Reproduction of Charles Schreyvogel's oil painting "Fight to the finish." Depicts a scene of Native Americans on horseback. Two in close combat foregrounded. Others in background
Description:
BEIN WA Prints +216: Blind stamped in lower left corner: Copyright 1912 by Chs. Schreyvogel., Title from the oil painting on which the print is based., and In lower right corner of print, signed: Chas Schreyvogel copyright 1912.
publish'd according to act of Parliament, March 8th, 1756.
Call Number:
Folio 75 H67 764 (Oversize)
Collection Title:
Plate 80. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
On the coast of France outside a tavern on the coast of France a group of emaciated soldiers are preparing to sail for England. On the right a soldier roasts frogs over a fire on the blade of his sword; above a flag with the words "Vengence et le Bon Bier et Bon Beuf de Angletére." In the center of the design, a monk tests the edge of an axe as he bends to over a horse-drawn sledge laden with instruments of torture, a statue of St. Antony, and a plan for a monastery at Blackfriars. In the distance on the left a line of soldiers are being forced on board a ship. Above them on the cliffs, women are seen ploughing a field. The sign above the tavern advertises Soup meagre and identifies itself as "La Sabot Royal."
Alternative Title:
Invasion. Pl. I. France
Description:
Title engraved above image. The 'N' in France has been engraved backwards., Four columns of verse below image: With lanthern jaws, and croaking gut, See how the half-starv'd Frenchmen strut, and call us English dogs! ... But should they sink in coming over Old Nick may fish 'twixt France & Dover And catch a glorious dinner., Title from Paulson: The invasion. Pl. I. France., Companion print: England. Plate 2d., 1 print : etching on laid paper ; plate mark 31.7 x 38.9 cm, on sheet 46 x 59 cm., and Plate 80 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Geographic):
Great Britain.
Subject (Topic):
Seven Years' War, 1756-1763, Public opinion, Eating & drinking, Clergy, Soldiers, Punishment & torture, Taverns (Inns), and War
Reproduction of Charles Schreyvogel's oil painting "Going for reinforcements." Depicts a scene of battle between Native Americans and U.S. Army troops in the west in which two soldiers are galloping on horses away from Native Americans who are in pursuit
Description:
BEIN WA Print +214: In lower left corner of print, blind stamped: Copyright 1901 by Chs. Schreyvogel., Title from the oil painting on which the print is based., and Imprint devised by cataloger from an advertisement in Publishers’ Weekly (No. 1817; Nov. 24, 1906) for prints by Charles Schreyvogel of western frontier life by Moffat, Yard, & Company of New York.
Reproduction of Charles Schreyvogel's oil painting "How kola." Depicts a scene of battle between Native Americans and U.S. Army troops. Troupers riding directly at viewer with a fallen Native American and horse about to be trampled by trouper on horseback in the foreground
Description:
Title from the oil painting on which the print is based., Imprint devised by cataloger from an advertisement in Publishers’ Weekly (No. 1817; Nov. 24, 1906) for prints by Charles Schreyvogel of western frontier life by Moffat, Yard, & Company of New York., and In hand at bottom left corner of print: Copyright 1901 by Chas Schreyvogel.
Reproduction of a Charles Schreyvogel oil painting. Depicts a two troopers in a narrow canyon; one on horseback, the other unmounted; pistols drawn, looking back at approaching riders
Description:
BEIN WA Prints +217: Blind stamped in lower left corner: Copyright 1912 by Chs. Schreyvogel., Title devised by cataloger., and In lower right corner of print: Chas Schreyvogel copyright 1912.
publish'd according to act of Parliament, March 8th 1756.
Call Number:
Folio 75 H67 764 (Oversize)
Collection Title:
Plate 81. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
Outside an English country inn, over whose door a sign reads "Duke of Cumberland Roast and boil'd every day", a group of soldiers and sailors laugh at a large caricature of Louis XV on the tavern wall. They sit with two attractive young women around a table on which sits a large pie, a tankard, and a broadsheet with the verses of "Rule Britannia." In the lower left a soldier leans against a drum as he plays his flute; the music sheet in front of him is "God save Great George our King". To the right, a short well-fed man smiles as he stands on tip-toe to reach the height required by the recruiting sergeant. In the distance, soldiers are drilling in an orderly fashion; beyond them, on a hill is a large country house
Alternative Title:
England, Plate 2d
Description:
Title from Paulson: The invasion, Pl. 2. England., Title etched above image "England Plate 2d" The two Ns in England etched backwards., State and publisher from Paulson., Companion print: France. Plate 1st., Four columns of verse below image: See John the soldier, Jack the tar with sword & pistol arm'd for war. Should mounsir dare come here?! The hungry slaves have smelt our food, they long to taste our flesh and blood, Old England's beef and beer! Britons to arms! and let 'em come! Be you but Britons still. Strike home, and lion-like attack 'em; no power can stand the deadly stroke that's given from hands & hearts of oak with liberty to back em., 1 print : etching on laid paper ; plate mark 31.6 x 38.5 cm, on sheet 46 x 59 cm., and Plate 81 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Name):
Louis XV, King of France, 1710-1774
Subject (Topic):
Seven Years' War, 1756-1763, Eating & drinking, Musicians, Signs (Notices), Soldiers, Taverns (Inns), War, and Women
Reproduction of Charles Schreyvogel's oil painting "My bunkie." Depicts a scene of battle between Native Americans and U.S. Army troops. Three soldiers on horseback in foreground with one soldier being pulled up from the ground by another
Description:
Title from the oil painting on which the print is based., Imprint devised by cataloger from an advertisement in Publishers’ Weekly (No. 1817; Nov. 24, 1906) for prints by Charles Schreyvogel of western frontier life by Moffat, Yard, & Company of New York., and Text in lower left: copyrighted 99.
Reproduction of Charles Schreyvogel's oil painting "On the skirmish line." Depicts a scene of battle between about a dozen Native Americans on horseback and a dozen U.S. Army troops on foot
Description:
BEIN WA Prints +211:, Title from the oil painting on which the print is based., Imprint devised by cataloger from an advertisement in Publishers’ Weekly (No. 1817; Nov. 24, 1906) for prints by Charles Schreyvogel of western frontier life by Moffat, Yard, & Company of New York., and Written in lower right corner of image: Copyright c. 1900. Hand printed in lower right corner of image: From painting owned by C. M. Butte Hoboken.
Reproduction of oil painting by Charles Schreyvogel, The attackers. Depicts a scene of four Native Americans on horseback, one with a rifle held over his head, riding away from an attack
Description:
BEIN WA Prints +218: Blind stamped in lower left corner: Copyright 1900 by Theo. Seiz, N.Y. Hand written in lower left corner: Colored by W.W. Hall., Title based on title of original painting., and In lower left corner of print, signed: Chas Schreyvogel.
