A caricature of George IV fishing on Virginia Water, using his scepter as a rod, watched by a kingfisher and a wagtail. On the end of his line is a frog, which is being netted by Lady Conyngham, his mistress
Description:
Title etched below image., Sheet trimmed within plate mark at top and bottom., Another version, probably a copy, of a print published June 1826 by S.W. Fores with the shorter title "A king-fisher"; see no. 15137 in the Catalogue of prints and drawings in the British Museum, v. 10., Fairburn published a similar print two months earlier (May 1826), entitled "A king-fisher" and depicting the king fishing alone; see no. 15126 in the Catalogue of prints and drawings in the British Museum, v. 10., Not in the Catalogue of prints and drawings in the British Museum., and Laid down on card.
Publisher:
Pubd. Jul. 13, 1826, by J. Fairburn, Broadway, Ludgate Hill
Subject (Name):
George IV, King of Great Britain, 1762-1830, Conyngham, Elizabeth Conyngham, Marchioness, -1861, and Windsor Castle,
"A drinking scene; a drunken man carousing with two women, raising a glass into which Death, a crowned skeleton standing behind him, pours a liquid from a small bottle, a great quantity of steam or smoke rising off; one of the women lies asleep on the floor in front of the table, breasts exposed and a spilling glass in her hand, the other is falling off her chair at left, horrified, having spied Death; a dog and discarded flagon at lower left, a caged bird hanging from the ceiling, barrels of 'Old Tom' behind."--British Museum online catalogue
Description:
Title etched below image., Date of publication from Grego., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted on leaf 55 of volume 13 of 14 volumes.
Publisher:
publisher not identified
Subject (Topic):
Death (Personification)., Alcoholism, Drinking of alcoholic beverages, Poisons, Skeletons, Birdcages, Birds, Dogs, Loss of consciousness, Eating & drinking, and Barrels
Album of watercolor drawings depicting exotic animals, copied by the artist Ann Rich from the first few parts of the Naturalist’s Pocket Magazine (London, 1798-1802).
Description:
Title from manuscript text on first leaf., Each drawing executed on its own sheet, with a caption written in ink above; bound in contemporary plain paper wrappers., and For further information, consult library staff.
"A travesty of Quintin Matsys' picture of 'The Misers' at Windsor, the misers being George III, writing in his ledger and counting coins, and Queen Charlotte, leaning on his shoulder. The pose, dress, background, and accessories are closely copied, except that the hood over the Queen's head is pushed back to show a large ear-ring and her hair which is decorated with pearls. The 's' of 'Originals' in the title has been scored through, stressing the identification of 'the Misers'."--British Museum online catalogue
Alternative Title:
From the original at Windsor and Lord Courtown's dream
Description:
Title etched below image; letter 's' in 'originals' scored through with several etched lines., Questionable attribution to Kingsbury from the British Museum catalogue., Sheet trimmed within plate mark., Temporary local subject terms: Pen cases -- Inkpots -- Jewels: Queen Charlotte's jewels -- Travesty: Quinten Metsys's The Money Changer and His Wife -- Allusion to James Stopford, Earl of Courtown, 1731-1810., 1 print : etching & stipple engraving on laid paper ; plate mark 44.3 x 36.3 cm, on sheet 46.4 x 37.3 cm., and Mounted on leaf 4 of volume 8 of 12.
Publisher:
Pubd. by Jacob Dowse, near Turnstile, Holborn
Subject (Name):
George III, King of Great Britain, 1738-1820 and Charlotte, consort of George III, King of Great Britain, 1744-1818
Subject (Topic):
Purses, Books, Candlesticks, Interiors, Pets, Birds, Miserliness, and Coins
Manuscript on parchment of Hugo de Folieto, Aviarium, a Bestiarium, and moral treatises
Description:
In Latin., Script: copied by two hands writing a small Gothica Textualis Libraria, both having a tendency towards lengthening and making loops to the ascenders at the top line; A copied ff. 1r-7v and 17r-19v and is marked by conspicuous vertical decorative strokes at the top of r and long strokes on i; B copied ff. 8r-16v. Running headlines in red in artt. 3-5 in Gothica Textualis Libraria., Headings in red. 2-line (on f. 18v 3-line) initials were provided but were not executed; guide letters in the inner and outer margins. In art. 1, square spaces or roundels traced in ink have been provided in the text for illustrations, but the latter have only exceptionally been executed. No illustrations were provided in chapters 28-30 and 36-37. On f. 1v the text of chapters 31-35 is arranged in such a way, that a roundel containing a fully coloured female saint is placed in the center, and in the right-hand column a large space has been provided for a picture of the Cedar, the text being written around its stem. On f. 2r there is a drawing in crayon of a Pelican (very light, ch. 38), on f. 2v an ink drawing of a Raven (ch. 40), on f. 6r a crayon sketch of a Stork (ch. 47)., Parchment soiled and in bad condition. Holes and irregular and damaged lower edges, the latter often repaired by means of strips of parchment; the final pages badly damaged, with loss of text., The manuscript contains: 1) Hugo de Folieto (Hugh of Fouilloy, d. c. 1172), Aviarium. 2) Bestiarium (Bestiary). 3) Caesarius Arelatensis (c. 470-542), Sermo 46 (De ebrietate vitanda). 4) Ps.-Augustinus Hipponensis, Sermo de vanitate. 5) Augustinus Hipponensis (St. Augustine, 354-430), Informatio regularis (Regula ad servos Dei)., and Binding: 19th century. Reddish leather over cardboard; the covers blind-tooled with a double decorative frame, the inner one chequered, with circular dots on the intersections; small quadrangular decorative bosses in gilt (?) brass in the four corners and in the center of each cover. Spine with four raised bands. Two brass clasps attached to the rear cover, with catches on the front cover.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Hugh, of Fouilloy, d. 1172 or 3.
Subject (Topic):
Animals, Birds, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Sermons, Latin
A collection of Syriac prayers, incantations, amulets, and magical formulas, intended to provide protection in times of trouble. Name of copyist and place and date of copying not mentioned, probably from the 18th century
Description:
In Syriac., Title supplied by cataloger., Romanization supplied by cataloger., Incipit: "B-šem Māran kātebnā ktibtā d-núṭar bnaynāšā. Qadmāyat ḥarmā B da-ṣlútā. Qadīš. Qadīš. Qadíš. Māryā Ālāhā ḥayeltānā da-mlén šmāyā u-ʼarʻa men tešbḥāteh, men ítúteh u-men hedrā d-zíweh ...", Secundo folio: ṣebyānāk aykānā ba-shmāyā ʼof b-ʼarʻā., 8 x 11 cm; written surface: 6 x 9 cm; 14 lines per page., Binding: In dark brown leather., In clear East Syriac script, in black ink, on paper; headings in red; includes colored drawings of Biblical figures, angels, demons, saints (some local), plants, birds, animals (wild and domestic), snakes, insects, and weapons (daggers, swords, bows, etc., including pistols); the last leaf is inverted., On a typewritten insert: "Syriac astrology and magic, manuscript text and incantations. n.p.n.d.", At the head of folio 1a (in pencil): "Hartford Seminary Syriac 3.", Inside the front and back cover are pasted leaves from two different manuscripts., On the back cover: "Syriac astrology and magic.", On the spine: "S383. Sy83.", and Colophon: No colophon. The codex ends (folio 41b) with a colored drawing of animals and birds.
Subject (Topic):
Amulets, Animals, Birds, Incantations, Insects, Plants, Syriac language, and Weapons
"The interior of a coffee-house, the customers, with one exception, deeply interested and dismayed at the news in a 'Gazette Extraordinary', which the title shows is that on the capture of the island of St. Eustatius by Rodney, see British Museum Satires Nos. 5827, 5837, &c, the 'Extraordinary Gazette' being that of 13 Feb. 1781. On each side of the room is an oblong table flanked by wooden settles. Between the tables and in the centre of the design three men stand, one of whom reads from a 'Gazette Extraordinary'. His two companions look at him with scowling attention; one, his hat under his arm, has both hands thrust deep into the pockets of his coat; the other holds his forehead, from which his wig has been pushed back. A dog gazes up at them. At the table on the left a man sits in full face gaping with dismay, his hands rest on the table grasping his knife and fork. Two men sit on opposite sides of the table on the right; one holds a glass in his left hand, while he looks up at the group with the newspaper. His vis-à-vis has turned sideways, his hands on his knees, with an expression of melancholy alarm. Behind him, one hand on the back of the settle, stands John Wilkes, conspicuous by his squint and his characteristic wig; he holds a glass of wine and frowns. At his side is a man leaning back asleep. A cockatoo's cage is hung from the roof, the bird head downwards, as if about to screech. Half of the dial of a large wall clock is visible on the extreme right. On the left is a folding screen."--British Museum online catalogue
Alternative Title:
News from St. Eustatia and St. Eustatia
Description:
Title from text above and below image., Sheet trimmed to plate mark., Plate numbered in upper right corner: No. 12., Temporary local subject terms: News of the capture of St. Eustatius -- Gazette Extraordinary, February 13, 1781 -- The London Gazette -- Coffee-house furniture -- Dismay of patriots -- Folding screens -- Cockatoo., and Mounted on page 65 of: Bunbury album.
Publisher:
Publish'd Octr. 15, 1781, by W. Dickinson, No. 158 New Bond Street
Volume 2, page 36. Collection of prints engraved by various persons of quality.
Image Count:
1
Resource Type:
still image
Abstract:
"A lady working at her embroidery turns to watch a child holding a bird, an oval composition."--British Museum online catalogue
Description:
Title engraved below image., Sheet trimmed within plate mark., Companion print to: The tender mother., and Mounted on page 36 in volume 2 of Horace Walpole's collection of amateur works entitled: A collection of prints engraved by various persons of quality.
Publisher:
Pubd. Feby. 27th, 1787, by S. Vivares, Great Newport Street
"A little boy (looking more like a girl) in a frock and cross-gartered shoes, with short, untidy hair, stands agressively, one foot raised to kick, fists clenched. At his feet are a battledore and shuttlecock and a doll; above his head hangs a canary in a cage. He shouts: I dont like Dolls!-I dont like Canary Birds-I hate Battledore and Shuttlecock, I like Drums, and Trumpets-I wont go to school-I will stay at home-I will have my own way in every thing!! The mother, an ugly middle-aged woman (right), in an old-fashioned dress, with a cap and apron, stoops towards him, saying, Bless the Baby-what an aspiring spirit-if he goes on in this way-he will be a second Buonaparte! Behind her (right) stands a pretty nursemaid holding a younger child who screams and waves a rattle."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., Plate numbered "44" in upper left corner., Temporary local subject terms: Male child's costume -- Battledor and shuttlecock -- Canaries -- Female costume 1808 -- Domestic service -- Nursemaid., 1 print : etching with stipple on wove paper, hand-colored ; sheet 32.6 x 21.9 cm., Imperfect; sheet trimmed within plate mark with loss of plate number from top edge., Watermark: J. Whatman 1816., and Mounted on leaf 5 of volume 9 of 14 volumes.
Publisher:
Pubd. May 21st, 1808, by Thos. Tegg, N. 111 Cheapside
A volume of etchings by three daughters of art collector John Ingram (1767-1841) of Staindrop Hall in County Durham: Elizabeth Christian Ingram (born 1795), Caroline Ingram (1800-1819), and Augusta Isabella Ingram (born 1802). The family lived in Venice and took instruction from Venetian etcher Francesco Novelli. Most of the prints bear the monogram of one of the Ingram sisters and are dated 1816 -1821. The works include images after Rembrandt, Ostade, Pietro Novelli, and other artists, Continental views, views of Hartlepool and Newcastle, and a vignette after Bewick. Also included is an image signed "IG' and dated 1824
Alternative Title:
Etchings
Description:
Title devised by cataloger., Date of album based on internal evidence., With a manuscript gift inscription to front free endpaper, dated 1867., Bound in dark half morocco., and For further information, consult library staff.
