Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[4 March 1780]
Call Number:
Folio 75 B87 770 (Oversize)
Collection Title:
Page 29. Bunbury album.
Image Count:
1
Resource Type:
still image
Abstract:
"'Three French girls before a castle gate', standing in the line with books under their arms, the girl at left with her hands under her apron, looking at the ground, the central figure with a half-open fan and a posy of flowers tucked into her dress and the third with flowers on her bonnet, at right a figure on horseback enters the gate, a guard beside; circular design after Bunbury."--British Museum online catalogue
Alternative Title:
Three girls before Medieval gate
Description:
Title supplied by cataloger., Sheet trimmed within plate mark., Mounted on page 29 of: Bunbury album., 1 print : etching on laid paper ; sheet 29.2 x 28.7 cm., and Imperfect; sheet trimmed within plate mark with loss of imprint statement from bottom edge.
Publisher:
Publish'd 4th March 1780 by Js. Bretherton, New Bond Street
"Ticket to the Pantheon; a family concert outside a thatched cottage with a boy blowing a trumpet accompanying his sister who sings from a sheet, while the parents look on; in frame wrapped in garlands, ... cartouche at top."--British Museum online catalogue
Description:
Title devised by cataloger., With embossed wafer seal in red ink of the "Society of Musicians" in lower left corner, and the concert details "Pantheon, Friday, May 16th, 1788" added in ink within blank cartouche at top of image., Imperfect; sheet torn in lower right corner resulting in loss of printmaker's signature. Trimmed to plate mark on left edge. Missing text supplied from impression in the British Museum, registration no.: C,2.1476-1483., Watermarked paper: LV., and With contemporary ink signatures of "Arnold" (for Samuel Arnold) and "Sandwich" (for the Earl of Sandwich, as Society committee members) to blank lower margin; verso with contemporary ink note "No. 158. Richard Sulivan Esq. Subscriber." For further information, consult library staff.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain
Subject (Topic):
Charity, Musical instruments, Families, and Dwellings
Plate 70. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
Subscription ticket for "Sigismonda" with a figure of Time as an old winged man sitting on a broken statue, blowing pipe-smoke at a dark landscape painting on the easel in front of him and which he has pierced with his scythe; at the top of the frame of the painting is a Greek quote, preceded by the word "Crates' and ending with its identification: "See Spectator Vol. II: Page 83." On the floor to the left is a large jar labeled "Varnish".
Description:
Title, printmaker, state, and date from Paulson., Lettered within image in this state, the name "Crates" added to the top left of the picture frame. Lower right of image inscribed with quote: "-As statues moulder into Worth. P.W." Below a couplet, "To Nature and your Self appeal, Nor learn of others, what to feel. Anon:"., Description based on imperfect impression; sheet trimmed to plate mark with loss of subscription receipt., 1 print : etching on wove paper ; sheet 24.3 x 18.8 cm., Sheet trimmmed within plate mark on bottom edge; mounted on leaf 59 x 46 cm., and Plate 70 in the album: Queen Charlotte's collection of Hogarth works.
Rowlandson's sketches from nature and Sketches from nature
Description:
Title from item., Letterpress title page for: Rowlandson's sketches from nature. [London] : [publisher not identified], [1822]., Annotated in ink with former owner's name and date: Mastr. Josiah Marston 1836., and Mounted on leaf 13 of volume 14 of 14 volumes.
"A sculptured monument to Sir George Savile against a stone wall. A life-like half length figure of Savile looking to the right is set in an alcove with inscriptions above and below. Above: 'The Guardian Genius of that Good Man and Upright Senator \ Sir George Saville Bart \ Hovers with anxiety over The Tomb; not without Hopes, that his Countrymen \ may e're it be too late, see the Necessity of Peace, - the Improbability of \ the Present Ministers making it, - & the Benefit which would result, from a Temperate Reformation of those Abuses, "from which {to use his own memorable words) \ it was notorious, that all our Calamities Sprung."!!!' Below: 'Fuimus Troes, fuet [sic] Ilium et ingens Gloria Teucrorum. Virgil Here lie the Remains of the \ - Requisition, - \ The last Hopes of the Independent Gentlemen of Yorkshire; \ in full Confidence \ that when Corruption shall have ceased to prey upon the \ Human Frame, that it will rise again to \ - Immortal Glory.- \ Reader, \ You will no longer doubt the just Cause or upright \ Intention of this Requisition, when you learn, that \ the Merchants of Leeds, its greatest Enemies, have \ Thought that an Elegant Monument should be dedicated \ to it's \ Memory. \ "Your Cause of Sorrow must not be measured by his \ "Worth, for then it hath no End." Shakespere Mackbeth \ "Quis Desiderio sit Pudor aut Modus \ "Tam chari Capitis." Horace.'"--British Museum online catalogue
Description:
Title, printmaker, and questionable date of publication from British Museum catalogue., Probably commissioned by the Yorkshire Reform movement. See British Museum catalogue., Temporary local subject terms: Monuments: sepulchral monument to George Savile, 8th Bt. -- Literature: Shakespeare's Macbeth, v.8.44 -- Literature: Virgil, Aeneid., 1 print : aquatint & etching on wove paper ; plate mark 26.1 x 19.3 cm, on sheet 32.6 x 24.5 cm., and Mounted on leaf 26 of volume 7 of 12.
"Two Jewish clothesmen outside a respectable mansion at right, buying clothes from an unimpressed housemaid standing in the doorway with a bundle under her arm and a clothes-pail on the step, one man standing with one foot on the doorstep and one on the street, holding up a pair of breeches, the other putting his hand through a hole in the seat; behind at left, a milkman settling his account with a housemaid in another doorway, two maids leaning out of windows on the first floor above and conversing."--British Museum online catalogue
Description:
Title from lettered state., Printmaker signature "Rowlandson fect." etched in lower left corner of design; additional signature "PM: A:Ja. [?] fct. [or fet.]" very faintly lettered in aquatint on doorstep in lower right portion of image., Artist attribution to Henry Wigstead from Nicholas J.S. Knowles., Perhaps an early state (lacking title) of a plate first published by S.W. Fores in 1791, and then republished by him on 16 December 1794; see Grego. See also British Museum online catalogue, registration no.: 1948,0214.647., Sheet trimmed to plate mark., and Not in the Catalogue of prints and drawings in the British Museum.
Publisher:
S.W. Fores
Subject (Topic):
Jews, Peddlers, Clothing & dress, Women domestics, Pails, and Milkmen
Manuscript, on parchment, in two Gothic bookhands, containig copies of Walter of Biblesworth (Bibbesworth), Le tretiz ff.1-27v; Nicholas Bozon (c.1280-1320), Les proverbes de bons enseignements, here called Liber de proverbiis sapientie, ff.28-40v; Hue de Tabarie, Ordre de la chevalerie ff.42-53v; Le mariage des ix filles du diable, often attributed to Robert Grosseteste (1170-1253), bishop of Lincoln but here described as St Maurice, bishop of Paris's translation from the Latin, ff.54-67. The text of Le tretiz contains numerous interlineations and side notes in Middle English
Description:
In Anglo-Norman French with Middle English glosses and annotations., Ownership inscriptions of Sir Henry Sharington (d. 1581)., Script: Gothic bookhand., Decoration: some rubrication of initials., and Binding: contemporary chemise binding of white leather over corded boards.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Biblesworth, Walter de.
Subject (Topic):
Administration of estates, Anglo-Norman dialect, Chivalry, Conduct of life, French language, Study and teaching, and Manuscripts, Medieval
Title, printmaker, and date of publication from Grego., Twenty-four images of characters, individually titled: King; Queen; Lord Flutter; Lady Careless; Sir Timy. Spruce; Miss Busy; Lord Zealous; Lady Flutter; Jemmy Dazzle; Miss Sparkle; Sir Simon Solid; Mr. Nimble; Dolly Diligent; Lady Peaceable; Capn. Dash; Lady Lydia Blaze; Giles Diligent; Priscilla Prudent; Sir Peter Puff; Lady Racket; Major Matchless; Mrs. Friendly; Sir Chas. Worthy; Miss Gadabout., Playing cards?, Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : etching on wove paper, hand-colored ; plate mark 38.3 x 30.1 cm, on sheet 40.8 x 32.2 cm., and Mounted on leaf 83 of volume 11 of 14 volumes.
"A roadside inn with the sign of three horseshoes, the inn at right, path with gate at left; several people gathered outside, including two men on horses."--British Museum online catalogue
Alternative Title:
Three horse-shoes and Three horseshoes
Description:
Title devised by curator., Title given by Grego: The three horse-shoes., Signed by Rowlandson in the lower left portion of design., Date of publication from the British Museum online catalogue, registration no.: 1870,1008.2851., Sheet trimmed within plate mark., and Formerly mounted on leaf 20 of volume 1 of 14 volumes.
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[approximately 1774]
Call Number:
Folio 75 B87 770 (Oversize)
Collection Title:
Volume 1, page 9. Etchings by Henry William Bunbury, Esq. and after his designs. Page 51. Bunbury
Image Count:
1
Resource Type:
still image
Abstract:
"Two monks, one on the left with his hands tucked inside his sleeves at his waist, turned towards the viewer, the other in profile to right, holding a rosary at his side; after Bunbury."--British Museum online catalogue, description of lettered state
Description:
Title supplied by cataloger., Artist and printmaker from statements of responsibility on lettered state: Mr. Bunbury del. ; J. Bretherton f., State before letters. For a lettered state bearing artist and printmaker names and the publication line "Publish'd 1st April 1774", see British Museum online catalogue, registration no.: 1878,0511.822., Sheet trimmed to plate mark., Mounted on page 51 of: Bunbury album., and 1 print : soft-ground etching on laid paper ; plate mark 29.5 x 23.5 cm, on sheet 37.3 x 31.1 cm.
