the base of the drawing are the words "is basis, the happiness of the people.", and The scene on the right half is labelled at the top "New France", and in contrast, all is death and destruction: cities in ruins, bodies hanging from gallows, a bloody guillotine along with other instruments of torture. Flowing from the guillotine into a shaft underground are discarded fragments: religion, pubk. credit, monarchy, laws, trade, honor, loyality, virtue, art ...
Alternative Title:
Things as they are
Description:
Title etched below image., Sheet trimmed within plate mark., 1 print : etching on wove paper, hand-colored ; sheet 36.9 x 62.7 cm., Sheet trimmed within plate mark on three edges., and Mounted on leaf 13 of volume 4 of 12.
Publisher:
Pubd. Novr. 12th, 1796, by H. Humphrey, New Bond Street
Subject (Geographic):
France
Subject (Name):
Paine, Thomas, 1737-1809.
Subject (Topic):
Democracy, Gallows, Guillotines (Punishment), Liberty cap, Revolutions, French, Ruins, Ships, and History
A scene of the crowded interior of the Revolutionary Tribunal during the trial of Charlotte Corday for the murder of Jean Marat. Corday stands at the bar, her wrists in chains, as she confronts the three judges, grotesque figures -- a barber, a tailor, and a butcher. Marat's body lies between them on a wooden bedstead, his blood stained shirt on a pike
Description:
Title etched above image., One line of quoted text below title: "The noble enthusiasm with which this woman met the charge, & the elevated disdain with which she treated the self created tribunal, struck the whole assembly with terror & astonishment.", Sheet trimmed to plate mark on top edge., 1 print : etching on wove paper, hand-colored ; plate mark 31.3 x 36.2 cm, on sheet 35.0 x 40.9 cm., and Mounted on leaf 35 of volume 3 of 12.
Publisher:
Publishd. July 29th, 1793, by H. Humphrey, No. 18 Old Bond Street
Subject (Geographic):
France and France.
Subject (Name):
Marat, Jean Paul, 1743-1793, Corday, Charlotte, 1768-1793, and France. Tribunal révolutionnaire.
Subject (Topic):
Assassination, History, and Trials (Political crimes and offenses)
